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When President John F. Kennedy was shot in Dallas in November 1963, the world was introduced to the Texas School Book Depository building, which became the primary crime scene for the assassination. It was from a sixth-floor window in this brick warehouse that the shots are said to have rung out toward the Grassy Knoll and the motorcade along Dealey Plaza—and it’s that same floor that now houses this excellent museum dedicated to the event and its aftermath. The engaging permanent exhibits focus on everything from the political climate of the era and the actual assassination to the immediate chaos, the investigations, and even the conspiracy theories; you’ll also have the chance to watch and analyze the Zapruder film, and stand at the famous window itself. Rotating temporary installations may showcase topics like artwork inspired by the event, while a library and reading room offer opportunities for a deeper dive.

Once the general summer tourist season finishes, a different and more sombre sort of tourism begins in Belgium. Autumn is a time of remembrance and there is no more poignant place to remember the Great War than the Flemish city of Ypres. Ypres (or Ieper, in Dutch) is home to the Menin Gate. The enormous marble walls of this monument contain the names of 54,896 Commonwealth soldiers who have no known grave. Every evening at 8pm, buglers close the road leading to the gate and perform the Last Post. Each year, on Remembrance Day (November 11), thousands of poppy petals are dropped through the ceiling of the Menin Gate and flutter to the ground below. Also well worth visiting is the In Flanders Fields Museum, which tells the story of the soldiers and local residents who lived during the war, through interactive displays. Mixed in with the photographs, the history, the artefacts, and displays, there are quotes from soldiers, wives and parents, politicians, and writers. Several short films also illustrate the impact of the war on the area, the people, and the soldiers. Ypres is an easy day-trip from Brussels, by car or train, and is an un-missable destination, particularly during the autumn, Remembrance Day season. For More Information: http://cheeseweb.eu/2011/06/ypres-world-war-museums/

Laguna Beach’s deep connection to the arts goes back to 1918, when 150 local creative residents started the Laguna Beach Art Association (the city’s population was only 300 then). That association went on to launch what’s now the Laguna Art Museum. Although the museum covers countless genres and eras, there’s one thing every piece has in common: They’re all made in California. The 3,500-strong permanent collection spans the early 19th century to present day, from light and space installations to pop art (and also includes pieces by art-world stars like Ed Ruscha and Wayne Thiebaud). It’s rounded out by a handful of new California-centric exhibitions each year. Highly knowledgeable docents—all have completed an extensive nine-month training course—lead lively one-hour walk-throughs at 11 a.m. Friday to Tuesday; groups of 10 or more guests may book guided tours in advance. Must-do: Hit the museum on a Thursday night when it stays open until 9 p.m. and becomes a community hub, with lectures, film screenings, and live concerts in the galleries.

Housed in a low-rise building on one of Austin’s trendiest streets, the South Congress Hotel is much more than just a place to stay. The boutique hotel is practically a neighborhood unto itself, complete with everything from stores and a nail salon to two restaurants, a coffee shop, and an all-day café. Done up in denim, leather, concrete, and wood, the 83 guest rooms feature Matteo bed linens, rainfall showers, and Apple TVs, plus fun extras like C.O. Bigelow bath products, Finery LA robes, and locally sourced minibars. Guests even enjoy exclusive streaming access to more than 40 movies from Drafthouse Films, a production company based in Austin. For when—if ever—visitors want to leave their rooms, the hotel also features a rooftop pool and bar, as well as a prime location near some of the city’s coolest shops, restaurants, and music venues, which are easily reached thanks to amenities like BMW X5 house car service and Faraday electric bike rentals.

The Sugar Palm restaurant is the first Cambodian restaurant that many visitors to Siem Reap try, and it often becomes a favorite. The food is some of the most delicious, traditional, home-style Cambodian food in the country. It also happens to be served in a very traditional, Khmer teak-wood house, with high ceilings and wide verandahs—oozing atmosphere.


Everything on offer is scrumptious, from the amok trei or fish amok, to the hearty Cambodian chicken curry. If you’re not a fan of pungent and sour flavors but want to try one of Cambodia’s quintessential ingredients, prahok (fermented fish), then this is the restaurant to do it. The prahok k’tis (a minced pork dip made with prahok) is a fairly tame albeit still very tasty iteration of the dish. The owner-chef, Cambodian-New Zealander Kethana Dunnett, is often around if you have questions about the cuisine. Kethana is the go-to person for celebrity chefs -- from Gordon Ramsay to Luke Nguyen -- when they are in the country filming food programs, and she certainly knows her stuff.

Fontainebleau is perhaps Miami‘s most legendary hotel, dating back to the mid-20^th-century golden age of South Beach’s social scene. Opened in 1954, the hotel has seen a number of celebrities—as well as scandals—over its six decades. Frank Sinatra filmed the movie A Hole in the Head here, and the Black Tuna Gang used the hotel as a front for its drug-running activities. Fontainebleau has had several owners over the course of its existence; it closed in 2006, only to reopen again in renovated splendor two years later. Common areas have Vegas-like glitz and glam, with lots of gold accents and sparkly chandeliers (made by, of all people, Chinese dissident artist Ai Wei Wei). The hotel’s art collection is enviable; besides Ai, there are Sol Le Witt and Damien Hirst pieces. Rooms are full of attentive design elements, too. Turquoise-and-green color schemes evoke the ocean, and high-tech amenities include 20-inch iMacs. Concerts take place at several venues on the property, including poolside and at the nightclub, and the hotel has some serious star pull. Recent concerts have featured Katy Perry, Lady Gaga, and Pitbull.

The Inn at Perry Cabin, a Belmond property, offers understated elegance on the Chesapeake Bay. Located in the postcard-perfect town of Saint Michaels, MD, less than 2 hours from Washington DC the resort has long been a popular getaway for polticos escaping the frantic pace of the beltway. With the serenity of the Chesapeake Bay at it’s doorstep the recently renovated colonial manor is easily one of the most beautiful resorts on the east coast, even serving as a filming location for the movie Wedding Crashers. Eschewing a grand lobby in favor of intimate nooks and hideaways, thoughtful design marries the Chesapeake Bay’s nautical heritage with modern touches throughout the inn. The spacious rooms are casually luxurious in calming shades of white and blue; when combined with Belmond’s unparalleled service makes for a truly relaxing getaway. Spend the day on the water with the resort’s fleet of Alerion yachts before sinking into a waterfront Adirondack chair with a glass of wine in hand to watch the sunset over the bay.

The indigenous people welcomed the first European settlers in 1851. Soon reports reached Scandinavia, like Ostenson Stine’s: “When you throw your eye upon Puget Sound, and behold the fleet of fish barges, rolling upon her briny breast, a reminiscence of the coast of Norway steals into your soul.” It sparked a wave of immigration, now celebrated in a new $45-million landmark-building near the Ballard Locks. The sleek, sophisticated design has a central atrium evoking a fjord, crossed by bridges and pierced by contemporary stained-glass bird sculptures. While some of the exhibits honor Olde Worlde crafts and tools, expect interactive innovations as well. A fan favorite: pillows resembling giant stones, strewn under birch trunks. Cuddle up and watch gorgeous film footage that could easily inspire a trip—or several—to Europe.

I used to live in Maui, right at the start of the Hana Highway, and driving the famous road was a weekly ritual. I recently went back to visit and found it still as breathtaking as ever. To avoid the tourist traffic (Mustangs seem to be the tourist car of choice), leave early and take the time to actually get out of the car and explore. My favorite stops are always the Garden of Eden Arboretum and Botanical Garden where they filmed the opening sequence for Jurassic Park (ok, kind of touristy, but totally beautiful and worth a stop if you’re a nature geek); Black Sand Beach where the super adventurous can swim out to the bunny ear-shaped rocks and dive into the ocean; Hamoa Beach for body surfing and Oheo Gulch, where you can do the four-mile round trip hike through a bamboo forest to the 200-foot Makahiku waterfall.

This restaurant is such an institution that it predates the city’s most iconic landmark—the Hollywood sign. In a way, Hollywood was born in Musso & Frank’s red booths, back when the famed boulevard was still a dirt road. The restaurant opened in 1919, and much of the menu remains from the first chef, Frenchman Jean La Rue, who used to specially prepare fettuccini alfredo for silent film stars Douglas Fairbanks and Mary Pickford. Only two executive chefs have held the job since. Dinner dishes such as lobster thermidor and grenadine of beef take you back half a century, while chicken pot pie (on Thursdays only) and steaks, cooked on L.A.’s oldest open-fire grill, taste comfortingly familiar. Don’t miss brunch, which features Greta Garbo’s favorite Flannel Cake, a cross between a pancake and crepe invented by chef La Rue in the 1920s. In keeping with the authentic vintage spirit, martinis are strictly stirred—never shaken—and served with a mini glass sidecar containing the rest of the drink in its own tiny ice bucket. Pro tip: Order the off-menu slow-roasted prime rib, finished on the mesquite grill and served rare.

A cultural hub for Turkish and international art, Istanbul Modern opened in 2004 as a permanent home for the contemporary Istanbul Biennial. The 8,000-square-foot warehouse sits along the Bosphorus next to the Golden Horn, a historically important port for thousands of years. The water views rival the exhibitions for your attention and appreciation, and the museum has an excellent restaurant and terrace to take advantage of the location. Back inside, the permanent collection shows contemporary and modern artists from Turkey, with rotating exhibitions of photography, design, and new media. The downstairs cinema has several screenings a week of films that complement exhibitions or feature distinctive work, often accompanied by panel discussions. The gift shop is one of the best places to buy unusual and beautiful souvenirs such as upcycled jewelry and kids’ coloring books of museum art.

In a regal redwood grove along the Big Sur coast lies a place “where nothing happens,” according to its proprietors. The highway traffic noise disappears, the filtered sunlight takes on the quality of stained glass, and the earthy smell of the forest is enough to cleanse your mind of digital and other distractions. This quiet altar of wisdom and irreverence serves as a bookstore and art hub focused on promoting the works of author Henry Miller, who lived in Big Sur between 1944 and 1962. The library hosts events throughout the year, but especially from May to October, including concerts, lectures, and book signings. The annual Big Sur International Short Film Screening Series occurs outside, in the redwood amphitheater. In the winter, the library takes on the aura of a writer’s retreat, when time stretches endlessly forward and you can spend hours browsing books, nursing a cup of coffee, and watching the light and shadows change the landscape outside the windows. Unlike a library, there’s no borrowing here, but what you walk away with may just be richer than any physical possession.

To get from Albuquerque to Santa Fe, don’t take I-25 North--it’s busy and sterile. Drive east on I-40 to the backside of the Sandía Mountains, get off on exit 175, and head north on Highway 14, also known as “The Turquoise Trail.” You’ll wind through forest to plateau, through mining towns and old Spanish land grants. Halfway to Santa Fe you’ll come to Madrid. (Note--do NOT pronounce it the way you would the capital of Spain; here it’s “MAD-rid.”) In the early 20th-c., some four thousand people lived here; by WWII it had become a ghost town when the local coal demand dropped. By the 1970’s the town began to be reoccupied--artists moved in, galleries set up...it claims to have more artists per capita than any other town in the country. (The population is around 400.) And in 2006, the town served as the set for the John Travolta film “Wild Hogs.” Driving in from the south, you’ll note the brightly painted houses; just after the highway curves, find a place to park among the motorcycles and grab a coffee at Java Junction (they have a B&B upstairs)--their motto: “Bad Coffee sucks.” The morning I stopped here, the café had a welcome sign in German; some Mercedes businessmen were having a road-trip meeting...Madrid is alive and well.

The date-night dinner-and-a-movie standard has been taken to a new stylish height at this acclaimed restaurant in the Mission District. Grab a table on the patio under the strings of lights to dine on seasonal California cuisine while films flicker on the back wall. It’s romantic, and easily one of San Francisco’s most unique dining settings. But don’t think of Foreign Cinema as just a gimmick. The stellar cuisine is the real scene-stealer here, which is why Foreign Cinema is consistently ranked as one of the city’s best restaurants. Chef Gayle Pirie and her partner, chef John Clark, have transformed this into a destination restaurant. Reservations are still tough to get, especially for Saturday night and Sunday brunch, but plan ahead and you’ll be glad. From fresh local oysters on the half shell to caramel pecan sticky buns to a popular sesame curry fried chicken, the food is always as stellar as the setting, making date night or brunch with friends an event you won’t soon forget. The adjacent wine bar, Laszlo, is perfect for predinner drinks or nightcaps.

Among the increasingly trendy streets of the Upper Marais, this intimate hotel offers a refreshingly low-key place to unpack. Named for the classic Francois Truffaut film, and set in a former precious metal factory, Jules & Jim has a low-fi artistic bent. The ground-floor lobby and bar—both set off a central, glass-roofed courtyard and garden—feature a rotating collection of works by local painters, photographers, and graphic artists, as well as residential-style seating and bookshelves lined with bric-a-brac. Spread over three structures, the 23 rooms range in size; the “Jules” options in the main building are the smallest and best for solo travelers, while the “Hi-Macs,” “Sous Les Toits,” and “Duplex” accommodations work better for two guests or longer stays. Some categories include perks like terraces, sofa-beds, Nespresso machines, and views of Montmarte, but all come with Bluetooth sound systems, free Wi-Fi, rainfall showers, and access to 24-hour room service (note that there are no mini-bars or fridges).