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It’s one of the most recognizable facades on Passeig de Gràcia: a modernist fantasy of undulating stone, brightly colored mosaics, and stained glass—one that could only come from the mind of famed Catalan architect Antoni Gaudí. Designed in 1904 as a home for local industrialist Josep Batlló, the building pays homage to the legendary tale of Saint George and the Dragon. The balconies are reminiscent of skulls, and exterior columns look like bones—recalling the dragon’s human victims—while the roof’s arched shape and scale-like tiles mimic the dragon itself. The interior is just as fantastical, all sinuous lines and curving forms. To avoid the crush, try going first thing on a weekday morning, or shell out a bit extra for a Fast Pass timed ticket online (28.5 euros, or about $37—5 euros more than regular admission).

The multicolored mountain of Vinicunca is not terribly far from the mobbed pathways of Machu Picchu, but until a few years ago, it was virtually unknown to U.S. travelers. But today, more visitors are braving the three-and-a-half-hour drive from Cuzco (and the three-hour hike) to feast their eyes on its crayon-box colors—burnt umber, periwinkle blue, mustard yellow. Instead of rushing through a long day’s outing, take in the mountain’s hues on a two-day trek with G Adventures.

One of Frankfurt’s most important landmarks, the medieval Römer building is a significant part of the Römerplatz (Römer Square) in the Altstadt (Old Town). Located opposite Old St. Nicholas Church, it’s served as Frankfurt’s city hall for more than 600 years, though it’s naturally undergone some modifications in that time. Comprising several houses and six courtyards from different eras, the three-story complex currently spans some 107,639 square feet. While it once functioned as a trading hub and venue for Frankfurt’s famous book fairs, it’s now more typically used for weddings and official functions. The various rooms, which include a restored Kaisersaal (Emperor Hall), are not normally open to the public, but the building is worth a visit if only to snap a photo of the iconic three-peaked neo-Gothic facade.

Mitla is located in the Oaxaca Valley, just a short distance from Oaxaca City. However you get there, it’s worth the visit. It’s not a large site; an hour and a half will be more than enough time to walk around. There are so many things that set Mitla apart from other ruins in Mexico. First off, it’s neither Maya nor Aztec. Its influence comes from the Zapotec and Mixtec cultures. It sits right on the desert floor, so cactus, desert scrub, and aloe plants punctuate the surrounding landscape rather than jungle. There are no pyramids to climb; the highest structure on the site probably has no more than 10 or so steps to get to the top. There are no stone sculptures or carved walls to be seen anywhere. Instead, the decoration on the buildings are beautiful geometric patterns created by inlaid and interlocked pieces of stone (grecas). Amazingly enough, no two walls have the same grecas, and on some of the walls, you can still see the original red-painted stone. Some of the walls and the cupolas of the San Pedro Church (built by the invading Spaniards) have been restored to their red-colored glory. The desert backdrop, the grecas, the pops of red color – it all adds up to a very special place!

Philadelphia is an ideal destination for lovers of outdoor spaces and beautiful art. Combining the two is the city’s Mural Arts Program, which was originally developed in 1984 as an anti-graffiti initiative and which has blossomed into one of the nation’s largest public-art projects. Buildings and neighborhoods all around the city have been transformed and revived by the colorful works. The program collaborates on 50 to 100 new public-art pieces each year, providing opportunities for thousands of participants of all ages. There are more than 3,600 artworks covering structures in every district of the city. Tours sponsored by the Mural Arts Program are the best way to view the highlights of the citywide “collection” of outdoor canvases.

Thanks to its views across Charleston Harbor, the Edmondston-Alston House is one of the city’s most popular historic homes open to the public. Its hyphenated name joins that of its builder and of the rice planter who purchased it from him just a decade later. The mansion, with its Corinthian columns and rooftop piazza, is a prime example of the Greek Revival architecture popular in the early 19th century. The house was at the center of several key Civil War events: as a lookout spot for Confederate general P.G.T. Beauregard during the siege on Fort Sumter in April 1861, and as a refuge for General Robert E. Lee on the night of the Great Charleston Fire of 1861. The mansion is owned by the Alston family, and its interior is preserved to look much as it did 150 years ago.

Kenya‘s first board-game café. like many great spots in Nairobi, is hidden away—in this case, on the 8th floor of an office building. If anything, Bao Box’s location is actually a boon because the altitude offers fabulous city views, and its seemingly random location adds to the completely fun vibe of the place. Walls are stacked high with all the famous board games like Monopoly, Settlers of Catan… and some lesser-known gems including one bluntly named “Fact or Crap.” Whatever your board-game poison, here lies something for you. The decidedly non-corporate decor is funky and outdoorsy with blankets and colorful cushions on pallets. A simple menu of burgers, chips, beers, wines, and soft drinks will satisfy peckish players.

Behind a discreet blue door in Cartagena’s walled historic zone, La Passion maintains its low-key ambiance with just eight rooms and a maximum of 16 guests. The distinctly decorated 19th-century building was designed by French film producer and theater designer Thierry Forte, who owns the property with his Colombian wife, and balances original elements like black-and-white-tile flooring with such antiques as brass gramophones and heavy wooden chests. Brightly painted accent walls, abstract art, and colorful decorative objects keep things from feeling too fusty, as does an indoor garden of tropical flowers, vines, and trees that soars through an interior courtyard. Best of all, the standout rooftop pool and restaurant are typically uncrowded, making the surrounding panoramic city views all the more stunning.

Marriott property, The Jay Hotel, was the most anticipated addition to the city’s hotel scene in 2023, transforming the brutalist building that formerly housed Le Méridien into a cozy and quiet retreat. Each of the 360 rooms and suites have warm, textured, and minimalist decor that evokes calm and serenity. Adding to the oasis vibes, are some seriously comfortable beds, blackout curtains, and mini bars stocked with local goodies, such as St. George in. If you can, book a room with a balcony (a rarity among the city’s hotels), and enjoy the impressive views of the Bay Bridge and nearby Transamerica Tower.

When Fairmont Century Plaza first opened in 1966, this luxury hotel on a former backlot of 20th Century Fox Studios became the first hotel in the U.S. to have color televisions. The hotel was also of the site of President Nixon’s Dinner of the Century honoring the return of the Apollo 11 astronauts, and it hosted the 10th Grammy Awards when the Beatles won Album of the Year for Sgt. Pepper’s Lonely Hearts Club Band. Today, it sits in the epicenter of Hollywood biggest talent agency offices and a chic shopping destination.

The building itself is a midcentury work from Minoru Yamaski (designer of the original World Trade Center). A $2.5 billion dollar reimagination in 2021 by studio Yabu Pushelberg brought an updated elegance that redued the number of guest rooms from 720 to 400 larger accommodations. The cool-toned rooms and 85 terrace-studded suites are adorned with digital paintings and landscape photographs and outfitted with Le Labo amenities. The outdoor pool is an oasis between office towers. The expansive 14,000 square foot spa, one of LA’s largest, offers a range of futuristic treatments including biohacking (which involves infrared technology, neuroscience, and meditation) and an “anti-gravity chair.” Celebrity trainers work with the hotel and Techno gym bags with weights and equipment can be delivered to rooms.

Lumière is the hotel’s modern brasserie serving a California spin on French cuisine that leans on seasonal ingredients. And in keeping with the hotel’s star-spangled entertainment legacy, in the soaring, sandy-hued lobby, The Bar doubles as a drinking den for meticulously crafted cocktails and live music venue. Elton John and Mariah Carey have played here, and now a next-gen lineup of artists play neo soul, jazz and other styles five evenings a week.

With its waterfront location across from the San Francisco Ferry Building on the edge of downtown, the 1 Hotel is an ideal launchpad to explore San Francisco. Rooms have expansive views of the Bay or the city, and travelers can step out onto the Embarcadero for a morning run, to browse at one of three weekly farmers’ markets at the Ferry Building.

The luxury hotel upholds a commitment to environmentalism, using local and reclaimed materials for the biophilic interior design, sustainability sourced bedding, and providing filtered water taps instead of single use water bottles. Rooms are equipped with soft cotton robes, slippers, and yoga mats to help turn a stay into a relaxing, wellness-minded retreat.

On the first floor, the bar and restaurant, Terrene is a lovely place to swing by for a drink or meal—whether you’re a guest or not. If the weather is nice, don’t miss the chance to enjoy a cocktail on their expansive outdoor patio (complete with space heaters) with great views of the Bay Bridge. If you’re looking for something more substantial, they have an excellent selection of fresh, Mediterranean-inspired dishes, like roasted carrots with a feta dip and refreshing tuna tartare.

Pets are welcome and there’s also a rooftop spa on site, complete with stone tubs and scenic views.

The second location of the Sydell Group’s New York flagship, NoMad Los Angeles embraces its past as the Bank of Italy—imposing columns and all. In the lobby of the landmarked building, much of the original Neoclassical style, such as the Doric columns, coffered ceiling, and marble floors, was preserved, complemented by the addition of floral textiles in rich jewel tones. Even the original vault, which once housed 12,000 safety deposit boxes, and its 50-ton door were kept intact. The color palette across the 241 lavish rooms draws from the exquisitely maintained gold-and-blue Italianate lobby ceiling, with custom furniture, original artwork from design studio be-poles, and freestanding bathtubs in most rooms adding to the luxurious feel. Details like nightly turndown service, marble bathrooms, and custom linens by Bellino mean a five-star stay is all but guaranteed.

Built by Napoleon Lebrun & Sons in 1909, this clocktower landmark was the world’s tallest building until 1913. Its transformation from iconic structure to five-star hotel has brought with it only more reasons to visit, including, first and foremost, the on-site spa—a 39th-floor escape offering build-your-own treatments and a selection of enhancements. Other incentives are the restaurant Clocktower, where chef Jason Atherton delivers Michelin-starred dining by way of updated tavern classics and modern British fare, and the Lobby Bar, which serves signature libations alongside expansive views of Madison Square Park. Once room-bound, it’s easy to stay a while thanks to luxurious details like plush linen sofas, specially programmed iPads, and customized mini-bars.

Mexico’s most influential architect—and the only one to receive the Pritzker Prize—Luis Barragán was born and trained in Guadalajara and practiced in the city until he was 34. He then moved to Mexico City, where he achieved fame for his distinctive and colorful approach to modernism, noteworthy also for its emphasis on courtyards and gardens.

Little remains in Guadalajara of Barragán’s early work but one notable exception is the Casa Iteso Clavigero, which now serves as a cultural center for a Jesuit university. While the interiors have been redesigned into gallery spaces, the exteriors have been beautifully preserved. In 1929, when Barragán designed the house, he was still working in a largely regional style, though the house’s bright yellow walls and some ingenious details provide hints of the architectural masterpieces that he would create later in his career. It’s free to walk around the building (as well as enter it, though there are no permanent exhibits related to Barragán) and you can take photos of the exteriors (but none inside the building).

Prague is known for its baroque architecture, undamaged as it was in WWII, but the award-winning National Library of Technology, designed by Projektil Architects and completed in 2009, is a fine example of the city’s contemporary architecture. Look for the building’s measurements written on the outer façade of the rounded semi-transparent building. The ground floor has a bookstore, and space to relax, and an exhibition hall, and the library’s open atrium has walls are adorned with murals by Romanian artist Dan Perjovschi. The bright floors below are covered in a swirling pattern of bright reds, yellows, oranges, blues, and greens.