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Why we love it: A grand resort with subtle style and top-notch amenities

The Highlights:
- Stylishly minimal guest rooms with balconies and deep-soaking tubs
- An infinity pool overlooking the Dead Sea
- Impeccable service from an expert staff

The Review:
There’s a tendency among high-end hotels in the Middle East to overwhelm guests with bling. The Kempinski Hotel Ishtar, the grandest of all the Dead Sea resorts, does things a little differently, impressing visitors with its architecture instead. The hotel’s Babylonian-style buildings loom large, but inside the decor is dialed back to the point of almost minimal. Walls disappear into expanses of glass, framing dramatic views over the sea, while shady balconies and sunken baths keep ostentatiousness at bay. There are plenty of pools, lagoons, and waterfalls of course, plus a private beach, a luxurious spa, and a handful of restaurants, but your first impression, as someone hands you a glass of cold hibiscus juice at check-in, is that this is a hotel that gets the details right.

Interior designer and owner Denis Roy eschewed the palapa-inspired elegance employed by so many Costa Rican resorts in favor of a tropical take on European influences—Victorian architecture, French colonial touches, and Grecian columns among them—creating a resort like no other on the country’s west coast. Owing to its vantage point 1,100 feet above the entrance to the Gulf of Nicoya, the views of the rain forest, ocean, and sunsets are stunning, especially from the infinity pool. Rooms in the main building are fairly basic, but suites and villas offer more luxurious touches, such as Jacuzzis, private ocean-facing terraces, and plunge pools. The property has its own beach (with sun beds, showers, and a snack bar), but since it’s at the bottom of a steep hill, the resort provides hourly transfers. Retreat to the open-air yoga studio, then head to the bar atop the Greek amphitheater to linger over a martini at the nightly sunset happy hour.

Think of the Pantone Hotel as a chance to reconsider your color scheme. A sleek concept hotel with the classic white backdrop and clean-lined, retro-inspired furnishings common among European design hotels, this venture from the iconic color company and two of Belgium’s top designers and architects lives up to its name. Bold splashes of the brightest Pantone colors exist throughout. Each room is themed according to its own color (don’t worry, each is identified, so you can stock up on mugs and other Pantone swag in the hotel’s shop) and decorated with original art photography of Brussels in which the specific Pantone hue has been found. Larger rooms combine complementary shades from the Pantone spectrum. The lobby lounge is a vibrant, airy space where geometric furniture and pops of color create an updated version of a 1970s aesthetic that incorporates the building’s original architecture into the modern conceit. Most entertaining of all, the colors don’t even stop at the food: sugar packets are filled with Pantone-tinted sugar for your coffee. Talk about obsessive.

For its much-anticipated first outpost outside London, the hip Hoxton boutique hotel brand—named for the trendy hipster neighborhood of its first hotel—chose five 17th- and 18th-century townhouses (including a former mayoral residence) on the canals of the Dutch capital. The brand has a formula that works, but rather than impose its signature style on another city—colonial-style, if you will—the designers have done it the other way around, imposing the buildings’ architectural styles and the city’s aesthetic on the brand. Original parquet floors, beamed ceilings, and wood paneling infuse the midcentury leather furnishings, geometric mirrors, and creatively patterned subway-tiled bathrooms with a Dutch feel, while the turquoise of the canal outside is reflected in the paint. Two rooms have original ceiling frescoes, and five have (non-working) fireplaces. In the ways that count, The Hoxton is true to its brand, such as bespoke toiletries, a scenester restaurant, a trendy bar, and its signature daily breakfast bag with a banana, granola, and orange juice.

This lodge offers a private island stay, paired with the option of experiencing the Swahili architecture, music, and culture of Stone Town (Zanzibar’s main town, 20 minutes from Mnemba by boat plus a 90-minute drive). Ten high-ceilinged, thatched bandas are footsteps from a flour-fine sand beach and are romantically furnished with elaborately carved wooden beds. For those who want a change of scenery, verandas and shaded beach beds offer a variety of places to sleep off all the early morning safari wake-up calls. Just under one mile in circumference, Mnemba Island has permanent residents that include poodle-sized Suni and rabbit-sized Ader’s duiker antelope, breeding doves, and enormous terrestrial coconut crabs. Sunbathers can spot dolphins from the beach year-round, and scuba divers might encounter the occasional whale shark.

Fearing a British takeover of its ill-gotten trading post, the Dutch East India Company built this star-shaped castle (known as Kasteel de Goede Hoop) between 1666 and 1679 to defend its territory. Now the oldest building in South Africa, the castle served as the center of Cape Town‘s civilian, political, and military life. The austere facade opens up to a striking central lawn and commanding buildings that, in their restored form, represent Dutch, English, and French architectural styles. History buffs will go nuts here: Check out the William Fehr Collection, the African pottery exhibit, and the Castle Military Museum.

A short walk from Daikanyama Station is one of the metropolis’s iconic bookstores, Tsutaya at T-Site. Designed by Klein Dytham Architecture, the Tsutaya bookstore is celebrated not only for the beauty of its three buildings but also for the extensive selection of books, magazines, CDs, and DVDs. Tsutaya opens at 7 a.m., perfect for travelers who land before hotel check-in. You can have a coffee or a cocktail in the Anjin Lounge while perusing books. The concierges are specialists in a variety of topics to help guide consumers through the books, music, and movies.

The Museum of Modern Art, one of the city’s—and the country’s—premier institutions for modern and contemporary art, first opened its doors in 1939. Its permanent collection of almost 200,000 works includes masterpieces by many of the 20th century’s leading artists: Duchamp, Matisse, Picasso, Warhol...the list truly could go on and on. In the permanent collection, van Gogh’s Starry Night and three panels of Monet’s series of paintings of water lilies are among the most famous works. The museum’s first director, Alfred Barr, was praised for taking the innovative step of expanding the role of the art museum to include genres beyond painting and sculpture, and to this day the institution dedicates exhibitions (and resources) to design, architecture, photography, and other creative fields. The museum also has a space in the Long Island City neighborhood of Queens, called MoMA PS 1, which focuses principally on younger, emerging artists and hosts Warm Up, a summer live music series.

Standing out in San Francisco‘s Marina District, this historic landmark is a leftover from the 1915 Pan-Pacific International Expo and was designed by Bernard R. Maybeck, a student of the École des Beaux-Arts. His vision was to give the impression of ancient Roman ruins. When the fair concluded, the Palace of Fine Arts proved too beautiful to raze. Maybeck had intended the Palace to fall into ruins (in keeping with his original vision), and it did for years. It was used as a storage depot after World War II and as a warehouse for the Parks Department. In the late 1950s, a local city official led an effort to face-lift the building. The Palace of Fine Arts was rebuilt and is now enjoyed by visitors who walk beneath the towering colonnade and the grand rotunda.

Pass through the iconic arched doorway at College Green and enter the elegant quads, handsome architecture and verdant lawns of Trinity College, one of Ireland‘s most prestigious universities. Among its many attributes is the atmospheric 18th-century Old Library, whose most precious tome is the 1,200-year-old Book of Kells, a priceless illuminated manuscript. Also worth a visit are the college’s Douglas Hyde Gallery, devoted to contemporary art, and the thought-provoking Science Gallery.

Part Roman bath, part Turkish hammam, part massage parlor—it all adds up to a restorative haven in the concrete jungle that is Manhattan. Aire is part of a chain that started in Seville, Spain, and every location is specially chosen to include an underground bath area comprised of stone and marble pools, treatment rooms, a hammam, and relaxation areas. The Tribeca building dates to 1883; all original architectural elements were restored and garnished with lanterns from Morocco plus marble from Spain. Old wood beams that could have been thrown away during construction were turned into beautiful benches and tables, and candles are the only source of light in most of the 16,000 square-foot space. A salt pool allows you to experience what many travel all the way to the Dead Sea for: effortless flotation. The Eucalyptus-scented hammam cleared out my head so I could leave with renewed vigor for the day’s writing projects. My massage, too, was worth every penny, though you can use the pools and steam room without being treated by a masseuse. And extendd hours (from 9 a.m. to 11 p.m. daily) mean you can drop in even after a full day of work or sightseeing.

This massive church was one of the most impressive in size, architecture, and collection of relics—for the art that is within and surrounding the building. Before you head inside, almost as an afterthought hidden in between kiosks selling St. Anthony prayer candles and rosaries, you’ll encounter the equestrian statue of Gattamelata by Donatello. If you are traveling during the week of June the 13th (the day that St. Anthony died) you’ll be in the company of hundreds, perhaps thousands, who have come to pray to him inside the church beside his tomb. Visitors, some desperate for an answer from above, leave flowers, letters and personal items alongside his tomb. At the back of the church there are relics that belonged to St. Anthony such as his preserved tongue, black and withered by time, that sits within a glass case surrounded in gold. Other items include his ear, pieces of clothing he was thought to wear and touch during his life. The size of the interior and columns may inspire you to sit among those loyal devotees and listen to a lulling service in Italian. (My camera was held hostage during my visit so the image is accredited to http://commons.wikimedia.org)

I was in the Ribeira district of Oporto. I wanted to see the Gothic and Baroque Church of Sao Francisco. So I wandered into the church that was listed as one of the most important and beautiful churches of Oporto. It was said to be very ornate. I was mesmerized by the beauty of this huge edifice with the elaborately decorated interior said to have more than 300 kilos of gold dust covering altars and other decorative surfaces. I stood there and tried to think of the work involved in completing this church. It must have been a huge undertaking ( as were so many of the monuments the world over). The church was built originally as a small building in 1245 by the Franciscan friars in honor of Saint Francis of Assisi. In 1383, a much larger church was built.It was finished about 1425. The structure is a basic Gothic church with the large rose window. In the 17th and 18th centuries, Baroque architecture was added. The Franciscan friars were buried in the catacombs which you can visit. There is also an ossuary with thousands of human bones. The interior is very large and you need at least an hour to peruse this monument. This is an attraction that you should not miss while in Oporto.

Designed by Frank Lloyd Wright in 1903 for a wealthy businessman, the Martin House is one of Buffalo’s architectural masterpieces. Situated in the beautiful Parkside neighborhood, it stands out among the restored Victorian homes and canopy of old-growth trees for its Prairie house style, complete with strong horizontal lines, deeply overhanging eaves, and a sheltering, cantilevered roof. A pergola connects the home to a conservatory and carriage house with chauffeur’s quarters and stables, while a smaller residence and gardener’s cottage sit nearby. Over the decades, the complex suffered considerable damage and three of the original five buildings were destroyed, but in 1992, the Martin House Restoration Corporation was formed to raise funds and oversee a complete restoration.

Extensive reconstruction efforts began in 1997 and are ongoing today, but visitors can now experience the property on a variety of tours. Choose from one- and two-hour options to see details like Wright-designed furniture, art glass, and light fixtures, or pick a themed tour like the Twilight, Photography+, or Wright Night. Either way, save time to check out the conservatory, anchored by a stunning replica of the Nike of Samothrace statue.

Named after the Latin word for “harbor,” Hotel Hafnia sits in the center of Old Town Tórshavn, just steps from the wharf and Faroese Parliament buildings. Surrounded by shops and restaurants, the property offers a convenient location, as well as comfortable accommodations. All rooms feature satellite TV, mini bars, and free Wi-Fi, while some larger options include seating areas and complimentary access to the hotel sauna. Book a renovated Nordic Double room for a modern color scheme, stylish furniture, and puffin murals, or one of the hotel’s three self-catering cottages, which showcase old Faroese architecture, kitchenettes, and attics with additional beds.

In addition to a warm, welcoming lobby with couches draped in sheepskin, the hotel offers a top-floor conference facility with sweeping views of the city. There are also three dining options on site, from a namesake restaurant (popular for its breakfast buffet with locally sourced ingredients) to Kafe Kaspar (for bagels, salads, and home-baked items) and Katrina Christiansen (serving a tapas-inspired menu in a historic setting). Note that Hotel Hafnia does not have parking facilities and, while there are some public spaces outside the hotel, they’re limited to 30 minutes on weekdays.