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Dick Mack’s has been one of County Kerry’s best-loved pubs since 1899, and the shelves and walls are packed with bottles and memorabilia that tell the story of its history as a shoemaker and the famous faces that have popped in over the years, including Julia Roberts, Timothy Dalton, and Dolly Parton. There’s also an in-house leather workshop (open weekdays). If hunger strikes, pop out the back and you’ll find food trucks such as Chewy and the Beast serving up tasty burgers and shoestring fries. Live bands often play in the rear yard, and the most recent addition to Dick Mack’s emporium is a brewhouse making craft beer (tours available). It’s a Dingle experience not to be missed.

The fine contemporary-Asian cuisine at the Sea Shell, a sister restaurant to Nu Eatery (also in Hoi An), has been a hit ever since it opened in 2015. Set in a lovingly restored fisherman’s home on An Bang Beach, north of the main part of the town, the building has a soothing sky-blue exterior, hefty wooden tables, eclectically mismatched chairs and benches, potted plants, both indoor and alfresco garden dining, and a relaxed, homey atmosphere. The simple menu includes tempura prawn rolls, a handful of salads and soups, and entrées like the signature banh mi. The desserts are not to be missed.

In a city where cooking has been elevated to a lifestyle, provisions for the refined kitchen are in high demand. And no one has been able to meet that need quite like March. The whitewashed, sun-dappled store on an upscale stretch of Sacramento Street inspires instant kitchen envy in all. Pungent spices are displayed in black glass jars with custom labels, hand-thrown serving wear is stacked in elegant totems on the wood shelves, and a fat-bellied AGA stove stands against a wall of spotless subway tile. If you aren’t a home cook, you will vow to become one after a visit to March. The proprietor, the perpetually chic Sam Hamilton, came from New York and a career in fashion before finding her way here. She even interned with Alice Waters for a spell at Chez Panisse, which helps explain Hamilton’s knack for curating items—like handwoven tortillero baskets, Parigi stemware, and fishmongering knives by Pallares Solsona—that aren’t just beautiful but also useful to cooks who actually put their kitchens to work.

Thanks to the green-thumbed loving of owner Robert Johnstone, the Ruined Garden has bloomed into a jungly paradise—a welcome retreat both for lunch in the shade on a sunny afternoon and for a bask in the glow of a roaring wood fire in the red-brick dining room as days get cooler. Johnstone has long been celebrated locally for his deeply authentic approach to Fassi cooking, and the menu features some hard-to-get traditional dishes like slow, spit-roasted-lamb mechoui (order a day in advance) and Sephardic saffron chicken with eggs. He doesn’t limit himself to tradition, though: Try reimaginings of traditional Fassi street food like “popcorn” makuda (potato fritters), succulent chicken wings and livers in a delicately spiced onion confit, or earthy berkoula (a foraged green wilted with olive oil and preserved lemons).

A visit to the incredible 365-island archipelago (also called the San Blas Islands) within the communal lands of the Guna Yala indigenous nation provides some extraordinary seaside experiences. The islands making up the outer archipelago are unspoiled and feature gorgeous white-sand beaches, turquoise seas, and a one-of-a-kind encounter with Guna culture. Visitors lodge in natural-material huts (cane walls and interwoven palm-frond roofs) or—if you’re in the mood—sleep under the stars in palm-strung hammocks. Local women sport colorful dress made in the style known as mola, a traditional Gula artisanal weaving technique. A highway was built several years back that lets you travel from Panama City to Puerto de Cartí in as few as two hours.

Designed by Danish architect Jørn Utzon, the Sydney Opera House was inspired by its dramatic setting on Bennelong Point in Sydney Harbour, a location that’s long been sacred to the native Gadigal people. While construction took 16 years, including four years to figure out the spherical solution to the icon’s soaring sails, any controversies melted away when the masterpiece was completed in 1973. The same outside-the-box thinking that built the shell-shaped sculpture seeps through its walls today in the form of boundary-pushing opera, theater, and dance as well as contemporary music and mind-opening lectures. The landmark is also home to the beloved Opera Bar and Bennelong Restaurant upstairs, where diners can eat pavlova shaped like the landmark in which they sit.

Down by the river, the fine Art Nouveau Mercado Adolpho Lisboa—Manaus’s main market—is modeled on Paris’s long-gone Les Halles; the mercado’s wrought iron was even imported from France. Visitors can find indigenous foods, herbs and handicrafts, and it’s a great place to take photos of the amazing fish.

Head to a place that succeeds in squeezing many centuries’ worth of artifacts from multiple civilizations into a manageable—and beautiful—17th-century mansion: the Museo de Arqueología UNT (National University of Trujillo Museum of Archaeology, Anthropology and History), housed in La Casa Risco. You’ll find remnants of the Chimu, Mochica and Incan empires in the form of jewelry, clothing and ceramics, as well as displays that explain the rise and fall of these civilizations.

The charm is simple—and highly photogenic—at this 1947 property, where old western actors like Roy Rogers used to get away between takes. When new owners bought the ranch in 2016, they began renovating bit by bit, outfitting the rooms with vintage-inspired Smeg refrigerators, turntables, Coleman lanterns, and Pendleton wool blankets. The accommodations vary wildly, ranging from four original knotty pine–paneled cabins to midcentury-modern rooms in the lodge to a glass-and–corrugated metal duplex called the Hatch House, which Lloyd Russell designed in 2008. There’s even an option to stay in a remodeled 1960s Airstream, which features a live-edge wood bar with copper inlays. True to its original intent, the 11-acre ranch is laid-back and without pretense, the kind of retreat where hikes in neighboring Joshua Tree National Park stand in for a spa day, and guests make their own meals in the antique kitchens and at the outdoor grills. The real magic happens at sunset on the observation deck, and is best enjoyed with a BYO cocktail.

The most traditional of Fes’s two main shopping streets is a cornucopia of carpet vendors, leather babouche makers, Berber jewelry sellers, fondouks spilling over with handmade pottery, and much more besides. The trick here is to sort the wheat from the chaff and get some proper bargains. Among the myriad carpet shops, a favorite is Kilim Berber where the charming Youssef sells an affordable collection of top-quality Beni Ouarain, Azilal, and Boucherouite rugs. Take a gander at the wares of the Fondouk Tazi, which has an excellent range of traditional Fes pottery as well as groovier striped collections. Keep strolling downhill and you’ll see wooden buckets trimmed with brass items meant for the hammam (but which look just as stunning in a modern bathroom); aim to wind up at the Henna Souk, where you can stock up on traditional cosmetics and toiletries from Ahmed and Mohammed—who can also give you a crash course in how to use them.

The River Café is situated right in the middle of the huge Karura Forest, a tranquil swath of wilderness in the middle of the city. The dining area, on a large expanse of wooden deck under an open-sided canvas roof, gets extra atmospheric charm from the surrounding forest treetops and plants. The menu is varied, with a good vegetarian section as well as light bites and more indulgent meals. The French onion soup and the salads are recommended. This place gets busy on the weekends, when Nairobians stop in for brunch after church or a walk around the forest, so book in advance.

Rio newcomers have a hard time believing you can swim beneath a jungle waterfall without leaving the city. But it’s a thing, and the ones who love it most are the Cariocas themselves, who know just how and when to hit the swimming holes called cachoeiras in Horto, itself a marvelous little neighborhood. Nestled between the Jardim Botânico and the Tijuca woods, a lane whose contours offer glimpses of brightly painted houses leads to a larger road and the Estrada Dona Castorina exit. The first of several falls is there, and you can successively reach the rest as you move deeper into the rain forest. Smart swimmers go at midday; since the area lies in shadow, temperatures are pleasant even in summer.

When the Four Seasons took over Johannesburg‘s celebrated Westcliff Hotel (a colonial-style grande dame that was admittedly fraying around the edges), its brief was clear: update the tired ambience with a cutting-edge makeover. For its first property in South Africa, the luxe hotel group spared no expense, closing the hotel down for a year and a half until they were satisfied with the full revamp, which debuted in December 2014. The new Four Seasons has modern elegance in spades, from the minimalist View restaurant (the main feature here is, as the name suggests, the panoramic view over Johannesburg’s lush landscape) to the 117 rooms outfitted with chrome details and local contemporary art.

For generations, the Westcliff has been the bastion of Johannesburg’s most rarefied citizens, who decamped to the hotel for special occasions or met for high tea on the terrace. With its new look, the property is ready to welcome back its longtime clientele while opening doors to a more youthful set in the process.

Reykjavík’s Settlement Museum was established in 2001 after archaeological remains were discovered during an excavation. Said remains turned out to be the oldest relics of human habitation in the city, with some fragments dating to before 871 C.E. Today the museum has many of those finds on display, including the largest element from the historic haul, parts of a 10th-century longhouse, whose main hall and wall fragment form the focal point of a compelling exhibition about the nature of local life during Viking times. Mixing multimedia technology such as holographic dioramas with original artifacts from various excavations around the city (farming implements, sacrificial cow bones), the exhibition does a great job of bringing the Viking era to life.

What happens when you combine the spectacle of Cirque du Soleil and the colorful theatrics of filmmaker Baz Luhrmann with a splash of Las Vegas’ over-the-top magic? Why, you create one of the city’s most sensational new shows, of course! For The Record: BAZ, staged in LIGHT Nightclub in Mandalay Bay, weaves together the story lines of Luhrmann’s popular films “Romeo + Juliet,” “Moulin Rouge” and “The Great Gatsby,” which, if you think about it, makes a lot of sense given how similar they are. As one song ends, another picks up, and audience members are swept into a 360-degree show in which all performers are star-crossed -- but doomed -- lovers. Those familiar with Luhrmann’s work will appreciate how well-crafted the entire production is, but even those who aren’t are sure to be moved by the incredible talent of the entire cast. Because BAZ is held in a nightclub setting, the seating is unconventional, so inquire about the best seating options, but regardless of where you sit, the action and venue theatrics take place in all directions. Also, because this is a 21+ venue, the show is too, though it would certainly be appropriate for those of a younger age. After the curtain drops, extend the evening by staying on in the nightclub.