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Every April, thousands of visitors descend upon Augusta, Georgia for The Masters golf tournament. While the azaleas and dogwoods that line the fairways are beautiful, the streetscape outside the Augusta National Golf Club is a car-dominated aesthetically unfortunate collection of chain restaurants and strip-mall-churches--not exactly what you’d expect if you were to believe the city’s official nickname of “The Garden City.” Drive just ten minutes away, however, and you’ll end up in the Augusta Downtown Historic District, set aside by the National Park Service due to its collection of architecture from the 1780’s to the present. (Sherman didn’t march through this part of the state, sparing it the Civil War damage that destroyed Atlanta.) Georgia’s second-largest and second-oldest city might not be a ‘destination’ in the way that Savannah and Atlanta are (unless you love golf), but if you’re in town and architecture interests you, it’s worth spending some time down by the Savannah River. One of the tallest structures is the Lamar building--built in the 1910’s. In the mid-1970’s it was topped by a glass penthouse, designed by...I. M. Pei--the same architect who is perhaps best known for the now-iconic glass pyramid that dominates the courtyard of the Louvre in Paris. Augusta’s piece of Parisian-linked-architecture-fame is locally known as “the toaster.” Just slightly irreverent...

The former residence of Würzburg’s prince-bishops, this UNESCO World Heritage site is one of the most important Baroque palaces in Europe. It was—remarkably, given its scale and level of detail both inside and out—built almost entirely within a single generation. Court architect Balthasar Neumann oversaw the construction, while leading architects from Germany and France created the fabulous ornamentation. Woodcarvers, sculptors, and artists from Italy—including Giovanni Battista Tiepolo, regarded as one of the greatest fresco painters of the 18th century—also contributed to the design.

Rebuilt after World War II, the palace now features a bevy of architectural styles, from German and Viennese Baroque to French château. Inside, the White, Imperial, and Garden halls are can’t-miss attractions, as are the grand staircase and ceiling fresco by Tiepolo and the Mirror Cabinet. Before leaving, be sure to take a walk in the court gardens, which feature fountains, charming yew trees, and a group of cherub statues by Johann Peter Wagner.

The Villa Necchi Campiglio, just to the east of the historic center of Milan, may look familiar. The house had a turn on the silver screen in the 2009 Italian movie “I Am Love,” starring Tilda Swinton. Even if you didn’t see the film, anyone interested in early 20th-century architecture should include this gem of Italian rationalism on their Milan itinerary. The house is named for the occupants of most of its history: the sisters Gigina and Nedda Necchi and Gigina’s husband, Angelo Campiglio. The sisters—a glamorous, cosmopolitan pair—commissioned architect Piero Portaluppi (who also designed Milan’s Museo Novecento) to build a house that was the height of fashion at the time, including such novelties as a heated outdoor pool and a tennis court. His rationalist style could be described as a no-expenses-spared modernism—simple, clean lines and rich finishes. Gleaming rosewood paneling, marble bathrooms, and customs pieces give this modernist structure an undeniable elegance. After a brief period when the home was commandeered by the Fascist Party, the sisters returned to their home. Architect Tomaso Buzzi was hired to give the villa some 19th-century touches and a less severe look, reflecting the fashion among upper-class Italians in the 1950s. Still, the home remained largely true to its original design when Gigina died in 2000 (at the age of 99) and left it to Italy‘s national trust. In 2008, it opened to the public as a museum.

There’s a lot to recommend the Camino Real in Polanco, especially if you’re an architecture and art aficionado. The hotel, designed by the late Mexican architect Ricardo Legoretta, is considered one of his master works; the shape of its pink and yellow exterior is intended to call to mind a pre-Hispanic pyramid, and its caldera-like fountain in the driveway, designed by Noguchi, is perpetually roiling. Inside, you’ll find museum-quality art, including pieces by Mexican masters José Luís Covarrubias and Rufino Tamayo, as well as Alexander Calder. Rooms are large, quiet, and comfortable, and the hotel, a favorite among business travelers, has a full complement of amenities, ranging from pools and a fitness center to a number of restaurants, including Morimoto.

A new Swedish pop music group perhaps? Not quite. On my road trip through Southern Sweden, an architect friend of mine insisted we stop in Malmö to see Santiago Calatrava’s building, the Turning Torso, which was modeled after his own human form sculpture, the Twisting Torso. My friend described the town as “plastic fantastic” because of the vast variation in new architecture styles here, remarking that the Turning Torso is such a notable find within its more sober surroundings. It is, after all, the third tallest residential building in all of Europe. Artsy and industrial, for me, Malmö is reminiscent of something like Dumbo, Brooklyn. Passing through on our road trip, I daydreamed of moving into a loft space in this dynamic city where a majority of the population is under 35.

For years, the easternmost section of the Marais, one of the city’s most beloved districts, was a sleepy, underdeveloped neighborhood. That all changed for L’Arsenal in July 2022 with the arrival of the design-driven SO / Paris, located at La Félicité, a massive urban revitalization site overhauled by British architect David Chipperfield. The hotel occupies one side of the 1960s-era complex (which includes the Terroirs d’Avenir green market and bakery and the Atlas art gallery). The design from Paris-based architects RDAI is retro-futuristic, with rounded couches and soaring ceilings, while decorative touches are nods to the neighborhood (the tiles of the hotel entrance mimic cobblestone streets).

One of Playa’s newest hotels, Cacao is being touted as a “kicked-back, relaxed ‘hippie chic’ boutique, 60-room hotel. Conveniently situated on Playa del Carmen’s 5th Ave. in the heart of the destination’s fashionable restaurant, club and boutique scene it is also walking distance to the beach. Spacious, modern rooms and suites provide comfortable amenities, including bathroom toiletries by Italian fashion designer Missoni and distinctive touches by architect Rodrigo de la Peña. Dramatic architectural elements such as huge canvas accents in geometric shapes and a central court with a hyacinth lily pond combine with clean interior design and contemporary, bold color accents. The roof-top bar boasts innovative “coctelería” (mixology) experiences, along with spectacular views of the Caribbean and Cozumel Island as a scenic backdrop. Onsite Nibs Restaurant dishes up gourmet food in a serene setting, while a rooftop pool provides a refreshing escape

Mexico’s most influential architect—and the only one to receive the Pritzker Prize—Luis Barragán was born and trained in Guadalajara and practiced in the city until he was 34. He then moved to Mexico City, where he achieved fame for his distinctive and colorful approach to modernism, noteworthy also for its emphasis on courtyards and gardens.

Little remains in Guadalajara of Barragán’s early work but one notable exception is the Casa Iteso Clavigero, which now serves as a cultural center for a Jesuit university. While the interiors have been redesigned into gallery spaces, the exteriors have been beautifully preserved. In 1929, when Barragán designed the house, he was still working in a largely regional style, though the house’s bright yellow walls and some ingenious details provide hints of the architectural masterpieces that he would create later in his career. It’s free to walk around the building (as well as enter it, though there are no permanent exhibits related to Barragán) and you can take photos of the exteriors (but none inside the building).

It’s a sign of the Palm Springs boom that what started as a modest local museum is now a premier destination for art and design aficionados. Today, the establishment, first opened in 1938, celebrates performing arts, modern art, and architecture in three locations. The main building, a designated historic site designed by architect E. Stewart Williams, is the most trafficked, with works by Henry Moore, Ed Ruscha, Dale Chihuly, and other marquee names. The Palm Springs Art Museum in the Palm Desert location features a rotating selection of exhibits by contemporary artists, as well as a sculpture garden where you can have a contemplative afternoon picnic. The Architecture and Design Center, in a structure originally designed by Williams, hosts exhibitions on architecture and design that change twice a year, rounding out an extensive permanent collection that includes works by Julius Shulman, Alexander Calder, David Hockney, and Marc Chagall. Pro tip: The museum buzzes with energy, particularly on free Thursday evenings, but for a more tailored experience focused on a particular theme, take one of the tours led by passionate and knowledgeable docents.

Designed by 19 of the world’s top architecture and design firms (three of which have already won the Pritzker Prize), the Hotel Silken Puerta América Madrid may be the world’s ultimate design hotel. A colorful, towering ode to the best of modern design, the hotel is unlike anywhere else, with each distinctive floor imagined by a different creative, including the likes of Zaha Hadid (her vision is an undulating space-age den of all-black or all-white rooms and smooth fiberglass surfaces) and Jean Nouvel (his gradient exterior is just the tip of a vibrant, imaginative iceberg). John Pawson imagined the Zen-like, all-wood lobby, while architect Teresa Sapey created what may be the world’s only whimsical, design-conscious parking garage, a brightly colored and well-lit space inspired by Paul Éluard’s poem Freedom, which adorns the building’s facade.

Despite each floor’s unique and avant-garde aesthetic, the Hoteles Silken group refused to compromise on luxury, guaranteeing top-notch service and every modern amenity one would expect from a five-star hotel. And don’t forget the acclaimed restaurant, two trendy bars (one on the rooftop, with postcard-worthy views), and the indoor rooftop pool.

A brief walk from the Strasbourg Cathedral lies the glorious Palais Rohan, a former Episcopal residence built between 1732 and 1742. Designed by the king’s architect for the Prince-Bishop of Strasbourg, the architectural masterpiece has welcomed everyone from Louis XV and Napoléon to Marie Antoinette, whose fate was later sealed by palace resident Cardinal Rohan.

Today, visitors can tour the Decorative Arts Museum on the ground floor for a peak at the gorgeous cardinal apartments and the jaw-dropping, solid-mahogany library, as well as various furniture, jewelry, and sculptures. Afterward, head up to the first floor, where the Museum of Fine Arts features masterworks by Botticelli, Raphael, Rubens, and Delacroix, or down to the basement to see the Archaeological Museum, one of the largest museums of its kind in France.

Much of Mexico City’s fervid contemporary art movement—galleries and collectors abound; the scene is now a launching pad for Mexican artists looking to conquer the world—can be traced to art patron Eugenio López Alonso, heir to the Jumex packaged-juice fortune, who over decades has amassed Latin America’s most extensive contemporary art collection and brought dozens of artists to the international spotlight. The collection’s flagship museum, itself a work of art by the British architect David Chipperfield, is a surprisingly intimate exhibition space that supports a rotating calendar of shows; the basement bookstore will delight bibliophiles and design freaks alike. Right nearby lies the Museo Soumaya, whose dramatic architectural form (which earned it the nickname “the Blender”) makes up for a collection some consider erratic.

We decided one weekend to go to Ypres to see the war memorials and cemeteries and did some research about it, and it looked great as far as architecture goes but when we got there is was just amazing. I new the Cloth Hall will be impressive but to stand next to it it’s something else. The Cloth Hall of Ypres, Belgium, was one of the largest commercial buildings of the Middle Ages, when it served as the main market and warehouse for the Flemish city’s prosperous cloth industry. The original structure, erected mainly in the 13th century and completed 1304, lay in ruins after artillery fire devastated Ypres in World War I. Between 1933 and 1967, the hall was meticulously reconstructed to its prewar condition, under the guidance of architects J. Coomans and P.A. Pauwels. At 125 metres in breadth, with a 70-metre-high belfry tower, the Cloth Hall recalls the importance and wealth of the medieval trade city.

Laurel Hill Cemetery is a hidden gem that many locals don’t know about, and those who do have put it on their bucket list of places to go. The cemetery is also on many “first” lists: The first planned rural cemetery for the city. The first architecturally designed cemetery in the US. The first US cemetery designated a National Historic Landmark. A sprawling 78 acres of hillside overlooking the Schuylkill River, Laurel Hill is now within the city limits but when conceived in 1836, this area was considered a rural suburb. Laurel Hill was the final resting place for Victorian gentry, Civil War generals, a signer of the Declaration of Independence (who was re-buried here), architects, spiritualists and industrialists, and local hero and beloved Phillies sportscaster Harry Kalas (on whose grave are blue seats from the old Veterans Stadium). To appreciate the architecture of the tombstones and mausoleums, visitors can wander the winding paths on a self-guided tour. Download a map from the website or get one in the gift shop (Yes! There is a charming gift shop). Or consider checking the website for unique and informative tours, held year-round. Spring and fall are the best times to go; the grounds are elegantly landscaped and maintained. If you drive, there is a parking lot across from the cemetery’s gatehouse entrance. By public transit, Septa’s Route 61 bus from Center City stops near the entrance. There is a small museum across from the gift shop that shouldn’t be missed.

The architecturally striking Jewish Museum is the best place in Berlin to get an overview of German-Jewish relations and to understand the nature of the integration of the two cultures before the Holocaust’s horrors. Designed by Daniel Libeskind, the building is clad in polished silver metal and features severe angles and thin window slits that create a deliberately jarring impression. The interior is equally intriguing, especially the three long, intersecting corridors that lead to installations addressing aspects of the Holocaust: a garden of pillars meant to disorient; a windowless Holocaust Tower; and a space filled with thousands of grimacing iron masks that grind together as you walk on them. Across the street, the Jewish Academy (open to the public) has a related research center, library, and educational institution.