Search results for

Housed in a 100-meter-tall, concave building in the heart of Xintiandi, the 24-story property has rooms with enduring views over the neighborhood’s Shikumen storefronts. Accommodations combine dark woods, floor-to-ceiling windows, green and gold wool carpets with a paisley-like motif, and dual-basin bathrooms with oversized bathtubs. Shanghai’s Art Deco period and Xintiandi’s courtyard houses inspire interiors, while color schemes of black and green appear throughout, from the dark local granite used as flooring and walls to green glass detailing. Another recurrent theme is the horse, a key Han symbol, laser-cut into large lobby columns and bronze beams to resemble bark on a tree.

If you’ve come to Siem Reap, you’ve already got architectural wonders on the mind. And though you’ll spend your days learning about a 1,000-year-old civilization, a stay at Viroth’s Villa allows a more recent era of Khmer creativity to be contemplated: the 1960s. The decade saw the arts flourish in newly independent Cambodia, most notably in the modernist New Khmer Architecture style.

Viroth’s Villa’s boxy, petite, two-story building is one of the Le Corbusier–inspired genre’s few remaining examples (there are others in Phnom Penh and Kep, on the coast), and its owners, Fabien Martial and Viroth Kol, went to great pains to honor its clean lines and honest aesthetic when renovating the dilapidated building in 2007. Rooms use local materials to modern effect, with dark gray tiled floors and polished terrazzo baths, woven water hyacinth mats, and teak doors. Decor is kept to a minimum—a single standing Buddha, a giant frond from an Elephant Ear palm in a vase—but expertly curated and placed, lending the property the feel of a Southeast Asian art gallery. The intimate, seductive style can also be found in the couple’s second, larger property, Viroth’s Hotel, a newly constructed 1950s-inspired space that opened in January 2015.

There are helipads but no cell phones or young children at Triple Creek Ranch, a 600-acre luxury Western playground on a slope of 10,157-foot Trapper Peak, Montana’s highest mountain, near the Idaho border. Owned by Craig and Barbara Barrett (he, the former CEO of Intel; she, a former astronaut and U.S. ambassador to Finland), this elegant, high-end dude ranch offers sapphire pan mining, scenic trail rides, fishing from stocked trout ponds, and guided hiking, cross-country skiing, and snowshoeing (including starlit expeditions), as well as themed weekend stays focusing on art, food, and wine. The owners’ no-hunting policy has resulted in large herds of elk and other game gravitating to the property, and guests frequently spot animals from huge log cabins decorated with leather furniture and original Western-themed art and equipped with wood-burning fireplaces, private decks, bar, Blu-ray players, and working Wi-Fi connections. (Though the ranch deliberately has no cell phone signal.) From May through October, for additional fees, the ranch pairs up guests with professional rodeo trainers and Orvis-endorsed fly-fishing operators. In winter, the lodge facilitates transportation, tickets, and equipment rental vouchers for the nearby Lost Trail Powder Mountain downhill ski center (300 inches of snow annually) and Chief Joseph Cross Country Ski Area.

The ancient art of wax-resist dyeing reaches a whole new level at Caribelle Batik, located on Romney Manor. At the factory, you can watch artists as they boil hues, apply wax, and dye fabrics, creating the brightly colored, intricately patterned clothing that’s typical of St. Kitts. After taking in the process, browse the wide selection of wraps, dresses, men’s shirts, bandanas, bags, wall hangings, and more, which are among the most desired products in the Caribbean.

Just outside Gelgel and Klungkung, which were the seats of the Majapahit Kingdom from the 15th until the second half of the 17th century, is the village of Kamasan. This village was and is still of great cultural importance to the Balinese as it has been the core of Balinese traditional arts for the past 600 years. It is most famous for its painters, who have been painting in the ‘Kamasan style’ for many generations. This style is derived from the Javanese style that came to Bali with the Majapahit Kingdom and is now the basis for all traditional Balinese styles. You can tour the village and chat to the painters in their workshops and also buy directly from them. There are also textile workshops and silversmiths in the village you can visit. Kamasan is about 40 minutes from Ubud or 1 1/2 hours from Kuta or Seminyak.

While San Francisco’s Contemporary Jewish Museum dates back to 1994, it moved into its current location in 2008. The heart of the museum’s new home is a 1907 Pacific Gas & Electric power substation, with additions designed by one of architecture’s leading figures, Daniel Libeskind. The museum tends to take a thematic and often surprising approach to its subject with, for example, exhibitions of artists inspired by the biblical book of Genesis and others focused on the notable personalities of the Jewish life of California, America and beyond. If you are looking for some unexpected gifts, the museum’s store carries updated menorahs, humorous T-shirts and a large selection of books on Jewish culture and history.

My favourite building in Brussels is the Old England on Mont des Arts, just around the corner from Place Royal. It’s a striking concoction of steel and glass in the Art Nouveau style Brussels is so famous for. But what’s on the inside is just as good as the beautiful exterior. Once a department store, the Old England building now houses the Musical Instrument Museum, or MIM. This fascinating collection of more than 8000 instruments is internationally renowned. Rather than just looking at the exhibits, you actually get to experience them. An audio-guide is included in the cost of admission, but this is no stuffy commentary. As you approach particular exhibits in the MIM, your guide begins to play the music of the instrument you are looking at. It’s a wonderfully interactive approach to learning. I have one more reason to love the Old England building and that is the cafe on the top floor. The food is good, but the selling point of this particular restaurant is the view – one of the best in the city centre. In nice weather, you can even dine on the roof terrace. You don’t have to visit the museum to enjoy the restaurant (although you should). Just tell the door attendant you want to go to the cafe and he’ll load you into the period glass and steel elevator and take you to the top floor.

Lincoln Road is a pedestrians-only boulevard in the heart of South Beach and one of the most popular places to visit in the area. Lined with shops and restaurants in historic Art Deco buildings and shaded by tall trees and fountains, Lincoln Road Mall has some of the best people-watching in Miami. Every restaurant has outdoor seating, and there are street performers and a farmers’ market that showcases the local community, farms, and purveyors. Visitors come from all around the world, so grab a cortadito and take it all in.

Anyone with an iota of interest in art will certainly visit the Prado while in Madrid. But be sure to save some time to visit another nearby museum, where there’s something wonderful to see before you even get inside. Just a 5-minute walk down Paseo del Prado you’ll find the CaixaForum Madrid, with its awe-inspiring vertical garden. From a distance, you might even think you’re looking at a mural there on the wall, but as you approach, the lush greens and earth tones come to life with varying textures that are luscious and welcoming. A masterpiece where nature is the medium!

The gallery, boutique, and tearooms of Morocco’s most famous living artist, Hassan Hajjaj, is an essential stop for any art lovers staying in the city. Tucked away down a narrow alley behind the Rahba Lakdima (otherwise known as the Place des Épices), it’s like stumbling into a jewel box filled with pop-art treasures. Hajjaj made a name for himself with a series of photographs titled Kech Angels, which depicted local girls on mopeds dressed in eye-popping robes. The collection has been exhibited all over the world in such illustrious venues as the Victoria and Albert Museum in London and the Institut des Cultures d’Islam in Paris, but nowhere beats enjoying the work on home turf. While you’re there, treat yourself to his iconic recycled home and fashion pieces, such as a sardine-can lantern, a pair of babouches (Moroccan slippers) cut from a flour sack, or a stool from an oil drum. And if you hang around for a pot of mint tea in the courtyard, you might even meet the man himself.

Occupying 25 floors of a 90-story tower on West 57th Street, Park Hyatt New York opened its doors in August 2014. There is an emphasis on art at this sleek hotel, with museum-quality pieces on display in both the common areas and the spacious, light-filled rooms. A rotating art program in the hotel’s Avenue Gallery space features rotating exhibits with emerging artists from around the world.

Visitors take their best Chicago photographs in front of the iconic Millennium Park sculpture called Cloud Gate (known colloquially as the Bean, for its shape). Conceived by British artist Anish Kapoor and constructed from 168 stainless steel plates with no visible seams, the polished surfaces of this 33-foot-tall sculpture reflect infinite variations of the Chicago skyline. The work’s design was chosen from among more than 30 others commissioned by the city, and it was inspired by liquid mercury.

For the arrival of Peninsula Hotels in Europe in 2014, many millions of euros were lavished on an Avenue Kléber landmark a cobblestone’s throw from the Arc de Triomphe. Born in the Belle Epoque as the Hotel Majestic, the historic property where George Gershwin wrote “An American in Paris” was transformed by the country’s finest artisans—including the company of tassel-makers who decorated the Paris Opéra.

The 40-room John D. Rockefeller estate is sometimes described as being modest compared to other Gilded Age mansions on the Hudson. While it is true that it doesn’t have the same over-the-top quality of the Vanderbilt mansion, it does have one thing that distinguishes it from the other estates nearby, its gardens. Laid out at the beginning of the 20th century with Frederick Law Olmsted (of Central Park fame) leading the project briefly before being replaced by William Welles Bosworth, the gardens are one of the best examples of Beaux Arts garden design in America. Bosworth’s design consists of a number of different gardens spread over terraces descending from the house, many with views of the Hudson and the Palisades on the other side. (The Rockefellers helped protect the land on the opposite side of the river, assuring their views would never be ruined.) Japanese, French, and other styles are contained in separate garden rooms, while the grounds are also home to a number of contemporary sculptures, fitting given the Rockefellers’ legacy as patrons of the arts. It is only possible to visit Kykuit on guided tours offered from the beginning of May to the end of September. (Members of the Rockefeller family continue to use other buildings on the estate and they are apparently not interested in having visitors wander away from Kykuit and drop by unannounced). Choose the “Landmarks Tour” if you are interested in spending more time in the gardens than the house itself.

The Museo Soumaya, financed by Carlos Slim, the richest man in Mexico, has the ambitions of the Guggenheim Bilbao from the outside. It’s a stunning building whose sweeping, soaring curves couldn’t help but make it an instant landmark near Polanco, one of Mexico City‘s ritziest neighborhoods. Inside, the museum recalls the Guggenheim New York, with galleries off of a ramp which spirals down (or up) the building. Unfortunately the museum’s permanent collection isn’t as impressive as those at either Guggenheim. The Soumaya does have some strengths—one of the world’s largest collection of Rodins and some especially noteworthy colonial Mexican works—but it can feel hit or miss, with many undistinguished pieces. Slim’s museum is free, however, so you won’t regret paying admission even if you just pass through quickly to take in the building itself and some highlights.