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Usually, when you travel, it’s to experience a different side of yourself. The more adventurous side, the slightly less scheduled side, the sleep-in-without-guilt side. And when you stay at the Drake Hotel in Toronto, you can’t help but feel like your cooler side is making a much-needed appearance. The recently renovated property on Queen Street West features the kind of interior design that radiates style whether it’s in the kaleidoscopic lobby, the next door theater, or in two wings of suites. That’s because the hotel commissioned artists to showcase their work on plenty of open surfaces — from a black-and-white squiggle accent wall in guest rooms to personality-driven drawings in the elevator — and the results make for surroundings that are the material equivalent of black sunglasses. Paired with of-the-moment details like pink terrazzo showers and wraparound midcentury sofas, and the Drake Hotel is meant to cultivate a see-and-be-seen vibe.

But that’s not to say that the hotel sacrifices comfort for being camera-ready. The staff is kind and always available through text, the beds are soft and squarely stationed in front of a well-appointed bar and flatscreen television, and designer toiletries are filled to the brim. It’s also possible to eat throughout the day at the hotel’s delicious cafe and patio (get the French toast), and then spend the night at its second-floor bar or ground floor lounge. On weekends, even if you’re not a guest, you can stop by for regularly scheduled events including a DJ who spins old and new tunes. If you do plan on leaving the hotel to see the city, then you’re right in the midst of it, and the surrounding neighborhood can keep you readily entertained.

When you stay at the Drake Hotel, don’t be surprised if you feel relaxed, in-the-know, and decidedly cooler once you check out. These are sides of yourself the hotel may have encouraged, but feel free to hold on to them after you return home.

With its swooping glass panels that resemble a kind of space-age ship’s sails, Frank Gehry’s design for the Louis Vuitton art collection, which opened in fall 2014, is worth the Métro ride to the far-flung 16th arrondissement. The multiple terraces let you peek through and around the panels: One side overlooks the verdant Bois de Boulogne park, while the other offers a view of the Eiffel Tower, looking miniature in the distance. The innovative exhibitions of modern and contemporary art rotate twice yearly. Outside on the ground level is a can’t-miss piece by Olafur Eliasson: a dizzying row of yellow-glass and mirrored columns that are guaranteed to fill your Instagram feed.

Shopping passages were built in the 19th century to give Parisians protection from muddy streets and horse-drawn vehicles. Galerie Vivienne is a beautiful restored 19th-century passage with entrances at the Rue des Petits-Champs, Rue de la Banque, and Rue Vivienne. Built in 1823 in a neoclassical Pompeian style that includes a gorgeous canopy and is decorated inside with mosaics, paintings, and sculptures, Galerie Vivienne’s most famous resident is the Jean-Paul Gaultier shop. Some passage entrances are easy to miss, so be on the lookout! A stroll through these fascinating galeries is a fun and free activity on a rainy day.

There’s a new wave of wine bars in Paris, ones that champion natural wine (a step beyond organic) and serve artful small plates. Camille Fremont’s La Buvette (not to be confused with Buvette restaurant) is considered one of the best; the place has won lavish praise and an award from Le Fooding. Like a cozy annex to Camille’s own home, the bar benefits from the inherent cool factor that a slightly out-there location in the 11th confers. Despite the compact space, it never seems to be much trouble to pack in throngs of wine fans and curious passersby. Guests must consume a little snack (or casse-croûte in local parlance) to be able to drink but your experience will be better for it. Put your trust in Camille for the wine—mostly natural and only from wine producers she personally appreciates—and choose any of the stellar bites on offer (aged Gouda, dry sausage from Aubrac, sardines, butter beans). Bottles are available for purchase.

It isn’t uncommon to see large tour buses idling in front of Merci, one of the city’s most popular home and design shops, as visitors alight, armed with canvas shopping totes and credit cards at the ready. The store’s philanthropic mission brings in droves of both tourists and locals—profits are donated to a charity in Madagascar that aids women and children. It is a veritable feel-good shopping destination. One caveat: The goods for sale don’t come cheap. While high-end homewares and designer duds don’t match all budgets, Merci’s space itself is undeniably cool. When I’m feeling strapped for cash and want the Merci experience, I head to its Used Book Café. Used books, old and new, decorate this cozy library-inspired café where I can read, write, people-watch (and play the guessing game of “What’s in that Merci bag?”), and rejuvenate with a freshly pressed lemonade. With each sip, a feeling of calm washes over me—a type of Zen harder to reach on the bustling streets of Paris. All beverages, hot or cold, are served with a bite-size piece of cake and a smile. Grab one of the mismatched vintage armchairs, the fresh scones with jam, or the American-sized lattes. But on a warm, sun-drenched Paris day, it’s the citronnade between shop-hopping that sets you right.

Many New York hotels have style, but not all have character—the Marlton is a fine example of a property where the two are powerfully present. Originally built in 1900 as a cheap place to stay (and attracting the likes of writers including Jack Kerouac) this nine-story property was taken under the wing of hotelier Sean MacPherson (the Bowery Hotel, the Jane) and transformed into a downtown hot spot where no one seems to care that the rooms are tight on space, even according to New York standards. What square footage the rooms lack, the common spaces make up for—there’s a fire burning in the lovely lobby, complete with an espresso bar, along with a cocktail bar and French-feeling restaurant, Margaux, at the back, with a gorgeous, sunny solarium (a charming feature that has inspired many return guests). Rooms are thoughtfully designed, with inviting bathrooms. Striking the right balance between hip but not too fancy, the Marlton is a comfortable property that provides much more than just a place to sleep.

The Avenida da Liberdade in Lisbon is the wide avenue in the center of town. After the earthquake of 1755, the Minister Pombal designed the new Lisbon and for the main avenue, he used the Champs Elysees in Paris as his model. This is a beautiful street with small side streets lined with trees. There are many upscale stores, boutiques, and hotels lining the avenue. As you stroll along you notice an unusual feature.You look down and see the unique black and white tiles in all sorts of patterns. All of the main and side streets in Lisbon have these tiles. I am always fascinated with the complicated designs. If you are lucky, you’ll get to see workmen replacing missing tiles. It seems as though this is a daily occurrence. You don’t want to drive in Lisbon. It’s too busy and the buses, metro, elevators, and ancient trolleys are much more fun. Buy a Lisboa Card and the transportation is usually free. You can look up your choice of transportation in the booklet that you get when you make your purchase. Any information center sells the card. Information centers are indicated on maps of the city. Pick one up at the desk at your hotel. Strolling down the Avenida with it’s tiles is something that makes me feel happy. Can’t wait to go again to this beautiful, ancient, European, capital city.

Located in the Marais, L’As Du Falafel likes to boast about its connection to rocker Lenny Kravitz. Specifically that he has endorsed the falafel sandwich here. You don’t need me to tell you this. Just go here: it’s posted all over the walls. The fact is, though, L’As Du Falafel doesn’t need to milk the Kravitz connection. They make a very delicious product. The last time I was there, two women in their early sixties were in line in front of me. After they ordered they turned around to me and said, “This is new to us. We come from Holland.” As if Holland has been behind some kind of culinary iron curtain for the last few decades. Whether you’re from Holland or Hungary, you should do like Lenny does and stop by L’As Du Falafel.

Past the bouncer and down a black staircase 32 feet below ground is Paris‘s most buzzed-about semi-private club, Le Silencio. Housed where Molière was allegedly buried and Zola printed “J’accuse”, it’s of little surprise that the enigmatic director David Lynch would select the location for his louche lounge-cum-entertainment space, which he designed (expect gold-leaf walls, raw wood cladding, bespoke neo-1950’s furniture) - mere steps into the labyrinthine halls and you’ve entered the entrails of another world, one that evidently takes cues from Lynch’s art. Before midnight, it’s member’s only but once midnight strikes, a smartly dressed crowd of cocktail-crazed creatives floods inside, snatching up seats in the art library, loafing at the bar or lighting up in the mirrored smoking room that was conceived to resemble a forest. Killer cocktails and exclusivity aside, Le Silencio’s biggest draw is its broader offering. Presentations from the local artistic set are frequent as are culinary/cultural events, intimate concerts and private screenings. As the guest of a member, my first visit was not so much to explore the space (though there is plenty to unearth here) but for a private tasting of chef Flora Mikula’s work. A couple hours into the evening and I realized Le Silencio wasn’t about being seen but about discovery - of high culture and the utterly bizarre.

Hyde Park is happening. Catering to the University of Chicago crowd and its visiting dignitaries, the five-year-old Sophy takes inspiration from hometown literary and musical heroes, whose artworks ornament the walls in the popular and always convivial Mesler restaurant. Taking the title of the first boutique hotel on Chicago’s South Side when it opened in 2018, the property occupies a prime spot on 53rd Street—a vibrant commercial hub lined with shops and restaurants owned and frequented by a diverse population that range from academics to local politicians to the city’s cultural influencers. Former UofC professor Barack Obama’s home (and his under-construction presidential library) are nearby.

Small enough to get around without being overwhelmed, the Musée d’Orsay is a favorite stop in Paris not just for its size but for its collection of Impressionist, Postimpressionist, and art nouveau art. Perfectly set in the center of the city, on the banks of the Seine, and opposite the Tuileries Gardens, the museum is housed in the former Gare d’Orsay, a railway station that was built for the Universal Exhibition of 1900—so the building itself could be seen as a work of art. The extraordinary collection spans art created in the period between 1848 and 1914.

The hip sister of the Centre Pompidou in Paris, this modern and contemporary art museum has become one of France’s most visited cultural venues since opening in 2010. Designed by Japanese architect Shigeru Ban, the 54,000-square-foot building features three rectangular galleries, which regularly host exhibitions of 20th- and 21st-century art from France’s illustrious Musée National d’Art Moderne. The piece de résistance can be seen outside, however—the building’s curvy, mesh roof, composed of glue-laminated timber, was inspired by a Chinese hat that Shigeru Ban found in Paris. Take it all in while dining at the museum’s Voile Blanche restaurant or outdoor brasserie, both of which are headed by Michelin-starred chef Eric Maire.

Bontemps Pâtisserie may have a name inspired by the fictional Louisiana town from the vampire series True Blood, but this retro-chic bakery is French through and through. The pâtisserie offers a refreshing twist on the signature French sable, a classic shortbread cookie, by using seasonal fillings (wild strawberry, passion fruit, blood orange). Don’t miss the larger tartes, from pecan to apple, which use the same light and crumbly shortbread crust. Take a box of minis to the Square du Temple across the street for an al fresco goûter.

Just down the street from the charming Carreau du Temple, an open-air market square in the Haut Marais that recently reopened after heavy renovations, sits OFR: a bookshop-cum-gallery that houses an extensive collection of multilingual art and design books and fashion magazines. Here, you’re likely to mingle with a modish crowd, willing to strike up a conversation about anything from travel photography to urban design. If you go, check OFR’s website for regularly rotating events. Added benefit: open 7/7!

This former royal palace is one of the largest museums in the world, and its art collection is considered one of the most comprehensive. It contains around 400,000 works, although—mercifully, perhaps—not all are on display at any one time. There are some pieces that never get taken off the walls. The Mona Lisa and her smile attract millions of visitors each year. Other must-see masterpieces include the sculptures Winged Victory of Samothrace and Michelangelo’s Rebellious Slave, and the Eugène Delacroix painting The Death of Sardanapalus. There’s no real trick to avoiding crowds at the always-packed museum. The best you can do is try to go in the off-season, early or late in the day, and on a weekday. Your chances of being alone with the Mona Lisa will still be slim to none, but you might be able to actually see that enigmatic smile behind the Plexiglas.