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Farming roots in Arizona’s third-largest city run deep, and the Fresh Foodie Trail highlights this history. Participants get a hands-on (and delicious) learning experience with pasta-making courses that use ancient grains, foraging excursions, and visits to some of the area’s best farmers markets, food trucks, and farm-to-table eateries. The farms surrounding Mesa—including those in neighboring towns like Gilbert and Queen Creek—produce a dazzling seasonal bounty: citrus in January, peaches in May, olives in October, and heirloom wheat during the winter months. The tour is an appetizing way to learn why your food choices matter.

If you had to choose one place to symbolize Rio’s Belle Époque, it would be this sumptuous café, a must-do for every downtown visitor. Built by a Portuguese family in 1894—when Rio still evinced the splendor of a former imperial capital—its art nouveau–inspired refinements like huge mirrors, imported from Europe, wood furnishings, immense chandeliers, and stained-glass transoms welcome patrons. Colombo is all so terribly majestic you could be at one of the Continent’s grand salons or even the Tortoni in Buenos Aires. Perfect for afternoons over a pastelzinho de Belém, Lisbon’s traditional sweet egg tart.

Wholesale Market, located off the Salwa Road on the way to Mamoura, this is the equivalent to a Farmer’s Market with a few cultural twists: a section devoted to fish with its own subsection for crabs, lobsters, crayfish, prawns, squid, locally-caught whole fish, and a non-air-conditioned fish cleaning section; an animal/meat section where butchered meat is available as well as live goats, sheep and cows which are taken to the slaughter house next door; a Vegetable Souq, where locals and international chefs barter for imported and locally-grown fruits and vegetables. There is no place like the wholesale market to observe true Qatari life, see porters carrying peoples’ buys in a wheelbarrow to their cars, or spot a few camels ready to be slaughtered.

The mission of the Popular Art Museum is to introduce visitors to the rich array of traditional arts and crafts made by Salvadoran artists, as well as emerging art forms. Sculptures, paintings, weavings, jewelry, clay work, masks, and works made with paper form the bulk of the permanent collection, with temporary exhibits taking a closer look at particular art forms. The museum is very family-friendly, hosting regular craft-making workshops for children and adults.

Out of the tragedy of the plague arose the Karlskirche, perhaps the most magnificent of Vienna’s baroque churches. One of the final designs by Johann Bernhard Fischer von Erlach, the genius behind the Schönbrunn Palace, Karlskirche commemorates the outbreak of 1713. The Karl who gave the church its name was the Counter-Reformation’s Saint Charles Borromeo, who cared for plague victims in 16th-century Milan. The church dome, rising above two columns inspired by Trajan’s Column, is illuminated at night and is a prominent Vienna landmark which be seen from many points in the city. A vibrant fresco in the cupola by Johann Michael Rottmayr glorifies Saint Charles. On Karlsplatz, in front of the church, two of the legendary architect Otto Wagner’s finest art nouveau metro stations remain; one of them now houses a café.

Those who just stumble upon the Hundertwasserhaus apartments in the Third District will likely be wowed by the buildings. Friedensreich Hundertwasser’s funky, mid-1980s organic housing complex is weird and gorgeous with a wavy, eclectically painted facade that looks like something out of a cartoon. With trees growing on its terraces and roof, it’s the antithesis of staid imperial Vienna. A freethinker if there ever was one, the artist, architect, and environmentalist Hundertwasser could be called Austria’s Gaudí. Visitors can learn more about him in the ground-floor café. Nearby, Hundertwasser designed the Kunst Haus Wien art museum out of an old Thonet furniture factory, while up the Danube Canal an incineration plant’s chimney got the Hundertwasser treatment with trippy colors and a funky golden ball on top.

The Celts were in Austria long before the Romans were, but it was the latter who left a more lasting imprint. With a population of 30,000 at its peak, the Roman legion camp of Vindobona was considered the edge of the world. As old as the Roman presence in Vienna is, the Römermuseum only dates back to 2008. On the Hoher Markt, one of the oldest squares in the city (and one with a fabulous gilded baroque fountain), the museum lies right over the Roman officers’ compound. Displays on everything from cooking utensils to toys are enhanced with a 3-D film on life at the time. Across the square, the Ankeruhr, an intricate and gorgeous art nouveau mechanical clock, was erected in 1914 on a bridge joining two sections of the Anker insurance building.

Trade your yodeling for yoga at this free-spirited meditation center in the former Grand Hotel Sonnenberg, a converted Beaux-Arts property nesting atop an enviable ridge in Seelisberg that overlooks the peaceful and turquoise Lake Uri below. The center was founded by the late Maharishi Mahesh Yogi, guru to the Beatles (among many other celebrities). For the unenlightened, the center’s friendly, English-speaking staff will give you a free tour of the facility and a 101 on TM (Transcendental Meditation). Additional activities like yajna rituals and Ayurvedic treatments can be arranged for long-term visitors. Even if TM is not for you, it’s worth the trek to Seelisberg for the glorious views and the rhododendron and rose gardens surrounding the center, which is open to all.

Dalian was under Russian rule from 1898 to 1905, and even though Russia’s occupation of Dalian was relatively short, it still managed to erect several grand buildings on what was then called Engineer Street, and today Russian (or sometimes, Russia Customs) Street. The street is bookended by the Beaux-Arts Dalniy City Hall and the Russian Library, now a museum, in a fanciful Victorian brick building. Between them stand eight colorful restored Russian-era buildings and a handful of late 1990s ones with Russian-inspired designs that were constructed to complement the earlier buildings.

Surely one of the most extraordinary imperial relics of Morocco, the Palais Bahia (“the brilliant”) doesn’t disappoint. Built at the start of the 19th century by architect El Mekki for Si Moussa, the then chamberlain of Sultan Hassan I, the palace showcases a wide range of architectural styles hinting at the chamberlain’s playful spirit, especially after his son inherited it and added his own brand of flamboyant glamour to the place. Women’s quarters bedecked with crimson-and-mustard–striped ceilings, a marble-tile courtyard the size of a soccer field, and extensive salons lined by stained-glass windows are just some of the features of the 20-acre space. In 1912, General Lyautey, the governor of French protectorate Morocco, moved in and added creature comforts such as fireplaces and central heating. In so doing, he attracted a number of illustrious guests, among them the writer Edith Wharton. She described the palace this way: “They came, they built the Bahia, and it remains the loveliest and most fantastic of Moroccan palaces. Court within court, garden beyond garden, reception halls, private apartments, slaves’ quarters, sunny prophets’ chambers on the roofs, and baths in vaulted crypts, the labyrinth of passages and rooms stretches away over several acres of ground.” Follow Wharton’s lead and don’t miss it.

For iconic hotels in Athens, there are multiple addresses to call into, including sister property King George next door, but the Grande Bretagne is the city’s grande dame. The King and dame share an unbeatable location on Syntagma Square, requisite views of the Acropolis, a long and storied guest list, and all the upscale comforts associated with a five-star hotel. The Grande Bretagne has a bit more old-world grandeur than boutique sophistication, with more gilded frames, heavy-luxe drapery, and antique furnishings. It also has a few added amenities: a health and beauty spa, the Winter Garden lounge for high tea with live piano music, and the pièce de résistance: a rooftop pool facing Lycabettus Hill. The rooftop restaurant is also top-notch, serving a new mediterranean menu of scallops and kimchi and grilled salmon with parsley root cream. Guests staying on the sixth and seventh floors may enjoy 24-hour butler service, and all guests can request a chef-prepared picnic to take along for a day of Athens sightseeing.

Bangkok’s most iconic site is a massive palace complex that served as the royal residence until 1925. Of its many buildings, the one with the most architectural interest is Chakri Mahaprasat. It was designed in 1882 by British architects, in a style that could be described as traditional Thai meets Italian Renaissance. Nearby is the 1784 Wat Phra Kaeo, or Temple of the Emerald Buddha, Thailand’s most sacred Buddhist place of worship. Go inside to see the Emerald Buddha, carved not of emerald but of semiprecious green stone, robed in gold and just 66 centimeters (26 inches) high.

The King Cole Bar is about as legendary as any bar in New York. Located in the St. Regis Hotel at Fifth Avenue and 55th Street, it has been the place to go for a cocktail since it opened in 1932—Salvador Dalí, John Lennon, and Marilyn Monroe are just a few from a long list of famous names who have dropped in for a drink. The bar sits off the St. Regis New York’s lobby and is presided over by the famous King Cole mural painted by Maxfield Parrish, with John Jacob Astor IV playing the part of the king, jesters to each side of him. Today it is still the ultimate setting to start a celebratory evening, or end one with a nightcap; it cemented its place on most lists of New York’s top bars with an extensive renovation in 2013. While the bartenders can prepare anything you might be in the mood for, you may want to order a Bloody Mary. The King Cole Bar boasts that it was the first spot where the drink (then known as a Red Snapper) was served in the United States (a claim, it should be noted, that is disputed by some other bars).

The California Academy of Sciences is an unfortunately stuffy name for an institution that is anything but staid. The country’s largest natural-history museum includes an aquarium, a planetarium, an enormous rain-forest exhibit under a 27-meter-tall (90-foot-tall) dome, and a living roof that looks like a science-fiction fantasy. A visit here can feel like a trip to an amusement park, with a series of attractions to check out, but all of them are educational. The building itself is part of the appeal of the Academy. (Like the nearby de Young, the old home of the California Academy of Sciences was damaged in the 1989 Loma Prieta earthquake, and starchitect Renzo Piano designed its very environmentally friendly replacement.) It would be easy to spend an entire day or more seeing all of the Academy’s exhibits, so be prepared to pick and choose among them.

A church—or, at least, a small chapel—has stood on the site of the Basilica of Notre-Dame since shortly after Ville-Marie (Montréal’s predecessor) was founded in 1642. The current building, however, dates to 1829 and was constructed in a soaring Gothic Revival style. At the time, that aesthetic choice raised some eyebrows—Gothic designs were associated more with Protestant churches than Roman Catholic ones. (Perhaps the fact that the architect was an Irish-American Protestant didn’t help the situation.) Whatever initial resistance there was evaporated in the face of the beauty of the completed building. In the decades that followed, Gothic became the popular choice for churches in Canada of every denomination in large part because of Montréal’s basilica. In the 1870s, in what was perhaps a case of gilding the lily, the basilica became even more stunning when its interiors were painted in bright colors to resemble Paris‘s Ste-Chapelle.