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What began in pre-war Italy as two small workshops in the Palazzo Spini Feroni on Via Tornabuoni has grown into a fashion empire and a brand synonymous with Hollywood glamour. A museum dedicated to the craftsmanship of Salvatore Ferragamo opened in this grand palazzo in 1995. The collection includes the wooden lasts, or forms, that Ferragamo used to shape shoes for stars like Marilyn Monroe, Audrey Hepburn, and Sophia Loren. Glass cases display some of the company’s colorful and iconic creations—many that seem more sculpture than shoe. There is also a small space that hosts contemporary art exhibitions.

This sheet-metal fever dream by architect Frank Gehry is like a rock-and-roll Guggenheim, home to interactive exhibits that span music, sci-fi, fantasy, animation, video games, and other scrambled bits of modern life. A hands-on studio lets kids and grown-ups mess with real instruments and studio hardware. Originally intended to honor Jimi Hendrix, the building’s design echoes one of the legend’s smashed guitars (most obviously when viewed from atop the Space Needle). Critic Herbert Muschamp once accused it of “looking like something that crawled out of the sea, rolled over and died,” but visitors often enjoy the jumble of color and distorted reflections—perfect for quirky selfies!

A Trastevere institution since 1933, Ai Marmi (the official name is Panattoni, but no one calls it that) is exactly what you’d expect in an Italian neighborhood pizzeria—zero frills, lots of character, and authentic, thin-crust Roman pizza. This is the kind of place to hit for a quintessential Roman vibe, thanks to the requisite lineup of city favorites like fritti, fried cod, fried zucchini flowers, and supplì—mozzarella-filled fried rice balls. The shop gets its nickname from the long marble slabs that top the family-style tables (ai marmi means “marble” in Italian).

If visiting a miniature version of a country the size of a postage stamp makes no sense to you, stay away from Madurodam, a top tourist attraction in Den Haag featuring historic Dutch towns, ports, canals, roads and monuments re-created on a 1/25 scale. On the other hand, if you fancy learning about the history of a nation that would be underwater were it not for Dutch ingenuity, by all means visit this interactive park that tells the story behind the battle against water, as well as many historic venues that still exist in Holland today.

La Recoleta Cemetery is one of the most visited cemeteries in Latin America, mainly because Evita Peron is buried there, among other notable figures. The cemetery is built around a convent and a church, Our Lady of Pilar (Iglesia de Nuestra Señora del Pilar), that was built in 1732. The order was disbanded in 1822, and the garden of the convent was converted into the first public cemetery in Buenos Aires. Occupied by mostly wealthy families of Buenos Aires. Highly recommended to have a guided map to find some famous graves.

The public market stalls are the best place to hear Yanito, the regional dialect, as the locals barter for the freshest fish, meat and produce. A visit to this 1929 covered market, located just outside Casemates Square, provides insight into language and traditional Gibraltar cuisine as well as a great opportunity to find edible souvenirs.

No matter how many postcards you’ve seen of Rome’s iconic Colosseum, you just don’t get it until you pass beneath its crumbling arches. Built by Emperor Vespasian in 72 C.E., the huge amphitheater held 50,000 spectators and marked its opening with 100 days of brutal spectacles like gladiator combat and animal fights. The Colosseum was in use for four centuries, and now you can tour the ruins. Walk through the Hypogeum, an intricate series of tunnels and elevators originally used to transport animals, slaves, and gladiators, to the performance above, or take a moonlit tour to have one of the world’s most storied structures all to yourself.

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.

I’m not one to skip breakfast, especially in Italy, where thoughts of cappuccino, pastries, and local ham tend to rouse me early from slumber. But on my first morning at the Hotel Sant’Angelo, in the old quarter of Matera, I was having a hard time dragging myself from the creature comforts of my cave. Staying in a cave, it turns out, can be surprisingly pleasant. There was just one small window high overhead, but the room and adjoining bath were in no way dank—a testament to the natural ventilation that keeps the caves cool and comfortable. The wavy contours of the white tufa-rock walls conjured a feeling of being enveloped in some primordial womb. Yet there were modern amenities: luxurious linens, Internet service, a telephone. Fred Flintstone never had it this good. I might have snoozed until noon, were it not for an impatient mate eager to see the sights. We had arrived in the village the previous night after a long drive across the treeless plains of the Basilicata region, located at the instep of Italy’s boot. Matera is an enchanted world of Stone Age splendor. Known as the sassi (Italian for stones), the bisque-colored hilltop cave homes comprise one of the oldest continuously inhabited places on earth, according to UNESCO. The caves have provided shelter for more than 7,000 years. A millennium ago, shepherds inhabited them and carved churches into the rock; during the Renaissance, the area prospered and elaborate buildings were carved out, the excess tufa sculpted into ornate facades. By the early 1900s, the sassi had fallen into neglect. Families and their animals crowded into the caves for warmth, and disease was rampant. When writer Carlo Levi brought this tragic state of affairs to light with his 1945 book Christ Stopped At Eboli, the Italian authorities moved residents en masse to modern housing—leaving the sassi abandoned, save for the occasional crew brought by film makers (Pier Paolo Pasolini and Mel Gibson among them) in search of a biblical-looking backdrop. It was only in the 1990s that the Italian government encouraged people to move back. Residents revamped the cave dwellings as homes, restaurants, and inns. When the Sant’Angelo opened in 2004, it was the area’s first luxury hotel. The 19 cave rooms are sparsely but tastefully appointed with rustic wooden furniture. Some carved decorations—crosses, hearts, an owl—date back hundreds of years. Fossilized shells embedded in the walls reveal that the region once lay underwater. Eventually, my fiancé and I did emerge from our cave to wander the town’s ancient alleys. A local guide named Dora Cappiello took us into some of the 150 chiese rupestri (rock churches), where she pointed out wine troughs and frescoes of San Nicola, the patron saint of local shepherds. We also visited a cave dwelling that had been restored to resemble its state when the caves were equal parts manger and living space.
Simple, delicious meals punctuated our explorations. The curvy walls of Baccanti, a cave restaurant, created a private nook where we feasted on silky pappardelle pasta with a cinghiale (wild boar) ragu, accompanied by a dry, fruity red aglianico from the nearby Vulture wine region. Tired and sated after a full day, we headed back to our cave—on moonless nights, a flashlight or trail of bread crumbs is advised for the stumble back to the hotel—where the promise of a deep, sound night’s sleep awaited. —Amy Cortese Hotel Sant’Angelo, 39/0835-314010, from $211 for a double. This appeared in the March/April 2010 issue.

This refined 28-acre resort set in the rolling hills between downtown Sonoma and downtown Napa makes guests feel relaxed the moment they check in. The vistas are unobstructed from the resort’s pool areas, and many of the property’s 94 stand-alone cottages with private balconies and six private homes offer views of the open space, too. By day, lawn games are usually underway on the grassy expanse called the Town Square, while in the evenings, a pavilion provides an unparalleled backdrop for stargazing. This is a hotel that values fresh air, as evidenced by the walls in the common areas, which retract to bring the outdoors in. There are other reasons to fall in love with Carneros—namely, the on-site restaurants. The casual Boon Fly Café is famous for breakfasts, with spicy bacon Bloody Mary drinks and tiny made-to-order doughnuts. FARM, on the other hand, is more formal, with menu items such as braised oxtail terrine and smoked Sonoma duck breast. While the hotel offers in-room massages, it will also reopen its spa after a full-scale renovation later in 2018.

You’ll hear no highway traffic at these twelve lakeside cabins and 3 bunkhouses, which sit beyond roads’ reach and are accessible only by boat. Supplies are delivered via barge, and even the accommodations float upon the water: Initially built to house logging crews, the resort’s wood-shingled cabins and docks sit right on Ross Lake, supported by massive red cedar float logs measuring more than 3 feet in diameter. Azure waters lap against your front porch, where deck chairs face a row of mighty mountains (the largest, Snowfield Peak, reaches 8,347 feet). You can spend your days gazing at those views, or you can use the resort as a base for exploring North Cascades National Park and Ross Lake National Recreation Area. Rent one of the resort’s motorboats, canoes, and kayaks to access trailheads sprinkled along the lakeshore, or just hike from your cabin: The Big Beaver Trail winds past the resort. There’s no onsite restaurant, but all accommodations include kitchen facilities, so pack in all your own food and beverages. After the 2.5-hour drive from Sea-Tac, you have two options for reaching the resort: You can hike about a mile to Ross Lake, where the resort will pick you up by boat ($2 per person), or you can catch a ferry/truck combo from Diablo Dam ($14 per person, ferries run twice daily at 8:30 a.m. and 3:00 p.m.). Just don’t wait till the last minute to make your booking, since reservations typically fill a year in advance.

Opened in 2013 in a building that previously housed the University of Rome’s architecture department, JK Place is one of the newer additions to Rome’s growing number of high-end luxury boutique hotels. It is located near the intersection of Via Del Corso and Via dei Condotti, Rome’s most chaotic shopping nexus, but it is just far enough away from the action to maintain an air of seclusion, a rarity for the zone.

Behind the hotel’s unassuming doorway, classrooms and offices have been transformed into an effortlessly cool retreat. Like its siblings in Florence and Capri, the JK Place Rome is eclectically decorated and packed with artwork. Rooms feature canopied beds, sculptures, and sleek bathrooms decked out in Italian marble. The JK Café Bistro and bar attract well-heeled locals, giving the hotel a more down-to-earth vibe than its boutique neighbors, without sacrificing its unquestionable elegance.

Why we love it: A historic hotel where Old Florida elegance meets contemporary style

The Highlights:
- Unique amenities like a tennis complex, golf course, and private marina
- A wide range of dining options to suit everyone’s tastes
- A prime location near Tropicana Field and The Dalí Museum

The Review:
A member of Historic Hotels of America, the Vinoy Park Hotel opened in 1923—a Mediterranean Revival property overlooking Tampa Bay, designed for America’s elite. It served as a training facility for the Army Air Corps for a brief time in the early 1940s, but reopened as a hotel in 1945 and continued operations until 1974, when it closed in disrepair. Following a $93 million restoration and expansion in 1992, the hotel reopened once again as the Vinoy Renaissance, complete with a new guest tower and an 18-hole golf course designed by Ron Garl.

Today, the Vinoy also features 360 guest rooms and suites, complete with well-lit workspaces, pillowtop mattresses, and Aveda bath products, as well as two swimming pools (one heated), a spacious tennis complex, a 5,000-square-foot fitness center with complimentary workout classes, and an elegant spa offering massages in poolside cabanas. Thanks to the hotel’s waterfront location and private marina, guests can even charter a boat for the day and explore the bay. Dining options range from sushi on the Veranda Patio to farm-to-table fare at Marchand’s Bar & Grill. The culinary standout, however, is Paul’s Landing, named for a Navy carpenter who once fished, farmed orchards, and cured meats and seafood along the St. Pete waterfront. Don’t miss the citrus-glazed shrimp and grits, or the crispy Brussels sprouts with key lime.

Italy never had Prohibition (can you imagine the country going wine-free?), but this intimate bar, opened in 2017, brings a touch of that era’s speakeasy style to central Florence. Owner and veteran bartender Cristian Guitti places equal importance on taste and aesthetics, creating concoctions that both excite the palate—with a hint of smoke here, and some barrel aging there—and also do your Instagram proud. The menu is heavily inspired by ‘20s-era cocktails, with nods to both America and Italy, so you’ll find drinks like Old Sport (based on Wild Turkey 81 Bourbon), Coney Island (rum with popcorn, chili, dark chocolate, and more), and Aglio Olio & Peperoncino (tequila blanco with olive oil and the essential oils of orange and chili). Guitti considers this a “cocktail experience,” which means the multi-step drinks may take a while to be prepared, but you’ll have fun soaking up the retro atmosphere while waiting for them to arrive.

The newest addition to Rome’s growing number of boutique luxury accommodations opened in central Rome in March 2015 on a square just off the exuberantly Baroque Piazza Navona. The suites-only hotel is the work of hoteliers Emanuele Garosci and Gabriele Salini, who blend mirrored and distressed surfaces with modern design elements and Venetian artwork—a nod to G-Rough’s sister, PalazzinaG in Venice. The only things remotely “rough” about the place are the walls, which have been artfully stripped down to reveal textured strata of centuries-old paper and paint.


The G-Rough is composed of 10 suites spread over all five floors of a 16th-century palace. Half of the rooms in this former noble residence offer views of the pretty and intermittently noisy square, while the others face a quiet internal courtyard. Each floor is inspired by the work of a different Italian designer, including Giò Ponti and Ico Parisi, and rooms feature design pieces by contemporary artists.