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In Nancy, visitors can download an art nouveau itinerary for free from the tourist office website, then tour 250 buildings and storefronts featuring wrought iron, stained glass, and ceramics. They can also visit the Musée de l’École de Nancy, one of France’s few museums dedicated to the art nouveau movement in Lorraine. About a 45-minute walk from Place Stanislas, the museum highlights the region’s contributions to architecture, decorative arts, and furnishings, with pieces by key artists like Louis Marjorelle, Jacques Gruber, and Émile Gallé. Surrounding the museum (which is closed Mondays and Tuesdays), there are several more outstanding examples of École de Nancy architecture, including the Villa Majorelle and several buildings along Rue de la Commanderie and Avenue Foch.

An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is my favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.

Once the general summer tourist season finishes, a different and more sombre sort of tourism begins in Belgium. Autumn is a time of remembrance and there is no more poignant place to remember the Great War than the Flemish city of Ypres. Ypres (or Ieper, in Dutch) is home to the Menin Gate. The enormous marble walls of this monument contain the names of 54,896 Commonwealth soldiers who have no known grave. Every evening at 8pm, buglers close the road leading to the gate and perform the Last Post. Each year, on Remembrance Day (November 11), thousands of poppy petals are dropped through the ceiling of the Menin Gate and flutter to the ground below. Also well worth visiting is the In Flanders Fields Museum, which tells the story of the soldiers and local residents who lived during the war, through interactive displays. Mixed in with the photographs, the history, the artefacts, and displays, there are quotes from soldiers, wives and parents, politicians, and writers. Several short films also illustrate the impact of the war on the area, the people, and the soldiers. Ypres is an easy day-trip from Brussels, by car or train, and is an un-missable destination, particularly during the autumn, Remembrance Day season. For More Information: http://cheeseweb.eu/2011/06/ypres-world-war-museums/

The 40-room John D. Rockefeller estate is sometimes described as being modest compared to other Gilded Age mansions on the Hudson. While it is true that it doesn’t have the same over-the-top quality of the Vanderbilt mansion, it does have one thing that distinguishes it from the other estates nearby, its gardens. Laid out at the beginning of the 20th century with Frederick Law Olmsted (of Central Park fame) leading the project briefly before being replaced by William Welles Bosworth, the gardens are one of the best examples of Beaux Arts garden design in America. Bosworth’s design consists of a number of different gardens spread over terraces descending from the house, many with views of the Hudson and the Palisades on the other side. (The Rockefellers helped protect the land on the opposite side of the river, assuring their views would never be ruined.) Japanese, French, and other styles are contained in separate garden rooms, while the grounds are also home to a number of contemporary sculptures, fitting given the Rockefellers’ legacy as patrons of the arts. It is only possible to visit Kykuit on guided tours offered from the beginning of May to the end of September. (Members of the Rockefeller family continue to use other buildings on the estate and they are apparently not interested in having visitors wander away from Kykuit and drop by unannounced). Choose the “Landmarks Tour” if you are interested in spending more time in the gardens than the house itself.

Built on the foundations of a 16th century fortification, the Museo delle Culture del Mondo is housed in the 19th century Castello D’Albertis - the private home of the global traveler and collector of antiquities. Veer off the standard art/church museum trail, and up the massive staircase to the Castello, to see a beautifully preserved piece of Genovese history (and some super fascinating collections of global interest). While the walk is quite the hike, the view from the top floor library of the museum is stunning.

When people think of Florence, they usually think of Renaissance art and crowded museums filled with altarpieces and “Madonna and Child” images. While the Renaissance is the biggest draw of this historic city, there is a lot more to its art-museum scene. The Palazzo Strozzi is a fine example of a museum that doesn’t just showcase great art but also plays an important role in the community. Inside this Renaissance palace—a work of art in itself—visitors will find temporary exhibitions that cover a variety of time periods and cultures.

On Thursday evenings, the courtyard is transformed into a social hub with hip Florentines having drinks and coffee at the café and on outdoor couches. The museum also offers free entrance to the downstairs exhibition space on select evenings and, in summer, hosts movie and music nights. Palazzo Strozzi has also gotten on board with making art an interactive experience, especially for children. Parents can purchase a family ticket which includes kid-friendly activities including workshops, sketching in the galleries, storytelling, and “stroller tours.”

The Forbidden City is not so forbidden any longer...based on the thousands and thousands of people there visiting it! I love the huge city, however it’s a hard sight to visit because of all of the people, the massive space to cover (178 Acres), and the lack of trees! I was absolutely exhausted after our 3 hours there. It consists of 90 palaces and courtyards, 980 buildings and 8,704 rooms. And I had to work really hard to find a few hidden spots to take pictures with very few people in them. And of course it was those quiet areas that were my favorite.

My advice for avoiding the crowds is to head to the Palace Museum. You can see ancient treasures of the dynasty - or you can simply enjoy the quiet gardens and less people!

According to Islamic tradition, only God can create images of holy beings, including angels and prophets. Therefore, when the Ottomans converted Chora Church into a mosque in the 16th century, they covered the 14th-century Byzantine mosaics and frescoes depicting the life of Christ and Mother Mary. Hidden behind wooden shutters were some of the finest mosaics in the world, which were restored following World War II and can now be viewed in all their glory.

The 17th century mansion that houses Oaxaca‘s contemporary art museum is commonly referred to as “La Casa de Cortes,” although it was in fact built over a century after the death of Hernan Cortes, it is certainly lavish enough to have been worthy of the great conquistador. The front of the building has the family seal of the Lazo de la Vega and Pinelo families, who were the home’s original inhabitants. The state government acquired the building in 1986 and it housed a different museum prior to the opening of the MACO (Museo de Arte Contemporareo de Oaxaca) in 1992. The museum has 13 exhibit rooms, with the permanent collection on the second floor, and downstairs areas are used for temporary exhibits, which change frequently.

Built from 1892 to 1894, this uniquely intact Victorian mansion was the home of German-American philanthropist and beer magnate Christian Heurich. Considered the world’s oldest brewmaster, he ran the Christian Heurich Brewery on the site where the Kennedy Center now stands—until his death in 1945 at the age of 102. At this museum, visitors can learn the story of one of D.C.'s most successful entrepreneurs and his family, his influence on America’s brewing industry, and the construction of his 31-room mansion. As D.C.'s first fireproof home (he had a fear of fire), it is replete with hand-carved wood, 15 fireplaces with individually carved mantles, hand-painted ceiling canvases, luxurious furnished rooms, original Heurich family heirlooms, a bierstube (“beer room”), elevator shaft, and gas and electric lighting fixtures.

Many friendly squirrels will greet you while walking through the Company’s Garden, a park and heritage site located in the heart of Cape Town’s City Bowl. This garden, along with Kirstenbosch and Arderne, are the most beautiful green spaces with historical significance in the Western Cape. These particular gardens date back to the 1650’s, when the Dutch utilized the natural spring water running down from Table Mountain to establish a small area for agriculture. Now, City Parks is re-establishing part of the garden as an educational tool. You can bring a picnic or grab a bite at the small Garden Tea Room. There are several museums set on the periphery of the garden, including two of the best rainy day museums: the South African National Gallery and Iziko South Africa Museum & Planetarium.

The west-facing bay views are reason enough to stay at the Four Seasons Hotel in the center of downtown Seattle. That, and the unbeatable location: across the street from the Seattle Art Museum, and right next door to Pike Place Market. Tasteful minimalist decor; floor-to-ceiling windows that overlook Elliott Bay or neighboring towers; modern, elegant appointments in the rooms (and enormous bathtubs!); and an outdoor infinity pool that exploits the setting—all these touches add up to one of Seattle’s best hotels.

English explorer and draftsman Frederick Catherwood and American adventurer John Lloyd Stephens were the first foreigners to rediscover Copán and numerous other Maya cities. Catherwood’s extraordinary lithographs, on view at the Catherwood House Museum, portray those monuments as they appeared when the pair first witnessed them; the institution’s Belle Époque setting transports visitors to Catherwood’s day and conjures the wonder he experienced as he wandered the Maya world of Mexico and Central America. A coffee enjoyed in the courtyard and a poke through the elegant gift shop are icing on the cake.

The JP Morgan Library’s grand, old-world elegance immediately transports you to turn-of-the-century New York. And at that time, there was almost no one more powerful than financier JP Morgan. He launched U.S. Steel and even served as the unofficial central bank of the U.S. for a time. Though some considered him a national hero, his tight control of banks, corporations and railroads led others to label him one of the original “robber barons.” Morgan was an avid collector of art and books with holdings so vast they were housed at multiple locations in New York and England. Eventually, he decided to consolidate his holdings in a huge library next to his mansion in NYC. Designed by renowned architect Charles McKim and completed in 1906, the Italian Renaissance palazzo-style library holds a staggering collection of illuminated books, historical manuscripts, and old master drawings. The library is rightfully considered McKim’s masterpiece—a majestic, soaring space which is both intimate and warm. It features 30-foot ceilings, three tiers of bronze and walnut bookcases, stained glass, a huge marble fireplace and grand tapestries. Also visit Mr. Morgan’s study, with its red silk damask walls and antique wooden ceiling brought over from Florence. The library is off the typical tourist’s radar. Imagine yourself as Morgan in your private quarters, reveling in the power and wealth at your command.

Rembrandt purchased this sizable former merchant’s house in 1639, when he was at the peak of his fame as a portraitist of the city’s elite. He lived, painted, and taught in the multistory building for nearly 20 years, and on the topmost floor—the site of his studio and workshop—crafted what is considered his masterpiece, the Night Watch. The home’s interior is not original but rather a faithful re-creation, based upon a room-by-room inventory conducted after the artist declared bankruptcy in 1656 and was eventually forced to leave. Be sure to catch the free daily paint-preparation and etching demonstrations; the former is particularly interesting to understand how difficult—and expensive—it was to acquire and process paint in that era. Though there are no Rembrandt paintings at this museum, you will find a large number of his superb etchings on view in the ground-floor exhibition space.