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Even with a population of only 140,000 people, Maui has a remarkable amount of residents who possess some sort of artistic talent. From jewelry to clothing to hand-carved wood, you can find local artists hawking their wares at craft fairs across the island. In West Maui, one of the best places to mingle with local artists is at the Aloha Friday craft fair in northern Kaʽanapali. Located in front of the Westin Kaʽanapali Ocean Resort Villas, dozens of artists are available to chat about their creative work. The craft fair begins at 9 a.m. and lasts through most of the day. It’s a great way to spend a Friday morning along the northern Kaʽanapali boardwalk. Even if you don’t end up buying something, this is still a great beach for a leisurely stroll or a snorkeling session on the reef. If you do plan on getting in the water after shopping, morning hours are best for taking a dip before the afternoon tradewinds blow in.

A recently opened beer garden, Casa Trapiche serves Cerveza Colima’s delicious craft brews in a beautiful white house with a spacious terrace. Gourmet takes on local classics like seafood tacos and esquites with chicarrón from chef Nico Mejía pair perfectly with the extensive beer selection.

Built in 1930 by Luis Barragán’s contemporary and close friend Pedro Castellanos, Casa Quiñones is considered the first truly modern home in Guadalajara. With its Art Deco design, tile floors, and floating staircase, it’s also an excellent example of the Escuela Tapatía de Architectura—the Guadalajaran school of architecture defined by its Mexican-meets-Moorish style. Today, the home serves as a bookend, along with Barragán’s Casa Franco, to the ultramodern Hotel Demetria. Hotelier and architect Iván Cordero owns all three properties, helping to create a dialogue between the old and new in Guadalajara.

Visitors looking to tour Casa Herradura—the distillery that’s been making Tequila Herradura for more than 145 years—should hop aboard the new Tequila Herradura Express. The train leaves from Guadalajara and travels through Jalisco’s agave fields, stopping in Amatitán (the official birthplace of tequila) before arriving at Casa Herradura. Once at the distillery, guests enjoy tastings, lunch, and live music, then get back on the train, where they’re treated to bar service and entertainment all the way back to Guadalajara.

The Wauwinet makes the most of its coastal setting between the Atlantic Ocean and Nantucket Bay. Next to the Coskata-Coatue Wildlife Refuge, the resort has 32 rooms, plus four cottages with separate living rooms and the three-bedroom Anchorage House across from the main inn. In addition to private beach access and bikes to explore the island, guests can take out a kayak, play a game of tennis, or watch a movie in their room with hot buttered popcorn. A spa offers sea-inspired facials, massages, and body treatments. TOPPER’S restaurant is known for its Retsyo oysters, harvested only 300 yards from the restaurant, and offers transfers to and from White Elephant Hotel’s Brant Point Grill on its 21-passenger boat, Lady Wauwinet. The inn also provides regular shuttle services to the ferry and Nantucket town (about 10 miles away), and outside of peak summer season will drive guests to the village of ‘Sconset in its 1947 Woody station wagon.

Housed across a 1940s mansion and modernist tower, Casa Fayette is a stylish boutique lodging inspired by Guadalajara hometown hero Luis Barragán. With the architect in mind, Milanese interiors firm Dimore Studio designed the hotel’s 37 rooms in a Mexican palette of artichoke, salmon, and burgundy, adding a mix of custom and European furnishings by the likes of Pierre Frey and Michael Thonet. Downstairs, public spaces take on a global-chic aesthetic informed by the surrounding Lafayette neighborhood. Graphic cement tiles line the pool and spa area, while a glam brass-and-wood bar complements tropical-palm-patterned seating in the restaurant.

Long considered one of the top hotels on Oahu, the Kahala has always been a particular favorite among the type of guests who travel with their own security detail. A number of past U.S. presidents, plus kings, queens, princesses Grace and Di, a handful of Nobel Peace Prize winners, rock stars, and movie stars, all have slept under its venerable roof at some point during the hotel’s 50-year history. The see-and-be-seen set moved on long ago, but privacy seekers still make a beeline here. They’re drawn less by the property’s fabulous beach (though that’s reason enough to stay here) than by its exclusive location—in a well-fortified cul-de-sac in the ritzy Kahala neighborhood. But there’s a warm and fuzzy side to the hotel, too. A pod of dolphins has full-time residency in the hotel lagoon, and visitors of all ages can swim with them (for a fairly steep fee). Rooms have a preppy beach house vibe—raffia ceiling fans, linen loveseats—and many come with heart-stopping sea views.

The Phoenix, a little slice of paradise on the edge of San Pedro, features more modern architecture than most buildings in town, as well as modern amenities. Rooms are one-bedroom, two-bedroom, and three-bedroom condominium suites that feature luxurious eat-in kitchens, bathrooms with walk-in showers and Jacuzzi tubs, large living rooms and laundry facilities. Each suite also has a balcony or patio, and almost all suites are just steps away from one of the pools which are the focal point of the resort. The larger main pool cascades into a shallower lower pool and is saline chlorinated, as is the 55-foot-long lap pool. A pool bar is open seven days a week from 10 a.m. to 6 p.m., Red Ginger restaurant is open daily for breakfast lunch and dinner as well as brunch on Sunday afternoons and serves a tapas menu on Sunday and Wednesday evenings. There are also business services, an on-site spa, and fitness and yoga centers. Rates begin at $325 per night during low season for a one-bedroom beach view suite.

With its welcoming vibe and low-key decor, The Saloon is about as close as Laguna gets to a dive bar. A local favorite, it’s ideal for when you’re craving a cold beer, a good glass of wine, or an unpretentious cocktail like the PoPo (The Saloon’s take on an Irish coffee) or the Pino (made with house-infused pineapple vodka). There are very few seats in the bar, so be prepared to stand and mingle with other patrons. That’s what makes The Saloon great, though—and the fact that it’s right next door to Nick’s, making it perfect for a pre-dinner drink or nightcap.

Upstairs from her flagship Delirio boutique (also worth a duck-in), a beautiful town house is home to chef Mónica Patiño’s Casa Virginia, featuring a changing seasonal menu that takes creative advantage of Mexico’s wide-ranging culinary variety. Its sunny dining room and nostalgic “shabby chic” details cannot fail to delight; its family-style servings are great for sharing. Recent specials included an endive salad and two artichoke preparations, a squash soup, a Mexican-style osso buco, and a rack of lamb. All ingredients are locally sourced and most of the herbs—a key element in everything Patiño does—are grown on the roof. There can be few more civilized meals anywhere in Mexico City.

For those who aspire to travel as trendsetters in Jamaica, it helps to know that Port Antonio, way out on the eastern end of the island, is the destination to head for. And the address to shelter at is the Trident Hotel, whose 13 waterfront villas would not look out of place on South Beach. Nor would the crowd that hangs around its infinity pool or in its restaurant, Mike’s Supper Club, where local musicians and the occasional celeb sit down to knock out tunes on the 1917 Ferrari-red grand piano. The Trident Castle, a kind of fantasy annex, is a former private residence whose grand rooms, sea-view terraces, and dollhouse-size chapel make it ideal for destination weddings. A hard road to get there? Not for guests who avail themselves of the helicopter pad.

Perhaps it’s the fizzy wine-in-a-can served at the reception bar, or the cornhole on the lawn in the pool and hot tub area—this 42-room hotel exudes a young, trendy vibe. The Coachman is set in two ‘60s-era motels that were joined as one, then renovated and reopened in 2016 by new owners who wanted to capture the feel of an old-time mountain retreat while injecting it with a clean, modern aesthetic. Though on the small side, the rooms have been given thoughtful touches, like a rubberized entrance for storing wet skis, heated toilet seats, and 43-inch Apple TVs. There isn’t a restaurant on site (though there is a complimentary continental breakfast), but the property is just a short walk to Stateline’s bustling nightlife, as well as restaurants and dining at Heavenly Village; the property also gives guests free access to nearby Lakeside Beach. And you don’t have to leave your fur-babies at home: For a small additional fee, they are welcomed with their own gift bag.

Oaxaca has no shortage of gorgeous colonial-era buildings; in fact, that’s what draws many visitors to this stunningly beautiful Mexican city. But Casa de Siete Balcones, a seven-room boutique hotel, is particularly special, with unusually spacious rooms and, as its name suggests, seven balconies (yes, one for each room). The building itself dates to the 18^th century. The structure, along with the rooms’ heavy wood furniture and the cobbled street just outside the door, has the effect of transporting guests to another era. Other design details that will appeal to visitors with nostalgia for an earlier century include Spanish tile floors, and a courtyard filled with plants and flowers; the Spanish-style patio also features a bubbling fountain. Rooms are filled with natural light, and service is friendly and attentive.

I love public art and one of my favorites is “The Awakening,” which was created by the famed American sculptor, J. Seward Johnson, Jr. The Awakening is an iconic sculpture was originally installed by the artist at Hains Point in Washington, D.C., but was moved to National Harbor in 2008 when the developers purchased it. The Awakening consists of five separate pieces of metal, embedded in the ground, giving the impression of a giant man struggling to free himself from the ground. The left hand and right foot look like normal body parts. The left right hand, bent leg, and the bearded face with mouth mid-scream, are the parts that convey the pain of the man’s struggle to free himself. At any given moment, you will someone posing in front of one body part or another for a photo op. Kids especially love to clamber onto the man’s head. You can tell from the photo which part are my favorites! The way the foot and the fingers bent, the veins and folds of the skin—it’s all amazingly realistic. At National Harbor, The Awakening has been installed at the small beach area by the marina. It’s a great place to let the kids loose to have fun in the sand, and for the adults to admire a great piece of public art!

José Clemente Orozco, one of the “Tres Grandes” of Mexican muralists (along with Diego Rivera and David Alfaro Siqueiros), is one of Guadalajara’s most famous sons and unlike another one, the architect Luis Barragán, many of Orozco’s most important works are in the city (at the Hospicio Cabanas, the University of Guadalajara, and other buildings). It may come as a surprise, then, that there is no museum dedicated to the painter and his works in his hometown. You might think, given its name, that the Casa Taller José Clemente Orozco would be it, but the house and studio was only used briefly by Orozco on visits to Guadalajara in the last three years of his life.

After his death, in 1951, his widow decided to turn it into a cultural center. There is only one work by Orozco on display in the building (La Buena Vida). Painted for the exclusive Turf Club, it shows a scene of festive debauchery, complete with scantily clad female dancers. Except for some perhaps veiled criticism, it shares little in common with Orozco’s more typical scenes of revolution. While the Casa Taller is not the place to go to learn about Orozco or see his works, it should be on your list if you want to see current works by contemporary Mexican and international artists. Its galleries regularly house temporary installations and shows by current artists following in Orozco’s footsteps by creating challenging socially engaged works. Admission is free.