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In 1589, the Church of San Luigi dei Francesi became the official church of Rome’s French community, and with true Bourbon flair, the church’s decorations are a celebration of France’s power and wealth, with gilded stucco, lavish marbles, and detailed ornament. But it can feel as though no one is noticing, since visitors usually head directly to the Contarelli Chapel in the transept to the left of the main altar, where three incredible Caravaggio paintings reside: The Calling of Saint Matthew, The Martyrdom of Saint Matthew, and Saint Matthew and the Angel. Known as the Matthew Cycle, the beautifully detailed and dark oil paintings show off the best of the baroque painter.

Sri Srinivasa Perumal Temple is a popular landmark in Little India, where much of Singapore’s sizable Tamil Hindu community works and worships. Originally a simple building on a plot of land, the temple became something entirely different in the mid-1960s with the addition of an elaborate five-layer gopura, or gatehouse tower. Each stepped level of the tower’s roof is crowded with vividly painted statues of royalty, dancers, and deities, as well as candy-colored architectural elements, all of which creates a remarkable celebratory effect. The temple has been granted protected status as a national monument by the government.

What’s old is new again at Venice‘s most buzzed-about shopping destination: a department store opened in 2017 in a building dating to the 1500s. An even earlier iteration, a 13th-century trading hall for German (“tedeschi”) merchants, went up in flames. It’s a gorgeous space to see—and Instagram—even if you’re not in the market for a Gucci handbag or Bottega Veneta sunglasses. There’s a small food hall that features local products, including Burano lace, and the family behind Venice’s longstanding Quadri provides the food at a café in the central atrium. Don’t leave without making your way up to the roof for sweeping views of the Grand Canal and Rialto Bridge.

A departure from the pastel villas that dominate the Amalfi Coast, Parco dei Principi is a modernist edifice enveloped in tropical gardens and set on the outskirts of Sorrento. The work of famed Italian architect and designer Gio Ponti, the boxy white structure bears his signature at every turn, from the furniture and fixtures down to the blue-and-white floor tiles (each of the 96 guest rooms features a different pattern). Beyond the eye-catching geometry, accommodations are minimalist in style, featuring midcentury chairs and crisp white beds. Even the saltwater pool looks like an art piece, its angularity punctuated by a diving board that sits swanlike above the water. Tunnels cut through the cliffside lead to a private beach, where an alfresco restaurant on the waterside deck serves up fresh-caught seafood in the summer. For a bird’s-eye view of the scene, opt instead for the panoramic vistas from the terrace of the hotel’s Gio Ponti restaurant.

Lake Maggiore, the second largest Italian lake after Lake Garda, holds the three jewel-like Borromean Islands, Isola Bella, Isola Madre, and the quaint and picturesque, Isola dei Pescatori.

Gothic and grand, this 18th-century former nobleman’s home stands proudly on the banks of the Grand Canal in the San Marco district. Venetian-born owner and interior designer (among her many talents) Francesca Possati has restored this historic home to its regal glory. She has worked with local artists to breathe new life into original woodwork, ornate trompe l’oeil ceilings, and silk wall hangings, resulting in a once-again polished and posh palazzo. The distinctly Venetian rooms—many with canal views—are styled with rich fabrics, bold wall coverings, and pristine period antiques and illuminated by Murano glass chandeliers. Of course, they’ve been updated with the latest modern perks (like Italian marble and whirlpool tubs in the bathroom).

Stroll the art-filled hallways, splurge for a tasting menu at the elegant restaurant, and watch the gondolas float by from the red-awninged terrace. La dolce vita, indeed.

The lovely Ooidonk castle, once the home to the Earl of Horne, is one of the finest in the country and is still inhabited by the owner. The castle was involved in numerous conflicts between cities during the 14th and 15 century and saw its fair share of religious wars during the 16th century. In 1595 the medieval castle was rebuilt and given its current looks thanks to Maarten della Faille. The outer view, the towers especially, crow-step gables and many chimneys evoke the images of Loire castles such as Chambord. The castle was brought into the modern age in 1870 without removing the original renaissance style and was opened to the public from 1958 on. The castles interior is filled with precious furniture, silver, paintings and family portraits. The successive owners and the current earl Juan t’ Kint de Roodenbeke, have always achieved to maintain the rural panoramic view of the grounds. The gardens are exquisite and worth a visit. Unfortunately we could only see the outside and the gardens due to the fact that the family was in the castle having a reunion. I will however be going back next month to see the interior.

See our full list of Where to Go in 2015. According to legend, the ancient gods battled it out to become Athens’ patron deity. The showdown came after the Phoenicians founded a city at a giant rock near the Aegean some two and a half million years ago. The gods of Olympus issued a challenge: the deity who could provide the most valuable legacy for mortals would become the city’s namesake. Athena, goddess of wisdom, produced an olive tree, symbol of peace and prosperity. Poseidon, god of the sea, pounded his trident into the ground and out came a saltwater spring (or a horse, depending on the legend you read). The gods decided Athena’s gift would serve the city better with food, oil, and wood. To this day, her legacy is revered throughout Greece. Named after Erechtheus, a mythical king of Athens, the Erechtheion is Ionic architecture at its finest, easily recognizable by the Caryatids, six larger-than-life maidens modeled on women from ancient Karyai who seem to be casually supporting its southern portico. Those holding up the porch now are plaster casts; the originals are preserved in the Acropolis Museum in Athens.

Since its founding in 1893, the Hassler has been a pillar of luxury accommodation in Rome. This five-star hotel is perched theatrically atop Trinità dei Monti, the hill at the apex of the Spanish Steps, providing dazzling vistas over Rome’s rooftop terraces and church domes. More than a century after opening, the hotel remains privately owned. Generations dedicated to carefully cultivating a loyal clientele have made the Hassler the destination of choice for many royal and celebrity visitors to Rome. Accordingly, the staff is well-equipped to fulfill every imaginable whim and desire, regardless of how outlandish.

The formal service and decor hark back to the last days of the Grand Tour when European and American elite converged on Rome for its cultural—and couture—offerings, a tradition that still thrives in places like this. The Hassler oozes Old World charm, and its nearly 100 rooms are clad in marble, embellished with antiques, and accented with gilded furnishings, a reminder of the city’s late 19^th-century splendor. The common areas are similarly lavish and offer palatial settings for meetings, cocktails, and lounging.

Just across the Piazza Trinità dei Monti, the Hassler’s second property, Il Palazzetto, offers accommodations with a lot less gilding but no less class.

Quietly inhabiting the lovely Via dei Banchi Vecchi, Il Goccetto (not to be confused with the Italian pro-marijuana organization by the same name) is a secret hidden in plain sight: a cozy, wood-paneled wine bar with 18th-century ceiling frescoes, more than 300 bottles of Italian and French wine, and a chilled-out atmosphere. Come in the early evening to sit alongside locals reading newspapers or playing checkers, or waltz in late to experience the buzz of young, professional Romans who frequent this local favorite after dinner. No matter when you arrive, order the cheese plate.

The Dubai Spice Souk is a traditional market located in Deira, near the famed Gold Souk. It’s easy to overlook the Spice Souk if you’re not looking carefully; tucked into alleyways off of Baniyas Street, the souk is small, but manages to pack a pungent punch. If you plan on purchasing spices – from cardamon to cumin to turmeric to nutmeg, and everything in between – be prepared to haggle. A good rule of thumb is to cut the vendor’s opening salvo in half, and then barter upwards from there until you reach a number you’re both comfortable with.

The Museo del Novecento (Museum of the 20th century) is a visual lesson in one century of Italian art history. Housed is the 1930s Palazzo dell’Arengario by Rationalist architects Piero Portaluppi and Giovanni Muzio. The Novecento also houses an amazing collection, Who’s Who of the 1900s, including Italians Balla, Modigliani, Boccioni, Martini, Morandi, and De Chirico and international artists like Picasso, Matisse, and Klee. In fact, the museum is considered one of the world’s most important collections of Italian and international 20th-century art in Italy—Futurism, Spatialism, and Arte Povera. Keep your eye out for Piero Manzoni’s clever Arte Povera pieces, Arturo Marini’s large stone figures, and Pellizza Da Volpedo’s monumental painting Il Quarto Stato (The Fourth Estate). Martini also did the palazzo’s exterior bas relief. Bonus: The upper level bar/restaurant overlooks Piazza del Duomo.

Once the bayside palazzo of a shipping magnate, the recently restored Romeo juxtaposes antique and modern art in a world-class collection. Fabrics, serving pieces, and porcelain by Hermès, Andrée Putman, and J.L. Coquet complement the Kenzo Tange–designed facade of undulate glass. Doubles from $240, 39/081-017-5001. Read Tom Downey’s “Tailor Made in Naples.”

Ask someone who’s stayed at Number 31, a downtown Dublin house-hotel, what it’s like and he or she likely won’t get past the breakfast: the pears poached in vanilla syrup, Wexford strawberries, eggs scrambled with smoked salmon from the west coast, and slices of zesty cranberry loaf. Such homey food served in a sunlit dining room is part of what makes Number 31 feel less like a hotel and more like the pied-à-terre you’ve always dreamed of. Comfortable rooms and unobtrusive staff add to the urban townhouse vibe; the hotel owners, Noel and Deirdre Comer, manage to be warm and welcoming while also leaving guests to make themselves at home around the peat fire in the sunken lounge.

A wild garden separates the hotel’s two buildings, a Georgian terrace house and the coach house, and the overall modernist-meets-classic design owes to architect Sam Stephenson, who lived in the house as he renovated it in the 1950s. Number 31 is a favorite of Dublin insiders, from artists to architects to the designer John Rocha.

Take your morning coffee in the sunshine, shaded by the the Palazzo Ducale. With quite a few tables, Douce does a busy morning cappuccino/focaccia business, so you can also come later in the afternoon (when it’s slightly warmer) to make sure you get an alfresco seat. Just make sure you don’t order a cappuccino after 10am—the Genovese are likely to laugh at you. It’s espresso or nothing at that point!