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Superlatives abound at the InterContinental Los Angeles Downtown. The 73-story structure is the tallest building west of Chicago and, at 889 rooms, the largest InterContinental in the Americas. Opened in 2017, the hotel was also downtown’s first LEED Gold Certified building for Building Design and Construction. All that record setting is matched by a big personality and plenty of luxury, too. Inspired by architectural historian Reyner Banham’s book Los Angeles: The Architecture of Four Ecologies, the hotel features light fixtures based on schematic maps of L.A.’s freeways, hand-painted murals, and billboard-style headboards with city scenes.

Club Level suites are stocked with Le Labo Santal 33 amenities, customized with guests’ names. And on the 71st floor, bathrooms are cheekily decorated in Marie Antoinette and cowboy themes. The Versailles-inspired restaurant La Boucherie is an American steakhouse with a French twist. In the restaurant’s VIP Starlight Booths, diners enjoy wine-paired chef’s tasting menus along with jaw-dropping views. Another restaurant, Sora, is the place for intimate Japanese omakase. Be sure to order the 1100 Feet—an original blend of liqueurs reflective of L.A.’s confluence of cultures—at Spire 73, the Western Hemisphere’s highest open-air bar. Pro tip: Book the Presidential Suite, and you’ll be rewarded with another kind of epic view—an infinity bathtub that fills from the ceiling.

Sitting right next door to the Basilica of Notre-Dame in the heart of historic Montréal, St-Sulpice Seminary is the second-oldest building on the island. (The oldest is the 1671 LeBer-LeMoyne House, roughly six miles from the center of the city, which now houses the Musée Lachine.) The seminary dates from 1687, and remarkably it is still used for its original purpose: to house and train Sulpician priests. Sadly, this means the building is rarely open to the public. (Rarely is not an understatement here—apart from some tours in 2017, the last time the general public was allowed through its gates was in 1967 during the Expo.) Though you can’t tour the building, you can admire its gray stone architecture from the street. Especially noteworthy is the clock on the façade, built in Paris and installed in 1701, making it one of the oldest such clocks in North America.

One of Montréal’s most iconic landmarks was designed by an American, R. Buckminster Fuller. The Biosphere, an enormous geodesic dome, sits in Parc Jean-Drapeau on St. Helen’s Island in the St. Lawrence River. Now considered one of the most important examples of futuristic architecture of its period, it was originally built as the U.S. Pavilion for Expo 67, the world’s fair that took place in Montréal in 1967. It quickly proved to be one of the most popular attractions of the event. An acrylic skin originally covered the building, but that was destroyed in a fire in 1976 and never restored. The skeleton building remained intact, however, and it is arguably even more dramatic and elegant than before the fire. Today the Biosphere houses a kid-friendly Environment Museum, with interactive displays that introduce environmental concepts and address the issue of climate change.

Laguna Beach’s deep connection to the arts goes back to 1918, when 150 local creative residents started the Laguna Beach Art Association (the city’s population was only 300 then). That association went on to launch what’s now the Laguna Art Museum. Although the museum covers countless genres and eras, there’s one thing every piece has in common: They’re all made in California. The 3,500-strong permanent collection spans the early 19th century to present day, from light and space installations to pop art (and also includes pieces by art-world stars like Ed Ruscha and Wayne Thiebaud). It’s rounded out by a handful of new California-centric exhibitions each year. Highly knowledgeable docents—all have completed an extensive nine-month training course—lead lively one-hour walk-throughs at 11 a.m. Friday to Tuesday; groups of 10 or more guests may book guided tours in advance. Must-do: Hit the museum on a Thursday night when it stays open until 9 p.m. and becomes a community hub, with lectures, film screenings, and live concerts in the galleries.

First domesticated on this tiny island in 1840, the aloe plant is so important to Aruba that its image is emblazoned on the nation’s crest. Crops once extended over nearly two-thirds of the island and, to this day, remain Aruba’s largest export, explaining why the plant is a frequent motif in local art and architecture. For more information, visit the Aruba Aloe Factory, where you take a guided tour and learn about the manufacturing process. Then, head to the museum to browse a small collection of ancient aloe planting tools as well as books on the plant and its history.

Located in a former mansion, this interactive museum is full of ancient artifacts. Culled from three distinct periods of indigenous history, the collection includes more than 10,000 pieces from Pre-Ceramic (2500 B.C.E.–1000 C.E.), Ceramic (900–1515), and History Cultural (1515–1880) times. Visitors will find shell and stone tools, decorative items, and food vessels, along with vestiges of Aruba’s gold rush. Of particular note is a limestone family burial cave, which, at 4,000 years old, is one of the most ancient pieces in the museum. With its Dutch Colonial architectural details, the building itself is also worth admiring. Note: The museum is closed on Mondays.

New Delhi’s original power hotel, The Imperial opened in 1936 and played host to celebrities and historic figures: It was here, rather than at Connaught Place that Pandit Nehru, Mahatama Gandhi, Muhammad Ali Jinnah, and Lord Mountbatten met to discuss the partition of India and creation of Pakistan. Though renovation has lent a bit of a corporate vibe to the high-ceilinged hallways, the hotel still oozes nostalgia at every turn. A vast museum-worthy collection on display throughout public and private spaces includes life-size oil portraits of princely rulers, statuary, tapestries, old photographs, and British and Indian military and polo regalia. Rooms come in Victorian, Indian heritage, and Art Deco motifs, with marble floors, sumptuous velvet furnishings, and antique rugs. The centerpiece of the palm-studded lawn is a huge, beautifully tiled swimming pool where red-uniformed staff deliver ice-cold drinks to sunbathers in the stultifying heat, but if you prefer a moodier venue for your cocktails, the property has a library-like bar with wood-panelled walls as well as four atmospheric restaurants serving every kind of cuisine. And don’t miss the afternoon tea, enjoyed in the light-filled atrium.

Up-and-coming starlets in the 1920s and ‘30s would have stayed at the Crescent. When the palm tree–lined art deco building opened in 1927, it was as lodgings for the budding actresses who’d just signed studio contracts and moved out to L.A. for their big breaks. They, too, sipped cocktails (after Prohibition ended, of course) and listened to jazz (probably not by a live band, though) in the intimate lounge and on the breezy terrace. It’s even just possible there was saltwater taffy at the front desk and a library stocked with an impressive collection of classic and contemporary literature and nonfiction. However, the walls might not have been adorned with paintings and photographs by some of the area’s top artists, and there definitely wasn’t 24-hour room service or iPod docks.

After the studios moved on, and luxury designer shops and trendy restaurants moved in, the Crescent turned into a cozy, quirky boutique hotel known for its prime location, affordable rates, and bend-over-backward service. These things won’t change.

Fontainebleau is perhaps Miami‘s most legendary hotel, dating back to the mid-20^th-century golden age of South Beach’s social scene. Opened in 1954, the hotel has seen a number of celebrities—as well as scandals—over its six decades. Frank Sinatra filmed the movie A Hole in the Head here, and the Black Tuna Gang used the hotel as a front for its drug-running activities. Fontainebleau has had several owners over the course of its existence; it closed in 2006, only to reopen again in renovated splendor two years later. Common areas have Vegas-like glitz and glam, with lots of gold accents and sparkly chandeliers (made by, of all people, Chinese dissident artist Ai Wei Wei). The hotel’s art collection is enviable; besides Ai, there are Sol Le Witt and Damien Hirst pieces. Rooms are full of attentive design elements, too. Turquoise-and-green color schemes evoke the ocean, and high-tech amenities include 20-inch iMacs. Concerts take place at several venues on the property, including poolside and at the nightclub, and the hotel has some serious star pull. Recent concerts have featured Katy Perry, Lady Gaga, and Pitbull.

Lenbachhaus is Munich‘s premier art gallery. It reopened in May 2013 after a four-year renovation of the original building (a late-19th-century Florentine-style villa for painter Franz von Lenbach), plus the addition of a modern wing designed by Norman Foster. The exterior of the new wing features striking, golden tubes. For Norman Foster fans, the museum’s new exterior is iconic—a beautiful play on color, pattern, and geometry. Try to see it at sunset, when the tubes are seemingly more golden, rich, and alluring. The Lenbachhaus redesign marries the old with the new, especially in the triple-height, sky-lit lobby atrium. Immediately upon stepping into the museum, your attention is drawn to what appears to be an enormous hanging icicle, which is in fact a specially commissioned work by Icelandic artist Olafur Eliasson called Wirbelwerk. The new wing serves as a “jewel box” for the museum’s best-known works, the “Blue Rider” collection of 20th-century Expressionist art. There is also a new garden and a restaurant with an outdoor terrace. With the addition of new galleries and a bold redesign, Lenbachhaus further cements its reputation as one of Bavaria’s leading cultural centers.

Although you can find most cuisines in Berlin now, Jamaican food is nowhere near as ubiquitous as it is in, say, London, and it’s mostly relegated to shacks or pop-up stalls at festivals. Enter RosaCaleta, a full-service restaurant run by two transplants from Jamaica via New York who have created a perfect balance of traditional Jamaican dishes playfully reinvented for a European palate. White walls and a wood floor set the stage for a menu that includes oven-roasted pork fillet, fiery jerk guava chicken served with fluffy dumplings, and vegetarian dishes such as vegetable stews and lentil salads mixed with mango and ginger. The restaurant also has a superlative rum collection, used for an inspired cocktail list that is as fruit-filled as it is potent.

During my last stay in Florence, I wanted to learn more about the artisan trades, and Bruscoli was recommended to me by a local. I am so glad it was. As I walked along the Arno River on my way to the workshop, I had no idea what an extraordinary little slice of Florence’s history I was about to witness. At Bruscoli, you can learn about the artisan heritage of Florence from Paulo Bruscoli, a fourth generation craftsman and owner of a small shop that sells both Florentine paper and leather products engraved with gold leaf. From stories of the bookbinding tradition in his family and the great flood of 1966 to his extensive collection of traditional engraving tools, the details housed in this small shop bring to life a tradition deeply rooted in Florence’s heritage yet unlikely to continue in the future. Bruscoli is an easy walk from the city center. High-quality leather and paper products are for sale, but Paulo Bruscoli specializes in personalized items, which you can order and pick up later or have sent to you. Mr. Bruscoli speaks English.

Up until 2004, Switzerland’s iconic furry friends—St. Bernard dogs—were bred at this monastery and hospice. While the canines have been relocated, the Great St. Bernard Hospice, which sits on a barren, treeless plane at 8,100 feet, is still an active monastery run by Augustinian monks. The steep four-mile ascent from the valley is a killer on foot, but still doable—on groomed trails in summer and on snowshoes in winter. Inside, monks greet you and show you to communal tables in the stone dining hall where vegetable soups are served with hunks of Bagnes cheese, thick slices of brown bread, and honey-sweetened tea (or a carafe of red Dôle wine produced in the Valais region just below, which seems to be the more popular option). Don’t miss the odd museum, displaying local taxidermy, ancient coins, and maps once used for Alpine crossings; the 800-year-old crypt is allegedly stuffed with the bodies of ancient travelers who didn’t survive the journey. A register of “Les passants célèbres” includes Charlemagne, Napoleon, and Alexandré Dumas but omits Charles Dickens, who lived nearby for a summer.

Wang Wei and her husband, Liu Yiqian, are voracious collectors of Chinese art, both contemporary and traditional. The first Long Museum opened on the Pudong side of the river, in the suburban neighborhood of Jinqiao; the second is located on West Bund, a mere 15 minutes’ walk from the Yuz Museum. The building, done by lauded Shanghai architects Atelier Deshaus, might just stun you, with its enormous ceilings and open rooms that flow one into the other. Most exhibitions are of Chinese artwork—past shows include a retrospective of the work of cartoonist Zhang Guangyu and a selection of Qing Dynasty paintings. But big-name Western artists also show here, among them James Turrell and Olafur Eliasson.

While many of Napa’s other bakeries are known for their sweets, this one, with locations in Yountville, Napa, and St. Helena, is known for something entirely different: bread. In particular, the Model Bakery’s English muffins have achieved nationwide fame and appeared on Oprah’s “Favorite Things” list. The breads are so popular that you have to arrive by 9 a.m. on weekend mornings if you want them fresh. Model bakes other types of bread as well, including levain, harvest wheat, and sourdough, as well as French baguettes and walnut bread. Even the bakery’s focaccia is off-the-charts good. In addition to all these carbs, the bakery also offers hot sandwiches, salads, and pastries.