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The belly button of the world lies eighty miles northwest of Athens, where the southern slope of Mount Parnassus, cut deeply by cascades feeding the River Pleistos, drops precipitously into the Gulf of Corinth. High above the ravine in a cleft between the Phaedriades, or “Shining Rocks,” a natural amphitheater was shaped by wind, erosion, and tectonic turbulence over the intersection of two underground faults. This is the omphalos—the spot believed by ancient Greeks to be Gaia’s own navel. Homer called it “Pytho,” because it was here that the Earth Mother gave birth to a female serpent. “Why is it the serpent is always a woman?” The goddess/serpent appears in everyone’s mythology, I remind KB as we approach six massive columns re-erected where the western pediment of Apollo’s temple once stood. “Yeah,” she replies, kicking a loose a chunk of limestone across the weathered foundation, “along with the ‘hero’ who kills her.” KB’s sinewy, suntanned legs straddle one of the pedestals at the entrance to the sekos—Apollo’s inner sanctum—and her belly button taunts me between the waistband of low-slung hiking shorts and the hem of her tank top. “Both Apollo and his twin sister, Artemis, whacked the serpent goddess,” I remind her. “Naturally, the locals erected a temple here to commemorate his bravery. It was named after a cult that worshiped the sun god in the form of a dolphin—Delphinios—Delphi for short.” “How do you remember all this stuff?” KB asks.

The sustainably designed andBeyond Sossusvlei Desert Lodge on the edge of the NamibRand Nature Reserve captures the raw beauty of the world’s oldest living desert. The otherworldliness of the environment has been consciously translated into every aspect of the experience. The off-grid design factors in the extreme climate and harsh elements, and the desert’s forms, colors and textures are reflected in sculptural stone and steel lines that give way to soft, organic shapes. Throughout, glass walls slide away to amplify the big-sky views. The 10 guest suites are self-sufficient, solar-powered private retreats, each generating ample energy to run on photovoltaic power for everything from the AC and the deep swimming pools to the water harvesting and recycling systems.


Activities include climbing the world’s highest dunes at Sossusvlei or e-biking along gravel trails to caves with rock art by the desert’s earliest inhabitants. Back at the lodge, dishes that reflect Namibia’s cultural history include venison and Kalahari truffles and fresh seafood from the Atlantic Ocean. With close to zero light pollution, the Namib is one of the best dark sky locations in the Southern Hemisphere. The best way to end any evening is in the lodge’s observatory. You can also fall asleep counting stars, thanks to a skylight above your bed.

Swift streams and waterfalls continue to carve these vertiginous and rugged valleys as they pour into the sea. One of the most stunning wilderness areas on earth, it also contains ancient Hawaiian ruins of graves, temples, house platforms, and terraced fields. The fear factor increases past the initial two-mile path to Hanakāpīʻai Beach (best visited in summertime, as winter swells tend to wash it away). Only experienced hikers in good condition and with proper gear should venture further along the famous 11-mile Kalalau Trail. Check for path and park closures before making plans and don’t forget the $20/night permit to crash at a campsite. However long you trek, stay on the main path and pack out what you brought in.

Praia da Luz is about a 10 minute drive from Lagos. After ancient historic times passed, it was a little fishing village. In the 15th & 16th centuries, there was a large sardine fishing industry in the area of Praia da Luz beach. As I walked along the promenade in front of the beach, I appreciated the low rise development of the area. The view was of the beach, the walkways, the sea, and the palm trees. There are shops, restaurants, cafes, and the beach sheltered under the “Black Rock”. Market and artists’ stalls are prominent. Behind a gate near the Galley Restaurant, there are Roman ruins of a Roman spa and fish salting tanks. At the beach there is horse riding, kayaking, surfing, swimming, and diving. In the village, you can sign up for ballooning or golf. The village has it all: accommodations, shops, a church, and a bank or two. If you are interested in walking and hiking, you can take the trail three km. east to Porto do Mos Beach (Lagos). If you want to view the fantastic Ponta da Piedade, you will walk another five km. (If you want to return to Praia da Luz there is a bus). The Lagos Zoo is a short drive from Praia da Luz. The zoo has small animals and many birds. A stay at Praia da Luz would be a good choice in the Algarve. Or it is a great day trip from Lagos. We enjoyed the day trip with a delicious dinner on the beach at sunset. Info:www.praia-da-luz.com

I can never forget our adventure to the northernmost inhabited island of the Philippines, called Itbayat Island, in Batanes. The weather is cooler than the rest of the Philippines and the surrounding terrain is just so different, I feel like I’m in another country. First of the adventure was the 3-hour boat ride across the rough seas in a Noah’s Ark-like 30 capacity boat. For a moment there, you will feel the vastness of the world enveloping you, and you can just surrender everything to God and Mother Nature. It’s definitely not for the weak at heart. Upon docking, you’d have to time yourself with the waves as you jump off, so as not to fall off into the water. Then a uphill trek along a very narrow pathway of 14 zigzag sections, up the steep mountain to await the open dump truck that served as our transport in the island. For the night, we stayed in one of the homestays in the island and was taken care of by the locals, who were very friendly and caring people. At Itbayat, you can really experience the outdoors as you catch your breath with all the beautiful sceneries around you. We started our 3-hour hike to the cave underneath the Torongan Hills (shown in the left middle area of the photo) and emerged into this beautiful sight as we circle our way to see the traditional boat-shaped burial markers (dark gray rocks at the lower left of photo) which were believed to belong to the ancient settlers here called Austronesians.

Dubai isn’t just about shopping and architecture. The Sheikh Mohammed Centre for Cultural Understanding offers enriching and intellectually stimulating tours, meant to engage and inform visitors about Emirati history and culture. Visit the center for a communal Emirati breakfast followed by a walking tour of the surrounding Bur Dubai neighborhoods, where Dubai’s rulers have lived since the early 20th century. And if you’re eager to visit a mosque, the center runs the only mosque tours for guests of all faiths. The center is close to several historical and cultural attractions, including Al Fahidi Historical District and Al Bastakiya.

We decided one weekend to go to Ypres to see the war memorials and cemeteries and did some research about it, and it looked great as far as architecture goes but when we got there is was just amazing. I new the Cloth Hall will be impressive but to stand next to it it’s something else. The Cloth Hall of Ypres, Belgium, was one of the largest commercial buildings of the Middle Ages, when it served as the main market and warehouse for the Flemish city’s prosperous cloth industry. The original structure, erected mainly in the 13th century and completed 1304, lay in ruins after artillery fire devastated Ypres in World War I. Between 1933 and 1967, the hall was meticulously reconstructed to its prewar condition, under the guidance of architects J. Coomans and P.A. Pauwels. At 125 metres in breadth, with a 70-metre-high belfry tower, the Cloth Hall recalls the importance and wealth of the medieval trade city.

Opened in 2004, the Leeum, Samsung Museum of Art seeks to bridge the past, present, and future of art. The sleek complex consists of two wings, one dedicated to traditional Korean works and the other to international contemporary art. The traditional wing is shaped like a reverse cone, with a spiraling walkway that winds through galleries of ancient paintings, calligraphy, and crafts. In stark contrast, the glass-and-steel contemporary wing was built without supporting posts, encouraging viewers to move freely among distinctive works by Basquiat, Olafur Eliasson, and Takashi Murakami. The experience continues outside on the parking lot deck, where there is a polished sculpture garden.

India boasts many traditional regional dance forms, but kathakali, with its elaborate, colorful costumes and masks is undoubtedly one of the most distinctive. With roots going back to ancient Hindu temple plays (some think as far back as the 2nd century), kathakali, now the state dance of Kerala, evolved into its current dance-drama format in the 17th century, under the direction of the Rajah of Kottarakkara, who took the performances out of the temples and palaces and directly to the villages. Founded in 1990, this noted center honors kathakali—as well as Indian classical music, and other traditional arts—with nightly performances, 365 days a year. The kathakali shows are usually about 90 minutes, and include a informative demonstration; come an hour early to watch the actors undergo the elaborate makeup and costuming process.

On the east side of Tiananmen Square sits this massive museum, its dozens of halls filled with rare artifacts and antiquities. The exhibitions span Chinese history, beginning nearly two million years ago, with two teeth belonging to Yuanmou Man, up through 1912, the final year of China’s last imperial dynasty, the Qing. The permanent collection has more than a million pieces, including bronzes, coins, porcelain and ceramic objects, tools, and even clothing. Especially impressive are the cases of jade pieces, many several hundred years old, which shine bright as ever. The museum can feel a bit overwhelming but, as it’s free, you can return as many times as you like, taking it in in more manageable bites.

This Four Seasons Resort offers guests plenty of ways to relax and get to know Hawai’i.

First, you can push beyond the protected cove and explore the coastline of Lanikuhonua, a sacred spot that served as a retreat for ancient Hawaiian chiefs and royalty. Part of the Four Seasons Resort Oʻahu curator program, this serene early morning experience blends exercise, education and meditation, thanks to its leader Anu, a kahuna (shaman), and his band of merry watermen. “Too often modern life drowns out engagement with nature,” he explains. “We give too much time to our gizmos and forget the ocean can bring health and peace of mind.” Suitable for all levels of paddlers.

After a day on the water, head to their restaurant. This surf-style restaurant elevates Hawaii’s food truck fare at the Four Seasons Resort Oʻahu at Ko Olina. Expect ahi poké, wild boar hot dogs and the coolest French fry innovation out there: a heaping platter of slender spuds topped with parmesan, cherry tomatoes and wilted arugula for that “it’s healthy, really” feeling! Wash it all down with kombucha on draft – with flavors like lychee or lilikoi (passionfruit) – or cocktails such as the Castaway, featuring melon vodka, coconut water and lime juice. Come prepared to lounge outside, as the Waterman wraps around the family pool and also serves its exclusive beach. Open 11am to 6pm.

Considered by some as a Milan institution, Cantine Isole is a small wine bar/enoteca with a lot of history and great atmosphere. It’s located in the Chinatown neighborhood, near Garibaldi station and the Isola neighborhood. Expect a lot of character.

You might recognize Palermo’s opera house, the Massimo Theater, from its role in The Godfather: Part III—the movie’s final scenes were filmed here. Though it echoes classical style, the building is young compared to Palermo’s other architectural attractions, built just over a century ago, in the late 1800s. It’s the largest opera house in Italy and the third largest in all of Europe. During the day, visitors can take guided tours (which are offered in English).

As the patriarch of one of the most prominent real estate empires in the country, Trammell Crow’s work took him all over the globe—including on frequent trips to Asia, during which he and his wife, Margaret, developed a passion for Asian art. Over three decades beginning in the 1960’s, the Crows amassed a deep and diverse collection of important works from all over the region, from a six-foot Ming Dynasty-era seated Buddha and stellar examples of 18th-century jade sculptures to intricately-carved panels from Indian temples. For many years, these pieces were scattered between family properties and commercial buildings, until they all came together under one roof in 1998, with the opening of this Arts District museum. Featuring open galleries framed by natural light and greenery, the jewel box museum is a serene space in which to contemplate pieces from the ever-growing permanent collection, which now includes over 1,000 works from a dozen countries, as well as a library of over 12,000 books and journals; along with all the treasures inside, don’t miss the 15 sculptures in the garden, which span from the ancient to the 20th century. Temporary exhibits might highlight specific techniques (like lacquer work or miniature painting), genres (like the art of the Japanese samurai), or the works of contemporary Asian artists and sculptors. Entrance to the collection is always free; additional fees may apply for tours, talks, or events like yoga and meditations sessions. In 2019, the entire museum was donated to The University of Texas at Dallas, which will continue operating this original location, as well as a future outpost slated for the UTD campus.

Standing out in San Francisco‘s Marina District, this historic landmark is a leftover from the 1915 Pan-Pacific International Expo and was designed by Bernard R. Maybeck, a student of the École des Beaux-Arts. His vision was to give the impression of ancient Roman ruins. When the fair concluded, the Palace of Fine Arts proved too beautiful to raze. Maybeck had intended the Palace to fall into ruins (in keeping with his original vision), and it did for years. It was used as a storage depot after World War II and as a warehouse for the Parks Department. In the late 1950s, a local city official led an effort to face-lift the building. The Palace of Fine Arts was rebuilt and is now enjoyed by visitors who walk beneath the towering colonnade and the grand rotunda.