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Certain things in life are simply impossible to adequately capture in a mere photograph. Iguazú Falls is definitely one of them, and above is my best effort to convey the epic expanse of ‘The Devil’s Throat.’ Situated on the border of Brazil and Argentina, the falls are the watery dividing line between the two countries at this exact point. I accessed the falls from the Argentinian side, via Iguazú National Park and took a mini train (the Rainforest Ecological Train, to be exact), some trails, and more than a few catwalks to reach this particular vantage point. Unlike some falls in the US and Canada, in the southern hemisphere you can get dangerously close to the roaring waters of these grand spectacles. The sound is deafening, the spray is enticing, and the visuals are simply amazing. As I stood there, trying to take it all in, all I could do was feel my heart pounding as I stared into the mouth of the devil. Most depictions of Lucifer entail horns, a tail and copious amounts of fire meant to terrify all who are witness to his power. I can assure you, though made of mere cliffs and water, THIS devil could douse any other devil and never look back.

This botanical wonder is home to thousands of native plant species, including heliconias, hibiscus and bromeliads. Guests enjoy strolling around the three-hectare (seven-acre) grounds, where hundreds of palm trees tower over creeks and tiny hummingbirds flit among the lush foliage. An aerial walkway suspended 15 meters (49 feet) high in the canopy gives visitors views of the Balata Garden, the mountains and Fort-de-France Bay. There’s also a fine old plantation house on the grounds.

For more than two decades, Tobago’s own Ted Arthur has been turning out his own line of high-quality leather goods and accessories—sandals, satchels, handbags and jewelry. His work is influenced by the tropics, and often adorned with palm trees, leaves and hibiscus flowers. Past customers have included the Obamas and Richard Branson as well as musical celebrities Chaka Khan and India Arie. Visit his shop on Scarborough’s Milford Road Esplanade to pick up a finely crafted memento of Tobago.

The village of Monticello just outside of L’Île-Rousse would be worth a visit just for its wonderful coastal views, which come courtesy of its perch 213 meters (700 feet) above the sea. Like many towns here in the Balagne region it’s also known for a gorgeous church: Saint-François-Xavier, which has two fine Baroque chapels. Further down a mountain road that passes through groves of olive trees, Santa-Reparata is a village with another handful of historic churches and chapels.

There are times when only a bowl of pasta will do, and those are the times to head straight for Pepe Nero, with its romantic orange-tree courtyard for alfresco eats and warren of more-intimate dining rooms. Note, the latter can sometimes feel a bit cut off from the main hub, so it’s arguably a better summer jaunt, but you can’t knock the food. Chef Khalid Robazza Essafa makes all his own pasta. The roast veal agnolotti (stuffed pasta squares similar to ravioli) is sensational, as is the lasagna and the eggplant Parmesan. The king prawn risotto has earned Essafa a devoted, local fan base, although out-of-towners have been known to rave about his tandem Moroccan menu, too.

Bright Angel Trail was turned over to the National Park Service in 1928, but its history in the Grand Canyon goes back thousands of years as a natural route navigated by the region’s American Indians to reach the inner canyon. Today it’s one of the most popular Grand Canyon hikes and often is combined with the South Kaibab Trail for a longer excursion. Bright Angel is a shaded trail with plenty of natural water, so that means more plant and animal life for you to view. At Indian Garden, water is available year round, and there’s a must-see creek-side trail that snakes through ravines of water-sculpted stone and green cottonwood trees; from Plateau Point, you can see three miles of the Colorado River. Mules have the right of way on the trail.

The understated and modest villas at the Hoshinoya Taketomi Island resort are a far cry from the characterless concrete and stucco of many beach resorts, but then again, this is Japan, where tradition and elegant simplicity are standard. The island of Taketomi prohibits modern buildings and encourages the traditional practices of red-tiled roofs and gukku stone walls with embedded talismans. Accommodations are either Japanese-style with tatami mats and futons, or more western with wood floors and modern furniture; all have deep soaking tubs, private gardens, and floor-to-ceiling windows that can be fully opened to let in the outdoors. The restaurant serves nouvelle French cuisine featuring island seafood and local ingredients, and the lounge encourages guests to unwind with a beverage and a book. For more active stays, the swimming pool is heated and shaded by banyan trees, and guests may borrow a bicycle to explore the island’s white coral sand beaches and watch the sun rise and set from the observation deck. The resort is reached by ferry and a shuttle from Ishigaki port, and visitors get around the island by water buffalo cart rather than car.

This company carries the label of EPV, as certified by the French government for its continued work in a trade considered part of the French heritage. The family business began in 1958 when nearly every local village still had an artisan working in olive wood. Today, there are fewer than 20 professionals practicing the art in the region. Second-generation craftsman Guillaume Dubosq starts with tree trunks, drying, cutting, shaping, and sanding his work by hand, turning out the lustrous olive-wood housewares. Some of the region’s finest restaurants have commissioned his pieces for their tables. Each item sold in the shop is unique; purchasing something here not only makes sense for those seeking made-in-France souvenirs, it supports local traditional crafts as well.

The only building on sheltered Apantima Bay, this funky beach bar with rooms is one of the reasons the tiny island of Antiparos has suddenly become fashionable. Hanging with the skimpily clad in crowd doesn’t come cheap: If you’re not staying in one of the nine quietly chic suites, you’ll have to fork out handsomely for a sun bed. The payoff is chilling under juniper trees with a detox smoothie, idly watching athletic beach babes paddleboard into the sunset. There’s an alfresco massage and yoga pavilion; a stylish boutique where you can pick up caftans, scents, and sandals; and a 26-foot bar for sundowners and tuna burgers with wasabi mayo.

Built in 1901, the legendary “First Lady of Waikiki” blends Victorian architecture with a golden beach and turquoise seas. Putting a luxury hotel in a deserted backwater was a bold move—but one that paid off. Tourism took off here and the Moana remains its ruling monarch. One of the most lovely, historical hotels in Hawaii, it still has Ionic columns supporting an elegant porte-cochère, plus a long shaded gallery along its facade where rocking chairs encourage guests to watch the world go by. A $21-million renovation brought it up-to-date in 2014 and added a new beach club. But an exhibit room still honors its rich past on the second floor of the Banyan Wing, and serves as a jumping-off point for free historical tours (11 a.m., Mondays and Wednesdays).

Throughout his life, African-American artist Noah Purifoy reimagined junk as art, using found materials to create sculptures inspired by Southern California’s culture and landscape. Some of his best-known pieces were made out of charred debris from the 1965 Watts riot, and he worked tirelessly to bring art programs into the local community and prison system. Then in the late 1980s, Purifoy moved to the desert, where he spent the last 15 years of his life creating his original and distinctive magnum opus: a series of large-scale sculptures sprawled across 10 acres of sandy red earth in the Mojave. The space redefines the notion of a museum, with an atmosphere that’s both meditative and reminiscent of Mad Max. While the found items are evident upon close inspection, the impact of the pieces themselves—with such titles as “The White House,” “Band Wagon,” and “Ode to Frank Gehry”—is deeply moving. The museum is open all day and free (though donations are encouraged), but you can also schedule a one-hour group tour or a private tour with a docent. Pro tips: Visit as early as possible or at sundown to avoid the scorching heat and experience the place at its most picturesque. Bring water and watch out for snakes.

This urban luxury resort in Shanghai has a polished, cool contemporary feel, mixing Eastern and Western sensibilities. Interiors lean toward dark tones and clean lines, with clever landscaping providing a sense of escape. Organic materials include liberal use of wood, stone, and marble. Large windows bring in natural light, and decor mixes contemporary with touches of traditional Chinese. Environmentally sensitive practices take multiple guises: Solar panels gather energy for hotel operation. The heatproof facade limits the need for air-conditioning. And sunshades in each room open and close automatically to let in or keep out the sun’s light and heat. Rooms also have dragon-scaled screens and cast bronze basins. Club rooms come with the perks of 24-hour check-in/check-out and butlers.

The 40-room John D. Rockefeller estate is sometimes described as being modest compared to other Gilded Age mansions on the Hudson. While it is true that it doesn’t have the same over-the-top quality of the Vanderbilt mansion, it does have one thing that distinguishes it from the other estates nearby, its gardens. Laid out at the beginning of the 20th century with Frederick Law Olmsted (of Central Park fame) leading the project briefly before being replaced by William Welles Bosworth, the gardens are one of the best examples of Beaux Arts garden design in America. Bosworth’s design consists of a number of different gardens spread over terraces descending from the house, many with views of the Hudson and the Palisades on the other side. (The Rockefellers helped protect the land on the opposite side of the river, assuring their views would never be ruined.) Japanese, French, and other styles are contained in separate garden rooms, while the grounds are also home to a number of contemporary sculptures, fitting given the Rockefellers’ legacy as patrons of the arts. It is only possible to visit Kykuit on guided tours offered from the beginning of May to the end of September. (Members of the Rockefeller family continue to use other buildings on the estate and they are apparently not interested in having visitors wander away from Kykuit and drop by unannounced). Choose the “Landmarks Tour” if you are interested in spending more time in the gardens than the house itself.

It seems wrong to call this Renzo Piano–designed complex a museum—it’s more like a “sculpture safari,” on which you get to experience the pieces in their intended habitat. Opened in 2003, the Nasher Sculpture Center is a two-acre homage to modern and contemporary sculpture that was founded upon the private collection of the late Raymond and Patsy Nasher, then grew to include new acquisitions and special exhibits on loan from other institutions. Wander the peaceful indoor and outdoor galleries and gardens to spot works by artists like Giacometti, Moore, Serra, Rodin, Picasso, Calder, and de Kooning; many of the larger pieces invite interaction. The lush setting and bold pieces create an idyllic backdrop for the center’s year-round calendar of events (which include movie nights and family-friendly fun)—and make it a top pick for weddings, too.

I’ve been all over the California coast and Point Lobos is my favorite place to hike. We have hiked every trail in this reserve and never tire of this magical place. You can see many animals, such as sea otters, seals, elephant seals,sea lions, squirrels and deer that are often in little pockets near the trails. Most of the hikes are easy to moderate, you can make them longer by combining them or just hike smaller parts. There is a whalers cabin that has been transformed into a little museum at one end of the reserve.