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Just a short ride from the historic Jerónimos Monastery and Belém Cultural Center, Pestana Palace Lisboa is itself a designated national landmark. The 194-room hotel occupies a carefully restored 19th-century manor that once belonged to the cocoa baron Marquis of Valle-Flôr, and now caters to queens of pop like Madonna (she reportedly stayed in a Royal Suite).

“Lavish” is the key adjective here: The manor is set within an immaculately manicured private park filled with palms, subtropical plants, sculptures, a former pond-turned-swimming pool, and a spa with an indoor pool and Turkish baths. Palace interiors give the air of a gilded cocoon—all ornate ceiling frescoes, soaring stained-glass windows, and magnificent oil canvases—while the main restaurant, Valle Flôr, has Regency airs and Portuguese fare. Guests may linger on Saturdays for a “chic-nic” lunch on the lawn by the pool.

Gallery director Adrian Newstead sources bark paintings, sculptures, and ceremonial artifacts from Aboriginal artists throughout Australia and curates works for local and international shows.

In the middle of Montréal, walking up Avenue McGill College toward the Mountain, you can’t help but run into the 65-person polyurethane sculpture “La Foule Illuminée” (“The Illuminated Crowd”). Sculpted by Franco-British artist Raymond Mason, this public art has stood in front of the BNP/Laurentian Bank Tower since the mid-1980s. In the words of the artist: “A crowd has gathered, facing a light, an illumination brought about by a fire, an event, an ideology—or an ideal. The strong light casts shadows, and as the light moves toward the back and diminishes, the mood degenerates; rowdiness, disorder and violence occur, showing the fragile nature of man. Illumination, hope, involvement, hilarity, irritation, fear, illness, violence, murder and death—the flow of man’s emotion through space.” Get up close, eye-to-eye with some of the details, and you’ll see why this sculpture still generates both controversy and bemusement in the middle of this vibrant city.

Kampa, in Prague’s charming Malá Strana district, is Prague’s largest island. Tucked between the Vltava River and the romantic Čertovka channel, the island’s park comes alive in the warmer months with picnickers, dog walkers, and friends gathered on the greenery desperate to catch up on their vitamin D. With direct views of the Vltava’s roaring rapids and the city’s famous Charles Bridge, Kampa is also home to the Kampa Museum, a former mill turned modern art museum dedicated to 20th-century Central European art. Artist David Černý’s gigantic crawling babies are outside the building, while the inner courtyard and galleries showcase other freestanding works, sculpture, paintings, and photographs.

Playful art and sculptures are the centerpiece of the winery, Clos Pegase. A collection of sculptures by famous 20th-century artists greets visitors outside, and the collection continues in the courtyard and tasting room. The owner, Jan Shrem, believes that great art is best shared with the public. The architecture of the Napa Valley winery is also creative—architect Michael Graves designed the grand building with elements that are partly contemporary and bold and partly classical. The wines are produced only from estate-grown grapes. Tours are offered daily at 11:30 a.m. (all ages) and 2:00 p.m. (21 and over only).

Visitors take their best Chicago photographs in front of the iconic Millennium Park sculpture called Cloud Gate (known colloquially as the Bean, for its shape). Conceived by British artist Anish Kapoor and constructed from 168 stainless steel plates with no visible seams, the polished surfaces of this 33-foot-tall sculpture reflect infinite variations of the Chicago skyline. The work’s design was chosen from among more than 30 others commissioned by the city, and it was inspired by liquid mercury.

North of Georgetown, nestled on 5.5 acres of woods and gardens, this obscure museum is the former mansion of Geico Insurance executive and avid art collector David Lloyd Kreeger and his wife, Carmen. Designed and built by renowned architect Philip Johnson, the International Style masterpiece displays the couple’s collection of 19th- and 20th-century European and American art, and traditional African and Asian art, with an outdoor sculpture garden to boot. Highlights include paintings and sculptures by Picasso (their favorite artist), Renoir, Monet, Van Gogh, Cézanne, Rodin, Chagall, Mondrian, and local talents. The museum also functions as a venue for after-hours classical and jazz concerts.

Maxxi, Rome’s first major contemporary art museum, cost €150 million and took renowned architect Zaha Hadid 10 years to complete. The result—a vast, bold space with exhibits on architecture and art—proves that modern Rome can produce masterpieces, too.

But it’s not just the building that’s worth visiting. Inside, visitors can explore a rotating set of art exhibitions dedicated to paintings, sculptures, and more from the 21st century. The museum is open Tuesday to Sunday from 11 am – 7 pm. It is closed on Mondays. You can get tickets in advance online.

The Municipal House, built in 1912, is a civic hall and concert theater in Prague. This Art Nouveau gem, decorated with allegorical sculptures, gold trim, and stained glass on the exterior, and topped with a glass dome, is a national heritage site. The Royal Court Palace was situated in this location from 1383 to 1485, Czechoslovakia’s independence was proclaimed here in 1918, and the first meetings between the communist government and Vaclav Havel were held here in 1989. The lobby features a sweeping, red-carpeted marble staircase, and the concert hall is decorated in carved stone, gold, shimmering lights, and frescoes. The romantic Francouzska Restaurant opened at the same time as the building did, and is known for its soaring ceilings, glass and gold chandeliers, and early 20th-century atmosphere.

An interestingly curated museum, the Forest of Stone Steles Museum (also called the Steles Forest or Beilin Museum) focuses on displays of steles (commemorative slabs), epigraphs, and stone sculptures from throughout history. The museum’s collection of inscribed tablets offers a unique window into ancient ways of life. Located inside the Wenchang Gate of the Xian City Wall, the museum was constructed similarly to Xian’s Confucian Temple, which dates to 1087.

The 60 pairs of iron shoes lined up along the promenade on the Danube River’s east bank are a part of the Shoes on the Promenade Holocaust Monument. Conceived by film director Can Togay and created in period style by sculptor Gyula Pauer, the iron shoe sculptures represent the footwear that fascist Arrow Cross militiamen ordered 3,500 Budapesters, 800 of them Hungarian Jews, to remove and leave behind just before they were executed at the edge of the water in 1944. Today the sculptures serve as a subtle, touching monument that gives new meaning to the saying “put yourself in his shoes.” A long bench runs behind the monument for reflection.

I love public art and one of my favorites is “The Awakening,” which was created by the famed American sculptor, J. Seward Johnson, Jr. The Awakening is an iconic sculpture was originally installed by the artist at Hains Point in Washington, D.C., but was moved to National Harbor in 2008 when the developers purchased it. The Awakening consists of five separate pieces of metal, embedded in the ground, giving the impression of a giant man struggling to free himself from the ground. The left hand and right foot look like normal body parts. The left right hand, bent leg, and the bearded face with mouth mid-scream, are the parts that convey the pain of the man’s struggle to free himself. At any given moment, you will someone posing in front of one body part or another for a photo op. Kids especially love to clamber onto the man’s head. You can tell from the photo which part are my favorites! The way the foot and the fingers bent, the veins and folds of the skin—it’s all amazingly realistic. At National Harbor, The Awakening has been installed at the small beach area by the marina. It’s a great place to let the kids loose to have fun in the sand, and for the adults to admire a great piece of public art!

Opened in 2021, the first urban resort from LVMH—the arbiter and exporter of French luxury—feels sumptuous at every turn. A 100-foot pool, the largest of any French hotel, is covered in hand-laid mosaic tiles, while a series of virtual window panels display illustrated scenes of the Seine in perpetual motion as you swim laps. A penthouse apartment has its own 41-foot pool, projection space, and panoramic terrace. Plénitude, the fine-dining restaurant, earned three Michelin stars within months of opening. The hotel was designed by Peter Marino, an American known for his chromatic and sculptural retail spaces in the LVMH universe, including the recently renovated Tiffany’s flagship in New York.

Set within the Banco de la República’s museum complex, the Botero Museum offers a sampling of paintings and sculptures by famed Colombian artist Fernando Botero, best known for his still lifes and his exaggeratedly rotund human figures. Botero donated 123 of his own pieces to the institution, as well as 85 from his personal collection—including treasures by Chagall, Picasso, Monet, and Miró. The gracious colonial-era mansion includes an area that displays contemporary Latin American and European artworks. Audio guides are available in English, French, and Spanish.

A public art piece by Native American artist - Bob Haozous, Artificial Cloud is a peculiar and somewhat eerie sculpture to look at. The artificial cloud is the artists representation of the death of the Earth, separation between racial and social classes, and a reminder of the fragility of humanity.