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Those looking for some island spirits may be surprised to find that the liquid concoctions at this historic outpost are body products, not liquor. Invented in 1838, the signature blend of bay leaf oils and island-made rum hydrates and nourishes skin. The unisex bars and tonics are infused with various spices, including lime, cinnamon or orange blossom.

Talk about first impressions: Carved sandstone elephants welcome guests into a two-story chandeliered lobby at this palace-style hotel. Attentive service starts at check-in, with gifts of bindis and fresh jasmine necklaces. At 550-square-feet or larger, rooms are palatial themselves, and richly decorated with oriental carpets, jacquards, and hand-embroidered brocades. Those on higher floors offer panoramic city views, but many visitors choose spaces overlooking the internal courtyard or expansive garden (and away from a 16-lane highway) for a sense of calm. The hotel’s Edwardian-inspired bar draws locals and guests alike with its 25-page whiskey and scotch menu, as does a rooftop pool with stunning vistas over New Delhi’s urban landscape. Unique amenities include an on-call astrologer and, for women travelers, the option of an all-female service staff, including butler, gym instructors, and private city guides.

Tayrona National Natural Park has become such a popular destination during typical vacation periods that authorities have had to limit admission. But an off-season visit offers singular luxuries like miles of all-but-solitary beaches, jungle trails, and a unique way to observe a variety of monkeys and tropical birds in every brilliant hue. Tayrona can be experienced as a day trip from Santa Marta or as a several-night stay at one of the park’s accommodations. From the main entrance at Cañaveral (El Zaíno), visitors can take a leisurely hike to the ocean while a donkey handles the luggage; horses are also available for those who prefer not to walk. This same park entrance also leads directly to high-roofed, native-wood cabins known as ecohabs, a slightly fancier option for staying in the park.

Why we love it: A bungalow-based resort inspired by Frank Lloyd Wright and his beloved Sonoran Desert

Highlights:
- Spacious bungalows full of mid-century style
- Decor from local nonprofit Cattle Track Arts Compound
- Desert-inspired treatments at the on-site spa

The Review:
Santa Fe meets Palm Springs at this bohemian resort in Paradise Valley. Designers saved the bungalows from the previous property, but added dramatic, low-slung buildings rich in glass and deep overhangs, plus an ample central pool and four conference venues. Inspiration came via icons Frank Lloyd Wright and Alexander Girard, who both retreated to the desert for its light and space.

Guests looking to follow their lead can book one of the Andaz’s 201 mid-century-style casitas, which come complete with Eero Saarinen–esque womb chairs and marble walk-in showers. Suites include an additional full bathroom and spacious living area, while The Retreat—a cluster of accommodations perfect for weddings or corporate retreats—features 20 bungalows, including the 1,800-square-foot Albers House, surrounding a private pool. Throughout, decor draws heavily from the Cattle Track Arts Compound, a nearby nonprofit workspace for painters, sculptors, jewelers, potters, blacksmiths, and performers. (The hotel actually hosts artists-in-residence from the organization on a regular basis). Also on-site is the Palo Verde Spa & Apothecary, where treatments blend desert elements with locally sourced botanicals, and the inventive Weft & Warp Art Bar + Kitchen, with dishes inspired by the surrounding Sonoran Desert. When guests wish to explore farther, they can catch a ride in the hotel Tesla anywhere within five miles, including to Chaparral Park and Old Town Scottsdale.

At this luxury property perched over Matauri Bay near the top of the North Island, the colonial-style buildings are dwarfed by the endless wavy greens of a championship, par-72 golf course that ends at the Pacific. The ocean views and holes positioned adjacent to plunging precipices make Kauri Cliffs one of the most famous golf resorts in the world. The hilltop infinity pool is another crowd-pleaser, especially when it reflects the pinks and purples of the sunset. Featuring a beach-meets-country vibe, lodge interiors are outfitted with New Zealand artwork and furnishings imported from Europe and Australia. Outdoors, patches of totara trees dot the 6,000-acre property—one section houses the tranquil spa. Walking paths lead to a waterfall, three secret beaches, and picnic sites that offer sweeping views of Cape Brett and the Cavalli Islands.

An enviable location in the quietly upscale embassy quarter on the edge of sprawling Tiergarten Park is only part of SO Berlin Das Stue’s appeal. Occupying a graceful, gray-stone 1930s building that once housed the Danish embassy, the hotel features soothing, sophisticated interiors by Spanish architect Patricia Urquiola, who decorated the public areas with animal sculptures—a reference to the neighboring zoo—and colorful, comfortable furnishings. Two original travertine staircases lead up to the 78 rooms and suites, which offer a blend of modern conveniences (rain showers, HD entertainment systems, and iMacs in each room) and considered design touches (black-and-white fashion photographs, hardwood floors, sliding walls, handle-less cupboards), plus views of either the park or the zoo. Guests can enjoy the hotel’s glamorous work and relaxation areas—some with libraries of books on art and design, fashion, and architecture—as well as a spa offering holistic Susanne Kaufmann treatments, and a fitness center with an indoor swimming pool and Finnish sauna. The new staff uniforms come from Viktor & Rolf. Dining options include a chic bar serving light bites (and live music every other Friday); The Casual, offering all-day shareable plates both indoors and out; and the Michelin-starred, Mediterranean-accented Cinco from chef Paco Pérez. A newer wing, designed by Axthelm Architects, features rooms with more direct views of the zoo—which hotel guests can access via the terrace’s exclusive private entrance.

With its walls of colorful glass bottles, this charming little bar can be elusive—nestled deep in downtown Athens, in the warren of streets that make up the Plaka. Day or night, Brettos (pronounced Vrettos in Greek) is frequented by locals and tourists alike—the oldest distillery in Athens. While you can opt for beer, wine, homemade moonshine, or perhaps a cocktail, you might kick yourself later for passing up the chance to have an ouzo, Greece’s signature anise-flavored liquor, in such a storied watering hole. Who knows where that first sip might lead?

Goldeneye, to be clear, is not an easy place to leave. The land—the former home of Ian Fleming, where he wrote each of the 14 James Bond thrillers that would cement his place in literary and cinematic history—sits next to the tiny town of Oracabessa, on the northern coast. A warm, blue-green lagoon curls from the ocean around a small island and then lets out into a bay. You can look one direction and see a jungle, then turn around and see pristine white sand.

Blackwell bought the property in 1976 as a vacation home and a space to entertain family and friends but later he decided to transform it. In 2016, Goldeneye debuted a jumble of new huts, arranged around a small cove, a short walk from Fleming’s house and the resort’s original villas. The huts vary in height, designed to capture cooling breezes and allow guests to forgo air conditioning. And, crucially, they’re much cheaper to book than the Villas. Which is key because, up until this point, if you wanted to plan a visit to Goldeneye, you needed to either know Blackwell personally or have the excess capital to shell out potentially five figures on a vacation. (Part of the resort’s enduring gravitational pull is that many of the celebrity guests check both boxes.) With the beach huts, Blackwell has expanded, once again, the ambition of his famous resort.

Wynn Las Vegas, and its younger sister Encore, are known as some of the nicest properties in town, and for good reason. The suites are spacious and clean, the beds are comfortable, there is a lot of room in which to spread out and the views are stellar. Beyond the rooms themselves, the rest of Wynn is equally as beautiful, with fine art located throughout the property, very helpful staff, high-quality restaurants (all of which have at least one vegan option on the menu) and a general ambiance that feels classy, not trashy. This is a great hotel for honeymooners or couples, or for people who want a high-end Las Vegas experience that makes them feel like more than just another visitor in the city.

Since 1831 Deyrolle has been the taxidermist for Parisians. In the two-story shop on the lovely Rue du Bac, you’ll find everything from domestic animals and large exotic mammals (lions! zebras!) to insects, shells, birds, and educational books. Parisians bring their small children here to teach them about the natural world because it feels like a beautiful natural history museum as much as an odd little shop of curiosities. In one room, drawers display beautiful insects and seashells for purchase. A small gardening shop on the first floor may be of interest to companions for whom taxidermy feels icky.

The wonderful thing about the medina in Marrakech is the way in which it endlessly reinvents itself. Barely a week goes by without some hip, new trailblazer shimmying onto the scene and giving you just one more reason to love the place. When La Famille opened a couple of summers ago, it was like one of Ibiza’s secluded countryside restaurants had dropped in from across the Med. The leafy garden, driftwood furniture, herb- and flower-infused waters (no alcohol here, dears), organic salads served in Kilner jars, vegetarian quiches, and healthy cakes attract the city’s most beautiful groovers and shakers, who waft about in designer kaftans plotting their latest interior design projects for their riads. Drop in for an hour, but like all the best places, don’t be surprised to find you’re here for at least three.

Surely one of the most extraordinary imperial relics of Morocco, the Palais Bahia (“the brilliant”) doesn’t disappoint. Built at the start of the 19th century by architect El Mekki for Si Moussa, the then chamberlain of Sultan Hassan I, the palace showcases a wide range of architectural styles hinting at the chamberlain’s playful spirit, especially after his son inherited it and added his own brand of flamboyant glamour to the place. Women’s quarters bedecked with crimson-and-mustard–striped ceilings, a marble-tile courtyard the size of a soccer field, and extensive salons lined by stained-glass windows are just some of the features of the 20-acre space. In 1912, General Lyautey, the governor of French protectorate Morocco, moved in and added creature comforts such as fireplaces and central heating. In so doing, he attracted a number of illustrious guests, among them the writer Edith Wharton. She described the palace this way: “They came, they built the Bahia, and it remains the loveliest and most fantastic of Moroccan palaces. Court within court, garden beyond garden, reception halls, private apartments, slaves’ quarters, sunny prophets’ chambers on the roofs, and baths in vaulted crypts, the labyrinth of passages and rooms stretches away over several acres of ground.” Follow Wharton’s lead and don’t miss it.

You will likely see Bronzino’s famous portrait of Eleonora (or Eleanor) de Toledo, in the Uffizi, during your visit to Florence. The Spanish noblewoman who became the duchess of Florence in 1539 when she married Cosimo I de’ Medici was unusual for her time, playing an active role in politics and as a patron of the arts. Her patronage extended to garden design, in its infancy (at least in Europe) in the 16th century. Eleonora commissioned the Boboli Gardens behind the Pitti Palace as a green escape from the city; they continue to provide a retreat for travelers today.

Among the earliest examples of the formal compositions that would dominate garden design through the 20th century, the grounds are dotted with classical statues and fountains while straight axes run up and down the hillside with an apparent disregard for topography. A moment in design history can be experienced first hand here. There’s a feeling that the man who planned the gardens (Niccolò Tribolo) conceived a formal plan and then simply laid it atop the site. Principles of garden design were later to shape city planning. The allées of the Boboli Gardens were early models for grand boulevards leading the eye to distant monuments. One of the pleasures of gardens, however, is that you don’t need to know their histories to enjoy the flowers in bloom or the sounds of birdsong and splashing fountains.

The grand koa wood staircase was shining with a new coat of oil as the focal point of the room; it’s beautiful curves lead the eye gently from the second floor down to the first floor. Men and women dressed in ornate gowns and neck-restricting tuxedos floated around the staircase receiving each other with a proper handshake or curtsy. The party was just beginning as horses pulled up to the ultra modern palace depositing people of stature out of their buggies. The year was 1882 in the island nation of Hawaii. Even though I like to live in the present, I couldn’t help but imagine the past as I was led through the Iolani Palace in Oahu. The docent painted a perfect picture of arriving at a ball in the mid 1880’s – the sites, sounds, and even the dinner entries that would be served. After the docent led tour you can have the pleasure of saying the you’ve been in the only palace in America! More Info: Iolani Palace Tour Information: Guided Docent Led Tours – Adults: $20 / Children (5-12) $6. This tour is available from 9:00 a.m. to 11:15 a.m. Monday through Saturday. Audie Tours – Adults: $13 / Children (5-12) $6. This tour is available from Monday through Saturday 11:45 a.m. to 3:30 p.m. Be sure to check the times and costs on the website which will have up to date information and details. Get all of the details including great historical information, information on the restoration, and learn about upcoming events on the Iolani Palace website: www.iolanipalace.org.

Michael and I take the lead up a scree-choked stream draining from the Gangjam glacier. Two hours of climbing through talus brings us to ice-blue seracs rising like frozen waveforms from the mottled glacier. An hour further, in the cirque beneath the black wall of Kailash, we begin to sink up to our knees in sun-softened snow. Michael’s altimeter reads 17,500 feet, and above us, the mountain’s north face rises in a 4,000-foot vertical thrust of glazed rock, capped by a treacherous overhanging white cornice. Jaws gone slack, we lift our eyes in awe toward the Throne of Shiva. “How about it, bro? Break out the crampons?” “Jesus! I am not seeing a good route on that wall,” Michael replies, and we both laugh. Kailash remains one of the few legendary mountains on this planet left unclimbed—out of reverence. “And look at that freakin’ cornice!” Michael adds “Nevé ice for sure. Like frost on a windowpane. Won’t hold your points for shit.” There were rumors, nearly a decade ago, that the legendary Austrian mountaineer, Reinhold Messner had surreptitiously planned to bag Kailash, a task which he certainly had the skill and resources to accomplish. But when Messner saw the Precious Snow Mountain for himself, he realized what a desecration it would be to set crampons on its face or boots on its summit. He’s since become a vocal proponent of keeping Kailash off-limits to climbers in perpetuity.