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The Hotel Locarno occupies two adjacent buildings in the cosmopolitan district between the Tiber River and Piazza del Popolo. The original property, built and inaugurated in the 1920s, houses the majority of the standard and deluxe rooms, while the annex, a former palazzo owned by a Venetian family, houses the more luxurious suites. Both of the adjoined structures blend Old World charm and art nouveau elegance, and their rooms preserve turn-of-the-20^th-century decor, including lavish drapery, oil paintings, embellished ceiling stuccoes, and period furniture.

The two buildings are joined by a wisteria-filled courtyard, where breakfast is served in fine weather. The rooftop bar offers aperitivo (the Italian version of happy hour) cocktail service and sweeping views over the city and across the river to St. Peter’s cupola. The bar is open to the public and attracts a well-heeled Roman and expat crowd.

Even a Brussels native would be forgiven for thinking, at first glance, that the Dominican is a historic building. After all, the façade incorporates many of the features that existed when renowned 19^th-century French painter Jacques-Louis David lived at this address. And, inside, the site’s former incarnation as a 15^th-century Dominican monastery appears in such details as the courtyard colonnade and original stone floors in the serene Monastery Corridor. The soaring ceilings, oversized windows, and ornate ironwork of the Grand Lounge and its adjacent bar call to mind the grand cafés of early 20^th-century Europe, while rooms are adorned with vibrant paintings of classical subjects, like those by David and his contemporaries.

As historic as it all is, though, there’s no doubt that the Dominican is a modern hotel. The contemporary decor harmoniously complements its surroundings, and each of the 150 luxurious rooms has been individually designed. Many afford views of the impressive La Monnaie, the city’s opera house, located next door. The lounge is one of Brussels’ hottest spots for everything from power lunches to date nights, and the gym even has a private boxing room.

Fontainebleau is perhaps Miami‘s most legendary hotel, dating back to the mid-20^th-century golden age of South Beach’s social scene. Opened in 1954, the hotel has seen a number of celebrities—as well as scandals—over its six decades. Frank Sinatra filmed the movie A Hole in the Head here, and the Black Tuna Gang used the hotel as a front for its drug-running activities. Fontainebleau has had several owners over the course of its existence; it closed in 2006, only to reopen again in renovated splendor two years later. Common areas have Vegas-like glitz and glam, with lots of gold accents and sparkly chandeliers (made by, of all people, Chinese dissident artist Ai Wei Wei). The hotel’s art collection is enviable; besides Ai, there are Sol Le Witt and Damien Hirst pieces. Rooms are full of attentive design elements, too. Turquoise-and-green color schemes evoke the ocean, and high-tech amenities include 20-inch iMacs. Concerts take place at several venues on the property, including poolside and at the nightclub, and the hotel has some serious star pull. Recent concerts have featured Katy Perry, Lady Gaga, and Pitbull.

Chiseled from a sandstone-and-brick wool factory on the site of Sydney’s first hospital, the Harbour Rocks Hotel is one of the most historic accommodations in the Rocks—and maybe the most haunted. Hotel staff say part of the building, named Scarlett’s Cottages after a well-known lady of the night, is watched over by Eric, a man who once lived here and who still searches for Scarlett in the labyrinthine corridors after she swore her love to him and then disappeared. Ghosts aside, the hotel’s 59 rooms are peaceful, with high ceilings, Georgian arched windows, brick walls painted dark gray, Old West–style textiles, and wool carpeting that recalls the building’s former life. The place is filled with fun artifacts, too, from the ancient luggage lift to old maps and letters framed on the walls. The early-20th-century history that pervades the building is also found in every direction outside its doors.

Lenbachhaus is Munich‘s premier art gallery. It reopened in May 2013 after a four-year renovation of the original building (a late-19th-century Florentine-style villa for painter Franz von Lenbach), plus the addition of a modern wing designed by Norman Foster. The exterior of the new wing features striking, golden tubes. For Norman Foster fans, the museum’s new exterior is iconic—a beautiful play on color, pattern, and geometry. Try to see it at sunset, when the tubes are seemingly more golden, rich, and alluring. The Lenbachhaus redesign marries the old with the new, especially in the triple-height, sky-lit lobby atrium. Immediately upon stepping into the museum, your attention is drawn to what appears to be an enormous hanging icicle, which is in fact a specially commissioned work by Icelandic artist Olafur Eliasson called Wirbelwerk. The new wing serves as a “jewel box” for the museum’s best-known works, the “Blue Rider” collection of 20th-century Expressionist art. There is also a new garden and a restaurant with an outdoor terrace. With the addition of new galleries and a bold redesign, Lenbachhaus further cements its reputation as one of Bavaria’s leading cultural centers.

Why we love it: A faithful reimagining of a classic travelers’ hotel

The Highlights:
- Conveniently located right next to East Tennessee State University and near downtown
- Delightfully comfortable sleigh beds
- Historically accurate decor, including oil paintings and antique furniture

The Review:
While the original Carnegie Hotel in Johnson City was lost to a fire in the early 20th century, guests can get a taste of history at this faithful re-creation, which offers upscale accommodations for both business and leisure travelers. Today, the hotel combines historical grandeur with modern amenities, such as a state-of-the-art fitness room, a heated outdoor pool, and a full-service spa for massages and body treatments. In the 128 rooms and 11 suites, guests also find sleigh beds with mattresses so comfortable they’d be wise to set two alarms for the morning.

The on-site restaurant, Wellington’s, serves elevated Southern cuisine made with traditional Appalachian ingredients, while the bar offers craft cocktails and a wide selection of whiskey. After your meal, take a nightcap down the hall to the clubby Roosevelt Library lounge, where you can admire original oil paintings, dark wood accents, and antique furniture that recall the Carnegie Hotel of yore.

Opened in 1880 as Canada‘s first natural history museum, the Redpath Museum has a charmingly old-school Victorian quality to it. The collection of artifacts assembled by intrepid explorers ranges from taxidermy and Egyptian mummies to geological samples and—one of its most prized possessions—a handwritten letter from Charles Darwin. The museum is located at the heart of McGill University, long one of Canada‘s most important institutions of higher learning. Most of the buildings on campus, all in a handsome gray stone on a lovely bit of green in downtown Montréal at the base of Mount Royal, date from the 19th and early 20th centuries.

Formerly Blue Sydney.

Carefully constructed around support beams and pipes from a 100-year-old wheat and wool wharf, this hotel offers a beautiful mix of old and new that juts out into the Woolloomooloo harbor. The Heritage Level is where you’ll find original wooden pier pilings, metal wheels, and conveyor belts that date to 1910, but classic touches such as early-20th-century photographs of Sydney are scattered throughout the property. Goose down bedding, plush furnishings, walk-in showers, and in-room iPads make modern travelers feel right at home, and the bar that runs the length of the central atrium—hanging Swarovski crystals shine pink and purple in the evening candlelight—often hosts fashion shows and cocktail events. Most rooms have sliding glass doors that take advantage of the hotel’s over-water location between the Royal Botanic Gardens and Rushcutters Bay; they open to either the city skyline or the Potts Point naval base. Maritime history buffs should book the latter and check out the site on the wharf from which sailors boarded ships for Gallipoli.

After the Grand Canyon, Arizona’s second-biggest sightseeing destination is...London Bridge. And unlike many ‘world landmarks’ from up the road in Las Vegas, this is actual Old World stonework, meticulously de-constructed, transported, and re-constructed over the waters of a dammed section of the Colorado River. To be honest, I wouldn’t call this a ‘destination,’ but if you happen to be passing through the area on a road-trip, or if you’re a die-hard anglophile driving through the Desert Southwest, then this curiosity is worth a stop. This early 19th-century bridge began sinking in the early 20th-century as automobile traffic (for which the bridge hadn’t been designed) increased over the Thames, and so in the 1960’s the bridge was literally put up for sale. Arizona entrepreneur Robert P. McCulloch paid about two and a half million dollars for it, had it meticulously disassembled, shipped to California via the Panama Canal, and then trucked across to this spot on the the eastern banks of the Colorado River, a few hours south of Las Vegas. By 1971, the work was finished, and now you can kayak or jet-ski under these curious but venerable arches. (Note--Lake Havasu City has become a wildly popular college-crowd spring-break destination...and summers are brutally hot.)

To get from Albuquerque to Santa Fe, don’t take I-25 North--it’s busy and sterile. Drive east on I-40 to the backside of the Sandía Mountains, get off on exit 175, and head north on Highway 14, also known as “The Turquoise Trail.” You’ll wind through forest to plateau, through mining towns and old Spanish land grants. Halfway to Santa Fe you’ll come to Madrid. (Note--do NOT pronounce it the way you would the capital of Spain; here it’s “MAD-rid.”) In the early 20th-c., some four thousand people lived here; by WWII it had become a ghost town when the local coal demand dropped. By the 1970’s the town began to be reoccupied--artists moved in, galleries set up...it claims to have more artists per capita than any other town in the country. (The population is around 400.) And in 2006, the town served as the set for the John Travolta film “Wild Hogs.” Driving in from the south, you’ll note the brightly painted houses; just after the highway curves, find a place to park among the motorcycles and grab a coffee at Java Junction (they have a B&B upstairs)--their motto: “Bad Coffee sucks.” The morning I stopped here, the café had a welcome sign in German; some Mercedes businessmen were having a road-trip meeting...Madrid is alive and well.

It appears small from the outside, but Gale South Beach manages to pack a lot into a modest space, including Italian restaurant Dolce, a cocktail lounge, and a nightclub. These attractions, and its prime location on Collins Avenue, just a block from the beach, make the Gale a social hot spot. The landmarked art deco building is, like many of its neighbors, protected from structural changes; as such, the hotel harks back to the golden age of American architecture. Inside, the decor evokes 1940s–1960s style, with throwback typography, black-and-white family photos, newspaper clippings, and mid-20^th-century memorabilia providing atmospheric design touches. The rooms are on the smaller side but tend to let in lots of natural light. The color scheme is nautical, with blue carpeting and white walls, and crisp, bright white linens embroidered with the hotel name in blue. Guests can take advantage of an outdoor bar on the fourth floor, and a rooftop pool. An annex of the hotel is set to open just a few feet away in December 2014. The Gale Suites at Kaskades is a 25-suite complex with a focus on luxury and privacy. It features rooms with Jacuzzi tubs and rain showers and has its own rooftop deck with cabanas.

Why we love it: The first luxury boutique hotel in Chattanooga, with mid-century cool to spare

The Highlights:
- Every room is different, so guests can discover a new favorite on each visit
- Attention to detail all the way down to thoughtful room amenities like electric kettles and a welcome cocktail on weekends
- Surprisingly affordable rates for such a refined property

The Review:
As much gallery space as boutique hotel, the 16-room Dwell occupies an early 20th-century building in downtown Chattanooga. Bold wallpaper in the public spaces and individually designed guest rooms lend the property a modern-art vibe, while furniture and fixtures are more in line with the building’s history. It’s all the vision of first-time hotelier Seija Ojanpera, who has created a haven for business travelers seeking a stylish spot to rest up for meetings, as well as tourists eager to explore “The ’Noog.”

Each room is designed differently and sports a unique name, allowing guests to request specific lodgings. Some feature working gas fireplaces, while all come with soaking tubs and rain showers to promote relaxation. Some balcony rooms offer views of downtown, but with enough separation to ensure a quiet night’s sleep. That is, unless you stay up late at The Dwell’s stylish cocktail lounge, Matilda Midnight, where talented bartenders serve expertly prepared drinks and small plates for snacking until the change of day.

The Palacio Duhau Park Hyatt is a true palace. Built by an English Argentine railway executive, this Tudor Revival mansion dates to the late 1800s. The Duhau family, which bought the property in the 1920s, added an additional neoclassical building modeled after Le Château du Marais outside Paris. The property sat empty for a few decades at the end of the 20th century until a local developer partnered with Hyatt to turn it into a hotel. After a $74 million renovation, they helped preserve much of the original artwork and red marble flooring, invigorating the once faded Belle Epoque elegance. A larger, sleek tower with modern guest facilities was also added.

The property today is a testament to the grandeur of the most European city in the Americas. There are crystal chandeliers, intricate ironwork, and travertine marble bathrooms. There’s a bar where one can indulge in cigars and brandy, after, of course, dining at one of several high-profile restaurants with wine cellars designed to impress even the most hard-core oenophile.

A breezy little beach hotel filled with rough wood, natural linen, and flea market finds, the Rose seems, to the uninitiated, like a pure product of quirky Venice’s hipsterfication. In fact, the historic, wood-and-stucco building was built by the beach town’s founder, Abbot Kinney, in the early days of the 20th century; rumor says it was his private brothel, frequented by such friends as Charlie Chaplin. By the 1970s, at the height of Venice’s drug culture, the building had become a flophouse of sorts, and neighbor Dennis Hopper was known to drop by. Before two British photographers discovered it, the house had turned into a mural-covered crash-pad for surfers, yogis, and beach bums of all kinds.

Looking at the low-key Rose now—the town’s first true boutique hotel, barely half a block from the beach—one would hardly know that the entire history of Venice had passed through it. The rooms are spare but stylish, with large windows, art photography, and vintage furniture. Some rooms are large enough to live in, whereas others share a hallway bathroom. Amenities are minimal—Stumptown coffee, bicycle rentals—but a relaxed beach house that attracts artists and creatives looking to delve into Venice’s eclectic, vibrant culture doesn’t need to try too hard to be cool.

Peggy Dulany, a New York philanthropist and daughter of David Rockefeller, bought J Bar L to protect the 620-square-mile Centennial Valley, a former Native American hunting ground settled by a few cattle-ranching families in the late 19th century—and which still has no towns, let alone paved roads, gas stations, shops, or subdivisions. To conserve the rangeland way of life, she hired locals to run a holistic grass-fed cattle business on the principles of rotational grazing and natural stockmanship. To share the landscape with nature-loving travelers and to keep the valley looking as it was, Dulany restored several abandoned 19th- and early 20th-century homesteads. These self-contained vacation rental homes range from a Sears Roebuck family house, now solar-powered, to isolated cabins on a bend of the Red Rock River. All come with fully-equipped kitchens and are tastefully filled with Western-themed furnishings and antiques; some have outdoor hot tubs.

J Bar L no longer offers working weeks for would-be cowboys but will match guests with geologists as well as with hiking, bird-watching, and fly-fishing guides. Horse lovers can hire ranch mounts for guided daily rides on rangeland that is home to pronghorn, elk, and Black Angus cattle, or up the slopes of the 10,000-foot Gravelly Mountains where wolves, grizzly bears, and bald eagles roam.