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Prague is one of Europe’s centers of culture, but it was without a proper contemporary art center for far too long. In 2008 the DOX Centre for Contemporary Art opened, with exhibits of provoking art, educational and cultural events, and a mission to encourage critical reflection and dialogue through the presentation of works that speak to social issues of the day. The 32,000 square foot building, converted from a former factory by architect Ivan Kroupa, is a work of art in itself. And even if you tried to, you can’t miss Gulliver, a wooden zephyr-like airship that appears to have landed on the roof (it is used for literature-focused events.). Back inside, DOX also boasts one of the city’s best design shops and a cafe.

Housed in the former Dominican convent of Santo Domingo, the museum of Oaxacan cultures offers a glimpse at the state’s history from ancient times through the colonial period, and into the modern day. The building was beautifully restored and opened to the public in 1998. You should go in even if just to see the interior of this stunning building, but the exhibits are also excellent. The highlight of this museum is the Treasure of Tomb 7, an offering that was found in a tomb at Monte Alban archaeological site. This is the greatest treasure ever found in Mesoamerica, and contains exquisitely crafted gold jewelry, as well as precious stone, intricately carved bone and more.

Place des Arts, the jewel of the Quartier des Spectacles in the center of town, is a cultural complex attached to the Musée d’art contemporain de Montréal that unites five performance spaces, including the Maison Symphonique de Montréal. It has two main performance arts spaces: Théâtre Maisonneuve, a nearly 1,500-seat modern-day rendition of a classical Italian theatre where dance organizations including Grands Ballets Canadiens regularly perform; Salle Wilfrid-Pelletier, which with just under 3,000 seats is better suited for big, boisterous Opéra de Montréal productions; and the smaller, 400-seat Cinquième Salle, home to series of shows by Danse Danse, among others. Photo: Susan Moss

When you see this UNESCO World Heritage–listed train station, you’ll understand why it’s described as an eastern version of London’s St. Pancras. This imposing reminder of the British raj, designed in an extravagant Victorian-Gothic style with Islamic and Hindu elements thrown in, is often referred to by its colonial name of Victoria Terminus, or VT; a statue of Queen Victoria still lords over the building’s dome. Inside, watch with awe as thousands of people spill on and off the trains—and if you’re feeling brave, have a go at riding the rails yourself.

Entering Hikawa shrine requires a purification ritual that begins with washing your hands, right then left, and rinsing your mouth (with your left hand). Next is the burning fire with smoke to waft over your head to burn off impurities and perhaps bring the blessings of Susanoo, the Shinto god of storms and seas. Now in your new state of purification, you can enter this Shinto shrine between wires covered with fluttering osame-fuda, the prayer paper strips pilgrims tie up at each shrine. White prayer papers are for novice pilgrims who aspire to progress to red papers and then to silver and gold as they become veteran pilgrims. Inside the shrine, take a moment to toss a coin into the offering box or perhaps make a prayer or a wish to the god of the shrine. Sometimes photography is forbidden and other shrines forbid shoes so pay attention to signage. If you have an injury, buy some incense, light it in the shrine and waft the smoke toward your injury to get Susanoo’s attention. Almost every Shinto shrine in Japan (9,000 of them!) has a temple stamp and resident monks to hand paint the stamp into your temple book for a few yen. Purchase a temple book at any shrine and collect intricate stamps at all your temple stops. A full temple book is a gorgeous souvenir from Japan. Should you be lucky enough to visit Japan in September, go to the Akasaka Hikawa Shrine festival.

Maximilianstrasse is one of Munich‘s four royal avenues and well, you could say it’s fit for a king! It starts at the Munich Residence, former home to Bavarian Royalty, and offers one kilometre of upscale designer shops, galleries, jewellery stores all framed by neo-Gothic buildings.

Billy Club opened in Allentown toward the end of 2015 in a formerly boarded-up apartment building turned contemporary hideaway. From the start, owners Dan Hagen and Jake Strawser focused on cocktails, in part inspired by the speakeasy that operated out of the building during Prohibition. Drinks here are creative and delicious, made with top-notch spirits and local ingredients. There’s also a strong focus on whiskey, as well as a full food menu with dishes like house-made pasta, whole trout, and aged duck breast with figs. While you should definitely try one of the whiskey cocktails, you should also visit during Sunday brunch for the Bloody Mary—it’s one of the best in Buffalo.

Atop the Prime Tower, Switzerland’s tallest building, Clouds offers two dining experiences: an ambitious restaurant that serves Mediterranean-inspired dishes such as a Jerusalem artichoke velouté with smoked mackerel as well as a bistro with more casual dishes and a terrific weekend breakfast. Both offer phenomenal views from floor-to-ceiling windows. Photo © Clouds.

I love exploring the markets in São Paulo. There are many, some big and some small, but my latest discovery is the big one on Sundays in Praça da República in the center of the city, very close to the famous Italian and Copan buildings. This lively market takes place around one of the city’s historic buildings. Artisans sell their work, and there’s a nice selection of handicrafts, jewelry, and other typically Brazilian goods for sale. There is a large food area with tables, live music, and vendors selling traditional Brazilian street food, including the specialties of Bahia. If you take the subway, get off at the Republica station. The market takes place during the first half of the day on Sundays.

The phrase “Dedicated to Art” is engraved in stone over the entrance of the Renwick Gallery, a reminder of its rich history as the nation’s first building created expressly as an art museum. More than a century and a massive renovation later, this mission continues to hold true. The Renwick celebrates contemporary craft and decorative arts through immersive installations, special exhibitions, and impressive collections of jewelry, wood art, and studio furniture. The curated works are both elegant and innovative, much like the Second Empire architecture of the building when it was first designed by Renwick in 1859. As with all Smithsonian Institution museums, admission is free.

This is a slightly odd place. It’s in the middle of a commercial area, with no restaurants in sight. If you get to the right block, it’s actually behind a large building. You have to knock and be let in like a speakeasy. Once inside, it’s a pretty normal expat locale. The first floor is a Spanish restaurant, supposedly with one of the only wood-burning pizza ovens in Xi’an. Downstairs is the real Green Molly, an Irish pub. You can also order food here. The pizza was disappointing, but the Caprese salad and potato skins were outrageously good. Green Molly is 200 meters north of Ginwa Shopping Center on the intersection of Gaoxin Road and Keji Road. It is behind the GAOKE building.

The Bonsecours Market is hard to miss, whether you are walking around Montréal’s historic center or looking at the skyline from the harbor. A silver dome caps the long building, which dates from 1844 and was modeled on Dublin’s Customs House. It looks more like a stately civic building than a market, and in fact it was Montréal’s city hall for a while, as well as the seat of Canada‘s parliament for one session. After serving as the central market of the city for nearly a century, it closed in 1963 and was largely abandoned until 1992, when it reopened as the home of a visitors’ center for Montréal’s 350th anniversary. Today it houses a dozen or so boutiques featuring works by local designers, as well as a few restaurants that make for good pit stops on a day of sightseeing.

The Bridges of Samaná, also called the “Bridges to Nowhere,” are a string of bridges connecting the small islands that stretch across the outside of Samaná harbor. They are remnants from a project in the 1960s and ’70s by President Joaquín Balaguer to build a restaurant on one of the islands, connected to the mainland by a pedestrian bridge. The restaurant never opened, but the bridges and the shell of the building remain as curious relics of recent history.

A new Swedish pop music group perhaps? Not quite. On my road trip through Southern Sweden, an architect friend of mine insisted we stop in Malmö to see Santiago Calatrava’s building, the Turning Torso, which was modeled after his own human form sculpture, the Twisting Torso. My friend described the town as “plastic fantastic” because of the vast variation in new architecture styles here, remarking that the Turning Torso is such a notable find within its more sober surroundings. It is, after all, the third tallest residential building in all of Europe. Artsy and industrial, for me, Malmö is reminiscent of something like Dumbo, Brooklyn. Passing through on our road trip, I daydreamed of moving into a loft space in this dynamic city where a majority of the population is under 35.

The St. George, opened in 2007, was recently purchased and renovated by Indigo, an international luxury hotel chain. The new owners have taken care to preserve the unique elements of the original structure, including an exterior of roughly hewn travertine. These white limestone blocks were laid in the 16^th century by Bramante; Pope Julius II commissioned the architect to build the Palace of Justice on his newly laid Via Giulia. Bramante never completed the project, but part of the building has been adapted into the current structure. Inside, the surfaces are smooth-polished limestone punctuated with contemporary art. Throughout, the decor blends modern design with classic details, often in the form of art pieces inspired by the very Renaissance masters who once strolled the cobblestones outside, so many centuries ago.

After a day traversing the city, unwind Roman-style, in the St. George’s subterranean spa. Never mind that they call the spa facilities a Turkish bath; the hot and cold bathing ritual was perfected by the ancient Romans not far from the hotel itself. After indulging in spa treatments, head to the rooftop bar for drinks and views of the river to Trastevere.