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Perhaps the most inviting cafe to spend time at in Abu Dhabi is The Third Place. With furnished alcoves, window seats, and patio tables, it’s a great place to meet a friend, settle in with a book, or get some work done over wifi. The food is terrific—fresh, well-prepared, and good for you. Servers cheerfully welcome their patrons with a smile and offer recommendations from the large menu written on the wall. When your meal is finished, they move things away quickly so you can continue conversing or working. Started by architects, the business showcases an appreciation for art and design, in a second-floor gallery.

I awoke at 6:30 this morning to find this view greeting me from our 12th floor balcony. This is looking eastward across Memorial Drive and Buffalo Bayou Park toward the Houston downtown skyline just about an hour before sunrise. Waking up at this hour every morning to see what uniquely beautiful view the dawn has to offer has become my ritual. So far, no two have been quite the same. A larger version of the photo can be seen by following the link below to my online gallery.

Walk, cycle or people-watch along the shores of Elliott Bay, a downtown stretch known for its circusy flair and spectacular vistas. You can ride the Great Wheel or visit the beloved Seattle Aquarium, home to wolf eels, sea otters, and the world’s largest octopuses. Refuel with chowder from local favorite Ivar’s Acres of Clams, then hit the market’s 200 owner-operated shops, ranging from a radical book collection to the Northwest’s oldest magic store. Just don’t turn your back on the famous salmon-slinging fishmongers: They’ve been known to wallop selfie-photographers with a plastic decoy for yucks!

Sip afternoon tea under Al Bustan’s magnificent 38-meter-high (125-foot-high) domed lobby or have a stroll through the hotel’s gardens and lagoons. This place is more than just a hotel, what with its historic roots (it was constructed for the 1985 GCC Summit) and its endless private beach along the Sea of Oman. Visit the palace’s gallery and boutique where you can view and buy from collections by local Omani and international artists.

Without a doubt Versailles is the most luxurious palace in Europe, built to astound visitors and impress the king’s subjects into awed submission with crystal chandeliers, gilt, and fine art. This opulent monument is also attractive to those with simpler tastes: Visitors with green thumbs will love the king’s kitchen gardens while others may want to rent bicycles to pedal the lavish grounds, and animal lovers will enjoy the sheep, goats, and chickens receiving the royal treatment at the queen’s quaint hamlet. La Petite Venise, an excellent restaurant on the grounds, offers garden seating on sunny days.

This “Palace Greatly Blessed by Heaven” was once the heart of Korea. It was the power center of the Joseon dynasty (1392–1897), and was originally built in 1395—some new digs for a new dynasty. Like the Forbidden City in Beijing, the palace is a complex of buildings—a throne hall, the king’s living quarters and more—a sort of city inside a city, accented by gardens and pavilions. The Japanese flattened the place in the 1590s, and the site remained a ruin until a complete reconstruction in 1867 brought back more than 500 buildings. At the Gwanghwamun Gate, soldiers, beautifully costumed in red robes, still perform the changing of the guard. Seoul has other palaces, but this is the one to see if your time in town is limited.

Attached to the University of Georgia Lamar Dodd School of Art, the Georgia Museum of Art was founded in 1948. It became the state’s official art museum in 1982 and has been a pillar in the local arts community ever since. The permanent collection features works of American, European and Asian art. There’s a gallery of just Italian Renaissance and another of folk artists like Georgian Howard Finster. They often feature student works as well. Best of all, it’s free to visit.

Cultural events, live music, and a variety of artwork can be seen at Donkey Mill Art Center. The gallery is open daily for visitors and features exhibits as diverse as the creative minds that make them. An appreciation for art and culture along with a determination for art education on the Big Island brought a group of people together to start offering classes and workshops for artists of all ages around the Kona area of the Big Island. Since their humble beginnings, the Donkey Mill Art Center has been able to take over an old coffee mill, add an artist in residence program, and expand their studio to include printmaking and ceramics. The impressive committment by volunteers has made the Art Center a well-respected venue for continued learning.

Before there were art galleries in Santa Fe, there was La Posada. Built as a private home in the 1880s by wealthy local merchant Abraham Staab for his beloved wife, Julia, the elegant pueblo-meets-Spanish-style complex expanded in the 1930s, when new owners added adobe casitas to the six acres of lush, high-desert gardens—and then invited artists such as Georgia O’Keeffe and Will Shuster to stay and work. When La Posada became a hotel shortly thereafter, the walls were already lined with works by the many artists who continued to pass through. Even now, the lively lounge—a see-and-be-seen spot for artists of all kinds—and the high-ceilinged rooms—with their kiva fireplaces and traditional viga ceilings—are adorned with works by some of the foremost contemporary American artists. All works are available to buy, too, for guests who want to take home a piece of their trip. Or, you can make like most guests, and just keep returning to this refined retreat that has offered respite from the world for more than a century.

Oenophiles exploring South Africa’s Cape Winelands have a fashionable new place to rest their heads. In the gallery- and boutique-filled village of Franschhoek, Leeu House is a Cape Dutch–style building decorated with a breezy countryside aesthetic. The 12 individually styled rooms have neutral hues, sisal and oak accents, and marble bathrooms; two suites have private gardens. After a stroll through town or a trip to the surrounding wineries, guests can cool off in the hotel’s mosaic pool before heading to its glass-ceilinged Conservatory for such seasonal dishes as masala-spiced yellowtail, caught off Cape Point. Hoping to get even closer to the vineyards? A sister property, the 17-suite Leeu Estates, opens in June on the grounds of a first-class winery of the same name, just a three-minute tuk-tuk ride away. Doubles from $220, including breakfast

Madame Grateau designs the most amazing lines of dishes, glassware, and linens imaginable. She’s resisted the temptation to sell them internationally, so you have to visit the mecca in Paris. Her tableware is simple enough to use every day, but so elegant you’ll want it for company.

Take in million-dollar views of Auckland’s skyline on the 15-minute ferry ride to Devonport, a seaside village on the North Shore of Auckland. Window-shop at the boutiques and art galleries along the main street before settling in at a café for a coffee or something more substantial. Admire the Victorian and Art Deco buildings along Victoria Road and King Edward Parade on foot or by Clydesdale-drawn carriage. For those with more energy, a short hike up North Head rewards you with military tunnels, historic cannons and panoramic views.

This little private church is probably the most photographed stop in Oia. Our rented house was right next to it but lower on the steps so we could see lots of people getting lots of photos. Married couples would take their photos next to it, photographers were offering workshops that included this spot. I woke up at 5.30AM to wonder when nobody else was around. Best time of day to walk around this very busy tourist destination.

Much of Santa Fe’s architecture feels lifted from (or, at any rate, inspired by) historic pueblos, but the Inn on the Alameda takes the impression several steps further, set as it is on two lush, riverside acres just on the edge of downtown. Rooms are arranged around serene courtyards whose stucco walls feature flowering vines, and communal areas like the well-stocked library—with its roaring fireplace for those chilly desert nights—and romantically candlelit lounge patio make it feel more like an old (if, admittedly, luxurious) family compound than the intimate boutique hotel it is. All areas are outfitted with rustically refined Southwestern decor—Native American textiles, Mission-style wood furniture, and local artwork—that blend modern and traditional worlds, a philosophy also embodied in the inn’s dedication to understatedly superlative service, which includes free breakfast, wine and cheese each evening, and a free shuttle around town. Oh, and an extra perk that makes guests feel even more like locals? The inn is the closest hotel to the gallery-lined Canyon Road.

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.