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It’s slightly unnerving when you’re seated too close to the next table in a jam-packed parrilla (steakhouse), the clatter of dishes and voices and the televised futbol game in the background, and your stoic waiter, a giant of a man in a stained white apron, approaches your table. As you tell him what you’d like to eat - steak, naturally, and papas fritas (french fries) and a pinguino (penguin-shaped pitcher) of the house Malbec, you notice that he’s not writing anything down - in fact, he’s not looking at you at all. He saunters off and you wonder if your dinner will ever arrive. A few minutes later, he’s back, plonking a basket of bread on the table, splashing the wine on the paper tablecloth as he pours your drink. And then, course by course, all the dishes you ask for arrive, simply presented on white plates, and the roar of the game and the conversation around you rises to a pitch.


This is Desnivel, a bare-bones San Telmo parrilla that’s nearly turned into a caricature of itself. Some days you’ll find more tourists than Argentinians. Other days, it’s a bunch of local guys sitting around digging into the restaurant’s famous deep-fried beef empanadas. Love it or hate it, it’s a Buenos Aires icon.

My favourite building in Brussels is the Old England on Mont des Arts, just around the corner from Place Royal. It’s a striking concoction of steel and glass in the Art Nouveau style Brussels is so famous for. But what’s on the inside is just as good as the beautiful exterior. Once a department store, the Old England building now houses the Musical Instrument Museum, or MIM. This fascinating collection of more than 8000 instruments is internationally renowned. Rather than just looking at the exhibits, you actually get to experience them. An audio-guide is included in the cost of admission, but this is no stuffy commentary. As you approach particular exhibits in the MIM, your guide begins to play the music of the instrument you are looking at. It’s a wonderfully interactive approach to learning. I have one more reason to love the Old England building and that is the cafe on the top floor. The food is good, but the selling point of this particular restaurant is the view – one of the best in the city centre. In nice weather, you can even dine on the roof terrace. You don’t have to visit the museum to enjoy the restaurant (although you should). Just tell the door attendant you want to go to the cafe and he’ll load you into the period glass and steel elevator and take you to the top floor.

Mexico City is often depicted—and not incorrectly—as a capital city teeming with buildings, people, and cars. It also, though, has a surprising number of green spaces and parks, the most expansive of which is Bosque de Chapultepec, right on the edge of Polanco. It’s easy to while away a good bit of time in Chapultepec; the park has a zoo, a lake where you can rent pedal boats, street performers making music and magic, and the Castillo de Chapultepec—Chapultepec Castle—which houses the National History Museum. If you’re hungry, you’ll find plenty of vendors peddling everything from roasted corn on the cob to cotton candy.

A serene respite from the towering urban sprawl nearby, this traditional Tang Dynasty–style landscaped garden is based on the design of the famous Jiangshouju Garden in Shanxi Province. Winding paths lead visitors past pines, cypress, and fragrant flowering trees. Set on Diamond Hill in Kowloon with the vast northern mountain range as the backdrop, the lovely park has been designed with artificial hillocks, ornamental rocks, waterfalls, and koi ponds to encourage quiet walks and reflection. Think of it as an outdoor museum for the soul and a place representing Chinese cultural ideals. A striking gilded pagoda and a pair of arched red wooden bridges are the focal points of a lotus pond and a favorite photo subject. To linger longer, enjoy a meal at the vegetarian café on-site.

Clyfford Still brought new energy to the art world after World War II with his large-scale, color-splashed paintings, and is considered one of the most important American artists of the 20th century. Though his influence on the Abstract Expressionism movement was at least as important as that of contemporaries Jackson Pollock and Mark Rothko, Still eventually broke all ties with the art world after moving to a farm in Maryland, and following his death in 1980 a huge collection of his work was sealed off completely for more than 30 years. His is widow donated his pieces to the city of Denver in 2004, and in 2011 the Clyfford Still Museum opened, housing 94 percent of his life’s work, including some 825 paintings on canvas and 1,575 works on paper, as well as sketchbooks, journals, and his library—in a museum considered one of the best examples of contemporary architecture in the city.

This elegant mall bridges glitzy Kalakaua Avenue and up-and-coming Kuhio Avenue. Its heart: a treehouse in an enormous Indian banyan tree. The tree was planted around 1850 and briefly owned by Queen Emma; at one point, one of its tree houses contained a radio station. A $500 million renovation overhauled the market place, a Waikīkī classic, in 2016. Now ten restaurants and 75 retail stores preside here, anchored by Saks Fifth Avenue—the first in Hawaii. While the International Market Place has lost its manic, Mad-Man-era, free-for-all vibe, it maintains quite a bit of character for a mall with touches like a three-story waterfall. Visit at sunset to catch traditionally dressed performers singing, dancing, blowing conches, and lighting the Lamakū Torch Tower.

District Six was originally a mixed community of freed slaves, merchants, artisans, laborers, and immigrants. Marginalization and forced removal of the residents began early in the last century and, in 1966, the neighborhood was declared a white area. By 1982, more than 60,000 people had been relocated to a barren spot aptly known as the Cape Flats, and their houses in District Six were flattened by bulldozers. An agreement about what to do with the land that was District Six has yet to be reached, and those who were forcibly evicted are still awaiting a fair settlement.

Established in 1994, the District Six Museum preserves memories of the area through photographs, traffic signs, and videos, and also focuses on forced removals in general. A large map of the district covers the floor of the museum and includes former residents’ handwritten notes about where they once lived.

Occupying a 1927 firehouse that was functioning until 1980, this nine-room hotel from the team behind Los Feliz’s Hotel Covell heralds a new era for downtown L.A.’s warehouse-cum-arts-district. The neighborhood’s first boutique hotel, the Firehouse boasts several original details, from concrete floors and exposed wood-truss ceilings to pressed-tin panels and niches originally built to hold statuettes of the Virgin Mary that were intended to protect firefighters. Even the massive red doors that once ushered in fire engines are still intact, though today they open to a light-filled ground floor that houses a café, bar, and restaurant led by chef Ashley Abodeely and pastry chef Rose Lawrence. Also on the ground floor is a retail shop with a curated selection of wares created exclusively for the hotel by L.A.-based designers, including robes and striped tote bags by Clare V, bandanas and pillowcases by Block Shop, apparel by culinary brand Hedley & Bennett, serving pieces by ceramicist Robert Siegel, and furniture from ETC.etera.

Much like when it picked then-up-and-coming Shoreditch for its first London hotel, The Hoxton brand put its Paris outpost in the heart of the 2nd Arrondissement, a booming neighborhood thanks to the arrival of several millennial-focused start-ups and tech firms. The 18th-century building’s position is also convenient for exploring the city, as attractions like the Louvre, the Marais, and Notre-Dame are a pleasant walk away. Back at home base, you’ll find eclectic interiors courtesy of the Soho House team, with original architectural details like spiral staircases and mosaic floors sharing space with vibrant floral wallpaper, mid-century-inspired furnishings, and hand-picked contemporary artwork. It’s all in keeping with The Hoxton’s emphasis on shared social spaces, so along with the comfy lobby lounges, you’ll find guests hanging out in the Rivié brasserie (which serves all-day menus of French fare and comfort food classics in both indoor and courtyard areas) and the cozy Jacques Bar (where Moroccan influences show up in the décor and the drinks list).

Founded by a surfer in search of the perfect wave, Nihiwatu is a model of sustainable luxury. The resort’s remote location on the jungle-edged coast of Sumba Island lures travelers looking for true escape and the hedonistic pleasures of private, candlelit dinners in a tree house and hikes to cliff-top spas. But it’s the cultural and community experiences that set Nihiwatu apart from other far-flung hotels. Sumbanese villagers make up 90 percent of the staff, and the resort contributes to the Sumba Foundation, which funds health clinics, water wells, and educational initiatives. Guests can observe island traditions, tour the projects, or volunteer at a school lunch program. From $900. This appeared in the Nov/Dec 2015 issue.

John Gaw Meem is considered one of New Mexico’s most influential architects—and that fact alone makes this ranch, designed in 1932 by the so-called Father of Santa Fe style, worth a visit. But Meem isn’t the only big name associated with the property: Landscape architect Rose Greeley designed the gardens and artist Peter Hurd painted a mural on the property. The hotel is set on 25 acres of lavender fields, first planted in 1999 and now used for a line of in-house spa products. There are organic gardens, too, which provide the kitchen with Chimayo chilies, casaba melons, big cheese squash, and other seasonal produce. The look here tends toward clean lines, neutral hues, and quiet elegance over fussiness, though the historic rooms tend to have a bit more New Mexico flair—kiva fireplaces, exposed ceiling beams, local art—than the newer farm rooms. The latter are located in 1930s-style dairy buildings, carefully constructed to feel both of the era and of the place.

Visitors flock to southern Arizona for sun and saguaros... ...but for a hole in the ground? Other than the ones on golf courses? From the 1960’s to the 1980’s, Tucson was ringed by eighteen steel-and-concrete-reinforced holes in the ground--highly secure shafts in the desert that housed intercontinental ballistic missiles tipped with multi-megaton nuclear bombs. “Peace through Deterrance” was the idea, as the propaganda-phrase goes... Of the 54 Titan Missile complexes that were scattered around the country, only this one, about 45 minutes south of Tucson, has been preserved and opened to the public. It’s a startling reminder of how thin the line was that separated the “Cold War” from “M.A.D."--"mutual assured destruction.” It would only have taken 30 minutes from its desert launch for this missile to deliver unimaginable destruction--via a 9 megaton nuclear warhead--up to 6300 miles (10,000km) away... On a lighter note, some of the filming of one of the Star Trek films took place here. You can visit the subterranean control bunker and staff living quarters, access corridors, and the missile silo itself. Tours are offered on the hour year-round, with additional tours offered every thirty minutes from January through April. Closed Christmas and Thanksgiving. Whether you’re coming from the left or from the right, politically, the sobering reality of this fusion of human nature and technology is worth going underground for if you’re driving down I-19.

There is much mystery surrounding Hop Sing Laundromat, an intimate take on the secret speakeasy. No sign marks the entrance, on Race Street in Philly’s Chinatown, only a locked gate and a doorbell. This craft cocktail lounge is brimming with dark atmosphere, wonderful music, and a menu of mind-bendingly creative libations. My drink of choice is the Hotel Nacional, a tropical tribute to the legendary hotel in Havana. Mixed with 15-year special reserve rum, apricot liqueur, fresh pineapple juice, and more, its sublime deliciousness quickly erases the list of ingredients from memory. Drinks range from $12 to $14, and some of the other creative concoctions include the Hemingway Daiquiri, Philly Colada, General Tso’s Chocolate Shake, Memphis Mystery Train, and Captain Kirk. This is not just a bar, it’s an experience, and worthwhile to sit at the bar and watch the talented bartenders in action. Key details to know in advance: bring ID and cash (no credit cards), and dress presentably (the dress code prohibits flip flops, sandals, sneakers, shorts, hats). Don’t arrive hungry, since no food or snacks are served. And be warned: the house rules do not allow chatting on cell phones or taking pictures. Those who violate the dress code will be turned away at the door and those who don’t follow the rules will be asked to leave. Good to know the rules in advance, because this is an experience that shouldn’t be missed. Open 5 pm to 2 am.

From New York to Tokyo, the world’s food scene is heavily informed by outside influences. In Paris, this translates to cuisine that isn’t narrowly French but rather brimming with ethnic flavors. That includes the unequivocally popular and omnipresent tastes from Italy, though they tend to vary drastically in price and quality. When I learned about Come A Casa (literally, like at home), which is located just off of the Place Léon Blum near Voltaire in the 11th, I knew I needed to see whether it ranked among the city’s few worthy Italian joints. This 15-cover jewel box of a restaurant fits the bill perfectly. The menu is compact, dominated largely by fresh antipasti and a lasagna and pasta dish that changes daily. The wines are Italian and should absolutely be paired with the meal. But what’s on the plate is only part of the charm of this Tuscan trattoria. Owner Flavia Federici is not only credited with turning out flavorful dishes capable of transporting each diner straight to Tuscany but as the mastermind behind the standout design. Trained as an architect, Flavia left no detail unconsidered when laying out the small space. The elevated, open kitchen lords over the tiny dining room, appointed with vintage furnishings (including school desks), serving dishes and shelving to house wine, pasta, sauces and other goods that guests can purchase to take home. Come A Casa is warm, welcoming and guaranteed to delight. Just don’t forget to order the stracciatella.

Spread out over several acres in the heart of Jaipur’s old town, the rose-hued City Palace complex reflects the influence of several rulers, starting with the 18th-century Maharajah Jai Singh II, who planned and built the outer walls, and ending with additions made as late as the early 20th-century. As a result, the complex—which includes former palace residences and ceremonial areas, armories, gardens, and decorated courtyards—features a mix of architectural styles, from Mughal and Rajput to classical European. Today, this is one of the first stops of any visit to the Pink City as it provides a good overview of the regal history and culture, as well as a look at lots of priceless artifacts. Start in the Mubarak Mahal (Welcome Palace), where you’ll pass under arches and colonnades to check out the collection of royal clothing and textiles, then continue on to the former Maharani’s Palace, now housing a vast collection of armor and weaponry, including intricately adorned ceremonial swords. Other collection highlights include a series of miniatures of sacred Hindu texts (found in the Diwan-i-Am Gallery) and the famous pair of silver vessels In the Diwan-i-Khas courtyard—which, at about 62 inches tall each, are thought to be the largest pieces of pure silver in the world. If the sun’s not too strong, stroll through courtyards like the Pitam Niwas Chowk, where each of the four decorated gates represents a different season.