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Among the several art galleries along Main Road in Kalk Bay, Kalk Bay Modern displays a variety of art, jewelry, fabric, photography, and pottery from several different African countries, as well as an exciting collection of the works of South African aboriginal San artists.

The second property in the Bulgari Hotels collection is an Italianate stunner perched on the cliffs of Uluwatu, a region at the southern tip of the Bukit peninsula. While the hotel’s vibe stays true to the brand’s roots, hand-hewn volcanic rock, Javanese mahogany, and exclusive fabrics banded and bordered by local artisans reflect the heritage of the archipelago. In fact, Asian-European duality is a prominent theme here: One restaurant focuses on Indonesian fare, while the other is a formal reflection of Italian culture. Watching over the resort at its highest point sits a temple, which employees use to perform daily rituals, as well as a traditional guardian—the Hindu elephant Ganesh. And at Bulgari’s base is a private stretch of sand accessible via an inclined elevator.

Luili is an ancient Chinese word for ‘glass art’. Showcasing over 250 glass pieces from the Warring States through the Qing Dynasty, history is present in this collection of crystal. But this isn’t just about an old art form, contemporary glass art is represented as well, not least of which is the signature collection for co-founders Loretta Hui-shan Yang. Often overlooked, but well worth a visit. Hours: 10:00-17:00, Closed on Mondays Tickets: 20 RMB for adults, free for kids

Total immersion is the draw of the Ritz-Carlton, Laguna Niguel, which sits on a bluff 150 feet above the Pacific’s craggy coastline. The hotel delivers Ritz-Carlton’s trademark luxury—two pools with bucolic garden views, beach butlers on the sand—but also an authentic sense of place. Naturalists lead whale-watching and snorkeling excursions, as well as an ocean-inspired art program that was developed by marine-life artist Wyland. Spa treatments include seaweed wraps, marine collagen facials, and a foot massage inspired by the rhythm of the ocean. Even the resort’s marble-bedecked interiors integrate the environment, including a sculpture in the lobby by artist James Aarons made of 225 ceramic and gold pieces inspired by American cliff swallows, which migrate through the area. Shuttles take guests to and from the swimmable, surfable Salt Creek public beach below. Meals at the six restaurants are indulgent but never fussy, whether it’s pasture-raised beef and artisanal cheese at enoSTEAK, or pan-seared scallops with morita-glazed pork belly at the pan-Latin restaurant Raya. Pro tip: Before the sun dips below the horizon, grab a spot by a fire pit at the lounge 180blu, order a tamarind-togarashi margarita, and enjoy the views of the Pacific.

Occupying three whitewashed colonial buildings sheltered from the bustling streets of Old Town Cartagena, Casa San Agustín sits on the site of a former aqueduct and channels its heritage with a swimming pool that tunnels through its stately remnants. Inside, common spaces feature a mix of Colombian art and artifacts with contemporary wicker furnishings and marble floors. The 20 rooms and 10 suites are cozy and a bit more polished than those found at other historic properties nearby: Units feature 200-year-old wood-beamed ceilings and iron canopy beds topped with Frette linens; some have patios with hot tubs or brick terraces with views of surrounding buildings. But there’s plenty of space to unwind throughout the property, namely a library with original frescoes and a lounge with a long wooden bar and ceiling-high wine cabinet. It’s a good idea to make reservations in advance for dinner at Alma, considered among the city’s best restaurants, where the upscale international cuisine includes fresh ceviche and dry-aged beef cured on-site.

The renovated Nanhui Power Station, situated on the banks of Huanpu River, is now home to China’s first state-run Contemporary Art Museum. From local artists to international icons such as Andy Warhol, the museum boasts a great selection of contemporary art. Open 9:00am-5:00pm, closed Mondays General Admission: Free

The Habsburgs were, generally speaking, lovers of art and many of the works of the Kunsthistorisches Museum come from their collections. While the grandiose interior alone may be reason enough to visit, the collections here are outstanding. The Egyptian and Near Eastern Collection, Collection of Greek and Roman Antiquities and Coin Library are just a few of the collections to get lost inside. The Picture Gallery includes works by Albrecht Dürer, Jan van Eyck, Pieter Brueghel the Elder and Peter Paul Rubens.

A 1920s townhouse in Brussels’ well-heeled Châtelain neighborhood, the intimate, Fellini-inspired Odette en Ville might as well be your fashionable Belgian friends’ pied-à-terre in the European capital. Its older sibling, Chez Odette, a landmark restaurant and inn, is hidden away in the tiny village of Williers, on the French-Belgian border, and when the Brussels iteration opened, it dressed up with all the panache of a newer arrival: a little bit flashier, a little bit sleeker, a little bit more urbane. Its marble bathrooms, dark walls, and chrome accents all feel very grown-up, but roll-top tubs, fireplaces, and vintage decor reveal those homey country roots, as does the fresh, unpretentious cuisine, including the homemade jam at breakfast. With just eight rooms, the hotel feels intimate and private, an atmosphere only enhanced by the private library, a cozy lounge (notably, adjacent to the bar) with overstuffed leather Chesterfields, vintage chess sets, shelves of art books, and a working fireplace.

Much of Mexico City’s fervid contemporary art movement—galleries and collectors abound; the scene is now a launching pad for Mexican artists looking to conquer the world—can be traced to art patron Eugenio López Alonso, heir to the Jumex packaged-juice fortune, who over decades has amassed Latin America’s most extensive contemporary art collection and brought dozens of artists to the international spotlight. The collection’s flagship museum, itself a work of art by the British architect David Chipperfield, is a surprisingly intimate exhibition space that supports a rotating calendar of shows; the basement bookstore will delight bibliophiles and design freaks alike. Right nearby lies the Museo Soumaya, whose dramatic architectural form (which earned it the nickname “the Blender”) makes up for a collection some consider erratic.

In Nancy, visitors can download an art nouveau itinerary for free from the tourist office website, then tour 250 buildings and storefronts featuring wrought iron, stained glass, and ceramics. They can also visit the Musée de l’École de Nancy, one of France’s few museums dedicated to the art nouveau movement in Lorraine. About a 45-minute walk from Place Stanislas, the museum highlights the region’s contributions to architecture, decorative arts, and furnishings, with pieces by key artists like Louis Marjorelle, Jacques Gruber, and Émile Gallé. Surrounding the museum (which is closed Mondays and Tuesdays), there are several more outstanding examples of École de Nancy architecture, including the Villa Majorelle and several buildings along Rue de la Commanderie and Avenue Foch.

The Museum of Modern Art, one of the city’s—and the country’s—premier institutions for modern and contemporary art, first opened its doors in 1939. Its permanent collection of almost 200,000 works includes masterpieces by many of the 20th century’s leading artists: Duchamp, Matisse, Picasso, Warhol...the list truly could go on and on. In the permanent collection, van Gogh’s Starry Night and three panels of Monet’s series of paintings of water lilies are among the most famous works. The museum’s first director, Alfred Barr, was praised for taking the innovative step of expanding the role of the art museum to include genres beyond painting and sculpture, and to this day the institution dedicates exhibitions (and resources) to design, architecture, photography, and other creative fields. The museum also has a space in the Long Island City neighborhood of Queens, called MoMA PS 1, which focuses principally on younger, emerging artists and hosts Warm Up, a summer live music series.

Located in the exclusive Banjara Hills neighborhood, Lamakaan is an open event space that promotes art, literature, and dialogue. The non-profit center hosts concerts, book releases, plays, seminars, and poetry readings. Lamakaan also presents film screenings and exhibitions, including the Queer Art Fest and a monthly flea market held by the Tree Huggers Club. Check out the calendar for upcoming events and experience an eccentric space where tradition meets modernity. Not interested in the art scene? Grab a chai and samosa from the canteen and surf with free wifi.

The second location of the Sydell Group’s New York flagship, NoMad Los Angeles embraces its past as the Bank of Italy—imposing columns and all. In the lobby of the landmarked building, much of the original Neoclassical style, such as the Doric columns, coffered ceiling, and marble floors, was preserved, complemented by the addition of floral textiles in rich jewel tones. Even the original vault, which once housed 12,000 safety deposit boxes, and its 50-ton door were kept intact. The color palette across the 241 lavish rooms draws from the exquisitely maintained gold-and-blue Italianate lobby ceiling, with custom furniture, original artwork from design studio be-poles, and freestanding bathtubs in most rooms adding to the luxurious feel. Details like nightly turndown service, marble bathrooms, and custom linens by Bellino mean a five-star stay is all but guaranteed.

Imiso Ceramics studio and gallery is located in the Old Biscuit Mill. Founding artists Zizipho Poswa and Andile Dyalvane are known for producing high-end interior ceramic art for both domestic and international clientele. This a great studio for art lovers and interior decorators.

This museum on the west side of Beijing curates interesting, but less publicized exhibitions. Head next door to the military museum. The building is huge with high ceilings, giving the visitor the impression that everything is built on a massive scale.