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In the 1920s and 1930s, this heritage-listed property on tree-lined St. Kilda Road was an automobile showroom that sold the ultimate status symbol—the Rolls-Royce. Now it peddles another sort of luxury good: the boutique hotel stay. In the lobby, the Royce Hotel honors its Art Deco past with an arched ceiling in imitation hammered gold and lovingly restored wrought-iron chandeliers, but a zebra rug and curved mirrored walls anchor the design in the present. Some of the property’s 100 rooms and suites feature two levels and soaring bay windows, while others have kitchenettes, spa baths, and balconies with views of the city skyline, but you’ll want to venture out for the contemporary Australian specialties, including grilled steaks prepared from a selection of local grass-fed beef, at the hotel’s chic 100-seat restaurant Dish. Central though it is, there’s no lack of green space nearby: The hotel is situated between the sprawling Royal Botanic Gardens and Fawkner Park, while buzzy South Yarra is just a 15-minute walk away.

While many associate them with the British Isles, the Celts were the dominant culture in Switzerland for about a millennium (from around 500 B.C.E. to 400 C.E.). The country’s lakes, particularly Lake Neuchâtel, were the epicenter of Celtic culture here during the La Tène era, when Celtic settlements could be found from Turkey to Ireland. The Laténium Park and Archaeological Museum, named after extraordinary excavations in Neuchâtel, is home to the world’s premier collection of Celtic treasures unearthed in Europe. The museum boasts an übermodern design—by a consortium of four Geneva architects—that is impressive, but the hundreds of dazzling items that it houses are the real attraction: a Gallo-Roman ship, a Celtic bridge, and finely wrought gold, glass, and stone treasures found in and around the lakes. Ongoing exhibitions provide introductions to this culture that had a huge influence on the story of Europe. As the Laténium covers some 50,000 years of local history and not just the Celtic period, allow yourself a few hours to digest it all.

A longtime favorite among royalty, rock stars, actors, and visiting dignitaries, the Langham hotel completed a $30 million renovation in December 2014. London-based GA Designs was charged with retaining the hotel’s stately character—check out the original fireplace transplanted from the Sydney’s beloved Elizabeth Bay House—while creating a sun-drenched new look dressed in white, amber, and silver. The new design also maximizes the property’s Darling Harbour views, most notably in the opulent lobby, whose Calcutta marble floor and gold-leaf paneling are reminiscent of a high-end spa. What hasn’t changed is the Langham’s superlative customer service. Guests can request a chartered yacht or helicopter to get to their show or meeting, and arrange a private picnic, tennis match, sunset Harbour Bridge climb, or tour of the hotel’s display of Sidney Nolan paintings (Australia’s largest private collection of his work). There’s even a discreet entrance and in-room check-in for guests who want maximum privacy, as well as an unpacking service for travelers eager to feel at home right away.

After 30 years at the forefront of Sydney‘s fine-dining scene, Quay Restaurant underwent a multi-million-dollar renovation and reopened in 2018. The restaurant swapped white linens for Tasmanian spotted-gum wood tabletops and exchanged the previous purple-and-gold palette for blues, grays, and browns that better reflect Quay’s harborfront location facing the Sydney Opera House. Executive chef Peter Gilmore loosened up his menu, too, offering either six or 10 inventive courses such as the Oyster Intervention—a crumble of oyster cream, crushed fried dehydrated oysters, chicken skin, tapioca, and caviar served in a ceramic oyster shell—creating a dish that’s all bivalve flavor without the slippery texture. Fans of the old Snow Egg dessert will be won over by White Coral: a multitextured masterpiece of aerated ganache, coconut cream, and ice cream.

Original Joe’s has the same birth year as another pretty famous San Francisco landmark: the Golden Gate Bridge. Both are definitely worth checking out, but only Original Joe’s will serve you a hearty Italian meal in a red leather booth. Back in 1937, the restaurant was a 14-stool counter on Taylor Street where immigrant and family patriarch Tony Rodin served Croatian-Italian-American comfort food. Original Joe’s is run by the third generation of the family. A fire destroyed the first location in 2007, but the corner spot in North Beach that opened five years later can’t be beat. Inside, the family’s San Francisco history is revealed by walls hung with black-and-white photos, letters, and other ephemera. The menu showcases some of Tony’s recipes, such as eggplant parmigiana, Joe’s meatballs, and veal parmigiana. Those counter stools are there, too, saved from the fire and brought over to the new Original Joe’s.

Opened in 2012, the Four Seasons Pudong resides in what’s known locally as the Jewel Box—the 50-story, 21st-Century Tower, a rectangular prism in the heart of the Lujiazui business district. Art-filled interiors pull their inspiration from Shanghai’s 1920s and 1930s golden age. The lobby wows with a dramatic grand spiral staircase with an underbelly of Maccasar ebony, and a suspended, 1,000-strip metal sculpture created by Japan’s Studio Sawada Design that looks like a dangling collage of willowy twigs. Rooms offer prime views of Pudong’s evolving skyline and come with fresh flowers and Lorenzo Villoresi bath products. The decor is inspired by Shanghai Art Deco, with an intense palette of rouge, glossy black, and textured gray, coupled with smoky glass and metallic accents. In the bathrooms, a custom wall and glass panel mimic Coco Chanel’s iconic No. 5 perfume.

In the center of Trieste, the capital of Italy’s Friuli–Venezia Giulia region, the vast Piazza dell’Unità d’Italia looks out over the deep, blue waters of the Gulf of Trieste. This elegant seafront square is bordered on three sides by ornate Viennese-style government buildings and flanked by the winding streets of ancient Roman “Tergeste” and the grid-like Borgo Teresiano neighborhood. Facing the sea is the Municipio (city hall) building, with its clock tower and two bronze moors. On either side of the square are the stately Lloyd Triestino building and the Palazzo del Governo, whose golden, mosaicked façade sparkles in the sunshine. In front of the Municipio, the angel-topped Fontana dei Quattro Continenti pays tribute to the four continents that were recognized in the 18th century: Europe, Asia, Africa, and America. At the water’s edge sit the intriguing bronze statues of two young women known as Le Sartine, or “the seamstresses.”

The most quintessential Cambodian souvenir must be the checked cotton krama that you will see around the necks, heads or waists of every Cambodian you meet. Cambodians like to boast that the krama has a dozen different uses -- some clever, some cute, some cringe-worthy. The most popular way to wear the krama is as a handsome scarf and a symbol of national and cultural pride, hung loosely around the neck over a pressed dress shirt. However, head out to the villages and you’ll see local farmers wearing them wrapped around their forehead to soak up the sweat, while village women will wear them as a head-dress. I’ve used mine as a belt. They’re handy for wiping the perspiration from your brow while scrambling temples in the sticky humidity. You’ll see kramas sold everywhere and in the Old Market they start from as little as US$1, however, these are generally made from a polyester-cotton mix and don’t do the trick. I love the authentic, quality cotton kramas sold at boutiques like Wa Gallery, which is where the ones above are from.

The fourth hotel from continually growing LA-based chain Palisociety, this 49-room boutique property celebrates its 1920s-era roots with a design that maintains original Art Deco details. Its location in Culver City also brings attention to a sleepy, untouristed enclave stepped in cinematic history. Rooms mix wood paneling with jewel tones, plaid, and comfy floral chairs, and some have French doors that open onto the hotel’s inner courtyard. Classic and contemporary art is carefully selected and intentionally placed, while retro details like rotary dial phones on the desks complete the Golden Age ambience. Amenities include oversized robes, a mini bar stocked with local snacks, and in-room tablets featuring curated neighborhood guides, room service, and more.

There is a reason why renting a villa in Tuscany is so popular - rustic farmhouses, rolling hills filled with olive and plum trees, golden sunsets, locally-harvested wine, creamy cheeses, and cool evenings spent with friends and family. Renting a villa provides a relaxing base for your sightseeing in the region. Almost all Tuscan towns allow easy day trips to the main sights: - Florence‘s art and Renaissance history (Duomo, Uffizi Gallery, Michelangelo’s David) - Cortona’s steep, narrow streets and medieval walls - Siena’s cultural city center, now a UNESCO World Heritage Site - San Gimignano’s fortified towers set amidst picture-perfect Tuscan hillsides - Montelpulciano’s world-famous wineries and more This offers the best of both worlds - after a dusty day of sightseeing, you can relax at your villa with a jump in the pool and a glass of wine. Watch the sun go down in a purplish haze, unwind with friends, and enjoy the lovely moment. I recommend YourTuscany.com, which is where we found Villa Coloniale (above) in the town of Pergine Valdarno. The infinity pool and covered patio are guaranteed to put you in a relaxed, Italian frame of mind!

The second location of the Sydell Group’s New York flagship, NoMad Los Angeles embraces its past as the Bank of Italy—imposing columns and all. In the lobby of the landmarked building, much of the original Neoclassical style, such as the Doric columns, coffered ceiling, and marble floors, was preserved, complemented by the addition of floral textiles in rich jewel tones. Even the original vault, which once housed 12,000 safety deposit boxes, and its 50-ton door were kept intact. The color palette across the 241 lavish rooms draws from the exquisitely maintained gold-and-blue Italianate lobby ceiling, with custom furniture, original artwork from design studio be-poles, and freestanding bathtubs in most rooms adding to the luxurious feel. Details like nightly turndown service, marble bathrooms, and custom linens by Bellino mean a five-star stay is all but guaranteed.

Spice Route is a heavenly experience where deep colors meet exotic spices. Located in the grand Imperial Hotel, I found the restaurant to be one of the most visually stunning places I’ve ever seen. Restaurants in 5-star hotels are generally known to display lavish and extravagant decor, but this restaurant is on a whole new level. It feels as if you have walked into a dark forest with rich gold branches and heavenly waterfalls, and a pervasive aroma of mysterious spices to match. It’s an escape into nature. And it’s not as if the stunning decor is trying to compensate for the poor quality of food. The food is absolutely scrumptious, offering food from all the places that fell under the ancient spice route, from the Malabar Coast of Kerala to the shores of Thailand. I think it’s one of the very few restaurants in Delhi that has amazing Keralan food. The restaurant is really romantic, making it a perfect place for a date. It is very upscale and they are quite serious about implementing a strict dress code. It’s even rated as one of the top restaurants by Condé Nast Traveler. It’s not just a restaurant, it’s an experience!

This massive church was one of the most impressive in size, architecture, and collection of relics—for the art that is within and surrounding the building. Before you head inside, almost as an afterthought hidden in between kiosks selling St. Anthony prayer candles and rosaries, you’ll encounter the equestrian statue of Gattamelata by Donatello. If you are traveling during the week of June the 13th (the day that St. Anthony died) you’ll be in the company of hundreds, perhaps thousands, who have come to pray to him inside the church beside his tomb. Visitors, some desperate for an answer from above, leave flowers, letters and personal items alongside his tomb. At the back of the church there are relics that belonged to St. Anthony such as his preserved tongue, black and withered by time, that sits within a glass case surrounded in gold. Other items include his ear, pieces of clothing he was thought to wear and touch during his life. The size of the interior and columns may inspire you to sit among those loyal devotees and listen to a lulling service in Italian. (My camera was held hostage during my visit so the image is accredited to http://commons.wikimedia.org)

I was in the Ribeira district of Oporto. I wanted to see the Gothic and Baroque Church of Sao Francisco. So I wandered into the church that was listed as one of the most important and beautiful churches of Oporto. It was said to be very ornate. I was mesmerized by the beauty of this huge edifice with the elaborately decorated interior said to have more than 300 kilos of gold dust covering altars and other decorative surfaces. I stood there and tried to think of the work involved in completing this church. It must have been a huge undertaking ( as were so many of the monuments the world over). The church was built originally as a small building in 1245 by the Franciscan friars in honor of Saint Francis of Assisi. In 1383, a much larger church was built.It was finished about 1425. The structure is a basic Gothic church with the large rose window. In the 17th and 18th centuries, Baroque architecture was added. The Franciscan friars were buried in the catacombs which you can visit. There is also an ossuary with thousands of human bones. The interior is very large and you need at least an hour to peruse this monument. This is an attraction that you should not miss while in Oporto.

Past the bouncer and down a black staircase 32 feet below ground is Paris‘s most buzzed-about semi-private club, Le Silencio. Housed where Molière was allegedly buried and Zola printed “J’accuse”, it’s of little surprise that the enigmatic director David Lynch would select the location for his louche lounge-cum-entertainment space, which he designed (expect gold-leaf walls, raw wood cladding, bespoke neo-1950’s furniture) - mere steps into the labyrinthine halls and you’ve entered the entrails of another world, one that evidently takes cues from Lynch’s art. Before midnight, it’s member’s only but once midnight strikes, a smartly dressed crowd of cocktail-crazed creatives floods inside, snatching up seats in the art library, loafing at the bar or lighting up in the mirrored smoking room that was conceived to resemble a forest. Killer cocktails and exclusivity aside, Le Silencio’s biggest draw is its broader offering. Presentations from the local artistic set are frequent as are culinary/cultural events, intimate concerts and private screenings. As the guest of a member, my first visit was not so much to explore the space (though there is plenty to unearth here) but for a private tasting of chef Flora Mikula’s work. A couple hours into the evening and I realized Le Silencio wasn’t about being seen but about discovery - of high culture and the utterly bizarre.