Search results for

The recently restored church of Our Lady of Laeken is located near the Royal Residence. This ornate cathedral was built by King Leopold I, in memory of his wife, Queen Louise-Marie to honor her wish to be buried in Laeken. The Church was designed by Joseph Poelaert who was also the architect of the (in)famous Law Courts in Brussels. The church’s crypt is the final resting place of many members of the Belgian Royal family and contains the tombs of all of the country’s former kings.

For an exceptional look at one of Brussels’ finest Art Nouveau buildings, head to the Maison St. Cyr. This ornate, narrow house was designed by Belgian architect, Gustave Strauven, who worked for the father of Art Nouveau, Victor Horta, from the age of 18. The house was built between 1901-03 as the residence of Georges de Saint-Cyr. The building has been recently restored, however, as it is up for sale, it is not possible to visit inside. While in the neighbourhood, wander through the lovely Square Ambiorix, where you will find many other beautiful houses circling a vibrant city park.

No wonder the lines to get inside St. Peter’s Basilica are some of the longest in Europe: It’s home to world-famous architecture (many consider the dome atop St. Peter’s Basilica to be Michelangelo’s greatest achievement), one of the best views of Rome, and, oh yeah, the pope. The best way to visit this legendary site is to stroll in just after its 7 a.m. opening, make your way up to the dome, and look outside: You’ll get the spectacular view practically to yourself. You can take a free English-language tour if you visit between October and May. And keep in mind, there’s a strict dress code.

This hotel is on our list of The 11 Best Hotels in Chicago.

Designers Lisa Simeone and Gina Deary of KTGY Simeone Deary Design Group oversaw the original design of the Parisian-inspired Waldorf-Astoria Chicago in 2009, and the pair was once again brought in to breathe new life into this 215-room Gold Coast gem. Rooms are now bright white, well-lit, and include pops of uplifting magenta. Before you hit any of them, however, there’s much to entice at street level. Enter from the circular driveway and marvel at the Swarovski chandelier, modeled after a vintage brooch, along with the herringbone wood floors and black-and-white pinstriped stone. Don’t miss the Peacock Lounge and its secret sister, Bernard’s Bar, an intimate craft cocktail and champagne boîte, which is virtually unknown even by city denizens (which means you can always find a seat). Its Scottish and equestrian themes are almost as anachronistic as the Mansard roof and circular driveway, which just adds charm to this newly beloved Chicago hotel.

The guest rooms feature oversize headboards and abstract floral bedspreads, while bathrooms are a marvel of marble. For something more, splurge on either the new 1,800-square-foot Astoria Suite or the redesigned 2,400-square-foot Presidential Suite, both of which will have you feeling you’ve been transported to a Parisian pied-à-terre (the latter’s primary bedroom features a fireplace).

Jerónimos Monastery, also known as the Hieronymites Monastery, or Mosteiro dos Jerónimos in Portuguese, is a UNESCO World Heritage Site in Lisbon. This stunning building took 100 years to build and it’s no wonder once you experience the level of detail for yourself. I could have spent an entire day there, with my camera, photographing the stunning architecture. The archways surrounding the inner courtyard look like something from a fairy tale.

Hotel Bo is a so-called design concept hotel, and its particular concept is the unification of contemporary and traditional Chiapaneco architecture and design. (Chiapaneco means indigenous to the state of Chiapas, where San Cristobal de las Casas is located.) The four elements—wind, water, fire, and earth—are central to the hotel’s aesthetic, with different design details, such as fireplaces and candles, alluding to these elements. Rooms are decorated with some local crafts, and beds are dressed with colorful spreads. The hotel really is in the heart of San Cristobal, within easy walking distance of markets, restaurants, and the city’s main sights, many of which are architectural gems dating back to the colonial era.

There’s no shortage of architecturally-interesting museums and performance spaces in Spain but few come by their intrigue as honestly as Matadero Madrid (which was once the city’s abattoir). Built in a neo-Moorish style, the sprawling center hosts all kinds of creative endeavors today, from a Bicycle Film Festival to concerts to design exhibitions.

The work exhibited in this progressive and edgy nonprofit space is a far cry from the art in the galleries along Canyon Road. SITE Santa Fe, which opened in 1995, hosts provocative biennials as well as a wealth of multimedia productions and notable international and contemporary art exhibits. After the building’s striking renovation and expansion (by the New York–based design firm SHoP Architects), its dramatic new glass facade sits beneath a triangular front, welcoming visitors inside.

The Rossio railway station was designed between 1886 and 1887 by Portuguese architect José Luís Monteiro. It makes connections with the village of Sintra, and the 2,600-meter tunnel was excavated under the city. It is considered one of 19th-century Portugal’s most important works of engineering. It has a beautiful Neo-Manueline façade, where two intertwined horseshoe portals stand at the entrance, a clock sits in a small turret, and the sculptural decoration is abundant. Inside you can now find a Starbucks, Lisbon Destination Hostel, and a souvenir shop.

Your introduction to Andaz Mayakoba begins with mangroves and a cenote, or at least an architectural tribute to these natural features of the Playa del Carmen landscape. The elegant pillars that support the towering porte cochere mimic the angled roots of the mangrove trees nearby. A tall passageway, lined with dark wood, leads to an open-sided lobby.

At the center of the lobby, aptly called El Sanctuario, a shallow circular pool reflects the sky through an opening in the ceiling above. The Andaz—which opened on the Mayakoba development in late 2016—has 214 guest rooms and suites, all in low buildings carefully placed on the delicate limestone crust of the peninsula. Some of the buildings surround pretty lagoons and offer easy access to the resort’s restaurants, Casa Amate, the fine-dining option, and Cocina Milagro, which serves three meals a day in a pavilionlike space overlooking the property’s pools.

A spa, fitness center, shop, and kids’ club are also an easy walk away. The balance of guest rooms are in a separate complex of buildings beside the beach. A clutch of umbrellas and lounge chairs on the white powdery sand before an impossibly blue sea presents a stunning picture. In the beachside portion of the resort, another pool and two casual restaurants, OllaTaco and OllaCeviche, add up to a slightly funkier vibe.

Guests are transported around the grounds by golf carts and are encouraged to use bikes parked everywhere. Lagoon boats make regular stops between the four resorts at Mayakoba, and guests are encouraged to take a daily cruise of the winding waterways with a naturalist guide. Andaz staff are young, attentive, and warm.

Colorful street-style murals, depicting animals and fish, splash across the buildings’ exterior walls. Inside the airy guest rooms, artfully tiled sections of floors and walls add fields of color and interest to an otherwise mild, sunny palette. Architect Ronald Zürcher has channeled the extraordinary local beauty—the light and darkness of the region’s beaches and jungles, the vivid pops of color of flowers and birds, the sacred hush of the cenote—and designed a gorgeous and intimate boutique resort.

An oasis from the manic bustle of the medina, Riad Alya feels like a secret hideaway, one that teems with the icons of Moroccan architecture—think zellige mosaics, arabesques, and stately arches. The jewel box–like central courtyard continues the theme with intricate plaster and wood carvings, a babbling fountain, and wrought iron screens on the windows; fragrant orange trees sprout from the tilework and mingle with the scent of the mint tea that appears on a constant rotation throughout the day. It’s a tranquil place to while away the time before hitting the labyrinthine alleys outside, as is the rooftop terrace, which offers commanding views of the city and distant mountains. If the streets seem more chaotic than comforting, guests can recreate local flavors by way of a two-hour cooking class in the former residence’s kitchen.

Why we love it: A pedigreed stay that perfectly marries fin de siècle charm with modern luxury

The Highlights:
- A French Renaissance–style building designed by America’s first female professional architect
- Fireplaces and deep-soaking tubs in some rooms
- An in-house craft brewery that serves pints in a “bar-cade” with pinball machines

The Review:
When The Lafayette opened in 1904, it was immediately hailed as one of the country’s finest hotels. America’s first female professional architect, Louise Blanchard Bethune designed the seven-story, redbrick-and-white-terra-cotta property to blend “the best that science, art, and experience can offer for the traveling public,” which at the time meant telephones and hot water in every room. Renovations in the late 1940s introduced several Art Deco elements that still remain, while a 2012 restoration helped bring the hotel into the modern era.

Today, The Lafayette is part of the Wyndham Hotel Group’s Trademark Hotel Collection and features 13,500 square feet of meeting space. It’s also home to a 15-barrel craft brewery, where guests can enjoy beers and pub fare while playing arcade games; a small-batch coffee roastery with freshly baked pastries; and an outpost of Groom Service Beauty & Dry Bar for blow-outs, professional makeup, manicures, and more. The 57 rooms and suites feature wall murals of vintage photos, designed to complement a palette of plum, brown, and dusty gold. Some have fireplaces, deep-soaking tubs, and full kitchens, too. If you’re looking to indulge, book the Lafayette Suite, which includes a Juliet balcony, double-sided hearth, and dining table suitable for large gatherings.

Set across from the University of Pennsylvania, the Inn at Penn holds its own against the new Center City crop and is one of the most technologically advanced hotels in Hilton’s portfolio. Built in 1999, the hotel was renovated top-to-bottom in 2011, solidifying a stuffy-enough Ivy League air. Above an efficient wood-paneled check-in, a double-fireplace library lined with classic tomes creates a sophisticated lobby-cum-cocktail lounge. A Frank Lloyd Wright–inspired aesthetic is pervasive with geometric lamps, wood-paneled walls, Craftsman wood furnishings, and the hotel’s riff on the architect’s iconic font on all signage. The Inn is teched out with free, fast Wi-Fi; TeleAdapt MediaHubs connecting phones, tablets, or computers directly to high-def TVs; and iPads accessing hotel services and information in multiple languages. The Inn’s environmental stance is also impressive: fabrics, wall coverings, and bathroom tile are made from recycled materials; energy-efficient lighting, heating, and cooling is state-of-the-art, and WaterSense showerheads ensure no water is wasted.

The 245 guestrooms and suites are classy, efficient, and relatively spacious, though it’s worth upgrading to a suite for a separate sitting area. Gold, leather, and wood hues are complimented by pops of red and orange with large work desks. Thanks to the 2001 renovation, the bathrooms are big, have glass-encased showers, and are stocked with Crabtree & Evelyn amenities.

Design junkies will find plenty to love at The Cape on Monuments Beach. Designed by Mexican architect Javier Sánchez, the hotel eschews resort staples like wicker and rattan for a sleeker look that marries mid-century standards with locally sourced furnishings and art. In the 161 spacious guest rooms, leather headboards and copper-leafed tubs complement private tiled balconies with ocean views. The style extends to the public spaces, which include Manta (acclaimed Mexican chef Enrique Olvera’s globally inspired seafood restaurant), a saltwater pool, and a spa that’s cleverly tucked into a natural rock formation.

They intended it as their gift to Mexico, and what a gift it is. Diego Rivera and Frida Kahlo, two of the most famous artists of the 20th century, worked with renowned Mexican architect Juan O’Gorman to create Museo Anahuacalli, a temple-like structure that houses the 50,000+ pre-Hispanic objects Rivera collected during his lifetime. The museum, whose design was also influenced by Frank Lloyd Wright and his notions about the role of the physical environmental in the conceptualization and construction of buildings, also showcases hundreds of pieces of artisan and craft works representative of Mexico. Note that the museum is not open on Monday or Tuesday.