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A five-year restoration and renovation project transformed a factory on the Williamsburg waterfront, originally built in 1901, into the stylish but laid-back Wythe Hotel. This property has a distinct Brooklyn stamp, from the Brooklyn-made wallpaper to the Brooklyn-sourced minibar. The little details here stand out, including concrete floors with under-floor heating and the use of reclaimed wood (from the former factory) in the ceilings. The spacious lofts are particularly noteworthy for their floor-to-ceiling views of the Manhattan skyline and standalone pedestal tubs. Visitors and New Yorkers mingle over cocktails on the rooftop bar as well as at the spacious restaurant, which was recently taken over by restaurateur Jon Neidich and his team at Golden Age Hospitality (owners of popular New York spots ACME, Slowly Shirley, and The Happiest Hour).

Dilli Haat is an open-air market with 62 stalls that features both permanent and transitional vendors, allowing original items to be introduced regularly. The space, designed to resemble a traditional village market, was created to showcase products from across India. There is an application process to determine the temporary vendors who generally stay for 15 days. Items include textiles, crafts, clothing, shoes, beads, gems, and art, as well as a food court with specialty items from across the country. The small entrance fee and gated exterior keep unwanted panhandlers at bay, allowing for a leisurely shopping experience. Though prices are reasonable, bargaining is still encouraged. Dilli Haat is a favorite jaunt for locals and tourists, adding to the diversity of the experience.

In 1971, squatters moved into the barracks on an abandoned military base and established Freetown Christiania, an autonomous district in the middle of the city. Later, many dwellers built their own homes on the 86-acre property. Although the Danish Supreme Court ruled this year that the state owns the land, the area’s nearly 1,000 residents have yet to be evicted. Today, visitors can bike along tree-lined paths and check out the handmade structures before they disappear. christiania.org. This appeared in the July/August 2011 issue.

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.

For several centuries, the tiny hamlet of Amma, set about 1640 feet above sea level in the Chianti hills, was renowned for its farming and winemaking practices, which were overseen by a group of prominent families. When the Hapsburg Grand Duke Peter Leopold visited in the 18th century, he wrote a detailed report extolling the beauty of the setting and the high quality of the town’s grain fields, olive groves, and vineyards. Some of his complimentary words now adorn a plaque set at the entrance of Castelo di Ama, a winery and estate founded in the 1970s by a group of families looking to revive the town’s glory days. The label has won many accolades over the last decade—from the current owner-winemaker being named Winemaker of the Year in 2003, to the wines consistently landing on best-of lists around the world. Visit to get a taste of what all the fuss is about, and you’ll not only get to experience world-class wine, but art, too: Since 1999, the estate has worked with galleries and curators to invite renowned artists to visit, get inspired, and create new works, over a dozen of which now live at the estate. On a guided winery tour, you’ll visit aging cellars, the working winery, some of the ancient village’s sites (including the chapel), and the estate’s historic villas and gardens—where you will spy pieces of art by names like Anish Kapoor and Louise Bourgeois. Tours last about 90 minutes and are followed by a tasting at the Villa Riucci Enoteca.

Ramble down this scenic Punda road, and you’ll soon encounter two of the island’s most renowned art galleries. Serena Art Shop is famous for its handpainted Curaçao Chichi figure, while visitors can’t get enough of the Nena Sanchez Gallery’s striking island-themed paintings and giclées (prints). On the next street over, SilvanyRoss, a charming shop, features one-of-a-kind souvenirs sourced from local entrepreneurs and artists, from wood-carved coasters to oil paintings and handmade purses. Get to Windstraat on the early side; most of its stores and galleries close up by 5 p.m.

As if floor-to-ceiling Inner City views from an 18th-floor space weren’t enough, the 21,500-square-foot illuminated ceiling by Swiss artist Pipilotti Rist will wow you at Das Loft restaurant. With strict historic preservation building codes long in place that dictated nothing be built higher than the city’s iconic Stephansdom cathedral tower, Vienna was rather late to the game of splashy starchitect buildings. In 2010, however, Jean Nouvel’s Sofitel Vienna Stephansdom opened across the Danube Canal, an area that had been plagued by banal postwar stucco buildings. Now, guests at the hotel’s Das Loft penthouse and panoramic restaurant can not only enjoy beautiful urban vistas, but a popping cocktail scene and modern takes on Austrian dishes.

You can’t miss the Stawamus Chief Mountain when you travel to Whistler via the Sea to Sky Highway. The granite edifice, the tallest monolith north of Yosemite, provides a fine introduction to how stone shapes and defines this landscape. Fathom Stone Art is a gallery dedicated to artists’ work in the local granite as well as marble, jade, quartz, and many other minerals. The grizzlies on display here, carved by founding sculptor Jon Geoffrey Fathom, are particularly popular. Examples of iconic inuksuit, the tall stone markers used by peoples of the Arctic region, are displayed alongside contemporary sculptures from leading stone artists across the region. Many of these sculptors began their careers as Fathom apprentices. You can, too, by signing up for a soapstone art carving class.

Located in Old Québec, not far from the St. Lawrence River, the Musée de la Civilisation (Museum of Civilization) is an enormous (for Québec City, at least) museum with lofty ambitions. Exhibits cover just about every culture imaginable—at any given time you might find Greek sculptures displayed alongside totem poles, or an inquiry into Egyptian ideas of the afterlife juxtaposed with Australian Aboriginal artworks. Most of the time you can count on at least one exhibition focusing on some aspect of Québecois or Canadian culture, from the history of trapping to spotlights on individual Québecois artists and designers. Many of the exhibits, like a recent one focused on cats and dogs, are designed with kids in mind, with engaging, interactive installations. Even if you’ve been here before, every visit to the museum is, by design, a new experience.

You might encounter this evolving collection of apparel, accessories, and furniture “popping up” here and there. Owner Linda Hamilton, interior designer, fashion stylist, and entrepreneur, has spent years traveling the world on a quest for exciting and authentic apparel and accessories. You can find her Nomad Chic collection at boutique hotels and other locations and events across the United States and Mexico. Perhaps in a fabulous hotel lobby, poolside, or in her Moroccan tent filled to the brim with extraordinary apparel, jewelry, and accessories. She has created a unique mobile shopping experience. Nomad Chic’s carefully curated merchandise is a combination of unique and limited-edition creations by a host of international designers (which you will not find in other stores) along with Linda’s own apparel, jewelry, and accessories collection. Nomad Chic has been known to appear at the white building, Juarez (@ Hidalgo), Todos Santos, B.C.S., Mexico.

Empreintes is a craft concept store housed on three light and airy floors of a mansion in the upper Marais. The jewelry, furniture, garments, and housewares displayed here have been created exclusively by members of a French artist collective. Season café serves drinks and treats from mugs, plates, and glasses that are conveniently available for purchase. There is a bookstore for those looking for inspiration. The indigo-dyed scarves are a très Parisien souvenir for friends and family at home, and the wooden bowls and small vases pack nicely into most luggage.

A Starwood Luxury Collection hotel in the heart of historic Cuzco, Palacio del Inka occupies a former palace, built by the Incans as part of the Coricancha (the centerpiece of their empire). Since ancient times, it’s had many lives—it was seized by the Spaniards in the 16th century, served as a museum in the 1800s, and finally became a hotel in the 1970s. Today, the property features artwork and artifacts from both the Incan and colonial eras, which guests can tour each day at 5 p.m.

Situated around a large central courtyard, the 203 rooms are decorated in a colonial motif, with carved-wood furnishings, jewel tones, and gold accents. Also on-site is a small but very nice spa with a hydrotherapy pool, dry sauna, Turkish bath, whirlpool tub, and showers with lighting effects, as well as a small gym with cardio machines and weights. While Palacio del Inka is just a few minutes to Plaza de Armas and its many eateries, guests would be remiss to not dine at least once at the hotel’s Inti Raymi Restaurant, which serves Andean and international dishes made with locally sourced ingredients. Before dinner, grab a drink at the Rumi Bar, which offers excellent cocktails and a free pisco tasting each night at 6 p.m.

Famous since its 1998 opening as the place with the dancing fountains (further immortalized in the final scene of the 2001 film Ocean’s Eleven), the 3,933-room Italian-themed Bellagio is a Las Vegas icon. There is a fantasy feel about it, with its five courtyard pools, its indoor botanical garden and conservatory that change with the seasons, its lobby-dominating Dale Chihuly blown-glass flower sculpture, and its eight-acre lake, out of which rise the fountains. Yet following a 2015 upgrade, it also feels as modern as any hotel on the Strip. The Bellagio still does a few things the old-fashioned way: Along with the expected celebrity restaurants, there is a buffet (a long-cherished Las Vegas tradition) brought up to modern standards with an all-you-can-drink alcohol option. Throughout the hotel, service is tops, shopping is high-end, the Cirque du Soleil production O draws ’em in, and—another Las Vegas tradition—a casino with nearly the area of two football fields makes it all go ‘round, which is no doubt why everybody has to be out of the pools by 7 p.m.

The Centre Pompidou, France‘s national museum of modern art, led the way for steel-and-glass buildings in the 1970s. Now the museum leads the way in modern art with its extraordinary collection, currently the world’s second largest. Masterpieces include Pablo Picasso’s Parade and—one of my favorites—Tamara de Lempicka’s Young Girl in Green. Go for the museum, but check out the public library and the view of Paris that becomes more and more impressive as the museum’s escalators rise from floor to floor. Spot the Eiffel Tower and Sacré-Coeur (and perhaps a street entertainer or two with a gawking audience of kids) from the sprawling roof terrace.

Plan on spending the better part of a day at the National World War II Museum, even if you profess limited interest in history. This fine, sprawling museum—formerly the D-Day Museum—is affiliated with the Smithsonian Institution, and was established here because of the role the locally made Higgins landing craft played on D-day. Don’t expect the usual repository of static artifacts, like machine guns and airplanes—although you will find those on display. It’s more about gathering stories, from film and oral histories, and from all sides of the conflict. The museum was the idea of Stephen Ambrose, noted author of books about WWII, who wanted to share with the public the interviews that didn’t make it into his books. It’s grown massively since its humble beginnings, and does a remarkable job of capturing the era through both a microscope and wide-angle lens.