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Business at the front, party at the back: that’s the ethos behind this hotel, which opened in London’s financial district in 2012. Weekdays, the clientele in the lobby bar and brasserie is all business, the conversation a gentle hum of meetings. But the hotel has a lively side. On weekends, a young, fashionable crowd from nearby Shoreditch and the ever-growing tech center Silicon Roundabout comes for the DJs that regularly include big names such as Ricardo Villalobos. Owners D&D London—the city’s leading hospitability group and brains behind such restaurants as Coq d’Argent—have made food the focus of their first hotel. Within one year of opening, the top-floor, fish-focused restaurant, Angler, already had a Michelin star. And then there’s the art. Sir Terence Conran’s design firm created modern interiors accented with pop-art prints, full-wall installations, and playful sculptures, many created by British artists living and working in the area.

In 2001, hotelier Ian Schrager tapped French designer Philippe Starck to reconceptualize The Clift Royal Sonesta Hotel’s wildly modern interiors. A complete contrast to the building’s historic facade, the lobby is dark, edgy and filled with a quirky smattering of cool furniture—among them chairs by Ray and Charles Eames, a coffee table by Salvador Dali, and a surreal stool by Renee Marguerite. Upstairs, splashes of lavender brighten more neutral rooms, which feature wheelbarrow-shaped chairs and sleigh beds designed by Starck. Merino wool blankets are primed to battle foggy nights, while MALIN+GOETZ bath products soothe well-traveled skin with natural ingredients and science. Downstairs in the Redwood Room, a see-and-be-seen crowd nurses drinks. The swanky lounge sports sleek backlit shelves, its original redwood paneling, and a bar supposedly crafted from a single redwood tree. Though The Clift sits just up the street from Union Square, it feels far away from the tourists.

As you walk through Stellenbosch’s town center, you’ll probably smell the bread baking at Boschendal at Oude Bank before you even arrive at the café’s main entrance. Owned by Boschendal Farm Estate since early 2017, the local favorite is a bakery, bistro, and farm shop in one, serving seasonal dishes made from locally sourced, farm-fresh ingredients. The warm interior features cozy dining nooks, but you should really sit outside, where you can sip your matcha latte while people-watching on Bird Street. Go for breakfast and order the brioche French toast, or stop by for lunch and pair the trout salad with a glass of chenin blanc from the farm.

In the 20th century, the Church of Santa Engrácia was converted into the national pantheon, in which important Portuguese personalities are buried. The first stone of the present building was placed in 1682; it was the first baroque-style building in the country. The work lasted so long that it gave rise to the popular expression “works of Santa Engrácia” to designate something that never ends. It took 284 years to complete the church, finally finished in the year 1966. Inside you will find the interior paved in colored marble, and outside you can’t miss the giant dome. There is a terrace at the top—you only have to climb 187 steps—but then you can enjoy the wonderful view over the river and the city itself. Among the illustrious personages buried here is the famous fado singer Amália Rodrigues. Sundays and public holidays are free until 2pm. To get there, take Bus 734 (at Martim Moniz) or Tram 28.

Completed in 1614, Johannisburg Palace is one of the most important Renaissance castles in Germany. Located along the Main River, the immense, four-winged complex served as the second residence of the archbishop-electors of Mainz until 1803. Today, it’s home to innumerable cultural and historical treasures, including a unique collection of cork architectural models called Bringing Rome Across the Alps. The State Gallery displays early German and Dutch paintings, with a special emphasis on Lucas Cranach the Elder, while the Princely Apartments offer a fine array of neoclassical furnishings. In the Palace Church, modern technology brings the Renaissance altar to life in a new way, using light and sound installations to highlight the 31 alabaster sculptures and almost 150 relief figures. Also not to be missed is the Palace Museum, showcasing the history of Aschaffenburg, as well as the gardens, where the fruit trees and flower beds are particularly splendid in summer.

A brief walk from the Strasbourg Cathedral lies the glorious Palais Rohan, a former Episcopal residence built between 1732 and 1742. Designed by the king’s architect for the Prince-Bishop of Strasbourg, the architectural masterpiece has welcomed everyone from Louis XV and Napoléon to Marie Antoinette, whose fate was later sealed by palace resident Cardinal Rohan.

Today, visitors can tour the Decorative Arts Museum on the ground floor for a peak at the gorgeous cardinal apartments and the jaw-dropping, solid-mahogany library, as well as various furniture, jewelry, and sculptures. Afterward, head up to the first floor, where the Museum of Fine Arts features masterworks by Botticelli, Raphael, Rubens, and Delacroix, or down to the basement to see the Archaeological Museum, one of the largest museums of its kind in France.

Situated off the eastern shore of Long Island, The Chequit is old school in an elegant way. The hotel occupies a big white building, surrounded by grassy lawns, impeccably maintained hedgerows, and towering deciduous trees, and features bright, homey rooms, complete with large windows that let in plenty of natural light. While all the rooms have been refurbished, those in the main house retain much of their original architecture, lending them a certain vintage charm. The Chequit operates on a bed-and-breakfast model, and guests can either take their morning meal in the lobby or opt to have a lighter option sent straight to their room. While the target audience here is weekenders seeking an escape from New York City, the hotel is also a popular spot for weddings and retreats, with two meeting rooms and full catering services available from on-site Red Maple Restaurant.

If you associate the phrase all-inclusive with the bracelet-wearing, tropical drink–swilling masses, then Marquis Los Cabos will make you do a double take. The adults-only resort offers unique amenities—open-air yoga classes, a 13,000-square-foot spa, tequila tastings, salsa-dancing lessons—plus an architecturally stunning property with nary a cheesy palm-tree motif in sight. The views begin in the alfresco lobby, where a stone arch draws your attention to the horizon, and continue through two curvaceous infinity pools overlooking the Sea of Cortez. The 235 rooms, outfitted with marble baths and works by Latin American artists, are just as inspiring thanks to private balconies that offer views of whales and dolphins in the distance.

Chances are you’ve seen Maria Pinto’s works at some point in recent years—she’s known for dressing the likes of First Lady Michelle Obama, Oprah Winfrey, and Brooke Shields. That fan base is only growing with the opening of her West Loop Style Studio, where women can shop M2057 by Maria Pinto, a ready-to-wear collection inspired by urban architecture and design. Created for the time-pressed but fashion-forward woman, Pinto’s pieces marry runway ideas with a low-maintenance aesthetic (the upscale fabrics might be imported from Italy, but they’re also machine-washable and wrinkle-resistant—perfect for travel). In addition to plenty of day-to-night options like dresses, skirts, tops, and pants, the boutique also carries belts and jewelry by outside artists, curated by Pinto.

The terrace outside this historic café boasts one of the best views in town, encompassing an almost unimaginable collection of architectural highlights and public art from the Renaissance. Linger over your coffee or a cup of hot chocolate as you gaze upon the Palazzo Vecchio, as well as a copy of Michelangelo’s David, the Fountain of Neptune, and the remarkable assembly of classical sculptures inside the Loggia dei Lanzi. It does cost more to sit outside than to stand at polished wooden bar inside, but this splurge is highly recommended. (The original owners were the official chocolatiers to the royal family of Savoy; you can take home a piece of that history in a beautifully wrapped box of chocolates or a jar of chocolate-hazelnut spread.)

As a lover of architecture, visiting Edificio Copan in the center of São Paulo was high on my list during my last visit to this lively city. However, what really struck me while standing outside Copan was this fun street art behind us. It seems to be a new version of the Brazilian icon Carmen Miranda.


São Paulo’s streets come alive with street art. From murals and graffiti to whole facades of buildings painted with beautiful scenes, the creativity and color exhibited in the city’s outdoor work reflect the vibrancy of the Brazilian people. According to street art experts, the city is one of the world’s best for the development of this form of art. To see some of the city’s best examples, head to the Vila Madalena area (which is fun to visit anyway). The best examples are found in Beco do Batman (Batman’s Alley), off Rua Harmonia just before Rua Luis Murat.

Dominating the intriguing Jewish quarter on the Pest side of the city, the Great Synagogue is a must-see for lovers of culture in general and Europe’s Jewish history in particular. This is Europe’s largest operating synagogue (the largest, in fact, outside New York City) on Dohány Street, which was once the boundary for the Budapest Jewish Ghetto. Inside are stunning Romantic and Moorish architectural elements like rose windows and a monumental organ. Other parts of the complex include a Jewish cemetery, a small prayer area called the Heroes’ Temple, and the Hungarian Jewish Museum and Archives, built on the site of the home in which Theodor Herzl, the originator of modern Zionism, was born.

When Charleston’s Blind Tiger opened in the late 1980s—long after Prohibition ended—its name, a phrase synonymous with “speakeasy,” lent the Broad Street bar a delightfully naughty air. Not that the joint needs more atmosphere. The building, which dates back to 1803, has the vibe of an old Irish bar, with big front windows, dark wood, the damp smell of years of spilled beer. But walk through the doors in back and you’ll find a tree-shaded, sun-dappled patio full of architectural ruins and kitted out with a few firepits for cool evenings. That handy backyard bar means you can stay in the fresh air and not venture inside for refills. Alas, the blissful al fresco scene is slightly marred by the inclusion of a television over the bar. (With college football enjoying nearly the same status of religion in the Holy City, only the fanciest cocktail bars can avoid having the game on in these parts).

Much of Mexico City’s fervid contemporary art movement—galleries and collectors abound; the scene is now a launching pad for Mexican artists looking to conquer the world—can be traced to art patron Eugenio López Alonso, heir to the Jumex packaged-juice fortune, who over decades has amassed Latin America’s most extensive contemporary art collection and brought dozens of artists to the international spotlight. The collection’s flagship museum, itself a work of art by the British architect David Chipperfield, is a surprisingly intimate exhibition space that supports a rotating calendar of shows; the basement bookstore will delight bibliophiles and design freaks alike. Right nearby lies the Museo Soumaya, whose dramatic architectural form (which earned it the nickname “the Blender”) makes up for a collection some consider erratic.

As with most structures and sites in Mexico City, the Estadio Olímpico, or Olympic Stadium, located on the grounds of the university (UNAM), has played an important role in several historic episodes. First is its role in mid-20th-century Mexican architecture. Built in 1952, it is a marvel- designed to resemble a volcano in structure. It also has some important historic design elements, namely the decorative Mexican symbolism added by Diego Rivera. Second is its role in the 1968 Olympic Games. Even the spectators and viewers at home who had not paid much attention to the Games knew that the stadium was the site where American athletes Tommie Smith and John Carlos gave the Black Power salute during a medal ceremony. The image of the athletes standing next to Australian silver medalist Peter Norman (who wore a badge in support of Smith and Carlos), is an iconic image of the Games. Today the stadium is the home of the Pumas soccer team, and during home games, the stadium often fills to capacity.