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A Hawaiian fantasyland on Oahu’s more remote leeward coast, about 40 minutes from Waikiki, Aulani is so seductive—for all ages—that many guests are loath to leave the property at all. And who can blame them? The beach is an idyllic cove (albeit a man-made one) stocked with kayaks, boogie boards, and everything else little beach bums could want. Then there are the three pools, including one for adults only and one filled with tropical fish for snorkelers-in-training, two impressive waterslides, and the biggest crowd-pleaser of them all, a 900-foot-long lazy river where guests, big and small, splash around on inner tubes as they meander around a faux-rock grotto. Goofy, Minnie, Mickey, and the rest—all in their vacation outfits—make occasional cameos at the breakfast buffet or by (sometimes, in) the pool. But while Aulani is most assuredly every kid’s dream, it is not every parent’s nightmare. The resort decor is more traditionally Hawaiian than obnoxiously Magic Kingdom; the lobby is built to recall an old canoe house, on a grand scale, and is covered in murals, painted by local artists, depicting island life. Hawaiian storytellers gather around a fire pit at night, and rooms have warm woods, with a single subtle reference to the Mouse King—a wooden carving of Mickey with a surfboard and ukulele that doubles as a desk lamp. Perhaps best of all, the Aulani has an outstanding, supervised kids’ club that’s free to guests ages 3 to 12. Babysitters are available for kids as young as six weeks old.

Despite multiple trips over countless years going to New York City, it wasn’t until a year ago today that I encountered this sandwich — the one that left me drooling until I could enjoy it again. Katz’s quickly went from a one-stop place for me to a traditional stop, regardless of my city plans. Katz’s Delicatessen is located in NYC’s Lower East Side and has been a proud resident since 1888. That fact alone should be enough to persuade you to pay it a visit. While there may be many options for food, the only thing I ever ordered is the pastrami on rye. It’s thick-cut, perfectly seasoned, stack of meat with mustard on rye. Did I mention I don’t even like mustard? This is the only sandwich where I will eat it. Served with a side of pickles, you really can’t go wrong. I convinced a visiting group from California to try it as I was enjoying mine when they claimed seats nearby — and they agreed with my impression of this NYC staple (4 of their 6 party members had ordered this sandwich) Be warned: I have yet to visit the deli when it isn’t packed full of people, so don’t plan on this being a quick stop. The lines may be out the door, and it may feel like chaos inside (think sardines in human form), but once you start eating you will forget any of the “trouble” had while waiting. The best way to order is to fall in line, don’t be shy, and talk to those behind the counters. They’ll share their stories and give a free taste while you wait. Don’t forget to tip them!

On most days in Prague, it feels like every tourist in town has gathered on the Charles Bridge. And for good reason — this 14th-century cobblestone span crosses the Vltava River, connecting the Old Town with the Lesser Town (Mala Strana) and providing picturesque views of both sides of the river, medieval churches, towers, and Prague Castle on the hill. King Charles IV commissioned the bridge in 1357. The bridge has 16 arches and protected by towers on either end: the Old Town Bridge Tower in Old Town and the Judith Tower and Lesser Town Bridge Tower on the Mala Strana side. The bridge is lined with 30 large statues of religious figures and luminaries, dating from the Baroque era to the present day The best time to go is at dawn, sunset or after dark after the crowds have thinned and romance is in the air.

A UNESCO World Heritage site, this 1,700-year-old palace sits on the Adriatic seafront, serving as the focal point of Split. It was built by the Roman emperor Diocletian as a seaside retirement home and has served as a refuge for many a conqueror over the centuries. Today, some 2,000 locals reside within the compound’s thick walls, making it a lively urban quarter. Getting lost in the labyrinth of surrounding streets is the best way to explore downtown Split—as you meander around, you’ll stumble across lively cafés and shops tucked into millennia-old buildings. Be sure to check out the Peristil, an imperial square framed by two colonnades, where Diocletian used to address the public. Towering above the square is Split’s major landmark—a 187-foot-tall belfry that you can climb for panoramic views of town.

We arranged a private tour of the Mekong River Delta through the Park Hyatt Saigon. We were driven from the hotel to Cai Be in a Cadillac with snacks and drinks, then escorted to our private river boat (also loaded with fresh fruit, coffee and tea, and other snacks). Our english-speaking tour guide brought us onto a small rowed boat through the smaller channels of the delta, explaining local life and the various trades of the people who live there. We saw a floating market and had lunch at Mr. Kiet’s historic house. Highly recommend spending the morning and afternoon on this tour.

Perhaps the most inviting cafe to spend time at in Abu Dhabi is The Third Place. With furnished alcoves, window seats, and patio tables, it’s a great place to meet a friend, settle in with a book, or get some work done over wifi. The food is terrific—fresh, well-prepared, and good for you. Servers cheerfully welcome their patrons with a smile and offer recommendations from the large menu written on the wall. When your meal is finished, they move things away quickly so you can continue conversing or working. Started by architects, the business showcases an appreciation for art and design, in a second-floor gallery.

Right by the Pile Gate, in a beautifully restored maritime school, Restaurant Nautika feels special even before you taste the food. With mesmerizing views of Kolorina Bay beyond and Lovrijenac Fortress looming overhead, this elegant restaurant has a fresh spark about it. The chef often does the marketing himself, browsing the stalls at the local market for organic and locally grown produce and freshly caught seafood—the only ingredients used at Nautika. The kitchen works magic with the ultra-local stuff, turning out small wonders like lobster medallions and sesame-crusted tuna. The inspired cuisine, especiailly when coupled with the location make the Nautika experience nothing short of spectacular. (If the view isn’t enough, you can occasionally spot celebrities among your fellow diners.)

Housed in a former 1929 Nabisco box printing factory, the museum, which opened in 2003, is a must see for contemporary art buffs. Encompassing over 240,000 square feet, it showcases the Dia Art Foundation’s collection of Minimalist, Conceptual, and Post-Minimalist large-scale works from the 1960’s to the present. As you navigate through the exhibits, you’ll notice most of them are illuminated by natural light, courtesy of the building’s original skylights. Highlights include Andy Warhol’s shadow paintings; Louise Bourgeois’ imposing “Spiderwoman” sculpture; Richard Serra’s “Torqued Eclipse,” a series of vast circular metal sculptures; and Dan Flavin’s florescent light works.

Located in the heart of Old Town Key West, Gingerbread Square Gallery is the island’s oldest art gallery and a cornerstone of its creative community. Housed in a beautifully restored Victorian building with signature gingerbread trim, the gallery has been showcasing fine art since 1974. Inside, you’ll find an eclectic collection of paintings, limited-edition prints, hand-blown glass, ceramics, and sculptures by a mix of nationally acclaimed and local artists. From vivid tropical landscapes to imaginative contemporary works, the curated exhibits reflect the island’s vibrant spirit and artistic diversity. The gallery also regularly hosts artist receptions and seasonal showings, making it a dynamic space for both collectors and casual browsers alike. Whether you’re a serious art enthusiast or simply exploring Duval Street, Gingerbread Square offers a glimpse into the creative soul of Key West.

Eighteen merchants band together here in Kakaako’s Ward Village mall, offering everything from a scoop of Froot Loop Vodka ice cream (Lucy’s Lab Creamery) to locally made board shorts (Salvage Public). One of the best places to find unique Hawaiian souvenirs, the South Shore Market shies away from tiki kitsch and instead taps into Honolulu‘s chic urban aesthetic. Travelers often appreciate the market’s long communal work table, complete with outlets and free, fast WiFi. Not to mention Scratch Kitchen & Meatery, which shares some classic recipes with its Chinatown counterpart, like milk-and-cereal pancakes and the cider-braised pork belly and apple pasta. But it also forges its own lunch-brunch path with indulgences such as a pillowy French toast stuffed with strawberries, mascarpone, and cream cheese.

Much of the indigenous artwork for sale in the Pacific Northwest is, unfortunately, counterfeit. It’s difficult to tell if the masks and other artwork carved and painted in Salish styles of gentle curving lines, depicting animal icons such as the raven, wolf, and orca, are actually the work of Coast Mountains First Nations artists. Black Tusk Gallery, in the heart of Whistler Village, is a cooperative founded to represent indigenous artists. You can commission an artist to carve a totem that tells the story of your family. The gallery supports emerging teen artists of the British Columbia and Yukon First Nations people through an annual aspiring artists award.

Before there were art galleries in Santa Fe, there was La Posada. Built as a private home in the 1880s by wealthy local merchant Abraham Staab for his beloved wife, Julia, the elegant pueblo-meets-Spanish-style complex expanded in the 1930s, when new owners added adobe casitas to the six acres of lush, high-desert gardens—and then invited artists such as Georgia O’Keeffe and Will Shuster to stay and work. When La Posada became a hotel shortly thereafter, the walls were already lined with works by the many artists who continued to pass through. Even now, the lively lounge—a see-and-be-seen spot for artists of all kinds—and the high-ceilinged rooms—with their kiva fireplaces and traditional viga ceilings—are adorned with works by some of the foremost contemporary American artists. All works are available to buy, too, for guests who want to take home a piece of their trip. Or, you can make like most guests, and just keep returning to this refined retreat that has offered respite from the world for more than a century.

The Uffizi Gallery might get more attention, but the Palazzo Pitti across the river is the largest museum complex in Florence. The vast Renaissance palace itself has been owned by the Medici family, used by Napoleon, and repurposed as home to King Victor Emmanuel III. Today you can visit rooms that house Renaissance paintings by Titian, Raphael, and Rubens; a lavish Medici silver and jewelry collection; a collection of fine European porcelain; and a costume collection. An all-in-one ticket grants entrance to each of the museums: Museo Argenti, Galleria Costume, and Museo Porcellane, as well as the Boboli and Bardini gardens.

You can’t miss the Stawamus Chief Mountain when you travel to Whistler via the Sea to Sky Highway. The granite edifice, the tallest monolith north of Yosemite, provides a fine introduction to how stone shapes and defines this landscape. Fathom Stone Art is a gallery dedicated to artists’ work in the local granite as well as marble, jade, quartz, and many other minerals. The grizzlies on display here, carved by founding sculptor Jon Geoffrey Fathom, are particularly popular. Examples of iconic inuksuit, the tall stone markers used by peoples of the Arctic region, are displayed alongside contemporary sculptures from leading stone artists across the region. Many of these sculptors began their careers as Fathom apprentices. You can, too, by signing up for a soapstone art carving class.

Opened in 2011, Reykjavík’s Harpa Concert Hall and Conference Centre is not only the most significant classical music venue in Iceland (home to the Iceland Symphony Orchestra and the Icelandic Opera), but also one of the country’s most striking examples of modern architecture. Located close to the old harbor, the building was part of a larger development meant to breathe life into the downtown district (the plan was abandoned due to the subsequent economic crash, but funds to complete Harpa were found). The coruscating, eye-catching facade was designed by Icelandic-Danish artist Olafur Eliasson, and the spacious interior has four handsome halls, the largest of which can accommodate up to 1,800 seated guests. There are also smaller conference rooms dotted throughout the building, and the ground floor hosts a record shop, café and restaurant, and other public areas. In addition to classical concerts, the venue holds music festivals, pop shows, art exhibitions, and more.