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Even with all the noted thinkers, artists, politicians, and powerful families who’ve called Florence home, Leonardo da Vinci is arguably the city’s most famous son. This homage focuses less on his artwork and more on Da Vinci’s forward-thinking inventions and theories. The exhibits are separated into five themes, with each including models based on Da Vinci’s instructions. The Earth section includes pieces like printing machines and an oil press; Water has hydraulic saws and water floats; Fire boasts military artillery inspired by the Atlantic Codex; Air has Da Vinci’s parachute, flying machine, and “winged man” paragliding prototype; and Mechanisms includes items based on Da Vinci’s codexes, to demonstrate their principles. Most items are hands-off, but kids will have fun learning how to operate the rotating crane and other models. Most of the pieces are made of wood, so you really get a feel for their bones—and for Da Vinci’s genius.

This former royal palace is one of the largest museums in the world, and its art collection is considered one of the most comprehensive. It contains around 400,000 works, although—mercifully, perhaps—not all are on display at any one time. There are some pieces that never get taken off the walls. The Mona Lisa and her smile attract millions of visitors each year. Other must-see masterpieces include the sculptures Winged Victory of Samothrace and Michelangelo’s Rebellious Slave, and the Eugène Delacroix painting The Death of Sardanapalus. There’s no real trick to avoiding crowds at the always-packed museum. The best you can do is try to go in the off-season, early or late in the day, and on a weekday. Your chances of being alone with the Mona Lisa will still be slim to none, but you might be able to actually see that enigmatic smile behind the Plexiglas.

New York, Tokyo, and other major cities are home to startling numbers of authentic Neapolitan pizzerias, many with ovens handmade by Neapolitan craftsmen. In those places, pizza making is definitely considered an elevated craft. Perhaps Neapolitans do not think of their cooks as artists because so much of the city’s cuisine is rooted in cucina popolare, or people’s food. What strikes me most about the food of Naples is the uniformly high standards in even the humblest restaurants. That goes for pizzas as well, which makes it impossible to single out one pizzeria. Or so I thought until I visited La Notizia, located up in the hills on the edge of the gritty working-class borough of Fuorigrotta (too far from central Naples to be reached on foot). Owner-chef Enzo Coccia is as obsessed with the details of materials and technique as any Neapolitan tailor.

From my first bite, Coccia’s pizza struck me as something categorically different and decidedly better than anything I had tasted in Naples—or anywhere else in the world. It was feather light but still chewy, the way Neapolitan pizza should be. The thin middle crust didn’t dissolve into a soupy blend of cheese and tomato. When I asked Coccia about his technique, he formed two small test rounds of dough. He flattened one by hand; the other he rolled out with a can. He threw them both into the wood-burning oven and pulled them out 30 seconds later. The hand-formed dough was light and airy. The can-leveled dough was dense. “I prepare my dough at seven in the morning,” said Coccia. “It needs 14 to 16 hours to rise. I make only 300 pizzas’ worth of dough, and when that’s done, we close. Of course it takes the best and freshest ingredients—artisan mozzarella and local extra virgin olive oil—but it’s more than that. You need a passion for the traditional way. Then pizza can be as artisanal as a suit. 39/(0) 081-714-2155. This appeared in the September, 2012 issue.

Located behind the church of San Lorenzo, this is where many members of the ruling Medici family are buried. The octagonal building with an opulent marble interior dates from 1519. The Cappella dei Principi houses sarcophagi belonging to the Medici grand dukes, including Cosimo I. Lorenzo the Magnificent is buried in the adjoining Sagrestia Nuova, which contains Michelangelo’s famous Night and Day and Dawn and Dusk sculptures.

Florence’s wonderful Museo dell’Opera del Duomo (Cathedral Works Museum) is open to the public with double its original floor space and a new contemporary look. The unique collection of works by masters such as Donatello, Michelangelo, Luca della Robbia, and Lorenzo Ghiberti includes statuary from the Duomo, bell tower, and Baptistery as well as models and other exhibits relating to the building of one of the world’s largest cathedrals. Showstoppers include the bronze panels from the Baptistery’s doors, gleaming from their recent cleanup; Donatello’s emotive Mary Magdalene; the two exquisite cantorie (choir lofts) by Donatello and della Robbia; and a vast scale replica of the Duomo’s original facade, ripped down in 1587.

The mysterious rooftop of Casa Mila both charms and haunts visitors. The glorious October sky above frames the organic forms, each sculpted face watching as I creep up and down the rolling ramps. Children can’t resist playing here, and fortunately there are now fences all around. In my mind, I erase all of those pesky safety features to envision the smooth sculptures growing towards the sky from a scrolling sandy field. Once a site for a scene from Star Wars, the rooftop is now a destination for lovers of Barcelona and Antoni Guadi’s “Modernisma” style. When you visit, you’ll learn the secret behind those long vertical faces rising up above the mystical rooftop.

When I first stepped into the blue folds of the ICEHOTEL in Jukkasjärvi I thought this must be what Superman’s Fortress of Solitude looks like. It’s that blue found in the water of higher latitudes, a blue that looks photoshopped although no photograph seems to be able to reproduce it with fidelity. Most of the time you and the other hotel guests are dressed in the hotel-issued technical gear: snow suits, balaclavas, moon-boots, mittens, caps. But when you sleep in the cold hotel you strip down to your long underwear, lock your things in a locker, carry a sleeping bag and sleeping sheet to your room, and try to get as comfortable as possible on the reindeer skins. One tip to remaining comfortable is to go easy at the hotel’s ICEBAR. The drinks, inspired by and named after the rooms in the cold hotel, come in hollowed cubes of ice and go down a little too smoothly. The bathrooms, contrary to the supposition made by my friend on Facebook, are not made of ice but you do have to walk outside to reach them at night. We dressed and went to straight to breakfast when we woke. (It is busy in the locker and shower area in the morning.) I ate a protein-rich meal to restore the lost kilojoules and then sat for forty-five minutes in the sauna. When you check out you receive a diploma (write out the name of each guest if you want individual diplomas) perfect for you to share it with the very friends who thought you were nuts for wanting to sleep in the ice and snow and the cold.

The cathedral, usually called the Duomo, is Florence’s most recognizable building. You are able to catch glimpses of its magnificent red-tiled cupola from just about anywhere in the city center. Construction on the church complex began in 1296 and the work—Brunelleschi’s dome and his Baptistery, and Giotto’s bell tower—was completed in 1426. The interior of this architectural is reserved in contrast with the exterior’s marble Gothic facade and its green, pink, and white stripes. Climb the 463 steps up into the dome for a close-up look at Giorgio Vasari’s fresco, The Last Judgment, and a bird’s-eye view of the city.

The Galleria Borghese, which is set in the large public Villa Borghese park, was born in the 16th century as the collection of Scipione Borghese, a powerful Cardinal and nephew to Pope Paul V. The Cardinal amassed an enormous number of ancient sculptures, many of which are displayed on the ground floor where several Bernini statues and Caravaggio canvases also appear. The upper story, on the other hand, is home to Renaissance and Baroque paintings. Seek out Titian’s Sacred and Profane Love, Raphael’s Deposition, and Cranach’s Venus and Cupid. Unlike other collections of the era, which were kept in private palaces, the Borghese collection was intended to be open to the public, much like the surrounding grounds known as the Villa Borghese. The family collection is now property of the Italian state. Due to its dimensions and popularity, visits are limited to a fixed number of visitors every two hours and for a maximum of two hours. Be sure to book tickets well in advance and don’t bothering going to the museum without a booking.

This southern Italy itinerary sails between Venice and Rome exploring the Amalfi Coast, Sicily, and gems of Croatia and Montenegro.

On this episode of Unpacked: Where to Go, Nora Walsh makes the case for Fort Worth as Texas’s most unexpectedly charming city. She shares why the Stockyards and Billy Bob’s still matter, how Museum Mile delivers world‑class art, what’s coming with the Juneteenth museum, and the neighborhood spots—boutiques, bars, and boot shops—that give the city its personality.

On this episode of Unpacked, we help you make the most of Rome—without the crowds.