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Jerusalem’s Yad Vashem ensures that the magnitude of the Holocaust’s injustices are never forgotten. Visiting the museum is an educational, as well as emotional, experience and should not be rushed. The museum is dedicated to researching the phenomenon of the Holocaust and genocide in general, with the hope of avoiding it in the future. Exhibitions present the history that led up to the Holocaust, as well as the related events during and after World War II, featuring personal stories, historical artifacts, films, and photographs. It also highlights the bravery of underground movements, uprisings, and the non-Jews (the Righteous Among the Nations) who saved Jewish neighbors, children, and families from certain death. Outdoor gardens contain several monuments, including a haunting children’s memorial and commemorative sculptures. Guided audio tours are recommended.

In 1927, the mayor of Guadalajara, Gustavo R. Cristo, commissioned burgeoning architect Luis Barragán to build him a home. The result was Casa Cristo, which now functions as the headquarters for the College of Architects of the State of Jalisco. Complete with high arches, stained-glass windows, and a tiled roof, the building reflects Barragán’s early fascination with Moorish design. However, glimpses of the style that came to define his later, better-known work are also visible, from the local artisan elements (adobe walls, cedar wood, stained glass made in Tonala) to the bright colors and flow of natural light that suggests a place both modern and steeped in history. Although certain changes have been made to the original house (the removal of the garden, the replacement of original tiles), the building remains relatively well-preserved and merits a visit.

This Cuzco corner presents a notable juxtaposition between ancient Incan and Spanish colonial architecture. Since the Incas worshipped their sun god, Inti, above all others, this temple in their imperial capital was the most important of the entire realm. It was here that they brought the idols of all peoples they assimilated, to offer them representation as they demanded allegiance in Cuzco. When the Spanish arrived, they tore down much of the temple and built a monastery on top of it. However, the walls that do remain provide stunning examples of pre-Hispanic engineering, particularly the rounded outer wall that can be seen from Avenida del Sol.

Housed in a 1964 structure whose modern lines and central fountain greatly complement what’s on view, this anthropology museum is a repository of the most important pre-Hispanic treasures modern Mexico has discovered. The works are displayed in exhibits that trace the entire history of the Americas’ indigenous population, from the Bering migration to the present day. Exhaustive (and sometimes exhausting) in scope, many visitors choose to jump ahead to “greatest-hits” galleries focusing on name brands like the Aztecs (to see their misnamed calendar stone); the Maya and their artifacts; or the Olmec culture, famed for its colossal (and quite sensual) head sculptures dating back to Mesoamerica’s earliest recorded eras.

Among California’s 21 Spanish missions, the late-18th-century national landmark Mission Santa Barbara is considered the “queen of the missions.” Those interested in early California history will also want to stop by the whitewashed, red tile–roofed El Presidio de Santa Bárbara, a late-18th-century Spanish military outpost that was built by local Chumash Indian laborers. The park’s nearby adobe homes have exhibits of historic objects found in the area. The legacy of this period lives on at the Santa Barbara County Courthouse, a masterpiece of Spanish colonial revival architecture built in 1929 and just five minutes on foot from the Presidio.

More than 250 artifacts of the RMS Titanic are on display at this 25,000-square-foot space at the Luxor. Among the truly incredible mementos excavated from the wreck of the sunken ship: an unopened bottle of champagne, a floor tile, a window frame, and a giant piece of the ship’s hull. Perhaps more impressive than the artifacts themselves are the full-scale re-creations of what guest quarters looked like on the ship—attending the exhibit gives you a sense of the difference in the experiences of a first-class passenger and a third-class passenger. Since it opened in the late 1990s, the exhibit has been seen by more than 25 million people, which makes it one of the most popular attractions in Las Vegas history.

Wide paths and a laid-back cycling culture make bikes a great way to explore Vancouver. Rent one from Cycle City Tours, which offers self-guided maps as well as outings run by expert storytellers. One tour takes a 5- to 7.5-mile spin through Stanley Park, cruising along Vancouver’s seawall and venturing onto its trails. All throughout, guides explain the biodiversity of the temperate rain forest and the history of the coastal First Nations people. For something livelier, hop on the rolling Craft Beer Tour, which visits three breweries and the excellent Belgard Kitchen. If you’re keen to keep going, you can extend your riding time until the end of the day for another $10.

The most quintessential Cambodian souvenir must be the checked cotton krama that you will see around the necks, heads or waists of every Cambodian you meet. Cambodians like to boast that the krama has a dozen different uses -- some clever, some cute, some cringe-worthy. The most popular way to wear the krama is as a handsome scarf and a symbol of national and cultural pride, hung loosely around the neck over a pressed dress shirt. However, head out to the villages and you’ll see local farmers wearing them wrapped around their forehead to soak up the sweat, while village women will wear them as a head-dress. I’ve used mine as a belt. They’re handy for wiping the perspiration from your brow while scrambling temples in the sticky humidity. You’ll see kramas sold everywhere and in the Old Market they start from as little as US$1, however, these are generally made from a polyester-cotton mix and don’t do the trick. I love the authentic, quality cotton kramas sold at boutiques like Wa Gallery, which is where the ones above are from.

Some say that The Chapel of the Holy Cross is located in the heart of a vortex. Others regard it as a place of contemplation and spirituality. The Chapel itself was actually built by a devout student of Frank Lloyd Wright named Marguerite Brunswig Staude in 1956. Staude wanted to create a lasting tribute to her religious beliefs, and was so taken with the beauty of Sedona that she began work on the Chapel. Nestled between massive red boulders, the Chapel is a must see in Sedona. And, if you look carefully enough in the red rocks next, you can still see an Rx carved into the rock as a tribute to Marguerite’s father, a pharmacist.

One of the best things about Calgary is the winter playground in the center of town. Canada Olympic Park, on the western edge of the city, features a ski hill, snowboard park, cross-country trails, an Olympic luge track, Canada’s Sports Hall of Fame, and a glass elevator that takes you to the 1988 Winter Olympic’s biggest ski jump, as well as skating facilities and restaurants. It also offers private and group lessons, so you can brush up on your sport where World Cup and Olympic athletes train. Plan a day to hit the slopes, or forget the skis and come explore the park’s less strenuous attractions that celebrate winter.

While Heath Ceramics is over 60 years old, having been founded in 1948 in Sausalito, their colorful bud vases, dinnerware and tiles have enjoyed a boom in recent years. Straddling the line between a rough, hand-crafted aesthetic and an elegant, understated quality, their pieces are hard to miss in the pages of design magazines as well as at the homes of some of your most tasteful friends. The new retail location on 18th Street includes a workshop alongside a café serving Blue Bottle coffee. There is also a smaller location in the Ferry Building.

The Museum of Glass is in Tacoma, about a half-hour away from Seattle, and it’s well worth the trip for art glass enthusiasts. The permanent collection includes some Chihuly pieces, work by 20th and 21st-century artists, and a charming collection of sculptural pieces interpreting children’s drawings. The temporary exhibits often feature a Northwest theme, and a theater features a rotation of short films about glass art. The real highlight of the museum, though, is the Hot Shop, where resident glassmakers and their assistants blow glass all day long for the entertainment of visitors. Often, their work is being filmed, and a narrator is on hand to explain what you’re seeing. You can walk all around the Hot Shop via overhead walkways, and photography is allowed throughout the museum, so it’s a great opportunity for photographers as well. The museum isn’t huge and takes only a couple of hours to go through, so it’s an ideal destination for a rainy afternoon. But don’t miss the striking outdoor art, like the Chihuly Bridge of Glass, outside the museum (free).

The Bo-Kaap was one of the few Cape Town neighborhoods to escape apartheid’s bulldozers—the cluster of bright buildings, once known as the Malay Quarter, housed many of the slaves who worked for the 17th-century Dutch colonialists. In this colorful area, you can also see some of the oldest, most beautiful mosques in the country, including the Auwal Mosque on Dorp Street. Upscale shops have been moving in lately, but don’t miss one of the originals, the spice merchant Atlas Trading Company. To go back in time, explore the Bo-Kaap Museum, furnished like the house of a typical 19th-century Muslim family.

Visitors take their best Chicago photographs in front of the iconic Millennium Park sculpture called Cloud Gate (known colloquially as the Bean, for its shape). Conceived by British artist Anish Kapoor and constructed from 168 stainless steel plates with no visible seams, the polished surfaces of this 33-foot-tall sculpture reflect infinite variations of the Chicago skyline. The work’s design was chosen from among more than 30 others commissioned by the city, and it was inspired by liquid mercury.

This complex of Taoist religious buildings was constructed in the early 15th century under the Yongle Emperor, who also commissioned the Forbidden City, just to the north. The temple’s central building is the Hall of Prayer for Good Harvests, a 38-meter-high (125-foot), three-tiered structure atop a three-tiered marble base. The wooden hall was built entirely without nails. Inside, the beautifully painted walls and ceiling make it a riot of color. On spring and summer mornings and on sunny winter afternoons, locals gather here to sing, dance, play games such as mah-jongg, and sip tea while catching up on neighborhood gossip.