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In the 20th century, the Church of Santa Engrácia was converted into the national pantheon, in which important Portuguese personalities are buried. The first stone of the present building was placed in 1682; it was the first baroque-style building in the country. The work lasted so long that it gave rise to the popular expression “works of Santa Engrácia” to designate something that never ends. It took 284 years to complete the church, finally finished in the year 1966. Inside you will find the interior paved in colored marble, and outside you can’t miss the giant dome. There is a terrace at the top—you only have to climb 187 steps—but then you can enjoy the wonderful view over the river and the city itself. Among the illustrious personages buried here is the famous fado singer Amália Rodrigues. Sundays and public holidays are free until 2pm. To get there, take Bus 734 (at Martim Moniz) or Tram 28.

Opened in 2021, the first urban resort from LVMH—the arbiter and exporter of French luxury—feels sumptuous at every turn. A 100-foot pool, the largest of any French hotel, is covered in hand-laid mosaic tiles, while a series of virtual window panels display illustrated scenes of the Seine in perpetual motion as you swim laps. A penthouse apartment has its own 41-foot pool, projection space, and panoramic terrace. Plénitude, the fine-dining restaurant, earned three Michelin stars within months of opening. The hotel was designed by Peter Marino, an American known for his chromatic and sculptural retail spaces in the LVMH universe, including the recently renovated Tiffany’s flagship in New York.

Before becoming well-known on the tourist and expat scene, San Miguel de Allende was a favorite getaway for artists, from Mexican writers and painters to Hollywood stars of the Golden Age. One of that era’s most notable hosts was opera singer/poet José Guadalupe Mojica, whose 17th-century hacienda now houses this charming boutique hotel. Spread out around a flower-filled courtyard, the 14 accommodations include standard rooms, junior suites, and suites—though no two are the same: Even in the entry category you might find a fireplace, second-floor loft, canopy bed, or original stone wall; suites up the ante with oversize bathtubs set near a second fireplace, or private terraces with views of the cathedral. Antiques and handcrafted furnishings abound, as do stories about the villa’s illustrious former guests. Set alongside the courtyard fountain, the restaurant celebrates authentic Mexican flavors (think breakfast enchiladas and chilaquiles)—and serves brunch until 1 p.m. daily, for mornings that are off to a slow start.

Industry Screen Studios a full fledged screen print studio that is keeping the screen process alive. From concert posters and fine art prints to custom t-shirts and apparel, Industry works with very talented Artists and Illustrators to create fun, creative, eye catching pieces. They also offer hands on workshops and print demonstrations, so check out their awesome store front/studio in East Austin.

At Cuisine de Provence, Barbara Schuerenberg offers memorable, hands-on cooking classes in her home kitchen overlooking Vaison-la-Romaine and Mont Ventoux. Students learn to prepare five or six typical Provençale dishes using fresh, seasonal produce from Vaison’s famous market, then enjoy the fruits of their labor during a lunch paired with regional wines. Held in English and open to all abilities, the 4.5-hour classes also include a complimentary apron and illustrated recipes, so you can re-create the flavors of Provence for your friends and family back home.

Hit the trails at the Cave Creek hiking area, about 30 miles north of town in the Tonto National Forest, to see the rare crested saguaro cactus in its fantastic fan shapes. Trail number 4 meanders alongside Cave Creek for most of the 10-mile trek, providing many opportunities to dip your toes. The trailhead is located off Forest Road 24, (480) 595-3300. This appeared in the January/February 2013 issue. Illustration by Michael Hoeweler.

The Cathédrale Ste-Croix, where Joan of Arc attended Mass on May 2, 1429, during the Battle of Orléans, is most famous for its 10 stained glass windows illustrating scenes from her life. However, the neo-Gothic cathedral—built over 600 years, from 1287 to its official inauguration on May 8, 1829—is worthy of praise in its own right, especially its western facade, with its ornate stonework, 288-foot towers, and three spectacular rose windows. Among the five largest Gothic cathedrals in France, the church is also home to a beautiful choir section and deambulatory, filled with interesting stonework and decoration.

To me, no other place in Montréal represents the city better than Place d’Armes. After all, it is the second oldest public site in the city, and its center is home to a statue of Paul de Chomedey, the founder of Montréal. And the varied architectural styles surround the square in a way that clearly demonstrates just how old and historic Montréal is. A blend of Gothic Revival, classic Art Deco, and ultra-modern sleek skyscrapers illustrates the major periods of Montréal’s development. It’s definitely a great place to start or end an Old Montreal exploratory tour, or to stop and people watch!

The gallery, boutique, and tearooms of Morocco’s most famous living artist, Hassan Hajjaj, is an essential stop for any art lovers staying in the city. Tucked away down a narrow alley behind the Rahba Lakdima (otherwise known as the Place des Épices), it’s like stumbling into a jewel box filled with pop-art treasures. Hajjaj made a name for himself with a series of photographs titled Kech Angels, which depicted local girls on mopeds dressed in eye-popping robes. The collection has been exhibited all over the world in such illustrious venues as the Victoria and Albert Museum in London and the Institut des Cultures d’Islam in Paris, but nowhere beats enjoying the work on home turf. While you’re there, treat yourself to his iconic recycled home and fashion pieces, such as a sardine-can lantern, a pair of babouches (Moroccan slippers) cut from a flour sack, or a stool from an oil drum. And if you hang around for a pot of mint tea in the courtyard, you might even meet the man himself.

Established in 1925 in the diverse Mount Pleasant neighborhood, this public library was one of three in DC funded by the steel magnate Andrew Carnegie and is the third oldest public library still in use in the city. Today, over 50,000 books and printed materials are housed on its three floors which include one of DC’s largest collections of graphic novels and Spanish-language literature. Head upstairs to the children’s section on the second floor and take note of a hidden treasure: two alcoves bearing Depression-era murals of cartoon animals painted by DC native and neighborhood resident Aurelius Battaglia, who went on to illustrate Disney classics like “Dumbo,” “Fantasia,” and “Pincocchio.”

Founded in the 9th century, Santa Maria della Scala was one of Europe’s first hospitals. It was also one of the first hospitals anywhere to disinfect its equipment and only stopped taking in patients in the 1980s. (The writer Italo Calvino died here in 1961.) The early history of the hospital is illustrated in the 15th-century frescoes decorating the walls of the Pilgrim’s Hall, and there is a fascinating archaeological museum housed in the labyrinthine basement rooms.

Telluride’s literary mecca, this beloved store is stacked with more than 10,000 books at any given time. The expertly curated regional books section is a fount of the Wild West’s writing prowess, with illustrative tomes on the town’s lurid backstory (you’ll want to peruse Tomboy Bride: A Woman’s Personal Account of Life in Mining Camps of the West). When your eyelids get heavy, head to the tiny coffee bar—squirreled away at the back of the shop—for a caffeine jolt to bolster an afternoon of reading.

The Hotel Adlon Kempinski undoubtedly boasts the most distinguished location in the city—right on historic Pariser Platz, opposite the Brandenburg Gate. The original incarnation opened in 1907 with the blessing of none other than Kaiser Wilhelm II. Despite playing host to such illustrious guests as Tsar Nicholas II, Albert Einstein, and Franklin Roosevelt, the building was almost destroyed after World War II. A new hotel was eventually opened in 1997 and continues to draw celebrities, politicians, and the occasional aristocrat—in 2002, it was here that Michael Jackson notoriously dangled his nine-month-old son out the window.

Needless to say, the hotel is the last word in stately—if somewhat conservative—luxury, as heralded by its glamorous, balconied lobby, which greets guests with the sounds of live piano and a trickling fountain. The sumptuous rooms come with marble bathrooms, full-size work desks, and entertainment centers; the three restaurants include the two-Michelin-starred Lorenz Adlon Esszimmer, serving classic European dishes such as braised shoulder of lamb (there’s a four-week waitlist for reservations, so plan accordingly). A luxury spa and a range of boutiques offering everything from fine wines to jewelry to porcelain are also on-site.

Surely one of the most extraordinary imperial relics of Morocco, the Palais Bahia (“the brilliant”) doesn’t disappoint. Built at the start of the 19th century by architect El Mekki for Si Moussa, the then chamberlain of Sultan Hassan I, the palace showcases a wide range of architectural styles hinting at the chamberlain’s playful spirit, especially after his son inherited it and added his own brand of flamboyant glamour to the place. Women’s quarters bedecked with crimson-and-mustard–striped ceilings, a marble-tile courtyard the size of a soccer field, and extensive salons lined by stained-glass windows are just some of the features of the 20-acre space. In 1912, General Lyautey, the governor of French protectorate Morocco, moved in and added creature comforts such as fireplaces and central heating. In so doing, he attracted a number of illustrious guests, among them the writer Edith Wharton. She described the palace this way: “They came, they built the Bahia, and it remains the loveliest and most fantastic of Moroccan palaces. Court within court, garden beyond garden, reception halls, private apartments, slaves’ quarters, sunny prophets’ chambers on the roofs, and baths in vaulted crypts, the labyrinth of passages and rooms stretches away over several acres of ground.” Follow Wharton’s lead and don’t miss it.

The Leopard at des Artistes is more than a restaurant. It’s an Upper West Side landmark, a Manhattan treasure and genuine New York classic. It was once Cafe des Artistes, a restaurant where luminaries from the worlds of art, politics and publishing dined in secluded elegance, surrounded by naked nymphs - each one painted in 1937 by Howard Chandler Christy in the glowing murals that line the dining room to this day. A lot has changed in 97 years behind the doorway at One West 67th Street that now welcomes you into The Leopard. In 1917 the restaurant catered exclusively to artists who lived in the building above - Norman Rockwell, Rudolf Valentino and Isadora Ducan were among its original clientele. But after a renovation in 1975, Cafe des Artistes became a dining destination for the Who’s Who of media - Barbara Walters, Diane Sawyer, Peter Jennings and more dined in the soft-lit, intimate restaurant on a regular basis. With the arrival in 2011 of new owners, Gianfranco and Paula Bolla-Sorrentino and Chef Vito Gnazzo, a new dining experience was introduced to One West 67th Street. Celebrity is no longer a must for a table in this illustrious space (although you will see many here). What you discover on the other side of a door framed by velvet drapes is a classic, elegant setting where the center of attention is you and Southern Italian cuisine prepared with joy and genius. Bossa Nova and jazz set the mood. This is a restaurant that whispers, “Welcome to the real New York.”