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At the center of Medellín, Plaza Botero gets its name from Colombian artist Fernando Botero, who donated 23 of his much-loved, disproportionate-bodied bronze sculptures to the city. There’s a huge chubby head, a reclining woman, and an oddly small man with a bowler hat riding a horse, plus good old Adam and Eve. The Museo de Antioquia abuts the plaza and houses other pieces by Botero as well as works by other artists. By day the square is vibrant and lively, but do take appropriate precautions after dark.

The name Fleischmarkt goes back to the medieval butchers who worked along this Inner City street. The surrounding blocks are still home to long-standing merchants like Mühlbauer Hut, a century-old hatmaker. Strolling the area also takes you to Vienna’s oldest church, the tiny Romanesque Ruprechtskirche. Located in a Biedermeier-era house, the nearby Stadttempel synagogue survived Kristallnacht. The Orendi-Hof at Fleischmarkt 1 is a stunning art nouveau building, followed a few doors down by Max Kropf’s richly detailed 1899 neoclassical building and then by a Byzantine-style Greek Orthodox church, all in one short block. In recent decades, the Fleischmarkt bar area gained the nickname Bermudadreieck—the Bermuda Triangle—in reference to tipsy revelers getting lost in its twisting alleys.

One of Montréal’s most iconic landmarks was designed by an American, R. Buckminster Fuller. The Biosphere, an enormous geodesic dome, sits in Parc Jean-Drapeau on St. Helen’s Island in the St. Lawrence River. Now considered one of the most important examples of futuristic architecture of its period, it was originally built as the U.S. Pavilion for Expo 67, the world’s fair that took place in Montréal in 1967. It quickly proved to be one of the most popular attractions of the event. An acrylic skin originally covered the building, but that was destroyed in a fire in 1976 and never restored. The skeleton building remained intact, however, and it is arguably even more dramatic and elegant than before the fire. Today the Biosphere houses a kid-friendly Environment Museum, with interactive displays that introduce environmental concepts and address the issue of climate change.

In 1989, Chilean winemakers Augustin and Valeria Huneeus happened upon a 280-acre parcel of land in the heart of Rutherford that had never been planted with vines. The couple jumped and bought it. The result is Quintessa, one of the most spectacular estates in the Napa Valley. Today there are three different ways to experience Quintessa—all visits are privately hosted and tailored specifically for each guest. The Estate Tasting includes a walk to a scenic viewpoint, followed by a seated sampling session in the main winery building. The “Quintessential Quintessa” includes a scenic drive to a private tasting pavilion atop Dragon’s Hill, which offers unrivaled vistas of the entire valley and revolves around narratives about the property, the terroir, and how winemaker Rebekah Wineburg plies her craft. Finally, the third—and most exclusive—option, dubbed the “Collectors Experience,” offers at least three wines from the Huneeus family cellar, poured alongside the most current release. Time the visit right and Augustin Huneeus himself might come out in his signature cowboy hat to say hello and regale your group with stories of his life in South America before he emigrated to the United States.

The McGuire Moorman Hospitality group has proven time and again that it knows how to develop a concept and deliver it in a stunning thematic package—from the coastal seafood vibes of Perla’s to the handsome brawn of Lamberts Downtown Barbecue. For June’s All Day, the team has blended elements of a French bistro, a New York City wine bar, and a quintessential American diner. The menu, which ranges from chilled artichoke and croque madame to a fried chicken sandwich and cheeseburger, straddles the Atlantic. The restaurant’s namesake, June Rodil, is one of the country’s few female Master Sommeliers, and the smart and engaging wine list, highlighted by more than 30 white and sparkling options, invites guests to stay and sip.

As the first boutique hotel in Koreatown, the Line might have been able to get away with cutting a few corners while still attracting a cool clientele. It probably didn’t need to get the hottest young Korean-American chef in L.A. on board (to run one of the most comprehensive and exciting restaurant and bar networks yet seen, by the way), nor did the Sydell Group—the arbiters of cool behind the Nomad Hotel in New York—have to put their stamp on it. The hotel would have been nice enough had the concrete midcentury building not been entirely reimagined by designer Sean Knibb, known for designing half the cool spots in L.A. and more than a few celebrities’ homes. There didn’t need to be a desert greenhouse–inspired pool deck that’s become a hangout for beautiful people at all hours, nor did the famously trendy Houston Brothers (of no Vacancy and Harvard & Stone) have to throw in a midcentury-inspired cocktail bar. Nor did the typical hotel gift shop have to be reimagined as a design and lifestyle store curated by Poketo. The rooms and suites would have been just fine had they not been turned into artsy, industrial-style lofts, outfitted with original commissioned artwork, a minibar of Korean and Western snacks, and Baxter of California toiletries. Of course, all of this did happen, and now Koreatown is home to one of the hottest hotels in L.A.

The Centre Pompidou, France‘s national museum of modern art, led the way for steel-and-glass buildings in the 1970s. Now the museum leads the way in modern art with its extraordinary collection, currently the world’s second largest. Masterpieces include Pablo Picasso’s Parade and—one of my favorites—Tamara de Lempicka’s Young Girl in Green. Go for the museum, but check out the public library and the view of Paris that becomes more and more impressive as the museum’s escalators rise from floor to floor. Spot the Eiffel Tower and Sacré-Coeur (and perhaps a street entertainer or two with a gawking audience of kids) from the sprawling roof terrace.

We went to the Viking Ship Museum while visiting Copenhagen. It’s about 1/2 hour train ride from the city and another 10 minutes or so on the bus (#203). I expected to spend about a half day here entertaining the kids but we ended up spending much more because it was so engaging. They have actual kid activities that are interesting and fun -- view old viking weapons, learn how to sword fight with wooden shields and sword (a staff member will show you how it’s done), decorate your own shield and sword to take home, learn how to make rope -- and this is just one small part of the whole experience. Inside you can view the remnants of the 5 viking ships that were discovered in the harbor and learn about how they recreated them. You can also watch a film about how a crew sailed a recreated ship from Roskilde to Dublin (while seated in a replica ship). The kids can try on traditional viking costumes. And finally, but not least, you can pay a small fee to take one of the replicated viking boats out on the water! There’s no motor -- just oars to row out and then use the wind to sail back in. It’s beautiful out on the water and to have a view back to town. The kids can participate or just watch all the activity. There was so much to do and a variety of offerings that engaged the whole family. Definitely a must-do with kids on a visit to Copenhagen.

The Museum of Modern Art, one of the city’s—and the country’s—premier institutions for modern and contemporary art, first opened its doors in 1939. Its permanent collection of almost 200,000 works includes masterpieces by many of the 20th century’s leading artists: Duchamp, Matisse, Picasso, Warhol...the list truly could go on and on. In the permanent collection, van Gogh’s Starry Night and three panels of Monet’s series of paintings of water lilies are among the most famous works. The museum’s first director, Alfred Barr, was praised for taking the innovative step of expanding the role of the art museum to include genres beyond painting and sculpture, and to this day the institution dedicates exhibitions (and resources) to design, architecture, photography, and other creative fields. The museum also has a space in the Long Island City neighborhood of Queens, called MoMA PS 1, which focuses principally on younger, emerging artists and hosts Warm Up, a summer live music series.

Even fun has a shelf life. This is what runs through my mind as I walk around Spreepark, the abandoned, dilapidated amusement park in Berlin. When East Germany and the GDR fell, so did many of the businesses operating under the rules of communism. They were never really able to make the transition to capitalism successfully. Spreepark, located in the East German part of Berlin, was one such casualty. Even though Spreepark is “dead,” it is now a present-day photographic amusement park. The park is closely guarded, and trespassing is typical but also dangerous, so an enthusiastic, enterprising young man has started running tours on the weekend, providing access to shoot away to your heart’s content. The rides and stands have all deteriorated in place over the years, which makes for an eerie photographic landscape. More Information: Tour information (only in German) – www.berliner-spreepark.de/ – Tours are given mainly on the weekends. If you want to go on a tour, contact him, as he does know a little English and you can at least book yourself into a tour and get access for photography—even if you don’t understand the stories.

Few places in North America are anchored in a heritage like the Pueblo of Taos. This is the longest inhabited living arrangement in the US. The Pueblo still has ten families of around 150 native people working to maintain the culture and the adobe architecture for generations to come. A living artifact, the past and present form a delicate harmony to produce a unique travel experience. The environment says a lot about the sustainability of this community. Tucked up against the Sangre de Cristo Mountains, with the Rio flowing through the center of the Pueblo, the inhabitants have maintained their lifestyle through wars, disease, cultural genocide and environmental impact to survive. From the efficiency of their adobe walls to provide comfort against extreme heat and cold, to the guiding wisdom of elders to keep the Pueblo vibrant, the way of life preserved within these walls is a testament to the strength and vision of native people, connected to this land with over a thousand years of tradition.

Standing out in San Francisco‘s Marina District, this historic landmark is a leftover from the 1915 Pan-Pacific International Expo and was designed by Bernard R. Maybeck, a student of the École des Beaux-Arts. His vision was to give the impression of ancient Roman ruins. When the fair concluded, the Palace of Fine Arts proved too beautiful to raze. Maybeck had intended the Palace to fall into ruins (in keeping with his original vision), and it did for years. It was used as a storage depot after World War II and as a warehouse for the Parks Department. In the late 1950s, a local city official led an effort to face-lift the building. The Palace of Fine Arts was rebuilt and is now enjoyed by visitors who walk beneath the towering colonnade and the grand rotunda.

High atop Montmartre is this distinctive white church, Sacré-Cœur, or “sacred heart.” Constructed of travertine stone (the same used in the Arc de Triomphe), the Roman Catholic Church took nearly 40 years to complete and five more years to be consecrated (in 1919). If you choose to approach the church from below, it’s around 100 steps, and if you want to climb up into the dome, it’s another 270. Your reward for all that exercise is a stunning view of Paris unfolding below. Also worth noting: the basilica’s campanile houses La Savoyarde, the largest bell in France, weighing in at 19 tons.

What kind of cuisine do Ken Oringer and Jamie Bissonnette proffer at Little Donkey? All of them. The James Beard Award–winning chefs have described their Central Square eatery as an exercise in indulgence—a place where they can slip the bonds of convention and make whatever they want. The good news is that anything these two plate is delicious. Local color can be found in the Parker House rolls, and Little Donkey honors the Jewish fondness for Asian flavors with a schmaltzy matzo-ball ramen bowl. It’s the type of food chefs cook for themselves at home, only now you get to join in the fun.

When it comes to sleeping options in Barbuda, private guesthouses are a popular option. One excellent choice is Barbuda Cottages. On a calm and gorgeous sweep of isolated beach at Coral Group, on the south coast, are four traditional wooden Caribbean cottages built right on the sand, next to one of the best beach bars in Barbuda, Uncle Roddy’s. The water in front of these chic, upscale self-catering cottages is also awesome for swimming as it is very safe and calm and there are rock pools to explore. A good family option, the newly constructed, eco-friendly beach houses are owned and run by Barbudans and offer one or three bedroom options. The cottages are located a 15-minute taxi ride from the village where the ferry pier and airport are – if you’re going to cook for yourself (recommended for most meals) stock up in town before heading to the southwest coast.