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Amsterdam’s State Museum reopened in 2013 after a decade of renovations, and it is oh so worth a visit! Weave your way through the museum’s vast assemblage of historic art (there are over 8,000 pieces!) to check out works from Dutch masters such as Rembrandt, Van Dyck, and Vermeer in person. The collection’s best-known and most prominently displayed piece is Rembrandt’s Night Watch, but visitors can find everything from sculptures to artifacts from both the Netherlands and Dutch-colonial territories around the world. Opt for the multimedia tour for a special surprise.

This pink-marble waterfront edifice in Piazza San Marco dates back to the 14th century, when it was the residence and seat of government for the doges (rulers) of Venice. Today the ornate Byzantine- and Moorish-influenced Gothic Palazzo Ducale is a symbol of the city, and serves as a museum hosting some of Venice’s most important art, including the famous Bacchus, Venus, and Ariadne masterpiece by Tintoretto. It also runs the popular Secret Itinerary and Doge’s Palace Hidden Treasures tours. After you’re done, treat yourself to a glass of wine in the small on-site bistro, with windows looking onto the Grand Canal adjacent to the Bridge of Sighs.

Founded in 1954, La Cueva, in the seaside town of Barranquilla, gained renown as a favorite watering hole of some of Colombia’s most famous artists, writers, and intellectuals, most notably the so-called Barranquilla Group—which included Gabriel García Márquez—and painter Enrique Grau. All-night affairs were said to be equal parts pontification and house party, with a dollop of boogie. Today’s La Cueva serves a varied menu and invites visitors to relive the bohemian spirit of the artists who put this place on the map (some of their faces adorn a portrait that takes up an entire wall). Jazz bands play here on Wednesdays and Thursdays.

By 1773 the Mozart family had outgrown their residence on bustling Getreidegasse and moved across the river to the more spacious Tanzmeisterhaus, the former home of the court dancing instructor. Mozart lived here until 1781, when he moved to Vienna. His father Leopold remained until his death in 1787. More than half the building was bombed during World War II, but it was restored and opened as a museum in 1996. Inside the house are documents, portraits, and instruments that detail what life was like for the Mozart family during their time here. The Wohnhaus and Mozart’s Birthplace are both worth checking out, particularly if you’ve purchased a Salzburg Card that provides entrance to both; this one, however, is usually less crowded.

Two veteran chefs from Austin’s popular Uchi restaurant empire draw from various traditions for this modern take on Chinese cuisine. You will find inspiration from the Philippines in a chicken and rice congee dish fragrant with cilantro, jasmine, and ginger, while Texas grapefruit puts a local citrus spin on crunchy chicken. The lively atmosphere pulses with a hip-hop beat and features an oversize portrait of a panda bear draped in a gold rope necklace like an ursine version of rap legend the Notorious B.I.G. The vibe is the first clue about the irreverent attitude of a kitchen that drops classics like cumin beef and new-school favorites such as sunchoke fried rice.

Surely one of the most extraordinary imperial relics of Morocco, the Palais Bahia (“the brilliant”) doesn’t disappoint. Built at the start of the 19th century by architect El Mekki for Si Moussa, the then chamberlain of Sultan Hassan I, the palace showcases a wide range of architectural styles hinting at the chamberlain’s playful spirit, especially after his son inherited it and added his own brand of flamboyant glamour to the place. Women’s quarters bedecked with crimson-and-mustard–striped ceilings, a marble-tile courtyard the size of a soccer field, and extensive salons lined by stained-glass windows are just some of the features of the 20-acre space. In 1912, General Lyautey, the governor of French protectorate Morocco, moved in and added creature comforts such as fireplaces and central heating. In so doing, he attracted a number of illustrious guests, among them the writer Edith Wharton. She described the palace this way: “They came, they built the Bahia, and it remains the loveliest and most fantastic of Moroccan palaces. Court within court, garden beyond garden, reception halls, private apartments, slaves’ quarters, sunny prophets’ chambers on the roofs, and baths in vaulted crypts, the labyrinth of passages and rooms stretches away over several acres of ground.” Follow Wharton’s lead and don’t miss it.

The grand koa wood staircase was shining with a new coat of oil as the focal point of the room; it’s beautiful curves lead the eye gently from the second floor down to the first floor. Men and women dressed in ornate gowns and neck-restricting tuxedos floated around the staircase receiving each other with a proper handshake or curtsy. The party was just beginning as horses pulled up to the ultra modern palace depositing people of stature out of their buggies. The year was 1882 in the island nation of Hawaii. Even though I like to live in the present, I couldn’t help but imagine the past as I was led through the Iolani Palace in Oahu. The docent painted a perfect picture of arriving at a ball in the mid 1880’s – the sites, sounds, and even the dinner entries that would be served. After the docent led tour you can have the pleasure of saying the you’ve been in the only palace in America! More Info: Iolani Palace Tour Information: Guided Docent Led Tours – Adults: $20 / Children (5-12) $6. This tour is available from 9:00 a.m. to 11:15 a.m. Monday through Saturday. Audie Tours – Adults: $13 / Children (5-12) $6. This tour is available from Monday through Saturday 11:45 a.m. to 3:30 p.m. Be sure to check the times and costs on the website which will have up to date information and details. Get all of the details including great historical information, information on the restoration, and learn about upcoming events on the Iolani Palace website: www.iolanipalace.org.

I would like to tell you about the place where you can the authentic real stuff that ordinary persons are selling on the street. An open air market called Feira da Ladra (Flee Market). It takes place around the Church of São Vicente de Fora on Tuesdays and Saturdays from 6h00 till 13h00. Here you can find everything that is characteristic about the Portuguese culture in objects, which belonged once to someone, who made it a part of their life for a number of years and now they are almost giving it away. I remember on one of my first trips I managed to grab a beautiful vintage 1940’s white linen hand braided table cloth that was custom made for the Henrique Family’s new dining room table. I got it from a middle aged woman, who went by the name of Maria Henrique who was selling a few pieces that had belonged to her grandmother. The hand sown H for the initial of the family’s last name approved for the authenticity of the item and I had no problem dishing out the incredible amount of…5 Euros.

At the summit of Montmartre, the highest point in the city, you’ll find the Basilica de Sacré-Cœur. Contrasting with the Gothic churches like Notre-Dame, the Romano-Byzantine architecture is both beautiful inside and out. While outside, take in the panorama of Paris and while inside, marvel at the Apse Mosaic—one of the largest mosaics in the world. The Sacré-Cœur website has instructions on how to download the free audio guide on your phone before your visit which is recommended. Also, research the well-known (and apparently tried-and-true) scams before traveling to Paris. Overall, the city seems pretty free of tourist scams, but around Sacré-Cœur especially, visitors should be on alert.

After studying the time-honored traditions of whole hog barbecue from old-timers in West Tennessee, Pat Martin brought the craft to the Nashville area. He opened his first joint in a repurposed auto-body shop in Nolensville, but now has achieved barbecue-empire status with multiple locations. The grandest branch, in downtown Nashville, includes a terrific backyard beer garden, with an open skeleton of steel beams overhead, the surrounding brick walls covered with bright murals and bric-a-brac from old license plates to portraits of Daisy Duke, and everywhere the perfume of pit smoke. It’s hard to make a poor choice from a menu that includes smoked wings in Alabama white sauce, pulled pork over hoecake with slaw (called the Redneck Taco), and simple slices of beef brisket.

A 1901 landmark in Hanoi’s French Quarter, the colonial-style Sofitel Legend Metropole has long been a celebrity magnet, welcoming presidents, ambassadors, and literary and cinematic royalty into its marble lobby. Somerset Maugham and Graham Greene both wrote books here (The Gentleman in the Parlour and The Quiet American, respectively); Charlie Chaplin and Paulette Goddard celebrated their honeymoon at the property; and Jane Fonda and Joan Baez took to the bomb shelter beneath the hotel during air raids (book the complementary Path of History Tour, held every day at 5 and 6 p.m., for a chance to see where they hid out).

The 364 guest rooms are divided between two wings: The historic Metropole section has decor shaped by French architecture and Vietnamese culture (think wood floors, louver windows, bird-cage lampshades, and porcelain light fixtures); the newer wing, opened in 1996 just across the traffic circle from the Opera House, has a strong Neoclassical edge with rooms in dramatic red, black, and white. With its green awning, filigree ironwork, and outdoor wood-deck seating, La Terrasse has the feel of a Parisian café, while Le Beaulieu restaurant serves classic French fare and a decadent Sunday brunch. Spices Garden showcases Vietnamese flavors, and three drinking dens—sleek Angelina, gentlemanly Le Club Bar, and poolside Bamboo Bar—appeal to every kind of spirits lover. Between the central courtyard garden and the pool sit the SoFit gym and Le Spa, with eight rooms for soothing East-meets-West treatments.

Within the 18th arrondissement in Paris France, high atop the city, resides the wonderfully beautiful, hilly neighborhood of Montmartre. This diverse and eclectic section of the city can be a bit busy with tourists, but the views of Paris and the splendor of the Basilica of the Sacré-Cœur are certainly worth it. Riding the funicular is rather novel, but not necessary if you’re willing to climb the 300+ steps to the summit. This is an area to be explored on foot, as is nearly all of Paris. The shops, theaters, and forever famous Moulin Rouge should not be missed. The streets are intimate, the shops unique, and the overall feel of this place speaks of a youthful, colorful Paris.

Discreetly tucked downstairs at the Hay-Adams Hotel just a little more than a stone’s-throw from the White House, this aptly named bar invites customers to muse about the deals that must have been made within these scarlet walls. The caricatures hanging around the room create a sort of satellite to the National Portrait Gallery—is that Marion Barry hanging behind the bar? Or Ruth Bader Ginsburg presiding over that table by the window? Trying to identify the faces on the walls may distract you from seeing who’s sitting beside you. If you know your D.C. players, you’ll recognize the elite of national politics tucking into shrimp cocktails and great burgers during a working lunch or sipping Sazeracs after a long day on the Senate floor.

Its massive size, centrality to daily life in the capital, and easy accessibility (a Metro station opens up right onto the plaza) makes the Zócalo an ideal place for large-scale temporary exhibits. The government hosts occasional exhibits and makes entry free for residents and visitors alike. Past exhibits have included Gregory Colbert’s “Ashes and Snow,” a show of large-format photos of animals and people, and Willy Souza’s “Mexico en tus sentidos” (“Mexico in your senses”), lush, vivid photos of people and places around Mexico. To see if a show is planned during the time you’ll be visiting, check the website of the Secretary of Tourism.

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.