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A mostly local crowd spills out onto the sidewalk from this hole-in-the-wall hangout in Nisantasi. They’re here for the effortlessly cool and collegial vibe; the funk and soul tunes; and signature cocktails like Serendipity (chili, passion fruit, lime juice, tequila) and Keep the Spice (Johnny Walker Black, orange bitters, honey, a rosemary-thyme infusion, lime juice).

A UNESCO World Heritage site in a mountain valley about 40 miles west of Da Nang, My Son is a vestige of the Champa kingdom, a culture that was heavily shaped by Hindu beliefs and practices. Built between the 4th and 14th centuries, the temples pay homage to the god Shiva, though the deity is often referred to here by different names. While some of the shrines are partially restored, and others overgrown with greenery or showing their age (many were destroyed by American bombing during the Vietnam War), the sheer scope of the ruins are proof of the reach of Hinduism and the lofty ambitions of the Cham kings.

Opened in 2021, the first urban resort from LVMH—the arbiter and exporter of French luxury—feels sumptuous at every turn. A 100-foot pool, the largest of any French hotel, is covered in hand-laid mosaic tiles, while a series of virtual window panels display illustrated scenes of the Seine in perpetual motion as you swim laps. A penthouse apartment has its own 41-foot pool, projection space, and panoramic terrace. Plénitude, the fine-dining restaurant, earned three Michelin stars within months of opening. The hotel was designed by Peter Marino, an American known for his chromatic and sculptural retail spaces in the LVMH universe, including the recently renovated Tiffany’s flagship in New York.

When local restaurateurs Brooks Reitz and Tim Mink shut down Saint Alban, Charleston was distraught. They had something different in mind for the space, however, and replaced their airy, all-day café with a cozy steak house straight out of the 1950s. Much like its predecessor, Little Jack’s has quickly established itself as a neighborhood favorite. It’s open every day from 11 a.m. until late in the evening and serves classic, meat-heavy dishes (steak, sliders, pastrami) alongside seasonal salads. A solid menu of classic cocktails (Harvey Wallbangers, sidecars) rounds out the throwback experience.

Why we love it: A 19th-century palazzo-turned-boutique-hotel that’s full of sophisticated details

The Highlights:
- Historic details like restored tiles, antique furniture, and traditional Maltese wooden balconies
- Guestrooms with deep-soaking tubs or Jacuzzis
- A central location just off Valletta’s main drag

The Review:
Formerly home to the Ellul family, this Victorian-period palazzo is now an exceedingly charming boutique stay that’s a member of the Small Luxury Hotels of the World. Fourth-generation brothers Matthew and Andrew Ellul converted the property, which sits on a quiet but easily accessible side street, into nine luxurious guestrooms, each uniquely decorated with restored Maltese tiles, wrought iron accents, richly hued rugs, and antiques sourced from around the world. Rooms also feature original works by local artist Ritty Tacsum as well as either a private terrace or traditional Maltese wooden balcony. One suite even has a piano, while several others boast free-standing bathtubs or Jacuzzis. In keeping with the Casa Ellul’s family-owned ethos, service here is friendly and personalized, making guests feel as if they’re staying in a friend’s home.

There’s always a line in front of this hole-in-the-wall, but don’t be deterred: Jia Jia’s queue moves fast, and its steamed soup dumplings are worth the wait. When it’s your turn to order, you bark what you want—pork, crab, or pork and crab xiao long bao—pay, and move to the side to claim a plastic table. The only sounds in the restaurant are tapping chopsticks, satisfied slurping, and the occasional camera shutter. Jia Jia closes when it sell out, usually by early evening. And while the crab dumplings are available year-round, they’re absolutely incredible between September and December.

You’d never know that this pueblo-luxe hotel was once the town penitentiary. It’s a credit to Rosewood Hotels & Resorts that the hotel group chose to renovate the existing structure rather than level it and start from scratch. And, if the rooms are on the smaller side, no one seems to mind, especially after the just-completed renovation by Jim Rimelspach, who originally designed the property when it opened nearly 25 years ago. Named after the lost tribe of the Anasazi, ancestors of the Pueblo, the hotel tastefully pays tribute to the Southwest. Adobe walls, kiva-style fireplaces, handwoven carpets, and throw pillows made from Pendleton blankets pair seamlessly with Italian linens by Rivolta Carmignani and toiletries by New York’s C.O. Bigelow Apothecaries. There’s also plenty of Native American art, including Arlo Namingha’s bronze sculpture Hano Mana and Ken Rosenthal’s silver gelatin print Seen and Not Seen, throughout the three-story hotel. The result: A vibe that is modern and sophisticated while still maintaining a sense of place.

Giant Wild Goose Pagoda is a very cool historical site to visit in Xi’an. It was built in the seventh century to house Buddhist scriptures, statues, and other relics that were brought back to China by the Buddhist scholar and traveler Xuanzang. Extended, rebuilt, and renovated over the years, the pagoda currently leans noticeably to the side. There is an interesting legend about how the pagoda got its name. A group of Buddhist monks had no meat to eat (then, as now, not all Buddhists were vegetarian). As some wild geese flew overhead, one monk hoped that the Bodhisattva would provide some meat—at which point, the front goose fell to the ground. The monks believed this was a sign that they should be more pious. They decided to give up eating meat, and established a pagoda at the point where the goose had fallen. Visitors can pay to climb to the top of the pagoda. We took a pass on the day we were there because there were so many tourists waiting to buy tickets, but the view from the top is said to be excellent.

A detour to the centrally located yet way-off-the-tourist-track neighborhood known as Buenavista leads to one of Mexico City’s most dazzling 21st-century landmarks, the Biblioteca Vasconcelos, a gorgeous public library. The structure, by Alberto Kalach and Juan Palomar, has the public entering a pyramid-style form, on an almost subterranean level, that opens up, cathedral-like, into a soaring space lined on either side by cantilevered book stacks that float nobly above it all. Dramatic artworks contribute to the overall temple-of-knowledge feeling that is, in fact, quite moving. More beautiful yet could be just how busy the library is, filled with eager students and bookworm families alongside (no joke) groups of teens always practicing pop-music dance routines in the library’s lateral gardens.

A gloriously eccentric venue, Sketch isn’t a restaurant so much as a collision of ideas, design, food, and frivolity in a large Mayfair townhouse. Its Parlour serves all day breakfast and then evening cocktails in an ambience that’s less Alice in Wonderland and more seriously deranged Hatter. The Gallery is designed by artist and comic genius David Shrigley, meaning that your afternoon tea with one-of-a-kind pastries and cakes come with a side order of wit and a pinch of bitter satire. Upstairs, the Lecture Room and Library delivers a Michelin-starred tasting menu, while there’s breakfast, brunch, and cocktails in the Glade. A trip to the bathroom involves sitting in your own individual egg; try not to be put off by the carpet of red wax oozing down the stairs on your way in.

Housed in a mansion built in 1911, Casa Lamm is a cultural center, art school, and gallery. The permanent collection includes works by such notable Mexican artists as landscape painter Abelardo López and sculptor Jorge Marín. Sign up for a same-day lecture or enroll in one of the semester-long classes, which run the gamut from pre-Hispanic art theory to salsa dancing. —Joy Hepp Avenida Álvaro Obregón 99, 52/55-5511-0899, casalamm.com.mx. This appeared in the May/June 2011 issue.

Perhaps it’s more interested in diner loyalty than in snagging prizes, but chef Elena Reygadas’s original Mexico City restaurant is still beloved—and busier than ever. So while a few greatest hits linger season to season, there’s always something new to try, inspired by food of the Mediterranean (or the Middle East, or Paris) but supported by the just-picked ingredients only Mexico knows. It invites repeat visits where patrons count on impeccable breads and pastas, delicate greens, and sauces that never cloy or overwhelm, plus some of the freshest fish and tenderest viands to be had in the city. The setting—a venerable town-house patio and parlors, decorated in florid, provincial filigree and anchored by lovely vintage furnishings—is one of the city’s most romantic.

Ask someone who’s stayed at Number 31, a downtown Dublin house-hotel, what it’s like and he or she likely won’t get past the breakfast: the pears poached in vanilla syrup, Wexford strawberries, eggs scrambled with smoked salmon from the west coast, and slices of zesty cranberry loaf. Such homey food served in a sunlit dining room is part of what makes Number 31 feel less like a hotel and more like the pied-à-terre you’ve always dreamed of. Comfortable rooms and unobtrusive staff add to the urban townhouse vibe; the hotel owners, Noel and Deirdre Comer, manage to be warm and welcoming while also leaving guests to make themselves at home around the peat fire in the sunken lounge.

A wild garden separates the hotel’s two buildings, a Georgian terrace house and the coach house, and the overall modernist-meets-classic design owes to architect Sam Stephenson, who lived in the house as he renovated it in the 1950s. Number 31 is a favorite of Dublin insiders, from artists to architects to the designer John Rocha.

Some visitors to Santa Fe are surprised to find this Gothic revival structure in the middle of all of the adobe buildings in the historic district, like a piece of medieval Paris transplanted to the Wild West. The French connection is real—the 19th-century Loretto Chapel was designed by a French architect who modeled it after La Sainte Chapelle in Paris. According to legend, though, the plans failed to include access from the chapel floor to the choir loft. So, the nuns who ran the girls’ school for which this stone structure was built began praying, and after nine days, a mysterious carpenter arrived. Neither nails nor glue nor any visible external support were used in this doubly-twisting staircase, and no one ever found out the name of the carpenter, who left without seeking payment. It must’ve been St. Joseph himself...so goes the legend of “the miraculous staircase.” The physics of the structure can be explained by architects today, but that doesn’t stop about a quarter-million visitors every year from marveling at the elegant spruce spiral. Open to the public as a privately run museum, the Loretto Chapel hasn’t been a church for decades. It can, however, be rented: a spectacular setting for a private wedding.

Balinese people have taken ritual baths in the waters of Tirta Empul since it was founded in 962. The waters are believed to have healing powers, both physically and spiritually, so people come from all over the island to purify themselves under spouts of cool water in the long stone pools. Worshipers place offerings or say a prayer at each of the spouts from west to east. Nonworshipers can bathe, too, and the experience can be very moving (be aware that the last of the spouts in the first pool are reserved for purification after funerary rites). As at any Balinese temple, you must be respectful of Hindu rules and traditions. Menstruating women should not go inside any temple, and all visitors must wear a sarong and sash while on temple grounds, even while bathing. Men can go shirtless in the pools. There are changing rooms, so don’t forget to bring an extra set of clothes. Tirta Empul, 25 minutes outside of Ubud, is very close to Gunung Kawi, another religious site worth a visit.