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We rented a car and drove out of New Orleans for a day to see some of the plantation Homes. Not being from the South, we wanted to take the opportunity to see a piece of our country’s history even with the gloomy knowledge of slavery as part of it. Laura Plantation was by far the best place we visited that day. Not only did we learn about Creole history and culture, but the tour and plantation show the past in a very inclusive and holistic way. In comparison, Oak Alley Plantation down the road showed all the grandness of wealth in the plantation home and architecture but never addressed what built that wealth. At Laura Plantation the Creole culture is shown in the plantation home, the slaves are remembered in their homes and stories, and the garden crops tower in the field as part of the tour. History also become personal as we learned about memorable characters from the plantation family, the workers of their fields, their interactions, and the interaction with the growing non-Creole community.

Better known as the Tomb Raider Temple since its starring role in the Hollywood movie of the same name, Ta Prohm has at least as much star quality as Angelina Jolie. Cloaked in dappled shadow and locked in the embrace of the vast root systems that are still reclaiming it for the jungle, the temple is arguably the most atmospheric ruin at Angkor Archaeological Park. Construction on Ta Prohm began in 1186 C.E.; it was built in honor of the mother of King Jayavarman VII. Modern-day visitors are not permitted to climb onto the crumbling galleries of its 39 towers due to safety concerns. Nevertheless, picking a route around the various structures, close courtyards, and narrow corridors sprouting with lichen, moss, and creeping plants is one of the most enthralling experiences at Angkor.

In the middle of Montréal, walking up Avenue McGill College toward the Mountain, you can’t help but run into the 65-person polyurethane sculpture “La Foule Illuminée” (“The Illuminated Crowd”). Sculpted by Franco-British artist Raymond Mason, this public art has stood in front of the BNP/Laurentian Bank Tower since the mid-1980s. In the words of the artist: “A crowd has gathered, facing a light, an illumination brought about by a fire, an event, an ideology—or an ideal. The strong light casts shadows, and as the light moves toward the back and diminishes, the mood degenerates; rowdiness, disorder and violence occur, showing the fragile nature of man. Illumination, hope, involvement, hilarity, irritation, fear, illness, violence, murder and death—the flow of man’s emotion through space.” Get up close, eye-to-eye with some of the details, and you’ll see why this sculpture still generates both controversy and bemusement in the middle of this vibrant city.

Wat Arun (Temple of Dawn) is a Buddhist temple in Bangkok‘s Yai district. It is situated on the west bank of the Chao Phraya River. The temple is one of the best known Thai landmarks. The mosaics which cover the temple create a pearly sheen during sunrise and sunset. Ferries can be caught at the Tha Tien Pier across the river from Wat Arun every couple of minutes. Tha Tien Pier is located near the Grand Palace and Wat Po.

Two broad snouts snuffle up from the water at the edge of the walking path along Coffee Pot Bayou. A manatee and her baby drift over to the storm drain to drink fresh water coming down from nearby Lake Crescent. The baby cuddles close. A small group of locals lean over the edge of the concrete bulkhead to watch “their” manatees. They speak in happy whispers and take photos with their cell phones to send to friends in colder climes. Common to the bayou for most of the year, manatees are almost an everyday sight during the cooler winter months when colder waters of the Gulf of Mexico and Tampa Bay drive them to the shallow warmer waters of Coffee Pot Bayou. As spring approaches groups of courting manatees can be seen rolling around each other in the shallow waters. Keeping them company are statuesque Great Blue Herons and Great Egrets, shy Green Herons, and gregarious Laughing Gulls. Red-ear slider turtles can often be seen popping their heads up in the water or sunning themselves on boat ramps. Even a dolphin or two join in on the fun. The broad sidewalk along Coffee Pot Bayou is part of a 2-mile walking/biking path that extends from downtown St. Petersburg and follows the edge of Tampa Bay before entering Coffee Pot Bayou. It is a safe, well-lit path with fantastic views, comfortable benches for resting, access to a small beach off of North Shores Park, and opportunities for fishing. Our manatee spot is at Coffee Pot Blvd and 23rd Ave NE.

As ubiquitous as “mandu” (dumplings) may be in Korea, when in Seoul, seek out their Mongolian lamb-filled ‘ancestors.’ One theory says that meat-filled dumplings were introduced to the Korean peninsula during the Mongol invasions of the 14th century. If that’s the case, then “buuz” (Mongolian dumplings) have made a comeback in the 21st century. In recent decades, tens of thousands of Mongolians have immigrated to South Korea, and the neighborhood just to the west of the new Zaha-Hadid-designed Dongdaemun Design Plaza has become home to a Central Asian village. Seek out the Cyrillic lettering and look for “Ulaan Baatar” restaurant, on the second floor of an otherwise nondescript building in an alleyway. A plateful of “buuz” would make a hearty meal, but it’s best shared. Hand-cut noodles, al dente, stir-fried with carrots and mutton are another option. If you want a break from the seemingly non-stop chile-garlic-soy palette of Korean food, but still want a ‘local’ flavor, this is your fatty chance. My wife and I were the only non-Mongolians when we had lunch here. We followed the example of the other diners and ordered salty milk tea to go with our food. I couldn’t bring myself to dunk my dumplings in it, though, as everyone else was doing. (Beer and Fanta are also available.) By subway: at “Dongdaemun History and Culture Park” station, take exit 12, walk west and turn left at the next corner; look for the 10-story building with cyrillic lettering on your right.

Driving down an old dusty dirt road near Vila Verde da Raia in the area of Tras-os-Montes in northern Portugal I could imagine the area in the 19th or 20th century.The region probably hasn’t changed very much. I have seen pictures of this road from the 1940’s and I can’t see any difference. The road was not paved then and still isn’t. There are no modern homes or strip malls. I loved the natural vegetation and the peaceful vista. After following the road for about 10 minutes, it curved to the right.There were huge sycamore trees on both sides of the road leading into a tiny tucked away village that dates back about 1,000 years or so. The village of Vilarinho had a small plaza and a well. There was a post office on one side of the square, a beautifully restored church ( I wished that I could have seen the original), and many whitewashed granite and concrete homes. I saw that most homes featured modernized interiors. Past the church was the cemetery and large fields of many crops. At first, the residents were very curious but warmed up and became very friendly offering stories of the village, the farming, and tales of the relatives buried in the cemetery. As I walked the village and farm grounds they kept their eyes on this “stranger”, but they were very happy when I expressed such interest in their lives, homes, and their lovely village. A side trip is always a travel bonus and is one of the rewards of going off on your own to mix with the locals.

Rothenburg ob der Tauber has several significant churches, but the most famous one, for good reason, is St. Jacob’s. A short stroll from the town’s main square, the cathedral was built in stages, between 1311 and 1484, in the High Gothic style, and is famous for its high altar, religious artworks, and pair of distinctive towers, both of which are nearly 200 feet tall. Inside, visitors will find several paintings, including a depiction of pilgrims stopping here en route to Santiago de Compostela in the 15th century. The Altar of the Twelve Apostles is one of the most important of its kind in Germany, with an intricate altarpiece that depicts Christ on the cross surrounded by four angels, and the Holy Blood altarpiece in the west gallery is almost as impressive, with early 16th-century wood carvings by Tilman Riemenschneider and a glass vial that purportedly contains a drop of Christ’s blood.

Only a 40-minute drive from Saumur, the Château d’Ussé is so magical that it served as the inspiration for the castle in Charles Perrault’s The Sleeping Beauty. Originally built as a stronghold in the Middle Ages, it developed over time into a jewel of Renaissance architecture, then became a splendid residential home in the 17th and 18th centuries. The octagonal Knights’ Dungeon plays a key part in Perrault’s fairy tale, but the castle is also home to enchanting cellars, gardens, stables, a chapel, and a tower with spectacular views over the Loire Valley. Spend some time here and you’ll quickly understand why it’s among the most beloved castles.

In 1964, a 9.2-magnitude earthquake—the second most powerful ever recorded—ripped through the south coast of Alaska, devastating much of downtown Anchorage. After surveying the damage, real-estate developer Walter J. Hickel, who would later go on to serve two terms as the state’s governor, vowed to build Alaska’s biggest and best hotel. The result, a massive 546-room complex spread out over three towers, is still the city’s most luxurious, known for its attentive concierge, excellent athletic club, and wealth of dining options. The elegant Crow’s Nest restaurant offers dishes that incorporate French technique with regional ingredients, like king crab–studded bouillabaisse, along with a 10,000-bottle wine collection; on a clear day, 360-degree views include the iconic peaks of Denali. One more reason to visit: The property was inducted as a member of the Historic Hotels of America in 2016.

One of Bordeaux’s more ancient edifices, this UNESCO World Heritage site features a Romanesque wall from as far back as 1096. It’s also where 13-year-old Eleanor of Aquitaine married her first husband, King Louis VII, in 1137, and where fodder was stored during the French Revolution.

The Roman Catholic church was first constructed in the 11th century, though little of the original structure remains. While the Royal Gate dates to the 13th century, the cathedral that stands today wasn’t built until the 14th and 15th centuries. Visit this Gothic-style masterpiece to admire the exquisite masonry and important art collection, which features everything from paintings and statues to silver objects, ornaments, and liturgical vestments. Then be sure to climb the 160-foot bell tower for some of the best views of the city—and, better still, the church’s famously expressive gargoyles.

Opened in 1890 as an unofficial state guesthouse, the country’s first Western-style property built for the aristocracy to welcome an increasing number of foreigners, the Imperial Hotel has had a momentous history. Ravaged by a fire in 1922, it was rebuilt in 1923 by Frank Lloyd Wright in Maya-Revival style, though it fell into disrepair over the decades and was demolished in 1967. The blocky current version comprises a main building and a tower that together house 931 rooms, but the interiors stick to the property’s past with leather headboards and velvet-covered furnishings. The hotel boasts the largest executive center in Japan, but more leisurely activities await in the 20th-floor swimming pool and sauna, in the fully equipped music room (complete with Steinway piano), and in 11 restaurants that range from upscale French and traditional Japanese cuisines to snack-worthy sushi and confections.

Opened in 2012, the Four Seasons Pudong resides in what’s known locally as the Jewel Box—the 50-story, 21st-Century Tower, a rectangular prism in the heart of the Lujiazui business district. Art-filled interiors pull their inspiration from Shanghai’s 1920s and 1930s golden age. The lobby wows with a dramatic grand spiral staircase with an underbelly of Maccasar ebony, and a suspended, 1,000-strip metal sculpture created by Japan’s Studio Sawada Design that looks like a dangling collage of willowy twigs. Rooms offer prime views of Pudong’s evolving skyline and come with fresh flowers and Lorenzo Villoresi bath products. The decor is inspired by Shanghai Art Deco, with an intense palette of rouge, glossy black, and textured gray, coupled with smoky glass and metallic accents. In the bathrooms, a custom wall and glass panel mimic Coco Chanel’s iconic No. 5 perfume.

With just 57 rooms, the smallest Four Seasons in the world offers outsize luxury on arrival. Guests approaching by rail at nearby Tokyo Station—the terminal for Shinkansen, Narita Express, and all major bullet trains—can expect a memorable welcome: staff greet visitors on the platform and personally escort them to the property, on seven floors of the 31-story Pacific Century Place Marunouchi Tower. Rooms are outfitted in the modern, minimalist decor the brand is known for and mix wood, stone, and contemporary features like 3-D televisions and floor-to-ceiling windows. Head to MOTIF for French-Japanese fusion cuisine overlooking the city’s neon skyscrapers. If you prefer one-of-a-kind experiences, soak in the spa’s traditional onsen bath, hop on a chef-led tour of the Tsukiji Fish Market at dawn, or make your own piece of Japanese lacquer art in nearby Ginza.

If you’re looking for a chic lodging with personality to spare, Park Hotel is it. Designed under the concept of ART—atrium, restaurant, travel—it occupies 10 levels of the triangular Shiodome Media Tower and pays homage to Japan’s natural beauty with a glass-enclosed courtyard (purported to be the largest hotel atrium in Tokyo) and trees and greenery dotting the spaces between the building’s 25th and 34th floors. An artist-in-residence program ensures that every room on the 31^st floor features unique murals and paintings by local creatives, while more conventional rooms come in light, neutral tones, but all are furnished with stylish pieces by B&B Italia. The hotel also houses a wood-paneled spa, an art gallery, and a kaiseki-style Japanese restaurant and casual French bistro where the dishes are pieces of art in and of themselves.