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Last April, I spent a morning hiking along the San Pedro River, just NW of Bisbee, AZ; the caterpillars were astoundingly abundant. When I stopped, I could hear them munching on leaves all around--a surround-sound of crunching, the aural fecundity of spring. Between Sierra Vista and Bisbee, the high grassland highway slowly slopes down to this cottonwood-lined river--one of the few free-flowing rivers left in the Desert Southwest. This ribbon of forest stretches from the Mexican border up towards the lower-elevation desert, providing a flyway for migrating birds and even habitat for the occasional jaguar (very rare). In the late 1980’s, this area was made a National Conservation Area, and it’s a nice shady walk in what can often be sun-blasted country.

Just beyond the western edge of Tucson, you’ll find these Hohokam petroglyphs in Saguaro National Park. No one knows precisely when they were carved into the rocks, but Hohokam settlements in the Sonoran desert date back almost two thousand years. We went on a short hike among the saguaro to end up on this hilltop with this pre-Columbian art—not your typical suburban stroll.

Yeah Baby! The Strip might get all the attention, but if you want the real Vegas the only place to go is Fremont St. With its enclosed light show of a ceiling, freak show of people watching, and rock ‘n’ roll show of live entertainers you could be there for hours. Of course, it has casino or two should you want to make a wager, but my bet is that you’ll be fully occupied just taking it all in.

Spanning a massive 129,166 square feet, the Pinakothek der Moderne is really four different museums: the Sammlung Moderne Kunst, the Design Museum, the State Graphic Collection, and the Architekturmuseum. As such, it’s one of Europe’s biggest institutions for modern and contemporary art, design, and architecture, offering a sweeping overview of 20th- and 21st-century culture, from avant-garde sculpture to digital installations. Notable for its 82-foot glass dome, the building is bright and airy, with plenty of room for walking around and experiencing all that’s on display. Tour the permanent collections on the upper floors, then head down to the ground floor to see the graphic, architectural, and temporary exhibitions.

The 17th century mansion that houses Oaxaca‘s contemporary art museum is commonly referred to as “La Casa de Cortes,” although it was in fact built over a century after the death of Hernan Cortes, it is certainly lavish enough to have been worthy of the great conquistador. The front of the building has the family seal of the Lazo de la Vega and Pinelo families, who were the home’s original inhabitants. The state government acquired the building in 1986 and it housed a different museum prior to the opening of the MACO (Museo de Arte Contemporareo de Oaxaca) in 1992. The museum has 13 exhibit rooms, with the permanent collection on the second floor, and downstairs areas are used for temporary exhibits, which change frequently.

If Torre Latinoamericana, whose construction was completed in 1956, looks familiar, it shouldn’t be hard to place the resemblance: this skyscraper, once Mexico City‘s tallest at just under 600 feet, looks quite a bit like New York City‘s Empire State Building. What makes the torre significant, other than that fun historical fact, is this: It has survived many earthquakes, including the devastating 1985 earthquake. As such, it is widely considered to be the first major skyscraper in the world to be built on active seismic land. From its mirador, or observatory, you can see for miles and miles, getting a true appreciation of the city’s vast expanse. You can also take some excellent photos of the Palacio de Bellas Artes, which is just across the street.

The fact that Oaxaca is a hub of art and creativity is evident almost everywhere you look. Besides the abundance of beautiful architecture and colorful folk art and handicrafts, several important contemporary artists hail from Oaxaca, including three internationally renowned painters: Rufino Tamayo, Rodolfo Morales and Francisco Toledo. The Oaxacan painters museum is a space that celebrates the art and creativity of these, and other less well-known but also extremely talented artists from this southern Mexican state. The two-story restored colonial mansion that houses the Oaxacan painters museum has elegant arches surrounding a central courtyard, and rooms with pristine white walls that form the backdrop to paintings and other artwork. There’s no permanent collection here, but temporary exhibits run throughout the year, and the space is also used for workshops and courses.

Bangkok is well known for being a party town, but not everyone is aware of how nuanced its nightlife scene actually is. The city’s naughty reputation is alive and well in notorious red-light districts such as Patpong, Soi Cowboy and Nana Plaza, but there’s a whole lot of life beyond the go-go bars. Well-heeled Thais and expats alike flock to the Thong Lor area where high-concept bars such as the fairytale-themed Iron Fairies rub shoulders with state-of-the-art techno clubs such as Demo. For James Bond-meets-Shanghai bordello flamboyance, try Maggie Choos in Silom, one of the city’s new buzz bars. Another nightlife favorite is RCA, a long strip of nightspots, which encompasses everything from cavernous clubs to intimate, grungy venues such as Cosmic Café.

This royal palace was probably much-visited this year, due to an exhibition of Joana Vasconcelos, a very important Portuguese artist. The palace was built on a hill, after being destroyed at its the previous location (in front of the river) in the 1755 earthquake. But it wasn’t finished, because the royal family fled to Brazil during the French invasion. In 1968, it opened as a museum, with important collections of decorative arts of the 18th and 19th centuries, such as furniture, jewelry, textiles, painting, ceramics, photography, and sculpture. Many important state ceremonies take place here as well.

On first glance, it would be easy to dismiss the 101 Hotel as merely a functional option. Stepping inside the austere five-story concrete building on Hverfisgata, however, guests discover an ultra-modern boutique lodging with minimal black-and-white decor—the work of owner-designer Ingibjörg S. Pálmadóttir—that gives it the feel of a chic downtown gallery. Contemporary paintings, photography, and sculptures by local artists appear througout the property, complementing the oak floors and wood-heavy Nordic furniture in the 38 rooms. Queen and king-size beds (there are no twin rooms) come topped with fine Italian linens, entertainment systems are state of the art, and open-plan bathrooms make extensive use of glass and offer Aveda bath products; deluxe rooms and suites up the ante with with claw-foot tubs. The hotel also has a moody restaurant and bar, a gym and spa, and a comfortable lounge area where you can put your feet up by the fire.

Cape Town already feels like it’s at the tip of the world, but the sensation is magnified at Tintswalo Atlantic, where guests get cozy in suites just a few feet from the ocean. Park in the lot just off famed Chapman’s Peak Drive and take the hotel van, which winds its way down a steep road and drops guests at a collection of semi-detached units. Each is themed after a different island—Zanzibar, Antigua, Sicily, and, oddly enough, Robben (where Nelson Mandela was imprisoned). The details are thoughtful, however, from the elaborate, wood-carved headboards to the seashell-encrusted bathroom walls and idyllic paintings. It’s hard to find a setting more romantic and remote. In the unlikely event that you want to venture out, there’s a shuttle that whisks guests to Cape Town, just over 30 minutes away.

One&Only Royal Mirage, the calmest and most elegant of Dubai’s mainland beach resorts, consists of three Arabian-styled palace hotels set amid a lush, 65-acre palm garden fronted by a three-quarter-mile white-sand beach. The Palace, the oldest and largest hotel, still has the feeling of an intimate escape despite the past decade’s frenetic high-rise construction along the coastal highway. The Arabian Court draws local couples and, in winter, sheikhs who take trained falcons to tea in the lobby. The most exclusive joint, the Residence, is closest to the spa where guests indulge in massage-themed vacations. All rooms share a French-Moroccan decor and courteous staff who continually offer fruit skewers, cold towels, and drinks around four of the U.A.E’s most beautiful outdoor pools.

Occupying what were the Maison Blanche department store and the S.H. Kress & Co. five-and-dime, this stately hotel first opened its doors in 2000 after a $250 million overhaul of the then-shuttered Beaux-Arts buildings. After Katrina, the property underwent a second renovation, which included the expansion of its spa (now a sprawling 25,000 square feet) and the addition of a private entrance for Club level guests.

This is a Ritz-Carlton, so you can expect the same (high) level of service and luxury—think ornate furnishings, sumptuous linens, and a $3.5 million art collection—as at other properties within the brand. But the property isn’t just another Ritz. Bellmen wear seersucker, the bistro serves po’ boys, and there’s live jazz in the lounge (which also serves a mean Vesper).

Willis Tower—originally known as the Sears Tower—was the world’s tallest building for 23 years until it was unseated in 1996 by the Petronas Twin Towers in Kuala Lumpur. The 110-story skyscraper is still mighty impressive. Its “bundled tube” design by architectural firm Skidmore, Owings & Merrill was originally inspired by a handful of cigarettes and the innovative bundling changed the construction of supertall, wind-resistant buildings thereafter. The tower’s height is even more thrilling when measured from the 103rd-floor windows of the Skydeck observatory and the Ledge, a glass-enclosed box which juts more than four feet out from the side of the building so that visitors can (gingerly) walk out and stand 1,353 feet above the street.

L’AND Vineyards is a “Wine Resort” that offers a unique rural experience in an exclusive and contemporary ambiance. It is located in the heart of the Alentejo and extends around a central valley of vineyards, olive groves and a lake communicating with the accommodation units that born from the landscape, sorted in small clusters, recovering the typology of the traditional properties (“montes”) of Alentejo. By electing the wine as anchor of its inspiration, L’AND Vineyards Resort is a 5 star holiday village. L’And restaurant seeks to affirm the new Portuguese gastronomic culture, reflecting the history and culture of Portugal and integrating the experiences and ingredients that came from the discoveries in the East. The cuisine of Chef Michael Laffan, awarded a Michelin star in 2013, creates the restaurant menu inspired by the natural environment that surrounds the hotel, presenting dishes with influences from Alentejo in a contemporary interpretation, taking visitors on a gastronomic journey.