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Spanning a massive 129,166 square feet, the Pinakothek der Moderne is really four different museums: the Sammlung Moderne Kunst, the Design Museum, the State Graphic Collection, and the Architekturmuseum. As such, it’s one of Europe’s biggest institutions for modern and contemporary art, design, and architecture, offering a sweeping overview of 20th- and 21st-century culture, from avant-garde sculpture to digital installations. Notable for its 82-foot glass dome, the building is bright and airy, with plenty of room for walking around and experiencing all that’s on display. Tour the permanent collections on the upper floors, then head down to the ground floor to see the graphic, architectural, and temporary exhibitions.

The 17th century mansion that houses Oaxaca‘s contemporary art museum is commonly referred to as “La Casa de Cortes,” although it was in fact built over a century after the death of Hernan Cortes, it is certainly lavish enough to have been worthy of the great conquistador. The front of the building has the family seal of the Lazo de la Vega and Pinelo families, who were the home’s original inhabitants. The state government acquired the building in 1986 and it housed a different museum prior to the opening of the MACO (Museo de Arte Contemporareo de Oaxaca) in 1992. The museum has 13 exhibit rooms, with the permanent collection on the second floor, and downstairs areas are used for temporary exhibits, which change frequently.

If Torre Latinoamericana, whose construction was completed in 1956, looks familiar, it shouldn’t be hard to place the resemblance: this skyscraper, once Mexico City‘s tallest at just under 600 feet, looks quite a bit like New York City‘s Empire State Building. What makes the torre significant, other than that fun historical fact, is this: It has survived many earthquakes, including the devastating 1985 earthquake. As such, it is widely considered to be the first major skyscraper in the world to be built on active seismic land. From its mirador, or observatory, you can see for miles and miles, getting a true appreciation of the city’s vast expanse. You can also take some excellent photos of the Palacio de Bellas Artes, which is just across the street.

The fact that Oaxaca is a hub of art and creativity is evident almost everywhere you look. Besides the abundance of beautiful architecture and colorful folk art and handicrafts, several important contemporary artists hail from Oaxaca, including three internationally renowned painters: Rufino Tamayo, Rodolfo Morales and Francisco Toledo. The Oaxacan painters museum is a space that celebrates the art and creativity of these, and other less well-known but also extremely talented artists from this southern Mexican state. The two-story restored colonial mansion that houses the Oaxacan painters museum has elegant arches surrounding a central courtyard, and rooms with pristine white walls that form the backdrop to paintings and other artwork. There’s no permanent collection here, but temporary exhibits run throughout the year, and the space is also used for workshops and courses.

Bangkok is well known for being a party town, but not everyone is aware of how nuanced its nightlife scene actually is. The city’s naughty reputation is alive and well in notorious red-light districts such as Patpong, Soi Cowboy and Nana Plaza, but there’s a whole lot of life beyond the go-go bars. Well-heeled Thais and expats alike flock to the Thong Lor area where high-concept bars such as the fairytale-themed Iron Fairies rub shoulders with state-of-the-art techno clubs such as Demo. For James Bond-meets-Shanghai bordello flamboyance, try Maggie Choos in Silom, one of the city’s new buzz bars. Another nightlife favorite is RCA, a long strip of nightspots, which encompasses everything from cavernous clubs to intimate, grungy venues such as Cosmic Café.

This royal palace was probably much-visited this year, due to an exhibition of Joana Vasconcelos, a very important Portuguese artist. The palace was built on a hill, after being destroyed at its the previous location (in front of the river) in the 1755 earthquake. But it wasn’t finished, because the royal family fled to Brazil during the French invasion. In 1968, it opened as a museum, with important collections of decorative arts of the 18th and 19th centuries, such as furniture, jewelry, textiles, painting, ceramics, photography, and sculpture. Many important state ceremonies take place here as well.

My visit to the Chichu Art Museum was somewhat of an art pilgrimage. My journey started with a flight across the Pacific Ocean, followed with several bullet trains, a ferry through the beautiful Seto inland sea for Naoshima island, and at last, a walk of a few miles by a serene landscape to find a vessel for art under a veil of green grass. While many modern museums use its architecture to make a statement, the Chichu Art Museum—Japanese for “in the earth”— opted to become one with its natural settings. Architect Tadao Ando built the museum with the intent to “rethink the relationship between nature and people.” He also gave himself the challenge of using sun as the sole light source for the artwork. The museum is primarily made of steel, glass and concrete with many galleries designed specifically for the art pieces from Claude Monet, James Turrell, and Walter De Maria. I’ll never forget how the water lilies in the Monet painting glowed and came to life under ambient light. While underground, guided by natural light pouring from above, I felt like I was in a futuristic cave discovering relics from the past. The art, along with the architecture fused with nature, make Chichu Art Museum the most illuminating museum I’ve ever been too.

Saddle-shaped Cradle Mountain is the state’s most popular peak and the starting point for the 64-kilometer (40-mile), six-day Overland Track. For day-trippers, there are quicker walks, including the Dove Lake Loop, which traverses temperate rain forest on the slopes of the park’s namesake peak, as well as rafting and rappelling adventures run by outfitters such as Cradle Mountain Canyons Tours. Other highlights include Waldheim Chalet, a replica of the home of Gustav Weindorfer, the park’s founding father.

On first glance, it would be easy to dismiss the 101 Hotel as merely a functional option. Stepping inside the austere five-story concrete building on Hverfisgata, however, guests discover an ultra-modern boutique lodging with minimal black-and-white decor—the work of owner-designer Ingibjörg S. Pálmadóttir—that gives it the feel of a chic downtown gallery. Contemporary paintings, photography, and sculptures by local artists appear througout the property, complementing the oak floors and wood-heavy Nordic furniture in the 38 rooms. Queen and king-size beds (there are no twin rooms) come topped with fine Italian linens, entertainment systems are state of the art, and open-plan bathrooms make extensive use of glass and offer Aveda bath products; deluxe rooms and suites up the ante with with claw-foot tubs. The hotel also has a moody restaurant and bar, a gym and spa, and a comfortable lounge area where you can put your feet up by the fire.

This restaurant is such an institution that it predates the city’s most iconic landmark—the Hollywood sign. In a way, Hollywood was born in Musso & Frank’s red booths, back when the famed boulevard was still a dirt road. The restaurant opened in 1919, and much of the menu remains from the first chef, Frenchman Jean La Rue, who used to specially prepare fettuccini alfredo for silent film stars Douglas Fairbanks and Mary Pickford. Only two executive chefs have held the job since. Dinner dishes such as lobster thermidor and grenadine of beef take you back half a century, while chicken pot pie (on Thursdays only) and steaks, cooked on L.A.’s oldest open-fire grill, taste comfortingly familiar. Don’t miss brunch, which features Greta Garbo’s favorite Flannel Cake, a cross between a pancake and crepe invented by chef La Rue in the 1920s. In keeping with the authentic vintage spirit, martinis are strictly stirred—never shaken—and served with a mini glass sidecar containing the rest of the drink in its own tiny ice bucket. Pro tip: Order the off-menu slow-roasted prime rib, finished on the mesquite grill and served rare.

Hotel Tórshavn sits right in the city center, with the harbor to its front and the Town Hall Square to its back. Opened in 1923, it underwent a major renovation in 2007 and now features a sleek reception area and 43 bright, comfortable rooms, complete with work desks, complimentary Wi-Fi, and large windows to let in the ocean breezes. In addition to spacious conference facilities, the hotel offers two dining options—Hvonn Brasserie, which serves steak, pasta, and pizza overlooking the marina, and Hvonn Cocktail Bar, where guests can enjoy light meals, ice cream, and pastries alongside coffee, beer, and cocktails. Even if you’re not staying on site, you’ll want to be here on Tuesday evening, when the bar hosts jazz nights with local musicians.

I Kriti (Greek for “Crete”) has been serving some of Athens’ best Cretan cuisine long before the island’s hearty cuisine became fashionable in the mid-2000s. A charming, utterly unpretentious tavern tucked into a nondescript arcade passage near Omonia Square, Kriti serves fare that will leave you reeling with pleasure—dakos (barley bruschetta topped with grated tomato, crumbled myzithra cheese, olives, and pickled samphire), smoked Cretan pork, snails in garlic, Crete-made sausages, spicy cheese dip, and baked pies, all at excellent prices and with real Cretan hospitality (the owners don’t really speak English, but it doesn’t matter). Expect to wait for a table but then, once seated, to spend some time here. And don’t forget to wash each dish down with some Cretan raki, a strong grape distillate similar to grappa.

With its striking white facades and terra-cotta rooftops, you might mistake Cap Maison for a Mediterranean villa on the Costa Brava. However, this all-inclusive resort set on a former sugar plantation on St. Lucia’s north coast offers more than meets the eye. The pastel-hued interiors are matched by the sunny dispositions of the superb staff, who cater to every request, whether it’s finding a shady spot by the terraced pool area, booking a paddleboarding excursion off the private beach on Smuggler’s Cove, or arranging for the house yacht to take you to the neighboring island of Martinique for the day. Don’t miss the sunset views at the Cliff at Cap restaurant, where locally sourced dishes like reef conch ceviche and passion fruit soufflé are topped off with some of the resort’s house-made rum.

True to its name, this centrally located eatery and seafood market excels in super-fresh preparations of the daily catch, whether fried, baked, smoked, grilled, or cooked in soup. The fish-and-chips, served with coleslaw, is particularly popular for its light batter and crispy finish, and the tuna—in any preparation—is always excellent. For the best deal on the island, opt for the trio combo and pick three of your favorites. If you’re not keen on sitting in the cramped space, order your food to go and enjoy it on the beach instead. You can also pick up marinated fillets to cook yourself at your condo or villa.

Its location on a relatively undeveloped stretch of Grace Bay Beach, and an atmosphere so subdued that guests sometimes feel they ought to be tiptoeing, make Point Grace a haven for people who want no sounds but the lapping of waves, and, occasionally, a recommendation from a waiter. The 28-room resort has a modernized British Colonial style; the roomy suites feature a full kitchen and washer/dryer; there’s an excellent, if small, spa; and the restaurant is romantic enough to encourage marriage proposals, or reinforce that they were the right thing to do. But guests looking for a party atmosphere, or whose pleasure is to see their kids happily splashing in the pool, might want to look elsewhere.