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Years ago when Mexico City’s southern neighborhoods were in fact small, independent cities, the quarter known as San Ángel Inn was a sylvan getaway for well-heeled urbanites. No longer an inn, the area’s namesake—a former Carmelite convent from the eighteenth century—persists as an iconic, country-club-style restaurant and lounge. Its venerable walls, gardens, and fountains call up colonial gentility and ward away the urban chaos just outside the door; strolling mariachis are the sole “disruption.” Sip what many believe is the city’s best margarita amid an impeccable, songbird-serenaded garden.

This used to be a hacienda, but it was turned into a restaurant almost 50 years ago. The food is phenomenal and the margaritas are famous—in fact, they’re my favorite thing on the menu. There is always a band or a pianist playing.

The imposing, white-domed wedding cake now known as Palacio de Bellas Artes was originally planned as a national theater, and construction was begun in 1904. The Mexican Revolution, among other things, postponed its completion until 1934, which explains the stark contrast between its creamy art nouveau exterior (note amazing iron- and stonework with local motifs like serpents) and its art-deco-inspired interior, finished in black and red marbles, and with walls that feature dazzling murals by Rivera, Siqueiros, and other postrevolutionary masters. Today the beloved edifice is home to a concert hall, exhibition areas given over to blockbuster shows, and Mexico’s National Architecture Museum; take an auditorium tour—or better yet, see a performance—to lay eyes on the theater’s magnificent Tiffany glass “curtain,” a mosaic formed (they say) by more than 1 million separate glass components.

If you love antiquing or if you’re just searching for a Mexico City souvenir with a bit of history behind it, it’s hard to imagine a more pleasant way to spend a Saturday morning in the capital than visiting Plaza del Angel, a giant antique market with dozens of galleries, located in the Zona Rosa. You can visit during the week, too, but on Saturdays, temporary vendors join those who have permanent spaces here to sell all sorts of wares, from postcards and pictures to religious relics, furniture, books, magazines, and handcrafts.

If you’ve had a tough time finding authentic souvenirs, you might find something suitable in an unlikely place: Cabo’s biggest shopping mall. Puerto Paraiso may be the last place you’d think about going while in Cabo, but it has several stores, including 100% Mexico Hecho a Mano and Mi Mexico Magico, that sell handcrafted and artisanal goods made in Mexico. Look for pottery, textiles, toys, leatherwork, and small-batch food products like organic chocolate and local honey.

Enjoy these stunning oceanview and beachside cabanas at The Westin Lagunamar Ocean Resort, a seaside resort in Cancun, Mexico. Enjoy the turquoise blue waters of the Caribbean, a sweet haven for the sun-seekers. A perfect place to soak under the sun, swim or people-watch. $400/night.

Mexico City is often depicted—and not incorrectly—as a capital city teeming with buildings, people, and cars. It also, though, has a surprising number of green spaces and parks, the most expansive of which is Bosque de Chapultepec, right on the edge of Polanco. It’s easy to while away a good bit of time in Chapultepec; the park has a zoo, a lake where you can rent pedal boats, street performers making music and magic, and the Castillo de Chapultepec—Chapultepec Castle—which houses the National History Museum. If you’re hungry, you’ll find plenty of vendors peddling everything from roasted corn on the cob to cotton candy.

Three friends who found themselves thrown together in the New York of the 1990s—artist Gabriel Orozco, who has been featured at MoMA, the Pompidou Center, and the Tate Modern; Mónica Manzutto, who worked at the Marian Goodman Gallery; and José Kuri, who was completing an M.A. at Columbia—originally came up with the idea for what is now arguably Mexico’s most influential gallery. Kurimanzutto began with some ephemeral Colonia Roma events, often in nontraditional spaces. Today the gallery occupies a structure commissioned from renowned architect Alberto Kalach; its stable of artists includes Mexican creators of international stature like Dr. Lakra, Miguel Calderón, Carlos Amorales, and Damián Ortega, as well as global talents like Akram Zaatari, Apichatpong Weerasethakul, Anri Sala, Danh Vo, Jimmie Durham, Rirkrit Tiravanija, and Monika Sosnowska. Kurimanzutto’s shows—not to mention the openings—mark the pulse of the Mexico City arts scene.

Its massive size, centrality to daily life in the capital, and easy accessibility (a Metro station opens up right onto the plaza) makes the Zócalo an ideal place for large-scale temporary exhibits. The government hosts occasional exhibits and makes entry free for residents and visitors alike. Past exhibits have included Gregory Colbert’s “Ashes and Snow,” a show of large-format photos of animals and people, and Willy Souza’s “Mexico en tus sentidos” (“Mexico in your senses”), lush, vivid photos of people and places around Mexico. To see if a show is planned during the time you’ll be visiting, check the website of the Secretary of Tourism.

El Moro has been turning out churros and creamy hot chocolate 24 hours a day since 1935. You can have your churros three ways—with sugar, with sugar and cinnamon, or with cajeta, a creamy caramel—and your hot chocolate one of four ways—Mexican, French, Spanish, or Swiss-style. Though some regulars have complained that the quality and cleanliness of this spot have declined in recent years, a late-night pass by El Moro is a longstanding tradition in Mexico City.

A handsome pueblo revival adobe building with a peaceful garden and courtyard, the New Mexico Museum of Art mounts small, rotating exhibits from its impressive 20,000-piece permanent collection. It includes well-known artists like Georgia O’Keeffe, Gustave Baumann, and members of the Taos Society of Artists (Ernest L. Blumenschein, Bert G. Phillips, Joseph H. Sharp), and noted 20th-century Southwest photographers like Ansel Adams. Don’t miss the special exhibits or the free Friday evenings (5–8 p.m.). The adjoining gift shop is a great place to pick up books, postcards, and jewelry.

An hour boat ride along Usumacinta River on the Guatemala border can take you to Yaxchilan, Palenque’s less visited cousin in the tropics of Chiapas, Mexico. Twelve-thousand-year old architecture brings many questions to mind. But at this moment, I wondered what life was like for these two gardeners, who spend many days working in the shadows of this ancient civilization. http://www.lonelyplanet.com/mexico/tabasco-and-chiapas/yaxchilan

Hernán Cortés built a summer home here on top of the ruins of a pyramid. Over the next few centuries, Mexico City‘s political and economic elite and movie stars--and even the Shah of Iran--took up residence in this town. Cuernavaca--with its stately mansions and haciendas and blooming gardens--became known as Mexico City’s more glamorous and beautiful sister. Nowadays, an ever-increasing population means Cuernavaca has lost some of the mystique from its heyday, but its lovely gardens and Spring-like climate (and the fact that it is only an hour south of Mexico City) still make it a perfect getaway from that bustling megalopolis. Be sure to check out the Palacio de Cortés and Jardin Borda while you’re there. The former is Cortés’ old digs, and it now houses the Museo Regional Cuauhnáhuac, which, over two floors covers Mexican history from pre-Columbian times to present. The latter is a grand Versailles-inspired mansion and garden which will give you a wonderful view into how Mexico’s aristocracy lived in the 18th century.

The story behind the founding of the Museo del Juguete Antiguo México (Museum of the Antique Mexican Toy) is almost as charming and intriguing as the collection of toys itself. Roberto Shimizu, Sr., who founded the museum with his son, Roberto Shimizu, Jr., began collecting toys when he was a child and in the decades since, has amassed a collection of literally millions of toys. He decided it was important for the collection to be accessible and visible to the public, partly to document the history of toy-making in Mexico and the world. The space occupied by the museum covers several floors, but it’s barely large enough to showcase all of Shimizu’s treasures, which he has catalogued carefully in numerous notebooks and binders. That may be hard to believe, given the fact that the museum is crammed wall-to-wall and floor-to-ceiling with toys of every type: from plastic soldiers to board games and Barbies to model trains. The museum is a cabinet of curiosities for the kid in all of us.

Plate-sized, Pop Art–colored lollipops. Candied and dried fruits rolled in chile powder. Crackling peanut brittle stippled with sesame seeds. Gelatins of every conceivable flavor. Names you can’t pronounce, much less decipher, even if you speak Spanish fluently. The Mercado de Dulces, a specialty section within the Merced Market, is a delight for all ages. More than 150 vendors hold down stalls selling dulces del país, candies made in Mexico. Even if you prefer savory over sweet, a turn through the market is an enjoyable experience.

Chapulín is a restaurant that aims to fuse Mexico‘s traditions and contemporary influences into a single experience. That idea isn’t found just on the menu—where diners will find dishes like scallops with jicama and green melon—but also in the music and the restaurant’s decor. And yes, diners can put in an order for chapulínes, the grasshopper for which the restaurant is named.