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First established in 1945, in an odd no-man’s-land between Chapultepec and Polanco, Los Panchos calls up the Mexican restaurants you may have known in childhood, with a wide-ranging (laminated) menu, whitewashed walls, and potted plants (not an Edison bulb in sight), plus a garrulous, family-friendly set-up serving trough-sized platters of classic Mexican grub like enchiladas, gorditas, moles, and chicken taquitos, tortilla soup, and tostadas, multi-colored margaritas and, most especially, Mexico’s answer to confit, carnitas: utterly delicious, ferociously caloric chunks of pork, fried in their own fat. The restaurant is perfect for larger groups who make their own tacos seasoned with cilantro, chopped onion, and the full hot-sauce portfolio. Nostalgic and lively, nobody leaves hungry.

There’s no shortage of sex shops or love stores in LGBT-friendly Zona Rosa, but Erotika may be the cleanest and most inviting, with its hot pink color scheme and “No shame here” attitude. This is one of several stores Erotika runs throughout the city. The surrounding neighborhood is filled with gay-themed nightclubs and bars, so you’ll have plenty of choice about where and how to spend an evening in Mexico City.

A detour to the centrally located yet way-off-the-tourist-track neighborhood known as Buenavista leads to one of Mexico City’s most dazzling 21st-century landmarks, the Biblioteca Vasconcelos, a gorgeous public library. The structure, by Alberto Kalach and Juan Palomar, has the public entering a pyramid-style form, on an almost subterranean level, that opens up, cathedral-like, into a soaring space lined on either side by cantilevered book stacks that float nobly above it all. Dramatic artworks contribute to the overall temple-of-knowledge feeling that is, in fact, quite moving. More beautiful yet could be just how busy the library is, filled with eager students and bookworm families alongside (no joke) groups of teens always practicing pop-music dance routines in the library’s lateral gardens.

The concierge at the hotel was skeptical. The cab driver was amused and skeptical. Lucha libre, or Mexican wrestling, is clearly an unsophisticated embarrassment, tantamount to telling a visitor to the U.S. to watch Keeping Up with the Kardashians. Attending a match, though, is a way to see a side of Mexican culture not found in museums or historic churches, but one that definitely uses some of the same mythology, iconography, and pageantry seen there. The crowd shouts, chants, and laughs through performances featuring dancing girls, inept referees, men in lavish and ridiculous costumes (a caveman with a plastic club, fur boots, and a skimpy loincloth), and some honest-to-God astounding feats of athleticism. Matches—loud and funny and thrilling—take place on Friday nights and occasionally during the week. Tickets can be bought in person at the arena, but arrive early to avoid a long line and use your time to shop the stands set up outside for handmade lucha libre wares (wrestling capes, masks, T-shirts, onesies for infants).

A new 16-bungalow beach retreat lures travelers to Mexico’s Pacific coast surf town of Puerto Escondido. When the sun goes down, locals and guests hit the underground dance club. From $213. This appeared in the January/February 2014 issue.

The unofficial symbol of St. Louis, the Gateway Arch is the tallest man-made monument in the United States, rising 630 feet into the air. It sits at the center of Gateway Arch National Park, which was established in 1935 to commemorate Thomas Jefferson’s vision of a transcontinental America. In 2018, the park emerged from a five-year, $380 million renovation, which added a grassy pedestrian walkway over the interstate as well as a revamped museum with new exhibits about the construction of the arch and how the expansion of the United States affected Native American communities. Tour the new sites, then take the four-minute, vertigo-inducing tram to the top of the arch, where you can see up to 30 miles east and west on a clear day.

Much of Mexico City’s fervid contemporary art movement—galleries and collectors abound; the scene is now a launching pad for Mexican artists looking to conquer the world—can be traced to art patron Eugenio López Alonso, heir to the Jumex packaged-juice fortune, who over decades has amassed Latin America’s most extensive contemporary art collection and brought dozens of artists to the international spotlight. The collection’s flagship museum, itself a work of art by the British architect David Chipperfield, is a surprisingly intimate exhibition space that supports a rotating calendar of shows; the basement bookstore will delight bibliophiles and design freaks alike. Right nearby lies the Museo Soumaya, whose dramatic architectural form (which earned it the nickname “the Blender”) makes up for a collection some consider erratic.

A little gem of a store located on a cobbled brick side street in Ballard, Horseshoe has a fun, casual hipster-boho-chic aesthetic and beautiful clothes and jewelry, whether you’re shopping for a professional work look or a wedding outfit. Their flattering clothes feature graphic prints, bold colors, and edgy, asymmetrical details, and if you’re feeling spendy, you can top off your look with timeless Frye western boots or a beautifully worn-looking leather tote. Want to represent your home state? They also carry Kris Nations’ charming state-name necklaces in gold and silver — a thoughtful present for a friend.

The flavor and Spanish Colonial charm of San Miguel de Allende come to life at Los Sombreros, where the atmosphere is as enchanting as the satiny mole Poblano sauce. If you travel with a friend, try the 10-course tasting menu. For $75, it serves two and includes dishes like pozole soup, fig and panela cheese salad, and chile relleno. Los Sombreros also has more than a dozen margaritas to choose from as well as specialty drinks like the Tijuana Donkey with tequila, ginger beer and fresh lime.

Most travelers can’t resist a bargain, but for some visitors, the real pleasure of shopping comes in haggling expertly to secure a lower price for the object of their desire. If that sounds like you, then head to La Ciudadela or any of the other craft markets in Mexico City, and practice your bargaining skills... in Spanish. Can you negotiate a lower price for those vasos marked 6 for 120 pesos? How about the blouse that’s marked 200 pesos or the hand-beaded mask that’s officially priced at 500 pesos? See if your Spanish skills pay off—literally—by saving you money during your market excursions.

The Saturday tianguis is a Mexico City tradition, and many neighborhoods have one of these open-air flea markets, where vendors peddle everything from rare books, maps, and postcards to locally made T-shirts, vintage jewelry, and art. One popular tianguis is the Tianguis Cultural del Chopo, near the Buenavista Metro station. This tianguis has been around since the 1960s and has long been known for its countercultural offerings. If you’re looking for old-school vinyl records or punk rock tees, this is the place. Even if you don’t plan to buy, spending a Saturday wandering through a tianguis just browsing the wares is a fun experience.

If you find yourself staying at Hotel Las Alcobas on a Saturday, ask staff to point you in the direction of Parque Lincoln (Lincoln Park), just a three-minute walk from the hotel, so you can stroll through Polanco’s Saturday tianguis, or street market. Tianguis are a beloved tradition in Mexico City, and many neighborhoods, including Polanco, host these weekend markets. At a tianguis, you can find everything from fresh fruits and vegetables to “fast food” snacks, from tacos to tropical fruit adorned with lime and chile. Prices are more than reasonable and the scene is entirely local. It’s a perfect way to spend part of your Saturday.

The 17th century mansion that houses Oaxaca‘s contemporary art museum is commonly referred to as “La Casa de Cortes,” although it was in fact built over a century after the death of Hernan Cortes, it is certainly lavish enough to have been worthy of the great conquistador. The front of the building has the family seal of the Lazo de la Vega and Pinelo families, who were the home’s original inhabitants. The state government acquired the building in 1986 and it housed a different museum prior to the opening of the MACO (Museo de Arte Contemporareo de Oaxaca) in 1992. The museum has 13 exhibit rooms, with the permanent collection on the second floor, and downstairs areas are used for temporary exhibits, which change frequently.

The fact that Oaxaca is a hub of art and creativity is evident almost everywhere you look. Besides the abundance of beautiful architecture and colorful folk art and handicrafts, several important contemporary artists hail from Oaxaca, including three internationally renowned painters: Rufino Tamayo, Rodolfo Morales and Francisco Toledo. The Oaxacan painters museum is a space that celebrates the art and creativity of these, and other less well-known but also extremely talented artists from this southern Mexican state. The two-story restored colonial mansion that houses the Oaxacan painters museum has elegant arches surrounding a central courtyard, and rooms with pristine white walls that form the backdrop to paintings and other artwork. There’s no permanent collection here, but temporary exhibits run throughout the year, and the space is also used for workshops and courses.

With a nickname like the “Cave State,” Missouri certainly isn’t short on impressive caverns. Of the more than 6,000 across the state, however, Meramac Caverns is the largest—and stays open year-round for tours. Said to have been a hideout for the outlaw Jesse James in the 1870s, the seven-level, 4.6-mile-long natural wonder was purchased by Lester Dill in 1933 and opened as a tourist attraction in 1935. Today, visitors can take guided tram tours past the cave’s complex mineral formations, stopping at a “wine room” (named for its grape-like botryoids and accessed by a long stairwell). While exploring, keep your eyes peeled for the resident tricolored bats that call Meramac home.