Search results for

Located below street level, the public space Cheonggyecheon offers an easy escape from the hustle and bustle of downtown Seoul. The area is part of a massive urban renewal project in which an old elevated highway was cleared to reveal the stream below. To find the entrance, look for Claes Oldenburg’s sculpture Spring Tower, which resembles a giant unicorn horn, and from there you can enjoy a serene 3.6-mile walk that meanders past art installations, graceful fountains, and green rest areas. Duck out at any point on one of the 22 overhead bridges that cross the stream, or walk to the end of the trail and visit the free Cheonggyecheon Museum to learn more about the area.

When it opened in 2015, this museum drew headlines for its extensive contemporary art collection and Diller Scofidio + Renfro–designed building, which resembles a futuristic honeycomb. Then a single exhibition catapulted it into fame: artist Yayoi Kusama’s installation of thousands of twinkling LED lights called Infinity Mirrored Room—The Souls of Millions of Light Years Away. (The artist’s follow-up, Longing for Eternity, opened in 2017.)


There’s plenty to be dazzled by in this museum founded by philanthropists Eli and Edythe Broad. Hundreds of skylights illuminate the column-free third floor’s permanent galleries—featuring the Broads’ considerable collection of pieces by Kara Walker, Barbara Kruger, Jasper Johns, and Jean-Michel Basquiat. Insiders know to visit on weekdays for the most relaxed experience or around major holidays and occasions such as Halloween and International Women’s Day for engaging and sometimes provocative tours. Pro tip:

Though general admission tickets are free, it’s wise to book tickets online ahead when they’re released on the first of each month for the following month, especially if you’re taking a date or going with a group (the same goes for Kusama’s rooms). At least two weeks out, request a before- or after-hours guided group tour of one hour, not including the Infinity Mirrored Room.

And make sure to also book reservations at Otium, the trendsetting restaurant by Chef Timothy Hollingsworth located next to the Broad.

Check your traditional hotel notions at the door of this Russell Street lodging. At QT Melbourne, guests are greeted on arrival by cheery Directors of Chaos, who sport the same black wigs, heavy makeup, and bold black-and-white outfits, but the lobby itself makes an equally striking first impression: old-school French hip-hop competes for attention with colorful video installations, a giant stuffed peacock, and a towering wall of 1,700 recycled books. Upstairs, the 188 rooms give off an industrial-chic vibe with concrete-slab ceilings, timber flooring, and bathrooms set behind sliding partitions of aluminum-framed glass.


The hotel’s seemingly never-ending food and drink offerings include the Pascale Bar & Grill, where French bistro influences combine with produce farmed on the rooftop garden; Hot Sauce, for Asian-accented bar food (think steamed baos stuffed with fried chicken and kimchi); and the Cake Shop, for warm pain au chocolat in the morning, plus an array of pastries, cakes, and snacks throughout the day. Families with young children will appreciate the complimentary travel cots and babysitting services (arranged with advance notice).

Hyperlocalism has fueled Portland’s Old Port District revitalization, with buzzy restaurants and shops with a deep sense of place opening in recent years. The stylish Press Hotel is no exception. A publishing motif runs throughout the 110-room property, which occupies a corner building that once housed the Portland Press Herald. Custom-made wallpaper printed with old headlines adorns the corridors, and desks inspired by those found in 1920s newsrooms are in each room. Works by local artists—including a dramatic installation of vintage typewriters from the late 19th and early 20th centuries by Portland artist Erin Hutton—and woven-wall tapestries by Portland home-goods designer Angela Adams also abound. (There are even a few notable—and welcome—nods to the global luxury market, including Frette linens from Italy atop the plush beds.) The focus at the 65-seat hotel restaurant, Union, is proudly farm- and sea-to-table, with dishes like house-smoked local mussels served with celery cream.

This is the oldest and grandest art institute in a city that’s long captivated artists. The Neoclassical building sits amid the greenery of massive City Park (conveniently at the end of the Canal Streetcar Line). It’s an especially good destination for admirers of Edgar Degas, who spent an extended vacation in New Orleans visiting relatives in 1872; a number of his works are displayed here. Just outside the museum is the beautifully landscaped and well-curated five-acre Sydney and Walda Besthoff Sculpture Garden, which perfectly melds the old and new. Some 60 sculptures are arrayed amid reflecting lagoons and 200-year-old live oaks.

Laguna Beach’s deep connection to the arts goes back to 1918, when 150 local creative residents started the Laguna Beach Art Association (the city’s population was only 300 then). That association went on to launch what’s now the Laguna Art Museum. Although the museum covers countless genres and eras, there’s one thing every piece has in common: They’re all made in California. The 3,500-strong permanent collection spans the early 19th century to present day, from light and space installations to pop art (and also includes pieces by art-world stars like Ed Ruscha and Wayne Thiebaud). It’s rounded out by a handful of new California-centric exhibitions each year. Highly knowledgeable docents—all have completed an extensive nine-month training course—lead lively one-hour walk-throughs at 11 a.m. Friday to Tuesday; groups of 10 or more guests may book guided tours in advance. Must-do: Hit the museum on a Thursday night when it stays open until 9 p.m. and becomes a community hub, with lectures, film screenings, and live concerts in the galleries.

Casa da Música, designed by Rem Koolhaas, is the first building built in Portugal which is dedicated entirely to music in various aspects; presentation of music (concerts), education of music and creation of music. The building was intended to be finished on 2001, to mark the year in which Porto became a Cultural Capital of Europe but eventually Casa da Música opened its doors to the public on April 15th , 2005. I first heard about Casa da Música when I read my travel guide about Lisbon and Casa da Música was a suggestion for a weekend getaway. The VIP Room grabbed my attention right away and I knew it was something I had to shoot. It is a multifuncional space, mainly used for sessions for small groups, installations or ceremonial occasions. The room pays an homage to Portuguese tiles and each of its panels is a reproduction of an original panel to be found in different museums in Portugal and the Netherlands. When you plan your visit in Casa da Música, plan it wisely time-wise. And treat yourself to a concert. It is worth it. Address: Avenida Boavista 604

Only in Berlin could a hulking, aboveground World War II‒era concrete bunker, right in the center of the city, be turned into an art gallery. The structure—too bulky to be blown up after the war—was transformed in 2008 by collector-curator Christian Boros, who lives in a penthouse on top of the building. After extensive renovation, the lower floors house the Boros Collection, around 500 works of art spanning sculpture, installations, paintings, and photography. Works change every couple of years but always feature big international names such as Damien Hirst, Olafur Eliasson, Elizabeth Peyton, Wolfgang Tillmans, Manfred Pernice, Ai Weiwei, and Michel Majerus. You can view the collection only on weekends, as part of a guided tour; book an appointment via the website.

The museum’s collection and calendar of exhibits is a little more daring than you might imagine, but the permanent installation of James Turrell’s Knight Rise presents visitors with the biggest art jolt of all. The work, open to the public for free, consists of a circular bench beneath a luminous domed ceiling. An elliptical hole cut into the top of the dome contains a glimpse of sky. When observed in this manner, even the clearest desert sky seems to shift and pulse and fill the window with pure exuberant color. Come at dawn or sunset for the best (and often most solitary) viewing.

For years, the easternmost section of the Marais, one of the city’s most beloved districts, was a sleepy, underdeveloped neighborhood. That all changed for L’Arsenal in July 2022 with the arrival of the design-driven SO / Paris, located at La Félicité, a massive urban revitalization site overhauled by British architect David Chipperfield. The hotel occupies one side of the 1960s-era complex (which includes the Terroirs d’Avenir green market and bakery and the Atlas art gallery). The design from Paris-based architects RDAI is retro-futuristic, with rounded couches and soaring ceilings, while decorative touches are nods to the neighborhood (the tiles of the hotel entrance mimic cobblestone streets).

Why we love it: An apartment-style hotel designed by acclaimed architect Jean Nouvel

The Highlights:
- Individually decorated rooms with modern appliances created for longer stays
- A thoughtful mix of modern and historic design elements
- A rooftop lounge that looks out over the Roman Forum

The Review:
When the Fondazione Alda Fendi-Esperimenti acquired the Palazzo Rhinoceros—a 17th-century palace near the Roman Forum—and handed renovations over to Jean Nouvel, something special was bound to happen. The renowned French architect transformed the historic palace a stone’s throw from Rome’s birthplace on Palatine Hill into a 24-apartment sanctuary for guests staying anywhere from one night to one year.

The apartments—which all have kitchens designed for longer stays—each have their own unique layout with sliding steel walls so you can close off the living room from the bedroom, or create one massive space. Even though the use of steel materials and contemporary furnishings makes for a thoroughly modern atmosphere, Nouvel kept some old paint intact and installed window panels with photographs of the space before renovations to help tie the property to its historic location. For the best views in the building, head to the six-floor terrace, where you can take in the sunset over the Roman Forum with a cocktail in hand.

Most London hotels can’t claim to have a bowling alley in the basement. But then Ham Yard isn’t most hotels. The new address, opened in June 2014, also features a 190-seat cinema with Dolby surround sound, a spa with its own Hypoxic Studio for high-altitude training, a roof terrace with a full vegetable garden, and a karaoke bar curated by Lucky Voice. Ham Yard is the eighth opening for Firmdale Hotels, the chain run by husband-and-wife team Tim and Kit Kemp. Tim brings business brains to the partnership, while Kit handles the interior design. It’s this aspect for which the brand is best known, and Ham Yard is the most exuberant of Kit’s colorful creations. Kit has filled the space with her trademark mismatched fabrics and art works sourced from the likes of Shilo Engelbrecht. Curious touches, such as light installations from cult-creator Gods Own Junkyard, lend the hotel an idiosyncratic edge. The unusual name derives from the Soho square in which the hotel stands. Ham Yard’s emergence has not only created London’s hottest new opening, but also a courtyard space where locals come to sit and linger at the hotel’s partner shops, including Brazilian beachwear brand Frescobol Carioca and a Press London juice bar.

Flickering candles, velvet theater curtains, hushed conversation, and classic cocktails dressed up with slices of dried lemon or lime—the Golden Age Cinema and Bar feels like a secret supper club of yesteryear. Yet, with a geometric light installation, fresh bar snacks and drinks, and a digital film projector, the experience is entirely modern. That’s exactly what owners Barrie, Bob and Chris Barton—who also launched Rooftop Cinema in Melbourne—were after: creating a bar and movie experience that combines the best of today with the best of yesterday. The theater, housed underground in the 1940s Paramount Pictures building, features 60 seats made in the ‘40s and sourced from Switzerland. Shows are both classic and contemporary, with two screenings per night as well as special events such as the monthly Two Thousand Film Club, during which a notable local picks their favorite film and engages in a live Q&A. Before or after the program, enjoy movie-inspired cocktails, including a daily cameo that’s crafted entirely around what’s being shown—think whiskey for the music documentary Muscle Shoals set along the Tennessee River—with herb and parmesan popcorn, maple-bourbon pecans, or the sundae that Gelato Messina reinvents every month. Oh, and on Tuesdays, films are shown at “golden age prices,” which means you could see a 1960s flick for $1 with the purchase of a drink. You’re welcome.

The first Smithsonian affiliate in the Northwest, this superb museum chronicles the Asian Pacific American Experience. Among its most poignant exhibits is the Letter Cloud installation: old hotel walls frame tales of aging far away from home. It also offers walking tours of the surrounding International District, including Touch Of Chinatown, which visits the elegant Kobo gallery and Uwajimaya, one of America’s largest Asian grocery and gift stores. Stop into the nearby Panama Hotel, home to a teahouse and the nation’s only intact sentō (Japanese public bathhouse). Lockers and marble baths still stand in the basement, which harbored the belongings of Seattle’s 7,050 Japanese-American residents imprisoned in WWII internment camps—the basis for Jamie Ford’s best-selling novel Hotel On The Corner Of Bitter And Sweet.

The Southernmost Point buoy, at the corner of Whitehead Street and South Street, marks not only the spot for the southernmost point of the continental United States but also the distance (90 miles) to the next country, Cuba. The buoy, installed by the city in 1983, is visited by thousands of people each day. (Before the buoy, a small sign stood at the spot alongside a line of seashells for purchase.) Taking a photo in front of the buoy is imperative for a first visit to Key West, so bring a tripod, or ask a stranger to snap a few shots. Buskers play music, and street vendors sell food and goofy souvenirs and slash open coconuts to drink.