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Why We Love It It’s a stylish haven in the heart of Nashville’s entertainment center. Highlights -Cycling fiends will appreciate the Peloton bikes in the third-floor fitness center. -The Terrace Suite comes with its own outdoor grill; any cookout catastrophes can be ameliorated by an on-call Barbecue Butler. -Don’t miss the speakeasy-style entrance to the nightclub Dirty Little Secret, through an All Saints retail shop on Printer’s Alley. Nashville’s transformation from honky tonk dive to urban playground is complete with the latest outpost of the Dream brand. Housed in two historic buildings on Printer’s Alley, the 168 rooms are neither a little bit country nor rock and roll, but rather art deco–inspired with deep blue walls, burled-wood armoires, overdyed oushak rugs, and Japanese-style marbled wall coverings. The central location makes it an easy walk to Ryman Auditorium, the Broadway strip, and the Frist Art Museum, but do hurry back before dark. The hotel has six splashy dining and drinking options, including the brasserie-style Stateside Kitchen, a late-night sandwich shop, a DJ-fueled nightclub, and a dimly lit cocktail bar serving local craft beers and inventive libations into the wee hours.

What do Al Capone and Bruce Willis have in common? They both did time here at Eastern State Penitentiary. (OK, Willis wasn’t an inmate, but he did shoot the film 12 Monkeys here.) The facility’s first inmate was brought through these doors in 1829, and the prison was in use until 1971. After closing, it became a target for vandals and housed a sizable colony of stray cats. Real estate developers proposed repurposing it as condominiums (high-security, of course), but preservationists won out. They raised funds to stabilize the crumbling interior and remove trees that were growing inside some cells. Wander through its stark interior and learn about the fascinating history of this unique site and its previous tenants, including Capone. Don’t miss the special art installations that are on display here all year round.

The Place Bonaventure is widely recognized as one of the most important buildings constructed in Canada in the 1960s, though that’s not to say it’s universally loved. It’s a regular contender for the title of Montreal’s ugliest building. For the student of architecture, however, whether armchair or otherwise, it’s worth a visit to see an outstanding example of brutalist architecture. Architect Raymond Affleck’s vision was to turn the city inside-out in a building appropriate for its location in a cold climate. The Place Bonaventure was designed to include a conference center, hotel, and several floors of retail space, all along internal streets while the building presents a foreboding exterior of ribbed concrete (echoing the design of the seminal Architecture School at Yale University by Paul Rudolph) to the street. The entire complex included 3.1 million square feet of floor space, making it the largest building in the world when it was completed (in 1967). Much of the retail space was converted to offices in later renovations, though the conference center and the hotel (now the Hôtel Bonaventure Montréal) remain. The photo here was taken inside the hotel—a walk around their common spaces will give you a taste of Affleck’s vision for a new urban architecture.

The great Almohad sultan, Moulay Ismail made Meknes his imperial capital and it is there that he is entombed. Although his mausoleum lies stone’s throw from Place El-Hedim and Bab al-Mansour, it’s not easy to find because it’s not marked. You will have to ask for help. When you enter in the mausoleum, you step inside a small entry room, painted buttercup yellow with a small fountain marking the center of the room. The entry room leads to the first of several interconnected open aired courtyards, each of which is also painted buttercup yellow. Surrounded in all directions by bright yellow walls, it’s hard to believe you’re actually in a mausoleum. The last courtyard fronts the tomb room and unless you’re a Muslim, you cannot enter. But not to be disappointed, the ante room will simply take your breath away. It soars up several stories high with a row of windows at the top that lets the sunlight filter in. Intricately carved plaster and delicately patterned zellij tiles adorn the walls. In the center of the floor is a small fountain collared by the eight pointed star that is classic to Moroccan design. There is perfect symmetry in all the design elements. It’s just a magnificent space!

Browse folk art at Yard Dog gallery. Along with its focus on work from the Deep South, the gallery also exhibits pieces by musicians, such as local singer-songwriter Daniel Johnston. During SXSW, check out performances in the intimate backyard. My Morning Jacket and Neko Case have played there in the past.

Forever on the verge of being the next big target of gentrification, the district known as Santa María la Ribera—northwest of downtown—retains its neighborhoody, down-at-the-heels charms. Its streets are home to a mix of old-school cantinas (all perfectly visitor-friendly) and mom-and-pop restaurants, alongside some neglected architectural gems, hipster coffeehouses, and standard-issue, sometimes grimy local businesses—in short, it’s still real. The district’s centerpiece is its central plaza, known as the Alameda, and its exuberant Moorish-style gazebo (it started life as the Mexico Pavilion at a long-forgotten world’s fair). Recently restored and awash in color, the kiosk is a gem—and the proud emblem of the barrio. Note some amazing old mansions and the spooky Institute of Geology lining the plaza. The nearby Museo Universitario del Chopo—housed in a glass-and-cast-iron former natural-history museum—is a renowned center for avant-garde art that leaves no viewer less than provoked.

This sleek outdoor mall sits in the lavish neighborhood of Puerto Cancún, known for its marinas, golf course, and luxury homes. The shopping center features international brands like Zara and Sephora, along with a stylish, upscale food court featuring its own bar, views of the marina, and cuisine from all over the globe (think Thai fusion, raw bar, gourmet burgers, French bistro, sushi). For entertainment, the expansive Cinépolis movie theater has a VIP section with cozy recliners and table service right to your theater seat. Though designed for tourists, the theater is popular with local crowds, as well, thanks to its convenient location between the Hotel Zone and downtown. On weekends you can catch performances throughout the mall, including live music and acrobatic shows.

Originally the Union National Bank Building—built in 1911—the 12-floor landmark in downtown Houston debuted as Hotel Icon in 2004 after a $35 million makeover. The historic structure beautifully maintains its neoclassical architecture with period details like grand arched windows and stately columns and nods to its roots with rich interior design details that make guests feel like they’re stepping back in time. All of this is juxtaposed with contemporary luxuries—from plush linens and velvet seating to Jacuzzi bathtubs and walk-in rain showers. Charmingly (and appropriately), some rooms have antique claw-foot tubs.

Hotel Icon is one of two Marriott Autograph Collection properties in Texas, and its Main Street location sits along the 7.5-mile Metro LightRail line that runs through downtown. That means easy access to Houston’s Central Business District, George R. Brown Convention Center, Texas Medical Center, Hermann Park, and the Museum District.

When Domingo Ghirardelli immigrated to the United States in 1849, he planned to strike it rich in the California Gold Rush. Unsuccessful, he opened a store in Stockton selling supplies and some confections to other hopeful miners. Flash forward a few years (and failed businesses), and Ghirardelli opened another confectionary company called Ghirardely & Girard, which would lay the foundation for today’s Ghirardelli Chocolate Company.

Chocolate was made on San Francisco‘s northern waterfront for many years but eventually moved out of the city. Luckily the buildings still stand, including the historic power plant with clock tower. Two floors were added to a warehouse in 1923, and atop those the famous 15-foot-high letters spelling out “Ghirardelli.” Though the company continues to make chocolate, it is no longer owned by the Ghirardelli family.

Still, there are plenty of reasons to visit the brick buildings that have been transformed into a thriving marketplace with restaurants—including our favorite, an upscale dim sum restaurant, Palette Tea House—, art galleries, shops, a winetasting room, and of course, a place to taste and buy Ghirardelli chocolate, a true San Francisco original. The square also hosts some popular San Francisco events, including an annual Christmas tree lighting and a chocolate festival held each September.

Seeing the redwoods is all about spending time with tall trees, so naturally, then, stopping in at Tall Trees Grove makes sense. The giants here are over 100 meters high, or as tall as a 35-story building. The grove used to be home to the tallest tree in the world, but since its top fell off back in 1994, it’s now only the 34th-tallest—which is still plenty impressive. (The new tallest tree is actually in an undisclosed location nearby.) The trail runs 3.5 miles around, with about a mile to get to the grove and a small loop through it when you arrive. You’ll view all sorts of enormous, too-tall-to-capture-in-photos trees; you can even walk through one. You do need a permit for the trail, the narrow access road, and the small parking lot. They’re free and available at the visitor centers, but are also limited. Get a map there as well, since GPS can send you slightly off track.

At Read Back you get two for one: a secondhand book shop and an Aboriginal art gallery. The ground floor is packed with shelves holding pre-loved books, CDs and videos, while the gallery upstairs displays works by Aboriginal artists from Darwin and all over the Northern Territory. The knowledgeable owner is passionate about both the paintings and the artists, and the prices are good. There’s also a workspace for the artists upstairs, so you might get to see a work in progress during your visit.

Nestled among the stunning palaces of the UNESCO World Heritage Palazzi Dei Rolli, Palazzo Bianco was built in the late 16th century by the Grimaldi family, one of the 28 ‘albergi’ families that ruled Genoa for centuries. Today, the gorgeous building houses an art museum focusing primarily on Flemish and Italian artists, with a strong emphasis on Genovese artists themselves. But do not miss the opportunity to stroll out into the gardens. They are magnificent anytime of year, but especially beautiful in early spring.

Tucked amongst the galleries in downtown Scottsdale’s art district, Frank & Lupe’s is a charming hacienda with delectable, down-home Mexican food. Its shaded back patio is one of the best places to sip ice-cold Tecate or margaritas on a nice day. No doubt one of the restaurant’s shining stars is the carne adobada burrito plate, a warm tortilla wrapped around pork marinated in red chili sauce, vinegar and oregano. It’s on the spicier side, but a nice dollop of sour cream balances it out nicely.

If you find yourself in Asheville, NC (and you should, as AFAR’s recent feature pointed out - there’s a lot to love in Asheville); stay at The Grove Park Inn. This historic hotel is part art deco/part arts and crafts with rambling porches and a view of the mountains to rival other properties in town. The Horizons restaurant serves up Michelin-worthy meals and their sommelier will not steer you wrong. The spa buried in the depths of the property has salt water pools and heated waterfalls, with trained masseurs who can erase any ill your body is suffering. Rooms are spacious and comfortable with updated bathrooms. The elevator is built into a massive fireplace. It’s an incredible place that does an excellent job of showing off the quirky character of the Southern town it calls home.

Established in 1989, Injalak Arts is a locally owned organization that supports the artistic production of the traditional Kunwinjku people. Works range from paintings on paper and bark to didgeridoos—thought to have originated in this region—to baskets and grass pandanus floor mats. Much of the symbolism is inspired by ancient dreamtime stories and images from the nearby rock art galleries that were left like instructions from the Kunwinjku ancestors. Three tour companies currently have permission to visit the center and surrounding rock art sites.