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Sometimes called “Milan‘s Sistine Chapel” because of its profusely--and beautifully-- decorated walls and ceilings, San Maurizio al Monastero Maggiore is well worth a visit. The Renaissance paintings commissioned by the Sforza family (the primary sponsors of Leonardo da Vinci), adorn the walls of a cloistered convent founded for noble ladies in the early 16th century. Built on an ancient Roman site, the church was built and decorated in stages over several centuries, every interior wall covered in luminous colors befitting the pomp of Lombard aristocratic taste. In particular, frescoes by Bernardino Luini, student of da Vinci, blend the sacred and the profane, using members of the court as models for portraits of saints. Most of the numerous religious and secular works of the Milanese painter have been lost, so San Maurizio is the best place to see his works. To get the most out of a visit to this little gem of art history, go with a knowledgeable guide. My husband and I toured historical Milan with Ludovic Goudin of Walks of Italy, who offer a variety of tours in Milan. San Maurizio was just one of the fascinating places we visited!.

The National Museum of Ireland is free to enter and is spread across four sites in Dublin, covering archaeology, decorative arts and history, country life, and natural history. The archaeology museum is in an imposing building of columns, vaulted ceilings, and marble staircases situated on Kildare Street. It traces Ireland’s history from prehistoric times through the Roman, Viking, and medieval periods. The exhibitions are well set out and clearly labelled. The section on Ireland’s prehistoric gold, including exquisitely-wrought jewellery from the bronze and iron ages, is particularly interesting. But the most mind-blowing exhibition is called Kingship and Sacrifice, and displays findings related to the ritual killing of presumed royals during the iron age. As part of what are thought to be sovereignty and kingship rituals, people were sacrificed - sometimes brutally - and their bodies tossed into peat bogs (which often marked the boundaries between kingdoms). The anaerobic conditions of the bogs preserved the bodies, some of which are on display. Even after thousands of years you can still make out facial expressions, and in one case, hair! The museum also hosts important religious icons and relics from medieval Christianity, for example the twelfth century Cross of Cong - said once to have contained a fragment of the true cross. If you are at all interested in ancient history, set aside a good couple of hours and explore the museum thoroughly. It’s well worth it!

There’s plenty of art in Venice, from the churches to the Scuoli to the Accademia. But when you just can’t look at another Caravaggio, and even Titian hair doesn’t move you any more, refresh yourself with a visit to Peggy’s house. The renowned American heiress lived here for 30 years and houses a beautiful selection of her famous modern art collection. It’s a real jewel, small enough to feel manageable, significant enough to cover almost all of the modern art movements and include important pieces from Jackson Pollock and Mondrian to Picasso, Dalí and Kandinsky. The petite sculpture garden (above) has the kind of works that will make you smile, and there are also temporary exhibitions. I was there during a special Futurism collection and a young intern, seeing me with my 13-year-old friend Niambh, offered us a special one-on-one guide to the paintings. A joy.

It took 424 years to build this Gothic showpiece, but considering the hundreds of sculptures jutting out from the facade, the timing is almost understandable. At 466 feet tall, the Strasbourg Cathedral was, from its completion in 1439 until the mid-19th century, the highest Christian structure in the world. Today, it’s fallen to sixth place, but its frontispiece is still considered one of the greatest medieval picture books of all time. Inside, a gander at the 12th- to 14th-century stained glass and organ (with parts dating back to 1385) is optional, but climbing the spire’s 322 steps to enjoy panoramic views over the city as far as Vosges and the Black Forest is pretty much obligatory. Make sure your visit coincides with the 12:30 p.m. hour, when the cathedral’s astronomical clock comes alive with apostles parading before Christ.

Bermuda waited 45 years for a new-build hotel, but the Loren has proved worth it. Situated on eight acres fronting the turquoise sea near the center of the archipelago, the architecturally sleek luxury property eschews standard tropical patterns and pastel palettes in favor of warm modernism, with world-class art, floor-to-ceiling windows, and a sculptural glass staircase off the lobby. Each suite provides a plush landing thanks to marble baths with freestanding tubs and private terraces with ocean views, plus sumptuous Sferra towels and bath products by Malin + Goetz. For those who don’t want to drive the 20 minutes to Hamilton, the elegant seasonal cuisine at Marée (Bermudan baby greens with goat cheese croquettes and wild strawberries, local snapper with fava bean puree) exceeds expectations, and the botanical-infused treatments at the beachside spa will make the real world seem like a distant memory.

In addition to providing a peaceful green space, this remarkable terraced garden near the Ponte Vecchio offers terrific views of the city. Its scale—much smaller than that of the Boboli Gardens—gives it a more intimate feel. In spite of its size, it includes an incredible diversity of garden styles. Climb the grand central staircase and wander from woodlands to an Anglo-Chinese garden, with fountains and sculptures in the mix, as well as visible fragments of the garden’s original medieval walls. The famed 19th-century art dealer Stefano Bardini lived in the Villa Mozzi (now the Villa Bardini) and it is his unique taste and vision that continues to shape this ornate attraction.

The Pennsylvania Academy of the Fine Arts is the nation’s first museum and school of fine arts, and home to an outstanding permanent collection of American art, including Thomas Eakins’ medical painting “Gross Clinic”. Throughout the year, PAFA presents special exhibitions and work by some of the region’s most talented contemporary artists. The galleries are contained in two separate buildings, the Historic Landmark Building (pictured), a spectacular architectural gem designed by Frank Furness and George W. Hewitt, and the new Samuel Hamilton Building at 128 North Broad Street. Be sure to visit Lenfest Plaza, a public space adjacent to the Academy to check out Philadelphia artist Jordan Griska’s fantastic sculpture made from a former US military plane. PAFA’s gift shop, housed in the new Hamilton Building, is a wonderful place to shop for unique accessories, arts, crafts and paper goods.

When in Stockholm, try this budget attraction—the subway! This really is art underground, literally. It is called the longest art museum in the world. Over 90 of the 100 stations in Stockholm have been decorated with sculptures, mosaics, paintings, installations, engravings, and reliefs, by more than 150 artists. I spent over three hours here, getting off at each stop to take photos. My favorite line was the blue line, built in the 1970s and left more “natural.” All the blastings that take place to build an underground subway are typically covered up with tiles and walls. But the blue line left the rock exposed, which gives you the feeling of a cave as opposed to a subway. The best part is, this museum costs only the price of a subway ticket! To learn more, visit http://sl.se/Global/Konst/Engelska%20broshyrer/Art-MetroENG_webb.pdf

One of the South’s top art institutions, the High Museum was established in 1905 with a collection of European works. Over time, it has expanded to include modern art, regional artists, and rotating exhibits on everything from designer sneakers to the Terracotta Warriors to the Louvre’s most notable works. Outside, guests can view Rodin’s famous sculpture The Shade, which serves as a memorial to the 106 art patrons from Atlanta who died in a plane crash in 1962. Also outdoors are several interactive exhibits that encourage visitors to get up-close-and-personal with the art.

About an hour north of Bogotá lies the so-called Salt Cathedral, an intriguing and impressive church that has been sculpted from the empty chambers of a working salt mine, one that’s been in operation since pre-Hispanic times. Beginning in the 20th century, miners began to decorate shafts with icons and saints from whom they sought protection. By 1954, a full-fledged cathedral had been carved into the rock and inaugurated; it has been attracting visitors from all over the world ever since. When a previous sanctuary became unstable, the current chapel was carved almost 200 feet deeper down and opened in 1995, complete with eerie lighting and beautiful sculptures. A visit is a moving experience even for nonbelievers.

Art lovers will have to wait until at least 2121 for the opening of Aix’s Jacqueline and Pablo Picasso Museum, which will include 2,000 works from when the artist was married to his second wife. Until then, they can find Picasso on the walls of the Musée Granet, which also boasts pieces by Cézanne, Rembrandt, Degas, Renoir, Monet, and Van Gogh, plus an American exhibition, a neoclassical sculpture collection, and several Pop Art works. The museum is a little tricky to find—look for the Church of St. John off Cours Mirabeau—but once you’re there, it only costs 5.50 euros (around $6) for a ticket. Admission nearly doubles during the summer season but also includes entry to the nearby modern art museum, Granet XXe.

With its stunning architecture and vast private collection of modern art, the Maeght Foundation is no ordinary museum. The entire estate is dedicated to art, with pieces by Marc Chagall, Eduardo Chillida, Pierre Tal-Coat, and Pierre Bonnard mixing with more contemporary works by Gérard Fromanger and Marco Del Re in the innovatively designed buildings. Outside, cicada song sets the tone and the scent of pine fills the air in the sweeping space filled with sculptures by Joan Miró, Alexander Calder, and Georges Braque. It’s hard to imagine a more enchanting place to appreciate art, as perfect for connoisseurs as for those just learning about 20th-century artists. The gift shop sells souvenirs as well as valuable lithographs.

This rickety old five-storey loft building downtown became an enclave for art galleries a couple of decades ago because the rents were affordable and the location was central. Management has since embraced its status as Montreal’s small-gallery and artist-run centre headquarters, and spruced the building up a bit, encouraged by the enthusiastic foot-traffic the galleries bring. Some mainstays absolutely not to be missed on your trip there include Pierre-François Ouellette Art Contemporain (pictured), where you might catch art by Kent Monkman, Maskull Lasserre or Karilee Fuglem; Circa, an exciting space in constant development these days, dedicated to sculptural works; and Galerie Joyce Yahouda, an effervescent space where you can see work by local artists including Céline B. La Terreur, François Morelli or David Elliott.

In the Old Souq at Deira and in traditional boutiques in malls you’ll see colorful jalabiyas or women’s kanduras, which are increasingly being bought by foreign women. When out in public or in the company of men who aren’t family, Emirati women wear the ubiquitous black cloak-like abaya and black shaylah wrapped around their head - tightly if devout, more loose if less conservative. The most religious women we’re a Saudi-style niqab that ties around the head and covers all but the eyes. When worn with gloves and socks, so not an inch of skin is revealed, it’s known as hijab. Underneath the abaya and shaylah, young Emirati women wear designer fashions and jeans and t-shirts. However, when they’re at home with family, along with older ladies, more traditional-minded women will wear a jallabiya or women’s kandura. Some of these are very simple, made from floral cotton prints, while others, like those in the photo above, are a lot more elegant, made from silks and linens, and decorated with applique, sequins, gems, tassles, and crocheted and embroidered features. In the days before the discovery of oil, Emirati women didn’t wear abayas and shaylahs. They wore these dresses in public with a gauzy face veil and baggy pantaloons. These days the pantaloons have been replaced with smart matching trousers. Over the years, jalabiyas and kanduras have increasingly become a popular souvenir. If you’re going to get one, make sure to buy some pretty sequined slippers to match!

Centuries-old catacombs decorated with human bones pepper the crypts at this Franciscan monastery dating to 1774. Decked out in impressive Spanish Baroque architecture, the canary-yellow church and monastery also house a remarkable library with some 25,000 antique texts (some predating the Spanish Conquest) and are flush with romantic courtyards and cloisters. Don’t forget to look up: A magnificent Moorish-style cupola, carved of Nicaraguan cedar in 1625, oversees the main staircase.