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A couple of years ago, on Black Friday, my wife and I headed away from the malls of Tucson and into the mountains: Chiricahua National Monument, just west of the New Mexico border in SE Arizona, was one of the last strongholds of the Chiricahua Apaches, who called this area “the land of standing-up rocks.” This particular mountain peak is Cochise Head (elev. 8087'); cock your head to the right and it resembles a man’s profile. The ‘eyelash’ is formed by a tall Douglas fir tree. The volcanic formation is named after Chief Cochise, who died in 1874. About a decade after his death, several hundred of his surviving fellow Apaches were deported to Florida, never to return to their homeland again... The history of the American Southwest is a sobering mix of people on the move with conflicting labels: pioneers/invaders, defenders/terrorists, war/genocide, natives/aliens...It still hasn’t been all sorted out.

Yeah Baby! The Strip might get all the attention, but if you want the real Vegas the only place to go is Fremont St. With its enclosed light show of a ceiling, freak show of people watching, and rock ‘n’ roll show of live entertainers you could be there for hours. Of course, it has casino or two should you want to make a wager, but my bet is that you’ll be fully occupied just taking it all in.

Spanning a massive 129,166 square feet, the Pinakothek der Moderne is really four different museums: the Sammlung Moderne Kunst, the Design Museum, the State Graphic Collection, and the Architekturmuseum. As such, it’s one of Europe’s biggest institutions for modern and contemporary art, design, and architecture, offering a sweeping overview of 20th- and 21st-century culture, from avant-garde sculpture to digital installations. Notable for its 82-foot glass dome, the building is bright and airy, with plenty of room for walking around and experiencing all that’s on display. Tour the permanent collections on the upper floors, then head down to the ground floor to see the graphic, architectural, and temporary exhibitions.

The 17th century mansion that houses Oaxaca‘s contemporary art museum is commonly referred to as “La Casa de Cortes,” although it was in fact built over a century after the death of Hernan Cortes, it is certainly lavish enough to have been worthy of the great conquistador. The front of the building has the family seal of the Lazo de la Vega and Pinelo families, who were the home’s original inhabitants. The state government acquired the building in 1986 and it housed a different museum prior to the opening of the MACO (Museo de Arte Contemporareo de Oaxaca) in 1992. The museum has 13 exhibit rooms, with the permanent collection on the second floor, and downstairs areas are used for temporary exhibits, which change frequently.

If Torre Latinoamericana, whose construction was completed in 1956, looks familiar, it shouldn’t be hard to place the resemblance: this skyscraper, once Mexico City‘s tallest at just under 600 feet, looks quite a bit like New York City‘s Empire State Building. What makes the torre significant, other than that fun historical fact, is this: It has survived many earthquakes, including the devastating 1985 earthquake. As such, it is widely considered to be the first major skyscraper in the world to be built on active seismic land. From its mirador, or observatory, you can see for miles and miles, getting a true appreciation of the city’s vast expanse. You can also take some excellent photos of the Palacio de Bellas Artes, which is just across the street.

The fact that Oaxaca is a hub of art and creativity is evident almost everywhere you look. Besides the abundance of beautiful architecture and colorful folk art and handicrafts, several important contemporary artists hail from Oaxaca, including three internationally renowned painters: Rufino Tamayo, Rodolfo Morales and Francisco Toledo. The Oaxacan painters museum is a space that celebrates the art and creativity of these, and other less well-known but also extremely talented artists from this southern Mexican state. The two-story restored colonial mansion that houses the Oaxacan painters museum has elegant arches surrounding a central courtyard, and rooms with pristine white walls that form the backdrop to paintings and other artwork. There’s no permanent collection here, but temporary exhibits run throughout the year, and the space is also used for workshops and courses.

Bangkok is well known for being a party town, but not everyone is aware of how nuanced its nightlife scene actually is. The city’s naughty reputation is alive and well in notorious red-light districts such as Patpong, Soi Cowboy and Nana Plaza, but there’s a whole lot of life beyond the go-go bars. Well-heeled Thais and expats alike flock to the Thong Lor area where high-concept bars such as the fairytale-themed Iron Fairies rub shoulders with state-of-the-art techno clubs such as Demo. For James Bond-meets-Shanghai bordello flamboyance, try Maggie Choos in Silom, one of the city’s new buzz bars. Another nightlife favorite is RCA, a long strip of nightspots, which encompasses everything from cavernous clubs to intimate, grungy venues such as Cosmic Café.

This royal palace was probably much-visited this year, due to an exhibition of Joana Vasconcelos, a very important Portuguese artist. The palace was built on a hill, after being destroyed at its the previous location (in front of the river) in the 1755 earthquake. But it wasn’t finished, because the royal family fled to Brazil during the French invasion. In 1968, it opened as a museum, with important collections of decorative arts of the 18th and 19th centuries, such as furniture, jewelry, textiles, painting, ceramics, photography, and sculpture. Many important state ceremonies take place here as well.

On first glance, it would be easy to dismiss the 101 Hotel as merely a functional option. Stepping inside the austere five-story concrete building on Hverfisgata, however, guests discover an ultra-modern boutique lodging with minimal black-and-white decor—the work of owner-designer Ingibjörg S. Pálmadóttir—that gives it the feel of a chic downtown gallery. Contemporary paintings, photography, and sculptures by local artists appear througout the property, complementing the oak floors and wood-heavy Nordic furniture in the 38 rooms. Queen and king-size beds (there are no twin rooms) come topped with fine Italian linens, entertainment systems are state of the art, and open-plan bathrooms make extensive use of glass and offer Aveda bath products; deluxe rooms and suites up the ante with with claw-foot tubs. The hotel also has a moody restaurant and bar, a gym and spa, and a comfortable lounge area where you can put your feet up by the fire.

L’AND Vineyards is a “Wine Resort” that offers a unique rural experience in an exclusive and contemporary ambiance. It is located in the heart of the Alentejo and extends around a central valley of vineyards, olive groves and a lake communicating with the accommodation units that born from the landscape, sorted in small clusters, recovering the typology of the traditional properties (“montes”) of Alentejo. By electing the wine as anchor of its inspiration, L’AND Vineyards Resort is a 5 star holiday village. L’And restaurant seeks to affirm the new Portuguese gastronomic culture, reflecting the history and culture of Portugal and integrating the experiences and ingredients that came from the discoveries in the East. The cuisine of Chef Michael Laffan, awarded a Michelin star in 2013, creates the restaurant menu inspired by the natural environment that surrounds the hotel, presenting dishes with influences from Alentejo in a contemporary interpretation, taking visitors on a gastronomic journey.

Architect Moshe Safdie’s Habitat 67 apartment complex was built for Expo 67, a key moment in Montreal‘s emergence as one of the world’s cultural capitals. While many buildings from the late 60s haven’t fared well with time, Habitat 67 still achieves Safdie’s goal: demonstrating that contemporary housing projects can be original and appealing works that create a sense of community among their residents. For a public who had come to associate housing projects with off-putting towers set in windswept plazas, Habitat 67 was a revelation with its 354 prefabricated concrete blocks stacked to construct 146 units. Apartments here continue to be coveted and command a premium price. Habitat 67 is a little out of the way from most of the other sites you’ll likely visit, on a peninsula facing Old Montreal. Take a cab to get there and note that the complex is private property—you’ll be turned away by security if you try to enter but you can admire this modernist vision from the street.

Saddle-shaped Cradle Mountain is the state’s most popular peak and the starting point for the 64-kilometer (40-mile), six-day Overland Track. For day-trippers, there are quicker walks, including the Dove Lake Loop, which traverses temperate rain forest on the slopes of the park’s namesake peak, as well as rafting and rappelling adventures run by outfitters such as Cradle Mountain Canyons Tours. Other highlights include Waldheim Chalet, a replica of the home of Gustav Weindorfer, the park’s founding father.

Occupying what were the Maison Blanche department store and the S.H. Kress & Co. five-and-dime, this stately hotel first opened its doors in 2000 after a $250 million overhaul of the then-shuttered Beaux-Arts buildings. After Katrina, the property underwent a second renovation, which included the expansion of its spa (now a sprawling 25,000 square feet) and the addition of a private entrance for Club level guests.

This is a Ritz-Carlton, so you can expect the same (high) level of service and luxury—think ornate furnishings, sumptuous linens, and a $3.5 million art collection—as at other properties within the brand. But the property isn’t just another Ritz. Bellmen wear seersucker, the bistro serves po’ boys, and there’s live jazz in the lounge (which also serves a mean Vesper).

Willis Tower—originally known as the Sears Tower—was the world’s tallest building for 23 years until it was unseated in 1996 by the Petronas Twin Towers in Kuala Lumpur. The 110-story skyscraper is still mighty impressive. Its “bundled tube” design by architectural firm Skidmore, Owings & Merrill was originally inspired by a handful of cigarettes and the innovative bundling changed the construction of supertall, wind-resistant buildings thereafter. The tower’s height is even more thrilling when measured from the 103rd-floor windows of the Skydeck observatory and the Ledge, a glass-enclosed box which juts more than four feet out from the side of the building so that visitors can (gingerly) walk out and stand 1,353 feet above the street.

The Piazza Della Repubblica was the place to be in Florence in the evenings. Tourists and locals alike dined at the restaurants lining the square, student groups gathered, families enjoyed the Carousel, and gypsies and other migrants tried to sell everything from silk scarves to toys..right up until the police arrived and they all magically disappeared.