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The dyeing vats at Chouara—as well as at the city’s other tanneries—are among the Fes medina’s most iconic sights. The ancient craft of tanning and dyeing, in all its visceral authenticity (cow urine and pigeon poop are still key components in the process), plays out much as it always has. Chouara has been around since the 11th century. The dyes used in the tannery pits are natural: Blue comes from indigo; red, from poppy or paprika; yellow, from saffron, pomegranate, or even a mix of turmeric and mimosa flowers. The best vantage point for observation is from one of the roof terraces. Leather shops hawking everything from butter-soft leather babouches (iconic Moroccan backless slippers) and poufs, to copies of designer jackets and handbags. (That Hermès Birkin bag, or a facsimile of it, could finally be yours at a fraction of the price.) Although the guides around here are a tenacious lot, don your best smile, carry a posy of mint to hold beneath your nostrils, and settle in for a long chat with the shopkeepers to learn about fascinating process. Expect prices in the shops to vary wildly—much depends on your haggling prowess. A favorite store is the aptly named La Belle Vue de la Tannerie, off the main drag. The shop has sought out skilled tailors with European know-how to create items of better quality using all Moroccan hides, which results in better leather goods. The tailors can copy a motorcycle jacket for you in three or four hours from goat or lambskin, the softest of the hides.

This is a classic guided tour and a good thing to do early in your visit since it will give you a nice overview of the city. The Paddan (“Toad”) boats drive along the canals while you listen to the story of Gothenburg‘s history. Beware! Some of the bridges you pass beneath are really, really low, so keep your head down.

This old brick building in the area of Majorna houses rehearsal rooms for many bands, and is very much where it all began for a lot of the leading acts from Gothenburg. It is also an occasional concert venue, dance hall, and poetry event host, and has a small café. It’s a nice hangout for laid-back alternative music and culture lovers.

Hansen’s was started in 1939 by Ernest Hansen, who engineered a loud, homemade machine that shaves the ice to a fineness that many argue is unmatched across the city. (Oh, and they will argue.) The shop is still run with considerable care and attention by Ernest’s granddaughter, Ashley. Snowballs—cups of thinly shaved ice topped with brightly colored sweet flavorings—are a minor obsession in New Orleans. While widely available, snowballs, as well as the culture that surrounds them, seem more advanced at Hansen’s. The selection of flavors is vast, and true connoisseurs mix and match flavors, adding two or three to an order to get just the right balance. (Almond-lime? Orange-coconut?)

Overlooking the ocean, 12 massive sculptures bear silent witness to history, inviting interaction and contemplation. Galician artist Manolo Paz created the granite sculptures in 1994, inspired by the Neolithic menhirs, or standing stones, that are found throughout the Iberian Peninsula. Visitors come to view the sunset, the Torre de Hercules, the Atlantic Ocean and the city framed by square holes cut through the monumental stones.

Located just off Main Street, the Washington School House Hotel eschews Park City’s typical rustic style for a pared-down, flea-market–chic aesthetic. Before being reimagined as a design-oriented inn in 2011, the 1889 building served as a schoolhouse for miners’ children and a dancehall for the local outpost of Veterans of Foreign Wars. Today, the interior is anything but traditional, from the whitewashed living room with 16-foot ceilings to the antique mirror and the white, lacquered antler chandelier. Outside, a heated pool sits on the hillside surrounded by aspens and boulders. There’s also a fire pit, fashioned from a steel Olympic torch from the 2002 Winter Games.

Each of the guestrooms and suites is unique, though all feature reclaimed wood floors, crystal chandeliers, and tall windows. An artful collection of European antiques and vintage paintings adds a bohemian vibe, while white marble bathrooms offer heated floors, walk-in showers, clawfoot tubs, and period fixtures. Guests can also look forward to plush hooded robes and top-notch toiletries from Molton Brown.

Landing in heat-soaked Kuala Lumpur after being on the road for 24 hours can be disorienting. Incessant chanting (“vei vel shakti vel”), monkeys screeching, wafting incense, a glorious moon, and a million people.


Thaipusam falls on a full moon and is the celebration in remembrance of Lord Murugan (his statue pictured at the base of the steep 272 steps to the Waterfall Temple at Batu Caves - the top being the best view) who received the “vel” (sacred spear) from his mother, Shiva’s wife, to kill three demons. Killing internal demons seems to be the order of the day for devotees.


The festivities begin with a chariot bearing the statue of Lord Murugan being drawn through the streets starting from Sri Maha Mariamman Temple and then on the second day (when I arrived), the fulfilling of the vows by devotees takes place at the Batu Caves after people walk barefoot approximately 15 kilometers starting in the middle of the night from Kuala Lumpur. The chariot returns to the Temple on the third day.


The real highlight is watching devotees with huge decorated frames (“kavadi”= burden”) supported by spikes that pierce their chests and backs as penance for answered prayers. As one devotee said to me, “Life is an act of gratitude and this is the ultimate day of gratitude to our deities.” I felt a deep empathy for the intense devotion and commitment of the Tamil Hindus I witnessed. This is truly one of the world’s great festivals of purification and atonement.

Swift streams and waterfalls continue to carve these vertiginous and rugged valleys as they pour into the sea. One of the most stunning wilderness areas on earth, it also contains ancient Hawaiian ruins of graves, temples, house platforms, and terraced fields. The fear factor increases past the initial two-mile path to Hanakāpīʻai Beach (best visited in summertime, as winter swells tend to wash it away). Only experienced hikers in good condition and with proper gear should venture further along the famous 11-mile Kalalau Trail. Check for path and park closures before making plans and don’t forget the $20/night permit to crash at a campsite. However long you trek, stay on the main path and pack out what you brought in.

Designed by Danish architect Jørn Utzon, the Sydney Opera House was inspired by its dramatic setting on Bennelong Point in Sydney Harbour, a location that’s long been sacred to the native Gadigal people. While construction took 16 years, including four years to figure out the spherical solution to the icon’s soaring sails, any controversies melted away when the masterpiece was completed in 1973. The same outside-the-box thinking that built the shell-shaped sculpture seeps through its walls today in the form of boundary-pushing opera, theater, and dance as well as contemporary music and mind-opening lectures. The landmark is also home to the beloved Opera Bar and Bennelong Restaurant upstairs, where diners can eat pavlova shaped like the landmark in which they sit.

Vancouver’s most famous urban space, the thousand-acre Stanley Park, epitomizes everything that locals here love about the outdoors, and visitors have many ways to explore the expansive grounds. Hiking trails weave around totem poles and hemlock trees, while at the beaches, you can swim, people-watch and picnic. Rent a bike or a pair of in-line skates for a scenic ride along the Seawall, or wander through the many gardens where rhododendrons, azaleas and roses bloom.

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.

If walking through New York’s streets seems chaotic, try getting above it all—with a panoramic view from the top of the city’s most famous skyscraper. From above, the beautifully engineered order of the buildings, parks and thoroughfares below is revealed—and at sunset, the colors reflecting off the glass towers look magical. There are actually two observation decks to choose from: one on the 86th floor, which is grand enough for most; and another more vertiginous option, on the 102nd floor.

Taking a turn around the town center is a long-standing tradition in most of Mexico‘s pueblos and even its biggest cities. It’s in these centers where you’ll find small and charming shops, cafés and restaurants, live music and public art installations. Manzanillo’s center is tiny and not as traditional as many others in Mexico, but still offers the opportunity to get a glimpse of daily life.

Certain things in life are simply impossible to adequately capture in a mere photograph. Iguazú Falls is definitely one of them, and above is my best effort to convey the epic expanse of ‘The Devil’s Throat.’ Situated on the border of Brazil and Argentina, the falls are the watery dividing line between the two countries at this exact point. I accessed the falls from the Argentinian side, via Iguazú National Park and took a mini train (the Rainforest Ecological Train, to be exact), some trails, and more than a few catwalks to reach this particular vantage point. Unlike some falls in the US and Canada, in the southern hemisphere you can get dangerously close to the roaring waters of these grand spectacles. The sound is deafening, the spray is enticing, and the visuals are simply amazing. As I stood there, trying to take it all in, all I could do was feel my heart pounding as I stared into the mouth of the devil. Most depictions of Lucifer entail horns, a tail and copious amounts of fire meant to terrify all who are witness to his power. I can assure you, though made of mere cliffs and water, THIS devil could douse any other devil and never look back.

The cathedral, usually called the Duomo, is Florence’s most recognizable building. You are able to catch glimpses of its magnificent red-tiled cupola from just about anywhere in the city center. Construction on the church complex began in 1296 and the work—Brunelleschi’s dome and his Baptistery, and Giotto’s bell tower—was completed in 1426. The interior of this architectural is reserved in contrast with the exterior’s marble Gothic facade and its green, pink, and white stripes. Climb the 463 steps up into the dome for a close-up look at Giorgio Vasari’s fresco, The Last Judgment, and a bird’s-eye view of the city.