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A cozy new spot from chef Joseph Wrede that blends a dining experience for the vegetable lover like wild greens vichyssoise and a cast iron cauliflower dish with mustard seed, white beans, anchovies, fried capers. The meat inclined will lean towards the flavorful bison ribeye and southwestern lamb burger. Enjoy a great selection of beers on tap and a winner wine list.

You won’t find sushi at the distinct, surprising Izanami. As you might recall, Santa Fe is over a thousand miles from the ocean. Instead, small, delicious plates of house pickles, buttery glazed carrots, yaki (rice balls), chicken skewers and fried gyoza are served as the kitchen produces them. The comprehensive, generous selection of artisanal microbrew cold sake is one for the ages.

The elegant, grown-up Compound Restaurant on Santa Fe’s Canyon Road caters to devoted locals and tourists alike with a Southwestern-meets-Mediterranean focus. James Beard Award–winning chef Mark Kiffin scores with entrées like roasted rack of lamb, salmon with crispy pancetta, and wild mushrooms with organic stone-ground polenta. At lunch, the bar menu is less pricey and offers a chance to sample the famed Compound Burger, made with local Lone Mountain Ranch Wagyu beef, and wash it down with a cold beer. Even with the fantastic cuisine, the best parts of this white tablecloth and custom furniture institution remain the clean adobe arches and folk-art decor created by artist Alexander Girard.

For decades, the venerable Geronimo, situated in a 1756 adobe, has been serving a bevy of culinary delights. From the house favorites like peppery elk tenderloin to New Mexico lamb chops, the food is accessible and the timeless milieu is intimate. Sit on the front patio with a cocktail for the full Canyon Road people-watching experience. Inside, the stylish series of small dining rooms showcases wood floors, taxidermy, fireplaces, and beamed ceilings.

Since 1983, Santacafé has been a culinary destination for the chic lunch set (Tom Ford is a fan). Opt, as they do, for eclectic “classics” like crispy calamari with four-chile lime dipping sauce, shrimp and spinach dumplings with tahini sauce, or the homemade pasta of the day. Come summer, the large patio is bustling, while in winter, guests are ushered into the minimalist-yet-cozy dining room, made warm with fireplaces and cool with taxidermy.

The warm, handsome dining room at Terra is situated high enough for sweeping Santa Fe sunsets and glorious mountain silhouettes. Helmed by chef Andrew Cooper, the food is contemporary American and Southwestern, from tortilla soup to pan-seared scallops to a zesty green chili braised short rib. After your meal, visit the mod, circular outdoor fire pit and wind down with a nightcap. The cool inside bar has a great wall of old black-and-white photos, including one with visiting actor and cowboy Robert Redford.

This region of China is known for textiles and embroidery, so it isn’t a surprise that Chongqing has a huge selection of tailors. They can make clothing in 2–3 days, for very low prices. Some tips for tailoring clothing in Chongqing: —You usually get what you pay for. Most tailors close to Liberation Square are a little pricey, but the quality is good, they usually speak some English, and they’ll even deliver to your hotel. The tailors down in Ciqikou will be cheaper but more of an adventure. —Chinese tailors seem to make suits and qipaos (a traditional form of dress) the most. That doesn’t mean they won’t make anything you want, but you’ll probably have the most luck with a copy of something you own—a photo might work, but it’s hit-and-miss. —A tailor will ask you to choose a fabric, then take your measurements. At the end, they’ll give you a price; most people don’t haggle over this. A simple shirt can cost around 80–120RMB, to give a you an idea of cost. You must pay part of it as a deposit, then the rest on pick-up. —Specify as many details as possible, especially with formalwear. I usually buy my own buttons, zippers, and even thread in advance, because the materials the tailors use are often cheap and not good quality.

Located next to Emporio village, Perissa Beach and Kamari are divided by Messavouno Mountain. Perissa’s black sand is attributed to several volcanic eruptions, giving it an unusual appearance compared to other beaches in Greece.

If you’ve never had a Japanese hot dog, it’s not exactly ballpark fare. Unconventional and highly flavorful topping combos like wasabi mayo, nori, bonito flakes, and sukiyaki beef make for a completely different experience. It’s not for everyone, but at about $5 each, the risk is minimal. No seating, as this is a food truck; look for it at the corner of 1st and Pike, very close to the Pike Place Market entrance. Veggie dogs are available. Cash only.

Chef/owner Aaron Silverman’s farmhouse restaurant, in the heart of Barracks Row, serves creative (and Michelin-starred) cooking inspired by his travels and culinary training in the American South, Mexico, the Mediterranean, and Southeast Asia. Pork sausage and lychee salad is a menu mainstay; most other dishes are rotated out frequently to make way for “new stuff,” anything from grilled cucumber with coconut and anchovy to jumbo lump crab with squash blossom. Groups of six to 12 can make online reservations, all others should be prepared to wait a while. Line up before the 5 p.m. opening time to snag a seat at the counter facing the open kitchen and wood-burning stove.

With a great atmosphere and a packed room of locals, if you’re in the mood for Vietnamese food, you won’t go wrong here. Some swear by the pho and others by the gloriously crusty banh mi sub sandwiches, which come heaped high with grilled pork, herbs, salad, and a few slices of chili to add heat. And if you’re feeling greedy, I say do both.

It seems wrong to call this Renzo Piano–designed complex a museum—it’s more like a “sculpture safari,” on which you get to experience the pieces in their intended habitat. Opened in 2003, the Nasher Sculpture Center is a two-acre homage to modern and contemporary sculpture that was founded upon the private collection of the late Raymond and Patsy Nasher, then grew to include new acquisitions and special exhibits on loan from other institutions. Wander the peaceful indoor and outdoor galleries and gardens to spot works by artists like Giacometti, Moore, Serra, Rodin, Picasso, Calder, and de Kooning; many of the larger pieces invite interaction. The lush setting and bold pieces create an idyllic backdrop for the center’s year-round calendar of events (which include movie nights and family-friendly fun)—and make it a top pick for weddings, too.

“I’ve never seen so much red – except at a French brothel,” a fellow guest said to me as we rode the elevator together. She was right. From the moment you enter the lobby, the Rouge lives up to its colorful name with its red quartz tile, red lamps, and the Red Hot Room (for meetings). You’ll find crimson headboards and velvet drapes in each room -- although there’s plenty of zebra print, too. One of eight Kimpton hotels in Washington, DC, Rouge is certainly the rosiest. Stylish and eclectic in that Kimpton fashion, my street-facing room was both comfy and oversized – and convenient. It’s just three blocks to DuPont Circle and then only a bit further to Rock Creek Park (great for jogging, biking, or just walking). The White House is five blocks away and Whole Foods Market just two. For the athletically minded (like me), the good news is that each room has a yoga mat in the closet and nearly all are large enough to do a complete Vinyasa flow. The less good news: the small fitness room in the basement is dreary (but for $5 you can get a pass to the local “Y,” which has every amenity, including a 25-meter pool). The Rouge’s guests are as idiosyncratic as its décor. Families, business warriors, and hipsters seem to be the main human food groups –converging for the hotel’s wine hour from 5 p.m. to 6 p.m. and at then, again, breakfast. If eclectic’s your thing, the Rouge is your place. Leave the rose-colored glasses at home – you won’t need them here.

The Ottoman Bank Museum is in the basement of SALT Galata, an arts center located in the former Ottoman Bank. It’s a destination that will appeal mostly to those interested in the history of the Ottoman Empire in its decline at the end of the 19th century. But doesn’t everyone find the late Ottoman period fascinating? The struggles that characterized the era, with a country torn between its Ottoman past and a desire to both modernize and Westernize, played out at the bank. The institution that would become the state bank of the Ottoman Empire was founded in 1856 as a joint venture of British and French banks and the Ottoman government and was managed by a committee of British and French financiers until it was effectively dissolved during World War I. The museum includes many surprisingly engaging displays and documents tracing the bank’s history—its commercial ventures, demographic information on investors and employees, charts detailing the economic turmoil of the period. Architectural plans of the headquarters illustrate its unusual design that featured a neo-classical entrance facing the European quarter and an Ottoman-inspired rear elevation, facing Istanbul’s Old City across the Golden Horn. Deposit slips, photos of employees, and old bank notes in the original vault are on display in almost exhausting, encyclopedic comprehensiveness. If your interest wanes, you don’t need to feel any pressure to linger—entrance is free.

The shops of the Grand Bazaar are often derided as a tourist trap. Yes, you may want to see the historic setting, the common wisdom goes, but when it comes to actually shopping, you’ll get better quality at lower prices outside of the bazaar. There are so many exceptions to this “rule,” however, that it’s hardly worth repeating. One of the bazaar’s gems is Sivalsi Istanbul Yazmacisi at No. 57 on Yaglikçilar, the fabric “street.” The small shop’s shelves are covered with embroidered pieces, ikat-dyed fabrics, and ones with traditional Turkish patterns, from light cottons and silks to heavy wools. In short, you’ll find pretty much whatever Turkish or Middle Eastern fabric you might want, appropriate for everything from upholstery to clothing. The owners, Murat and Necdet Bey, count designer Rifat Ozbek, New York’s ABC Carpet & Home, and interior decorators and architects among their clients, but they still have time for ordinary customers interested in Turkish textiles. Prices are pretty much set but fair, starting at around $25 per square meter and going up to $600 and beyond for hand-embroidered pieces.