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Technically part of Tahaa in French Polynesia, Vahine Private Island Resort is an escape from reality. The hotel features three beach bungalows, three self-contained beach suites and three overwater bungalows, all with beach views and designed using only natural materials in such a way as to make you feel like you’re in a traditional Polynesian home. Moreover, the resort is set on a 23-acre private island lush with coconut trees and white sand beach.

Snorkel in their vibrant coral gardens, kayak to nearby motus or to natural sting-ray pools, take in a coconut show, learn how to tie a pareo or weave palm leaves, paddle a traditional Polynesian outrigger canoe or take an excursion to the nearby mainland of Tahaa (the “Vanilla Island”) or a private motu. Guests love their food and beverage program, with French dishes crafted using local cuisine and cocktails infused with local fruits and juices.

Tip: Don’t leave without having a traditional massage with scented Monoi oil on your deck, where you’ll hear nothing but the billowing palms and gentle crashing of waves.

From a members-only beach club in the 1960s, The Dunmore has evolved into a 16-room boutique stay whose spirit and decor evoke that era. Local interior designer Amanda Lindroth oversaw a major renovation when the hotel’s current owners bought the property in 2010. Wicker and rattan furniture, patterned prints, and spaces that are as much outdoors as indoors create a look that is somewhere between late British colonial and timeless Bahamian. Although the landmark sits on Harbour Island’s Pink Sands Beach, a pool with an airy pavilion adds to The Dunmore’s reputation as a place of amiable gathering. After a day of sunfilled fun, head to the on-site restaurant, where chef Cindy Hutson, one of the region’s rising culinary stars, prepares modern twists on island delicacies—think grouper curry with lychee and grilled pineapple and banana fritters with rum caramel.

The Sandía Mountains rise to over 10,000 feet behind Albuquerque. From the top, the view over New Mexico is unparalleled: on a clear day, your eyes can take in eleven thousand square miles--almost one-tenth of the state! The quickest way up is the fifteen-minute ‘flight’ on the Sandia Peak Tramway, ascending from high desert to alpine evergreen forest. Swiss-designed, this aerial tramway has one of the longest spans in the world. Hiking, winter skiing and mountain biking are all available at the top, as well as a restaurant--a steakhouse two miles above sea level. (Prices are what you’d imagine at this altitude.) In case you’re wondering why this mountain range is called “Sandía,” which means ‘watermelon’ in Spanish--at sunset, the mineral content of the granite crags glows pinkish-red; along with the green of the conifers, the profile is reminiscent of a cut watermelon...

Considered the largest Roman city gate north of the Alps, the Porta Nigra has been designated a World Heritage Site.

The Casa Estudio Luis Barragán is a must for visitors to Mexico City interested in the works of Mexico’s most famous contemporary architect, Luis Barragán, famous for his colorful approach to modernism and his buildings that are as known for their garden settings as for their interiors. While that museum, located in his former house, is the most obvious introduction to his life and works, those who want to dive deeper will want to arrange visits to some of his other buildings.

The Casa Cuadra San Cristóbal dates from 1968 and was designed for the Egerstrom family. The centrality of gardens, plazas, and fountains to Barragán’s work is driven home here by the fact that the house itself is closed to the public. It’s still worth the effort to make the journey (of about 35 minutes to an hour by Uber, depending on traffic) to see the stables and gardens, and the exterior of the house. The walls in pink, mauve, and white, and the large pool at the center of the property create a space that is at once both restrained and exuberantly colorful. Reservations ([email protected]) are required and there is a charge of 300 pesos per person, with a minimum of five people. (You can visit with fewer than five people, but you’ll still need to pay 1500 pesos total, cash only.)

Miami comes to Los Angeles at this Sydell Group hotel that took over the historic Commercial Exchange building in the center of downtown. Although it has deluxe amenities like a doorman and room service, the Freehand L.A. has a range of room types, from 167 private accommodations to 59 shared rooms with four, six, or eight bunk beds. The hotel deftly manages to combine the social culture of a hostel with innovative design by Roman + Williams, exceptional food and drinks, and stellar communal spaces where locals and travelers mingle naturally. Places to hang out include the lobby area outfitted with handcrafted furnishings, vibrant tapestries, earthy decorative elements, and murals by local artists; the lobby bar, serving tea-infused cocktails and light bites; the grab-and-go Café Integral; the plant-filled restaurant; and the rooftop pool, which is home to the award-winning Broken Shaker lounge. Providing more greenery off the lobby is a floral-filled concept store by Venice’s Flowerboy Project.

Opened in September 2017, Hotel Californian breathes new life into the Santa Barbara waterfront. Where once was a parking lot now stand two Spanish Colonial Revival buildings, done up in Moorish-inspired décor by celebrity designer Martyn Lawrence Bullard. The 121-room hotel also comprises the 1925 Hotel Californian across State Street (it retains its original façade but has otherwise been gutted) as well as another building across East Mason (which houses a ballroom and the two-bedroom presidential suite). In other words, the hotel is the new center of the neighborhood, partly because of its size but also due its many offerings, which range from a stylish boutique and Turkish-inspired spa to gourmet café Goat Tree and fine-dining restaurant Blackbird.

Spacious rooms mix Spanish colonial architecture, Moroccan influences, and custom furnishings for a modern take on Santa Barbara chic. All feature plush beds, marble bathrooms, and premium cocktail carts, while some have Juliet balconies or oversized verandas with views of the hotel courtyards, city, ocean, or Santa Ynez Mountains. Larger rooms even have seating areas and fireplaces for extra comfort. Should guests ever wish to venture outside, there’s a rooftop pool and event deck with sweeping views of the coastline, as well as a large lawn space for lounging. Also, the Funk Zone with its popular restaurants and Urban Wine Trail is right down the street, making the Hotel Californian one of Santa Barbara’s trendiest spots to stay.

A fairly new addition to the Waikiki waterfront, the seven-year-old Modern was a dream come true for those young urbanites who never quite felt at home in the more traditional Hawaiian resorts. It’s not directly on the beach—the closest is the lagoon and expansive beach in front of the Hilton Hawaiian Village, a quick walk on the hotel’s ramp—and instead overlooks the picturesque Ala Wai Boat Harbor, where many of the island’s boating excursions depart. Designed by George Yabu and Glenn Pushelberg, celebrities in the world of fashionable hotels, the look is warmly modern, all whites and creams and luxurious wood, and some striking art pieces, including a large surfboard installation in the lobby (titled “Wreck-tangles”). There’s a fun nightclub and some seriously good restaurants, though the real scene is out on the Instagram-worthy two-tiered teak pool deck, lined with lots of cushy chaises and shady corners to curl up. Upstairs is the adults-only pool—less a pool than a shallow water prop for frequent DJ-hosted dance parties. But for as much as the Modern is a hipster haven, the service is surprisingly good at making sure guests never feel like they’re crashing someone else’s party.

This funky boutique hotel on the edge of the Britomart shopping district goes way back in Auckland history. Built in 1841 as The Commercial Hotel, the DeBrett building survived two fires and two rebuilds plus a stint as a hostel before becoming the quirky place guests experience today. The Housebar has always been the center of hotel life, and today, the intimate wood-and-mint venue exudes its original art deco style and serves classic cocktails and local beers and wines alongside refined pub snacks.

In addition to restoring the bar and adding a glass-roofed atrium that houses the hotel restaurant, DeBretts Kitchen, the current owners affixed contemporary artwork and photography throughout and sheathed the entire building in candy-striped carpeting, custom designed from 100 percent New Zealand wool. Besides the carpet and small-batch minibar selections, no two rooms are the same. Each features unique furnishings from the 1930s on, and every bed has an original screenprinted throw. Two of Hotel DeBretts centerpieces, the chandelier and water sculpture in the restaurant, were crafted by Auckland artists from materials salvaged during the latest renovation. The result is a local experience from top to bottom that gives guests a real taste of New Zealand.

The famous Hotel St-Barth Isle de France officially became a Cheval Blanc property in 2014, reopening as the Cheval Blanc St-Barth Isle de France. In 2018, after a renovation made necessary by Hurricane Irma, the property also debuted a design concept by architect Jacques Grange, complete with 19 new rooms, freshly landscaped gardens, and one-of-a-kind artwork by Jean-Michel Othoniel. In addition to two gourmet restaurants overlooking the ocean, the resort features the only Guerlain spa in the Caribbean, staffed by Cheval Blanc’s trademarked “alchemists”—employees whose sole purpose is to tailor-make memorable experiences for guests. While Cheval Blanc is always popular with couples, its clientele shifts depending on the time of year. Around the holidays and spring break, families come for offerings like the “Pour les Bébés” menu of homemade baby food. In the late spring and summer, honeymooners are drawn by poolside champagne tastings.

A laid-back beachy vibe with a compelling overlay of French style is the hotel’s hallmark. Comfy rattan furniture is offset by a palette of blues and light shades, and rooms are stocked with custom Leanor Greyl products to protect from salt and sun.

The Ottoman Bank Museum is in the basement of SALT Galata, an arts center located in the former Ottoman Bank. It’s a destination that will appeal mostly to those interested in the history of the Ottoman Empire in its decline at the end of the 19th century. But doesn’t everyone find the late Ottoman period fascinating? The struggles that characterized the era, with a country torn between its Ottoman past and a desire to both modernize and Westernize, played out at the bank. The institution that would become the state bank of the Ottoman Empire was founded in 1856 as a joint venture of British and French banks and the Ottoman government and was managed by a committee of British and French financiers until it was effectively dissolved during World War I. The museum includes many surprisingly engaging displays and documents tracing the bank’s history—its commercial ventures, demographic information on investors and employees, charts detailing the economic turmoil of the period. Architectural plans of the headquarters illustrate its unusual design that featured a neo-classical entrance facing the European quarter and an Ottoman-inspired rear elevation, facing Istanbul’s Old City across the Golden Horn. Deposit slips, photos of employees, and old bank notes in the original vault are on display in almost exhausting, encyclopedic comprehensiveness. If your interest wanes, you don’t need to feel any pressure to linger—entrance is free.

After the Grand Canyon, Arizona’s second-biggest sightseeing destination is...London Bridge. And unlike many ‘world landmarks’ from up the road in Las Vegas, this is actual Old World stonework, meticulously de-constructed, transported, and re-constructed over the waters of a dammed section of the Colorado River. To be honest, I wouldn’t call this a ‘destination,’ but if you happen to be passing through the area on a road-trip, or if you’re a die-hard anglophile driving through the Desert Southwest, then this curiosity is worth a stop. This early 19th-century bridge began sinking in the early 20th-century as automobile traffic (for which the bridge hadn’t been designed) increased over the Thames, and so in the 1960’s the bridge was literally put up for sale. Arizona entrepreneur Robert P. McCulloch paid about two and a half million dollars for it, had it meticulously disassembled, shipped to California via the Panama Canal, and then trucked across to this spot on the the eastern banks of the Colorado River, a few hours south of Las Vegas. By 1971, the work was finished, and now you can kayak or jet-ski under these curious but venerable arches. (Note--Lake Havasu City has become a wildly popular college-crowd spring-break destination...and summers are brutally hot.)

You don’t have to be a guest at El Fenn’s hotel to relish the eclectic surroundings of its gallery and boutique—all ruby red tadelakt around a gleaming silver bar, with a chest-high fireplace and a trompe l’oeil of strutting pink flamingos. As spaces go, it’s a work of art in and of itself. Put it on your list for lunch, dinner, or drinks so that you can also delight in the frequently changing exhibits of contemporary Moroccan and international artworks. Recent highlights featured a showcase of the best of Essaouira art naïf painters and the late, great photographer Leila Alaoui’s moving portraits entitled simply The Moroccans. Peruse the boutique for a carefully curated selection of made-in-Morocco housewares, fashion, and gift items by local designers and artisans before heading upstairs for a long, lazy lunch of market-fresh salads and grilled meat and fish served family style on the rooftop. If it’s too cold for dining alfresco, grab a perfectly crafted negroni from the bar and snag a spot by the fire for an intimate tête-à-tête.

While San Francisco and L.A. often steal the limelight from Sacramento, I often remind myself that Sacramento has long been the center of much of California’s history. The Leland Stanford Mansion is one place where that history is reflected. The mansion, located in Downtown Sacramento just blocks from the Capitol, is worth visiting not only because of its historical value but also for its beautifully restored interior and exterior. The mansion was built in the Renaissance Revival style soon after Sacramento was founded in the mid-1800s. Seeing the architectural details up close is impressive. In 1861, it was bought by Leland Stanford, Governor of California, a U.S. senator, and founder of Stanford University. One interesting fact is that after Stanford’s death, his wife donated the mansion to be used for the children of California, and in 1900, it became an orphanage. After a $20-million renovation, the mansion opened for tours in 2005. It has also been designated a National Historic Landmark. Tours are offered here Wednesday through Sunday every hour beginning at 10:00 a.m. (the last tour begins at 4:00 p.m.). The tour allows visitors to see what such a residence would have looked like in the 1860s and 1870s. You can also walk through the Victorian gardens. The tour can accommodate groups, but groups of more than 10 must make reservations two weeks in advance.

Perched on a not-so-lonely nude beach on the northern end of Sauvie Island is an enigma. Well above waterline lies a 30-foot orb that piques the imagination and challenges explanation. The “spaceship” origin is not interstellar but certainly presents itself as other-worldly. The craft is actually a ferro cement experimental boat built around 1970 just upriver. It was designed as a self-righting sailboat and carried a local family on adventures for a couple decades before it got away. Now covered in moss and graffiti, it sits as a testament to Oregon innovation and exploration. To do some of your own exploring of this mysterious craft, take Reeder Rd out to where the pavement ends at a spot called Collins Beach, aka the nude beach. (Yes, if you venture out in summer, you will see naked people.) There’s a parking area (permit required) and trails down to the beach. Sitting up in the trees, just above the sand, sits the stripped-out hulk of a dream. The tri-hulled beast looks more like a lifeboat than a spaceship, but alien nonetheless. Be careful climbing around if you decide to explore inside. The rusting steel framework is losing its cement skin in places and can be dangerous. Cycling to the site is a great way to spend an afternoon on the island and get a great workout in the process.