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Two things you need to know about gondola rides in Venice: They’re worth it; and the price is agreed beforehand. Knowing those two things, you can happily hop aboard this traditional Venetian mode of transport and relax, because, touristy as it is, it’s not a rip-off, and it’s a must-have experience. You can pick up a gondola almost anywhere in Venice, and you can see whatever sights you want from one... My own recommendation is to head away from the Grand Canal to the quiet backwater canals where you can really imagine yourself centuries back in time. We engaged our gondolier at the station near Rialto Mercato and asked him to take us across to Cannaregio, a more residential area that still boasts some extraordinary palazzi and churches. We barely met another boat, apart from the odd Venetian getting himself home on his motor launch, and unexpected delights loomed upon us silently and suddenly, like Marco Polo’s house, or the Chiesa dei Miracoli. All in all, much better than joining the heavy gondola traffic in San Marco.

Controlled by the François Pinault Foundation, the same trust in charge of Christie’s auction house, this is a museum-worthy gallery in the heart of Venice. Set inside a 17th-century customs house, it showcases Pinault’s impressive private collection, comprised of some 2,500 pieces of modern art. The location, at the point of land where the Grand Canal meets the Giudecca Canal, is equally spectacular. After you’ve finished browsing the art collection, grab a pastry or a small bite at the in-house Dogana Cafe.

The Ponte dei Sospiri was given its English name by part-time Venice resident Lord Byron, who wrote in Childe Harold’s Pilgrimage: “I stood in Venice on a Bridge of Sighs, a palace and a prison on each hand.” Byron’s travelogue nails it: When you stand on the famous crossing, the Doge’s Palace and a public prison are on either side. A local myth (that turned into the plot line for the film A Little Romance) says that lovers who kiss on a gondola at sunset beneath the Bridge of Sighs will be granted eternal love. Access to the bridge itself is through the Secret Itinerary tour of the Doge’s Palace.

The doorway of the Portrait Roma is one of a growing number of blink-and-you-miss-it boutique hotel entrances behind which contemporary luxuries await. Tucked behind an unassuming facade on a side street off the busy Via dei Condotti, the Portrait Roma is part of the Lungarno Collection, a small group of boutique hotels owned by the Ferragamo fashion house. Opened in 2006, the property prides itself on customized service, and each of the rooms comes with a Lifestyle Manager, or 24-hour concierge, who provides personalized holiday management throughout the stay based partly on the guest questionnaire completed before arrival.

All 14 rooms are suites, and each is classically decorated and designed to mirror the prestige of the Ferragamo brand. Rooms are accented with linen, leather, and cashmere, as well as artwork that evokes the beauty and spirit of Ferragamo. Weather permitting, the rooftop terrace hosts food and drink service and offers views of the historic center.

Set in an 18th-century palazzo, once a former bank, the Park Hyatt Milan boasts interiors designed by American-born, Paris-based architect Edward Tuttle. It aims to wow from the outset. Guests are greeted by a lobby decorated with sophisticated materials such as warm travertine stone and alabaster, and topped with a 30-foot glass-domed cupola. There’s a discernibly modern aesthetic throughout the rest of the hotel, though, from the vibrant modern art scattered throughout the public areas to the contemporary color palettes (creams, beiges, and gentle grays). Rooms are correspondingly elegant, with high ceilings, expensive dark woods, rich wool carpets, and hand-selected furnishings (Murano light fixtures, Bang & Olufsen TVs). The bathrooms are especially impressive, not only because of their generous size and marbled interiors, but also thanks to the mirrored walls, double sinks, octagonal stone and glass showers, and Lauro Tonatto bath products.

The Hotel Orphée, in the medieval city of Regensburg, oozes 19th-century French glamour. Centrally located to Regensburg’s cobblestone streets, local shops, restaurants, and small squares, it’s decorated in a Baroque palazzo style. Each large, reasonably priced room is styled differently, but nearly all feature antiques and four-poster beds. Also on-site is the Orphée Restaurant, a French bistro that’s been in operation since 1896. Surrounded by its authentic wood wainscotting, tin ceiling, old French posters, and overall patina, you’ll feel transported to a distinctly different era—a time when sitting in a small café, drinking wine and watching passersby, could be the grand plan of your day. Note: In the summer, the narrow streets surrounding the hotel get very noisy, so if you’re a light sleeper, this may not be the place for you.

The Franciscan Basilica di Santa Croce, with its striped green-and-white marble facade, dates from about 1294. Inside are the tombs of many celebrated early Florentines, including Dante, Michelangelo and Machiavelli. Among the many art treasures are radiant frescoes by Giotto and his pupil Taddeo Gaddi, which decorate the Bardi and Peruzzi chapels, and the newly restored Cappella dei Pazzi, a Renaissance architectural masterpiece designed by Brunelleschi.

We had the fabulous opportunity to spend a week at the Venetian and here are my findings. I loved it the minute I got out of the taxi. It has an opulent front entrance, with a massive ceiling adorned with frescoes. Inside you are greeted with more luxury as the lobby is all marble. The front desk is extremely efficient as one would expect from a five star hotel and among best if not the best in Vegas. We got in very late and had no desire to go out to eat so we ordered room service. The menu is extensive and delicious and they offer a lot of healthy choices. The service was a bit slow but the food more than made up for it. Our suite was large and comfortable with two queen beds and a generous sitting area. My only complaint with the Venetian, as with all the casino hotels in Vegas, is that the smell of cigarette smoke is present everywhere in the main lobby and casino and you cannot avoid it as walking to most restaurants requires walking by or through the casino. Apart from that I love it.

I love staying in a private villa home over a hotel when traveling with a small group, and Breezy Villa by Island Escapes is both affordable and impressively chic. In a secluded hillside location, complete with multiple, swaying palms for privacy and glassy sea-foam green lagoon views that are just a shade lighter than the infinity pool melting into them, it’s easy to check skinny-dipping in paradise off the bucket list when sleeping here. If naked swimming isn’t your thing, no worries, the pool is also perfect for nighttime stargazing floats. And then there is the leeward lagoon location itself -- it is super calm and you can wade for ages through calm and crystalline water here without gaining much depth. There is no direct beach access, but a series of steps wind their way down from the travertine-tiled pool terrace to a small pier where a ladder offers direct sea access. Breezy Villa’s stylish interior is equally appealing. From the arched doorways and pitched roof in the open living room and modern L-shaped kitchen to the square-shaped original ocean-hued paintings hung on either side of the front door to the Grecian-Roman columns on terrace, I love the Zen beach house meets Italian palazzo vibe. Similar-sized sleeping quarters, each featuring a unique wooden bed frame and French doors opening directly to pool terrace, make this three-bedroom home equally perfect for families, especially those traveling with a nanny. It also works well for multiple couples.

An understated, private landing stage for gondolas and water taxis on a side canal of the lagoon marks the entrance to the lovely Baglioni Hotel Luna in San Marco. Steeped in history, the palazzo, with lagoon-facing windows and charming Juliet balconettes, dates to the 12^th century and is said to have given refuge to the Crusade-era Knights Templar. Interiors are more in keeping with noble 18^th-century fashions. There’s a sleek marble lobby, sparkling crystal chandeliers, antique furnishings, and a healthy showing of brocade fabrics. The standout room is the pristinely preserved Salone Marco Polo, filled with18^th-century frescoes painted by pupils of influential Venetian painter and printmaker Giambattista Tiepolo.

Conveniently located just steps from bustling and culture-packed St. Mark’s Square, this hotel, with its award-winning restaurant, relaxed lounge, and rooms full of delightful period details, makes for an elegant home base in Venice.

Tucked away on the less-trafficked slopes of Mount Portofino, above the picturesque waterfront town of Camogli and scenic Riviera di Levante, Villa Rosmarino is that Italian friend’s vacation house you’ve been dreaming of. Owners Mario Pietraccetta and Fulvio Zendrini left Milanese corporate life to transform this dilapidated turn-of-the-century palazzo into a midcentury-style oasis with touches of Italian modernism, then moved in permanently, inviting others to experience their personal brand of la dolce vita. The library is outfitted with stylish armchairs, warm wood ceiling beams, and a collection of art and travel books that spans the walls, and the living room’s well-stocked honesty bar is the backdrop for friendly nightcaps. Rooms aren’t numbered, and the sprawling gardens are easy to get lost in. Mario and Fulvio are likely to chat guests up while lounging by the pool or sipping espresso on the balcony, offering their insider knowledge about the area and arranging one-of-a-kind excursions, from visits to secluded beach clubs to rides in their wooden motorboat.

Housed in a trio of historic buildings spanning the 14th to the 20th centuries, the Hotel Danieli, a Luxury Collection Hotel, overlooks Venice’s lively Riva degli Schiavoni waterfront promenade in San Marco—a prime people-watching spot. The noble family who lived in the original Byzantine-style palazzo had four doges in their line. Its second act as a hotel began in 1822, and it has continued to host notable guests, from Charles Dickens to Charlie Chaplin. The gilded lobby, with its Murano glass chandeliers, pink marble columns, and stained-glass windows, sets the opulent tone throughout.


Rooms are styled with Italian antiques, original artwork, and Murano glass mirrors or chandeliers, and many have gorgeous lagoon views. Mingle with guests over martinis at the award-winning bar, or watch the sunset from the terrazza.

Don’t miss dinner at the restaurant, either—a location you may recognize. In the Angelina Jolie/Johnny Depp film The Tourist, the famous twosome dine at this famous restaurant. Part of the historic Hotel Danieli, the stupendous views from the terrace give you a front seat to the great show of the Grand Canal.

The Hotel Locarno occupies two adjacent buildings in the cosmopolitan district between the Tiber River and Piazza del Popolo. The original property, built and inaugurated in the 1920s, houses the majority of the standard and deluxe rooms, while the annex, a former palazzo owned by a Venetian family, houses the more luxurious suites. Both of the adjoined structures blend Old World charm and art nouveau elegance, and their rooms preserve turn-of-the-20^th-century decor, including lavish drapery, oil paintings, embellished ceiling stuccoes, and period furniture.

The two buildings are joined by a wisteria-filled courtyard, where breakfast is served in fine weather. The rooftop bar offers aperitivo (the Italian version of happy hour) cocktail service and sweeping views over the city and across the river to St. Peter’s cupola. The bar is open to the public and attracts a well-heeled Roman and expat crowd.

Buddha statues in lower Pak Ou Cave on the Mekong River north of Luang Prabang, Laos. Pak Ou is a series of limestone caves which contain hundreds of Buddha statues palced there over the centuries. It is a popular pilgrimage site for local people, especially during Lao New Year in April when the caves are crowded with devotees who gain merit by ceremonially washing the Buddha statues. The caves can be reached by boat from Luang Prabang in about 30-40 minutes.

You will likely see Bronzino’s famous portrait of Eleonora (or Eleanor) de Toledo, in the Uffizi, during your visit to Florence. The Spanish noblewoman who became the duchess of Florence in 1539 when she married Cosimo I de’ Medici was unusual for her time, playing an active role in politics and as a patron of the arts. Her patronage extended to garden design, in its infancy (at least in Europe) in the 16th century. Eleonora commissioned the Boboli Gardens behind the Pitti Palace as a green escape from the city; they continue to provide a retreat for travelers today.

Among the earliest examples of the formal compositions that would dominate garden design through the 20th century, the grounds are dotted with classical statues and fountains while straight axes run up and down the hillside with an apparent disregard for topography. A moment in design history can be experienced first hand here. There’s a feeling that the man who planned the gardens (Niccolò Tribolo) conceived a formal plan and then simply laid it atop the site. Principles of garden design were later to shape city planning. The allées of the Boboli Gardens were early models for grand boulevards leading the eye to distant monuments. One of the pleasures of gardens, however, is that you don’t need to know their histories to enjoy the flowers in bloom or the sounds of birdsong and splashing fountains.