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Housed on the wilder south side of Tahiti near Teahupo’o, Vanira Lodge is easily the island’s best boutique lodging option. Its idyllic location—on the mountain side of the road up a very steep driveway—offers sweeping views of the lagoon, while its bungalows feature a beautiful mix of bamboo, coral, rock, reed, and stained glass. Each room showcases a slightly different design; some have hard-carved furniture and, others, outdoor kitchens. There’s also a swimming pool, lily pond, and plenty of space to children to play, as well as an onsite restaurant, which is a relief to families since the resort is a good 15-minute walk away from Teahupo’o village and the surf beach. During the day, the staff can arrange a myriad of activities, from snorkeling trips to surf lessons. Guests also have access to bikes, although having a rental car makes getting around much easier.

The second location of the Sydell Group’s New York flagship, NoMad Los Angeles embraces its past as the Bank of Italy—imposing columns and all. In the lobby of the landmarked building, much of the original Neoclassical style, such as the Doric columns, coffered ceiling, and marble floors, was preserved, complemented by the addition of floral textiles in rich jewel tones. Even the original vault, which once housed 12,000 safety deposit boxes, and its 50-ton door were kept intact. The color palette across the 241 lavish rooms draws from the exquisitely maintained gold-and-blue Italianate lobby ceiling, with custom furniture, original artwork from design studio be-poles, and freestanding bathtubs in most rooms adding to the luxurious feel. Details like nightly turndown service, marble bathrooms, and custom linens by Bellino mean a five-star stay is all but guaranteed.

It may look a little like your childhood summer camp, but Phantom Ranch feels like the Ritz by the time you make it to the bottom of the Grand Canyon, whether by foot—a steep 10-mile hike—mule, or boat down the Colorado River. Set near a creek in the shade of a cottonwood grove, the lodge is the only property located beneath the rim of the canyon, making it an extremely popular destination. Book early; the concession uses a lottery system for reservations beginning 14 months in advance. There are two lodging options: log cabins that sleep up to 10 people and are furnished with cold water sinks and toilets (there are common shower facilities), and four dormitories—two each for men and women—that sleep 10 in five bunk beds. Linens are provided and, thankfully, all of the buildings have air-conditioning in the summer and heating in the winter. Also be sure to reserve meals ahead of time. Seating in the canteen is limited, and the steak and meat-stew dinners, served family style, are surprisingly tasty.

St Stephen’s Green is a welcome spot of calm and green set in a Georgian square in the centre of Dublin. At around 20 acres, it’s large enough to feel you have escaped the bustle, but not so large that you can’t easily return to the fray once you are ready. There are formal manicured lawns and gardens in the middle, a large lake to the north - good for swan-watching - a bandstand and play area, and plenty of benches and other picnic spots. St Stephen’s is probably not the sort of place you’d deliberately set out to visit, but chances are good you’ll end up there anyway: it’s just off Grafton Street (one of the main shopping streets), and near other attractions dotted around what is known as Georgian Dublin, such as Merrion Square and Leinster House (the seat of Irish parliament).

Cap your trip to Machu Picchu with a pisco sour on the Orient-Express train ride back to Cuzco. After boarding this luxury train for dinner and the return journey, everyone meets in the bar car for a drink. Live music, the rocking of the train, and the excitement from just experiencing Machu Picchu is a buzz to remember. Soon all the passengers are dancing as they travel through the steep mountainsides under the stars. —Lauren Maggard This appeared in the August/September 2013 issue. Image courtesy of Orient-Express

When Beijing’s hutongs—narrow alleyways that connect to form mazelike neighborhoods—were originally built, they were lined with stone houses that had central courtyards. In 1949, with the founding of the People’s Republic of China, there were more than 3,000 hutongs; so many have been razed since that time that there are now fewer than 1,000. The remaining hutongs are where locals chat with their neighbors, sit outside on hot summer nights, buy fruit, and tend to their gardens, all without leaving their own alleyway. Seeing this side of traditional Beijing life is delightful and serves as a marked contrast to the many shops, restaurants, cafés, and bars that now occupy the courtyard homes lining the alleyways.

Al Mahara, whose name means “the oyster shell,” has long been one of the most popular restaurants in Dubai’s renowned Burj Al Arab, the iconic hotel shaped like a sail out in the gulf waters. You reach the restaurant, on the hotel’s ground floor, by walking through a tunnel to emerge into a space with floor-to-ceiling glass walls. You’ll feel as if you’re in an aquarium, because those walls enclose countless colorful and exotic fish of all species. A new restaurant opens in this space in October 2016, and while the chef and even name will change—Britain’s Nathan Outlaw is behind the new seafood menu at the restaurant which will soon be known as Nathan Outlaw at Al Mahara—the aquarium will remain. After your meal, be sure to head up to the Skyview Bar on the 27th floor for jaw-dropping views of the gulf and the city.

From the outside, the Royal Ontario Museum appears to have been struck by a mineral formation from outer space. When the original building was overhauled by starchitect Daniel Libeskind, many locals were dismayed by the new addition, called the Michael Lee-Chin Crystal, but most have come around to its angular charms. Visitors to this museum of world cultures and natural history can work their way through galleries showcasing Chinese sculptures, Canada’s First Nations artifacts and crafts, dinosaur skeletons, and Byzantine artwork. Special exhibits have included everything from the intricate textiles of Mexico to an in-depth look at the culture of tattoos.

A 1,200-acre green space filled with museums, theaters, and gardens, Balboa Park is the center of art and culture in San Diego. It’s also one of the city’s most historic sites, built for the Panama–California exhibition in 1915. While the museums are definitely worth seeing, there are also a number of free attractions, including the photogenic Botanical Building, which houses more than 2,100 plants (including Venus flytraps); the Desert Garden, filled with succulents from around the world; and a sculpture court with works by Miró and Rodin. For one of the area’s best views, purchase a timed ticket to climb the California Tower in the Museum of Man. The ornate structure reopened to the public in 2015 after being closed for nearly 80 years and features a spiral staircase to the eighth floor, where you can catch a glimpse of the Cuyamaca Mountains, the Cabrillo Bridge, and even Mexico’s Coronado Islands.

The main branch of the New York Public Library is one of the country’s grandest Beaux Arts buildings, a temple to learning on Fifth Avenue between 40th and 42nd streets. At the end of the 19th century, John Bigelow, who oversaw the Tilden Trust, decided that as New York was becoming a global financial capital, it required a grand public library. When the Astor and Lenox libraries faced financial difficulties, he convinced them to merge and, with the Tilden Trust, underwrite the library that now stands next to Bryant Park. The firm of Carrère and Hastings was entrusted with the design, and construction began in 1902 on the building that would be the largest marble structure built up to that time in the United States. The elegant main reading room with its soaring carved-wood ceilings is the highlight of its interiors. The library hosts temporary exhibitions related to literary and cultural topics that draw on its extensive collection of books and other printed materials. The two beloved lions in Tennessee marble—Patience and Fortitude—have stood at the entrance to the library since it opened in 1911 and were created by sculptor Edward Clark Potter.

Vancouver’s most famous urban space, the thousand-acre Stanley Park, epitomizes everything that locals here love about the outdoors, and visitors have many ways to explore the expansive grounds. Hiking trails weave around totem poles and hemlock trees, while at the beaches, you can swim, people-watch and picnic. Rent a bike or a pair of in-line skates for a scenic ride along the Seawall, or wander through the many gardens where rhododendrons, azaleas and roses bloom.

Telluride may be more than 2,000 miles from New York, but that doesn’t mean its art scene isn’t worthy of adulation. Case in point: Gallery 81435, a contemporary space run by Telluride Arts that features a rotating collection of stellar work by both regional and national artists. Come here to see everything from Emily Palmquist’s oil paintings of banal-made-beautiful landscapes, to Karen Wippich’s dreamlike acrylic paintings.

Hovering 36 meters (118 feet) above the ground, the Henderson Waves Bridge is a sleek, undulating wooden pedestrian bridge that connects two lush parks. Its 274-meter (899-foot) length has little niches that provide resting spaces for walkers, and it looks even sexier when it’s lit up at night.

Orlando’s theme parks all have their venues for hosting big concerts. But when indie bands come through town, you’ll almost always find them playing downtown at The Social, an intimate little club with exposed brick walls, excellent acoustics, and an all-star cast of past performers. The venue is a full-service bar, too, but many of the shows are 18 and up (with wristbands given to those of drinking age). Because of the cozy space, shows sell out fast here. So keep an eye on the online calendar and book tickets as soon as you’re ready to commit.

A Madrid-based gallery that showcases some of Guadalajara’s best artists, Travesía Cuatro serves as a bridge between the European and Latin American art scenes. Perhaps more impressive than the work on display, however, is the gallery’s setting inside Casa Franco, a 1929 Mediterranean-style home designed by the father of Mexican modernist architecture, Luis Barragán. The landmarked space has the casual feel of a home—that just happens to have a fantastic art collection.