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Local chef Donnie Masterton long ago refined the art of matching sensory experience to fine food, and The Restaurant, on Sollano in the Centro, offers thrills on every level. Dinner here is an occasion for shirts with collars for men and shoes otherwise reserved for dancing for the women. (Dancing, by the way, often erupts in the bar in the wee hours, so it’s good to be prepared.) And while every night at Donnie’s proves a visual treat, Thursday nights are the see-and-be-seen scene, when locals stop in for gourmet burgers—available that night alone—with their Chateau Puy Blanquet St. Emilion Grand Cru.

Ready to plunge headlong into every kind of Colombia nightlife? La Jugada covers all the bases. Labyrinthine levels disclose seemingly innumerable party scenes, with a different, edgy DJ lording over all, in sundry music moods; you’ll also find mellow lounges and electric cocktail bars in addition to all the utterly packed, bacchanalian dancefloors. Be sure to hit the roof for yet another—what else?—romantic downtown Cartagena view, perfect for some pitch and woo.

Disneyland in Hong Kong is ideal for families with young kiddos. As the smallest of Disney’s worldwide parks, it’s easily walkable, and the tram service can get you where you want to go. Character meet-and-greet photo sessions are scheduled throughout the day and so are parades and shows like the 30-minute Festival of the Lion King, with acrobats and fire dancers playing the roles of Simba, Timon, and Pumbaa. The park is divided into themed sections: In Grizzly Gulch, rides and shows follow a Wild West frontier theme; in Fantasyland, the gentler mood focuses on Cinderella, Dumbo, Winnie the Pooh, Sleeping Beauty, and Snow White; Tomorrowland looks to the future with Buzz Lightyear, Iron Man, and Star Wars characters taking center stage; and Adventureland offers a jungle river cruise and Tarzan’s tree house. The park makes a great day out.

Settled into the soon-to-open Ponce City Market on the corners of North and Ponce de Leon avenues, Dancing Goats is a espresso and coffee bar in the Old Fourth Ward neighborhood. Open from 6:30 am with plenty of parking, Dancing Goats is a great place to get work done. An glass encased patio allows digital nomads to plug in and take advantage of the free Wi-Fi while watching the cars pass by. Dancing Goats sells Batdorf & Bronson coffee, a beloved roaster based in Washington state. Pastries, teas and other snacks are available.

The Palais Garnier, the national opera house of Paris, is a magnificent building dripping in ornate details and glittering with gold. The five-ton chandelier, made famous in The Phantom of the Opera, still takes center stage in the auditorium. It is surrounded by a swirling, colorful ceiling painting by Marc Chagall. The decoration goes beyond the auditorium: The grand foyer rivals the Hall of Mirrors at Versailles, and the grand staircase is an entryway fit for royalty. You don’t need to buy a ticket to the opera to see the space: Tours are given daily in a variety of languages.

The imposing, white-domed wedding cake now known as Palacio de Bellas Artes was originally planned as a national theater, and construction was begun in 1904. The Mexican Revolution, among other things, postponed its completion until 1934, which explains the stark contrast between its creamy art nouveau exterior (note amazing iron- and stonework with local motifs like serpents) and its art-deco-inspired interior, finished in black and red marbles, and with walls that feature dazzling murals by Rivera, Siqueiros, and other postrevolutionary masters. Today the beloved edifice is home to a concert hall, exhibition areas given over to blockbuster shows, and Mexico’s National Architecture Museum; take an auditorium tour—or better yet, see a performance—to lay eyes on the theater’s magnificent Tiffany glass “curtain,” a mosaic formed (they say) by more than 1 million separate glass components.

On the still-bucolic site of a former coconut plantation just west of Montego Bay, Round Hill is another of the legendary hotels created in the early 1950s to accommodate wealthy Brits and Americans who were discovering the pleasures of a Jamaican winter. Since then, it has evolved into a thoroughly modern resort that manages to retain its original, exclusive, clublike spirit. In the beginning, Round Hill consisted of a group of shareholders (British playwright Noel Coward was one) who rented out their private villas when they were absent. That’s how it still works, although the celebrity shareholder most mentioned these days is designer Ralph Lauren, who rents neither of his two villas. Along with 27 other villas, which can be divided into 86 suites, there’s the Pineapple House, a seafront block of 36 rooms, all decorated, predominantly white on white, by Lauren. The ambience is quiet luxury, the service is relatively formal (the doorman wears white), and the children among the guests are treated as the heirs and future holiday decision makers that they are. Almost every villa has a story, whether it has to do with Coward, the Kennedys, or How Stella Got Her Groove Back. And Montego Bay, whose city lights can be seen only from the highest villa (#28), is still another world away.

On the walking mall, on the corner of Hyman Avenue and Mill Street, there is a dancing water fountain where the children endlessly play in the symphonic pattern of the water spraying into the air. The fountain was created in 1979 by a local sculptor and computer genius who programmed the fountain to dance in different patterns. Test your skills and see if you can cross the entire fountain without getting wet or get some balloons and place them on the water rising. For the kids, I recommend either bringing a bathing suit or an extra set of clothes because they are not leaving dry.

From its new location on the Singel, Supperclub maintains the old traditions of one of Amsterdam’s most innovative nightclubs. In few other upscale restaurants can you take off your shoes, get in an oversize bed with friends, and savor an unconventional five-course meal over the course of an evening. But supperclub is not for everyone. Part culinary journey, burlesque/vaudeville club, cocktail bar and experimental free state, it’s a unique if somewhat pricey venue for a fun, quirky evening with friends or business colleagues. When not wintering in India, flamboyant Howie may greet you, ushering your posse to La Salon Neige, where you’ll scoop courses from hospital bowls, ash trays and sensual models dressed in slices of Carpaccio, brandishing salad dressing in syringes and deep-fried cricket tidbits—crunchy croutons! Opt for the upper level lounge and you can watch from above as dykes, belly dancers and aerial artists perform. Don’t worry about crumbs in bed; get into the act while the drag queens vamp and the dancers swirl. Between courses, enjoy a Lavender Love or Leap of Faith cocktail in the Chapter 21 bar. Or venture to the downstairs smoking room that doubles as a gay toilet. While puffing on a joint, don’t be surprised if spontaneous music erupts or locals engage you in conversation. There are supperclubs in Istanbul, London, Los Angeles and San Francisco, but this is the original. And there’s nothing conventional about it!

Part dive bar under the palms, part reggae dance hall, and part DJ club. This is the place to come for a great night out with friends. All Pura Vida!

Cattle Track is one of Scottsdale’s best-kept secrets. This clutch of 1930s adobe structures may be located in a typical residential neighborhood, but Cattle Track’s story as an artist colony is extraordinary. Fritz Scholder, an influential Native American painter, lived and worked here. So did sculptor Louise Nevelson. Philip C. Curtis, Cattle Track’s most famous artist-in-residence, went on to found the Phoenix Art Museum and was regarded as the dean of arts in Arizona. Today, artists of all types—painters, dancers, photographers, and even blacksmiths—set up working studios that can be toured for free Monday through Saturday.

Milonga references a style of dance intrinsic to the Argentine tango and Afro-influenced in style, known to be less formal and more rustic. This particular evening in Buenos Aires at La Catedral was serendipitous. I sat in awe watching couples dancing tango, spiralling by sexily, while I day dreamed to do as they did. The setting was dark, the atmosphere, artistic and the evening, late. After many bottles of wine and nearly dawn, we experienced a most organic moment of sound and song with the few remaining locals. They surprised us with acoustic guitar, drumming and singing that had us in a trance. It was a beautiful moment of unspoken camaraderie translated rhythmically. Come to find out, this is a typical evening at La Catedral, locals mastering the dance of love to a live band. Lessons are offered as well.

On Mondays, Wednesdays, Fridays, and Saturdays, catch a performance of Devdan—Treasure of the Archipelago. The 90-minute show, inspired by Indonesia’s cultural diversity, is a kind of Balinese Cirque du Soleil. It features a fusion of traditional Indonesian dance with modern contemporary dance and aerial acrobatics. While highly entertaining, the show also offers an insightful introduction to the history and diversity of the cultures of Sumatra, Java, Borneo, and Papua.

La Glorieta attends to those attracted to tango’s drama but who eschew slick, three-hour dance extravaganzas in downtown cabarets. Free and open to the public, this gazebo, in a plaza near Belgrano’s Barrio Chino, transforms on weekend evenings into an open-air gathering place for tango dancers—young and old, experienced and rookies alike. If you’re looking to learn the dance’s steps (as well as its complex etiquette), go early for classes (5–6:30 p.m.) before the dance floor opens. Dancing goes on until 11 p.m. and is canceled on rainy nights.