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This landmark hotel, built in the Swiss rustic style popular at the turn of the 19th century, has hosted Winston Churchill, Arturo Toscanini, Albert Einstein, the Shah of Iran, Henry Kissinger, and the Rolling Stones, among others. Situated high above Zurich, with a sweeping forest and a golf course for company, it offers breathtaking views of the city, the lake, and even—on clear days—the Alps.

Renovated in 2008 by Lord Foster for a cool 385 million Swiss francs, it now features a bold, contemporary edifice that wraps around the turreted original, two entirely new wings (the Spa Wing and the Golf Wing), and a completely revamped interior. While the rooms in the Main Building (the historic structure) are appointed with traditional furniture and hand-painted wallpaper to give a regal, turn-of-the-century feel, the newer rooms are equipped with balconies and bathrooms of white marble or sand-colored Jura limestone. Imagined by London-based United Designers, they also come with flat-screen televisions with integrated Bang & Olufsen CD and DVD players.

The four signature suites sprawl over hundreds of square meters and feature steam showers, whirlpool baths, and even (in one case) a grand piano. The hotel also offers an expansive spa and wellness center.

While Dresden and Denver may boast of museums by Daniel Libeskind, Las Vegas has a 500,000 square-foot retail space designed by the star architect. The shimmering multi-faceted jewel on the Strip draws in shoppers — as well as anyone who appreciates contemporary architecture and art. There are more than 100 sculptures by Richard MacDonald and a gallery of works by Dale Chihuly. Few malls can boast a treehouse, the three-story hub of the Shops made of mahogany and sapele wood or that they have achieved Gold certification from LEED thanks to its environmentally conscious practices and materials. Nearly every luxury brand is represented at the Shops at Crystals, but sometimes the most fascinating things are the ones most people don’t see. If you’re a convincingly serious shopper, you just might find yourself in the luxuriously appointed back room of Van Cleef & Arpels, where millions of dollars of giant diamonds and glowing green emeralds never make it to the front counter. Free-spending customers are invited inside to sip Champagne, admire the fabric-wrapped walls and velvet drapes, and gaze upon mind blowing jewels.

It seems wrong to call this Renzo Piano–designed complex a museum—it’s more like a “sculpture safari,” on which you get to experience the pieces in their intended habitat. Opened in 2003, the Nasher Sculpture Center is a two-acre homage to modern and contemporary sculpture that was founded upon the private collection of the late Raymond and Patsy Nasher, then grew to include new acquisitions and special exhibits on loan from other institutions. Wander the peaceful indoor and outdoor galleries and gardens to spot works by artists like Giacometti, Moore, Serra, Rodin, Picasso, Calder, and de Kooning; many of the larger pieces invite interaction. The lush setting and bold pieces create an idyllic backdrop for the center’s year-round calendar of events (which include movie nights and family-friendly fun)—and make it a top pick for weddings, too.

Some say that The Chapel of the Holy Cross is located in the heart of a vortex. Others regard it as a place of contemplation and spirituality. The Chapel itself was actually built by a devout student of Frank Lloyd Wright named Marguerite Brunswig Staude in 1956. Staude wanted to create a lasting tribute to her religious beliefs, and was so taken with the beauty of Sedona that she began work on the Chapel. Nestled between massive red boulders, the Chapel is a must see in Sedona. And, if you look carefully enough in the red rocks next, you can still see an Rx carved into the rock as a tribute to Marguerite’s father, a pharmacist.

Visitors take their best Chicago photographs in front of the iconic Millennium Park sculpture called Cloud Gate (known colloquially as the Bean, for its shape). Conceived by British artist Anish Kapoor and constructed from 168 stainless steel plates with no visible seams, the polished surfaces of this 33-foot-tall sculpture reflect infinite variations of the Chicago skyline. The work’s design was chosen from among more than 30 others commissioned by the city, and it was inspired by liquid mercury.

Sitting right next door to the Basilica of Notre-Dame in the heart of historic Montréal, St-Sulpice Seminary is the second-oldest building on the island. (The oldest is the 1671 LeBer-LeMoyne House, roughly six miles from the center of the city, which now houses the Musée Lachine.) The seminary dates from 1687, and remarkably it is still used for its original purpose: to house and train Sulpician priests. Sadly, this means the building is rarely open to the public. (Rarely is not an understatement here—apart from some tours in 2017, the last time the general public was allowed through its gates was in 1967 during the Expo.) Though you can’t tour the building, you can admire its gray stone architecture from the street. Especially noteworthy is the clock on the façade, built in Paris and installed in 1701, making it one of the oldest such clocks in North America.

Located in Old Québec, not far from the St. Lawrence River, the Musée de la Civilisation (Museum of Civilization) is an enormous (for Québec City, at least) museum with lofty ambitions. Exhibits cover just about every culture imaginable—at any given time you might find Greek sculptures displayed alongside totem poles, or an inquiry into Egyptian ideas of the afterlife juxtaposed with Australian Aboriginal artworks. Most of the time you can count on at least one exhibition focusing on some aspect of Québecois or Canadian culture, from the history of trapping to spotlights on individual Québecois artists and designers. Many of the exhibits, like a recent one focused on cats and dogs, are designed with kids in mind, with engaging, interactive installations. Even if you’ve been here before, every visit to the museum is, by design, a new experience.

What was supposed to be the first drawbridge in South America ended up as a monument to inefficiency and made laughingstocks of those involved when, just before construction finished, it was discovered that one of the bridge’s two spans had been installed upside down. The $42 million project was later featured in the Discovery Channel documentary “Horrors of Calculation” as an engineering mistake too expensive to fix. The bridge, which spans the Cau Cau River in the lovely city of Valdivia, is unusable except as a background for selfies and a caution to anyone whose mind wanders during calculus class.

The Centre Pompidou, France‘s national museum of modern art, led the way for steel-and-glass buildings in the 1970s. Now the museum leads the way in modern art with its extraordinary collection, currently the world’s second largest. Masterpieces include Pablo Picasso’s Parade and—one of my favorites—Tamara de Lempicka’s Young Girl in Green. Go for the museum, but check out the public library and the view of Paris that becomes more and more impressive as the museum’s escalators rise from floor to floor. Spot the Eiffel Tower and Sacré-Coeur (and perhaps a street entertainer or two with a gawking audience of kids) from the sprawling roof terrace.

The outside of the Sky Hotel is very deceiving. It looks like any other lodge in Aspen and then when you go inside it is quite the opposite. As you walk into the lobby there are high-backed chairs that are white in front and red with white writing on the back. The carpet is a chaotic pattern of circles and bright color dots—it all seems like something out of Alice in Wonderland. This modern, hip motif is transferred to all the guest rooms.

Perhaps the most famous artwork in the archipelago is God, our Father, on the Rainbow, by Sweden’s most popular sculptor, Carl Milles (1875–1955). It depicts God standing on top of a 23-meter-tall (75-foot-tall) water spout. The work was designed in the 1940s and intended to stand in New York outside the United Nations. That plan was not realized, but in 1995 this version was installed at Nacka, just outside central Stockholm. Milles’s home and studio can be found on the nearby island of Lidingö and is a fascinating place to visit on a sunny day when you can wander through its sculpture garden.

Rock ’n’ Bowl is where to go to find sharps, flats, spares, and strikes all hanging out together. It’s a bit unclear whether this is a nightclub hiding out in a full-size bowling alley, or a bowling alley out enjoying a secret nightlife. Either way, it’s a very New Orleans destination, located near the upriver edge of the city. (It’s about a $15 cab ride from downtown.) After Katrina and a parting of the ways with his earlier landlord, the owner moved a few blocks down to this former paint store, installed new lanes, added a bigger stage, and hauled much of his original funky decor to the new spot. Check the website for forthcoming shows—there’s always plenty of space for dancing, which is especially fun during Thursday zydeco nights.

This shop took over one of Los Angeles’s most iconic buildings when it opened in 2012—the art deco–styled former headquarters of business magnate Howard Hughes. But Just One Eye’s pioneering founder, Paola Russo, has managed to put her own original stamp on the space. The luxury concept store is arranged like a gallery, showcasing rare and one-of-a-kind editions of clothing, jewelry, vintage furniture, and contemporary works by such artists as Takashi Murakami. Finds range from crocodile backpacks designed in collaboration with the Row and artist Damien Hirst to a survival kit created with input from the Navy Seals. Over the years, Just One Eye has grown and evolved with shops-in-shops. Installations may feature gowns by Alexandre Vauthier—French haute couture designs sold since the store’s beginning—or Daniela Villegas’s playful jewelry inspired by nature. Somehow both intimate and grand, the eclectic boutique is decidedly gallery-like, but approachable, too. Knowledgeable staff act almost as docents, guiding customers one-on-one and offering them coffee. Insiders’ tip: Valet parking is complimentary, helping to assuage any guilt over splurging on that Gucci bag.

In Singapore, black and whites refer to the colonial-era bungalows of that color combination built here by the British for married officers and civil servants. The oldest date back to the 1890s and the newest to the 1940s. About 500 or so survive today, and most are owned by the government and rented on a monthly basis. Naturally, clusters of black and whites were built near military installations, from Tanglin to Sembawang, Portsdown Road, and Alexander Park. The higher your rank, the larger your house; some are quite grand. The white paint was used for its cooling properties and the black trim contains creosote to ward off termites and other insects. To see a string of them, from the Tanglin Mall (at the junction of Tanglin, Grange, and Napier roads), walk south about a half a mile along Tanglin Road and you’ll witness several on the left side of the road.

Marilyn Monroe once proclaimed that her favorite swimming pool was at the Arizona Biltmore. And Irving Berlin, obviously a person who didn’t know how to relax, is said to have written “White Christmas” while a guest at the hotel. Other musical guests have included Frank Sinatra and Sammy Davis Jr., who were known to play on a piano in the lobby. But that’s history, and the Jewel of the Desert, as the 90-year-old hotel was once known, is now just one more sparkling gem in a treasure chest of Arizona resorts. To continue shining, the Biltmore underwent a major renovation that was completed in late 2016. Much of the update focused on restoring the hotel’s original main building, but the guest rooms, meeting spaces, ballrooms, and spa were also polished. The contemporary style that now dominates the Biltmore was inspired by Frank Lloyd Wright, who played a significant role in determining the hotel’s original look. In the guest rooms, Wright’s influence is most notable in the wall coverings, embossed with a design similar to that found on his “Biltmore Blocks,” used in the construction of most of the resort. Of course, for guests who didn’t come for the history, or the design lecture, there are still the eight swimming pools, seven tennis courts, and, next door at the Arizona Biltmore Golf Club, 36 holes of golf.