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This frilly, century-old mosque, with its interesting mix of Victorian and Arabian architecture, is straight out of a Disney fairy tale. Its Corinthian columns, Doric pilasters, cinquefoil arches, and painted-glass cupolas will mesmerize you. When the green-and-cream-colored mosque was built, the surrounding neighborhood was called Kampong Kapor, or “Limestone Village.” The mosque’s staff is very welcoming and friendly to visitors who want to have a look around, and they even loan out robes to wear, as it’s considered respectful to dress modestly inside.

The St. George, opened in 2007, was recently purchased and renovated by Indigo, an international luxury hotel chain. The new owners have taken care to preserve the unique elements of the original structure, including an exterior of roughly hewn travertine. These white limestone blocks were laid in the 16^th century by Bramante; Pope Julius II commissioned the architect to build the Palace of Justice on his newly laid Via Giulia. Bramante never completed the project, but part of the building has been adapted into the current structure. Inside, the surfaces are smooth-polished limestone punctuated with contemporary art. Throughout, the decor blends modern design with classic details, often in the form of art pieces inspired by the very Renaissance masters who once strolled the cobblestones outside, so many centuries ago.

After a day traversing the city, unwind Roman-style, in the St. George’s subterranean spa. Never mind that they call the spa facilities a Turkish bath; the hot and cold bathing ritual was perfected by the ancient Romans not far from the hotel itself. After indulging in spa treatments, head to the rooftop bar for drinks and views of the river to Trastevere.

Ask someone who’s stayed at Number 31, a downtown Dublin house-hotel, what it’s like and he or she likely won’t get past the breakfast: the pears poached in vanilla syrup, Wexford strawberries, eggs scrambled with smoked salmon from the west coast, and slices of zesty cranberry loaf. Such homey food served in a sunlit dining room is part of what makes Number 31 feel less like a hotel and more like the pied-à-terre you’ve always dreamed of. Comfortable rooms and unobtrusive staff add to the urban townhouse vibe; the hotel owners, Noel and Deirdre Comer, manage to be warm and welcoming while also leaving guests to make themselves at home around the peat fire in the sunken lounge.

A wild garden separates the hotel’s two buildings, a Georgian terrace house and the coach house, and the overall modernist-meets-classic design owes to architect Sam Stephenson, who lived in the house as he renovated it in the 1950s. Number 31 is a favorite of Dublin insiders, from artists to architects to the designer John Rocha.

Some visitors to Santa Fe are surprised to find this Gothic revival structure in the middle of all of the adobe buildings in the historic district, like a piece of medieval Paris transplanted to the Wild West. The French connection is real—the 19th-century Loretto Chapel was designed by a French architect who modeled it after La Sainte Chapelle in Paris. According to legend, though, the plans failed to include access from the chapel floor to the choir loft. So, the nuns who ran the girls’ school for which this stone structure was built began praying, and after nine days, a mysterious carpenter arrived. Neither nails nor glue nor any visible external support were used in this doubly-twisting staircase, and no one ever found out the name of the carpenter, who left without seeking payment. It must’ve been St. Joseph himself...so goes the legend of “the miraculous staircase.” The physics of the structure can be explained by architects today, but that doesn’t stop about a quarter-million visitors every year from marveling at the elegant spruce spiral. Open to the public as a privately run museum, the Loretto Chapel hasn’t been a church for decades. It can, however, be rented: a spectacular setting for a private wedding.

During my last stay in Seoul, I spent most of my time in the historic heart of the city north of the Han river. I did take a Sunday afternoon, though, to walk around the Gangnam district—the chic high rise–dominated neighborhood south of the river. (As recently as a few decades ago, this area was still rice-paddies.) Just around the corner from Bong-eun-sa temple (which dates from the 8th century), this striking building caught my eye: the headquarters for the Hyundai Development Company. Designed by renowned architect Daniel Libeskind, it’s known as “The Tangent.” In the architect’s words, “the Tangent is a project that is about the relationship between the ever-changing circle of nature and the straight line of technology.” (Those words could also succinctly describe the recent history of postwar Korea.) In my mind, though, because this structure reminds me of one of my favorite artists, this is the Kandinsky building in Seoul. And across the street, beneath the Korea World Trade Center tower, is the COEX mall, Asia’s largest underground shopping center. Grab a bite in the food court and get a feel for the youth pop-culture vibe; a K-pop dance competition just might be taking place on a nearby stage. To get here: Take Subway Line 2, exit Samseong (COEX) station.

Why we love it: A bungalow-based resort inspired by Frank Lloyd Wright and his beloved Sonoran Desert

Highlights:
- Spacious bungalows full of mid-century style
- Decor from local nonprofit Cattle Track Arts Compound
- Desert-inspired treatments at the on-site spa

The Review:
Santa Fe meets Palm Springs at this bohemian resort in Paradise Valley. Designers saved the bungalows from the previous property, but added dramatic, low-slung buildings rich in glass and deep overhangs, plus an ample central pool and four conference venues. Inspiration came via icons Frank Lloyd Wright and Alexander Girard, who both retreated to the desert for its light and space.

Guests looking to follow their lead can book one of the Andaz’s 201 mid-century-style casitas, which come complete with Eero Saarinen–esque womb chairs and marble walk-in showers. Suites include an additional full bathroom and spacious living area, while The Retreat—a cluster of accommodations perfect for weddings or corporate retreats—features 20 bungalows, including the 1,800-square-foot Albers House, surrounding a private pool. Throughout, decor draws heavily from the Cattle Track Arts Compound, a nearby nonprofit workspace for painters, sculptors, jewelers, potters, blacksmiths, and performers. (The hotel actually hosts artists-in-residence from the organization on a regular basis). Also on-site is the Palo Verde Spa & Apothecary, where treatments blend desert elements with locally sourced botanicals, and the inventive Weft & Warp Art Bar + Kitchen, with dishes inspired by the surrounding Sonoran Desert. When guests wish to explore farther, they can catch a ride in the hotel Tesla anywhere within five miles, including to Chaparral Park and Old Town Scottsdale.

With its swooping glass panels that resemble a kind of space-age ship’s sails, Frank Gehry’s design for the Louis Vuitton art collection, which opened in fall 2014, is worth the Métro ride to the far-flung 16th arrondissement. The multiple terraces let you peek through and around the panels: One side overlooks the verdant Bois de Boulogne park, while the other offers a view of the Eiffel Tower, looking miniature in the distance. The innovative exhibitions of modern and contemporary art rotate twice yearly. Outside on the ground level is a can’t-miss piece by Olafur Eliasson: a dizzying row of yellow-glass and mirrored columns that are guaranteed to fill your Instagram feed.

Frank Altamura took his time renovating the old Italian grocery store — where he remembers shopping as a child — at the north end of Yountville. His dream was to turn the partly dilapidated building into a casual restaurant with great pizza and Napa Valley wine where locals would love to eat. His dream came to fruition when Ciccio opened its doors in 2013. The menu is simple, straightforward and ever-changing based on what Altamura is bringing in from his Napa ranch, where he also grows Cabernet Sauvignon, Nebbiolo, Sangiovese and Negroamaro for his eponymous wine. Chef Polly Lappetito (former Executive Chef at The Culinary Institute of America) traveled far and wide in search of the perfect pizza crust, but her’s is in a category all its own — prepared in a hand-tiled, wood-burning pizza oven imported from Italy.

Why we love it: An apartment-style hotel designed by acclaimed architect Jean Nouvel

The Highlights:
- Individually decorated rooms with modern appliances created for longer stays
- A thoughtful mix of modern and historic design elements
- A rooftop lounge that looks out over the Roman Forum

The Review:
When the Fondazione Alda Fendi-Esperimenti acquired the Palazzo Rhinoceros—a 17th-century palace near the Roman Forum—and handed renovations over to Jean Nouvel, something special was bound to happen. The renowned French architect transformed the historic palace a stone’s throw from Rome’s birthplace on Palatine Hill into a 24-apartment sanctuary for guests staying anywhere from one night to one year.

The apartments—which all have kitchens designed for longer stays—each have their own unique layout with sliding steel walls so you can close off the living room from the bedroom, or create one massive space. Even though the use of steel materials and contemporary furnishings makes for a thoroughly modern atmosphere, Nouvel kept some old paint intact and installed window panels with photographs of the space before renovations to help tie the property to its historic location. For the best views in the building, head to the six-floor terrace, where you can take in the sunset over the Roman Forum with a cocktail in hand.

This Cuzco corner presents a notable juxtaposition between ancient Incan and Spanish colonial architecture. Since the Incas worshipped their sun god, Inti, above all others, this temple in their imperial capital was the most important of the entire realm. It was here that they brought the idols of all peoples they assimilated, to offer them representation as they demanded allegiance in Cuzco. When the Spanish arrived, they tore down much of the temple and built a monastery on top of it. However, the walls that do remain provide stunning examples of pre-Hispanic engineering, particularly the rounded outer wall that can be seen from Avenida del Sol.

Why we love it: An architectural landmark beautifully transformed into a five-star hotel

The Highlights:
- Elegant design touches like marble-inlaid floors and a gold-leafed stairway
- Urban hot springs for soaking even in the snow
- A rooftop lounge with views of the city and Lake Erie

The Review:
Opened in 1913 at the height of Buffalo’s boomtown years, this historic building originally served as office space. At six stories, it was considered a Chicago-style skyscraper and enjoyed pride of place as one of the city’s tallest buildings. It was added to the National Register of Historic Places in 2008 and underwent a $25 million makeover in 2017 to become the Curtiss—Buffalo’s only five-star hotel. The renovation added elegant touches like marble cornices, which are illuminated by brightly colored lights each evening, and a fountain at the main entrance, where iron taps stream into marble basins. Other extraordinary design moments include the marble-inlaid floor in the foyer, a gold-leafed stairway, and the glamorous Jazz Age mosaic by artist Christopher Guy behind the front desk. Lest it start to feel stuffy, however, the hotel also includes contemporary touches like “urban hot springs” where guests can soak outdoors no matter the season.

Set in Buffalo’s thriving Theatre District, the Curtiss has 68 rooms with premium linens, bedside control panels, and marble bathrooms with luxurious showers. Some even feature Toto toilets with heated seats, as well as steam showers and aromatherapy jetted tubs. When it’s time for drinks, high-speed elevators whisk guests to the VUE Rooftop Lounge, complete with three bars, a massive fire pit, and sweeping views of downtown Buffalo. For dinner, there’s also the standout Chez Ami restaurant, which features year-round patio seating and Western New York’s only revolving bar.

The Pigalle neighborhood’s past comes alive in Hôtel Rochechouart, a 106-room property on the boulevard Marguerite de Rochechouart, itself a late-night destination and a 1920s hot spot for musicians, intellectuals, and artists. The hotel’s design by Charlotte de Tonnac and Hugo Sauzay of Festen Architecture builds off of that legacy; restored details include the blue mosaic floor in the restaurant and the glass elevator. The modern-feeling guest rooms are done up in a moody, autumnal color palette and feature Old World decorative details like burl-wood headboards, curvaceous armchairs, and alabaster suspension lamps.

Whether you have time to kill while waiting for your train or you simply like architecture, Milan’s main train station, Stazione Centrale, is worth a walk through for its epic 20th-century architecture. Originally designed at the turn of the century, Stazione Centrale has beautiful, monumental Liberty and Art Deco ornament in its main hall and entrances, while the platform area is covered in a gorgeous rooftop of iron arches. If you have a few more minutes, the Stazione also has some great shops, a traditional Motta caffe, and one of the best newsstands in the city.

The mysterious rooftop of Casa Mila both charms and haunts visitors. The glorious October sky above frames the organic forms, each sculpted face watching as I creep up and down the rolling ramps. Children can’t resist playing here, and fortunately there are now fences all around. In my mind, I erase all of those pesky safety features to envision the smooth sculptures growing towards the sky from a scrolling sandy field. Once a site for a scene from Star Wars, the rooftop is now a destination for lovers of Barcelona and Antoni Guadi’s “Modernisma” style. When you visit, you’ll learn the secret behind those long vertical faces rising up above the mystical rooftop.

While San Francisco’s Contemporary Jewish Museum dates back to 1994, it moved into its current location in 2008. The heart of the museum’s new home is a 1907 Pacific Gas & Electric power substation, with additions designed by one of architecture’s leading figures, Daniel Libeskind. The museum tends to take a thematic and often surprising approach to its subject with, for example, exhibitions of artists inspired by the biblical book of Genesis and others focused on the notable personalities of the Jewish life of California, America and beyond. If you are looking for some unexpected gifts, the museum’s store carries updated menorahs, humorous T-shirts and a large selection of books on Jewish culture and history.